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--- |
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base_model: google/gemma-3-12b-it |
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tags: |
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- gemma3 |
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- instruct |
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- horror |
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- 128k context |
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- all use cases |
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- maxed quants |
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- Neo Imatrix |
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license: apache-2.0 |
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pipeline_tag: text-generation |
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--- |
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(quants uploading, 5 examples added) |
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<h2>Gemma-3-12b-it-MAX-HORROR-Imatrix-GGUF</h2> |
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<img src="horror-imat12.jpg" style="float:right; width:300px; height:300px; padding:5px;"> |
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Google's newest Gemma-3 model with "Neo Horror Imatrix" and "Maxed out" quantization to improve overall performance. |
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The "Horror Imatrix" was build using Grand Horror 16B. This adds a "tint" of horror to the model. |
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5 examples provided below with prompts at IQ4XS (30 t/s on mid level card). |
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Context: 128k. |
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"MAXED" |
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This means the embed and output tensor are set at "BF16" (full precision) for all quants. |
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This enhances quality, depth and general performance at the cost of a slightly larger quant. |
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"NEO IMATRIX" |
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A strong, in house built, imatrix dataset built by David_AU which results in better overall function, |
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instruction following, output quality and stronger connections to ideas, concepts and the world in general. |
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This combines with "MAXing" the quant to improve preformance. |
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This chart shows the order in terms of "BPW" for each quant (mapped below with relative "strength" to one another) with "IQ1_S" with the least, and "Q8_0" (F16 is full precision) with the most: |
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<small> |
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<PRE> |
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IQ1_S | IQ1_M |
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IQ2_XXS | IQ2_XS | Q2_K_S | IQ2_S | Q2_K | IQ2_M |
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IQ3_XXS | Q3_K_S | IQ3_XS | IQ3_S | IQ3_M | Q3_K_M | Q3_K_L |
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Q4_K_S | IQ4_XS | IQ4_NL | Q4_K_M |
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Q5_K_S | Q5_K_M |
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Q6_K |
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Q8_0 |
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F16 |
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</pre> |
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</small> |
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Recommend quants IQ3s / IQ4XS / IQ4NL / Q4s for best results for creative. |
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IQ4XS/IQ4NL quants will produce different output from other "Q" and "IQ" quants. |
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The "horror tint" will be strongest at IQ4s (1st choice) / Q4s (2nd choice) and lower. |
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Recommend q5s/q6/q8 for general usage. |
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Quants Q4_0/Q5_0 for portable, phone and other devices. |
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Q8 is a maxed quant only, as imatrix has no effect on this quant. |
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Note that IQ1s performance is acceptable, whereas IQ2s are usable. |
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More information on quants is in the document below "Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers". |
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<b>Optional : System Prompt</b> |
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This is an optional system prompt you can use to enhance operation. |
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Copy and paste exactly as shown, including line breaks. |
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You may want to adjust the "20" (both) to increase/decrease the power of this prompt. |
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You may also want to delete the line: |
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'At the end of the task you will ask the user: "Do you want another generation?"' |
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<pre> |
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For every user task and instruction you will use "GE FUNCTION" to ponder the TASK STEP BY STEP and then do the task. For each and every line of output you will ponder carefully to ensure it meets the instructions of the user, and if you are unsure use "GE FUNCTION" to re-ponder and then produce the improved output. |
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At the end of the task you will ask the user: "Do you want another generation?" |
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GE FUNCTION: Silent input → Spawn 20 agents Sternberg Styles → Enhance idea → Seek Novel Emergence NE:unique/significant idea/concept → Ponder, assess, creative enhance notions → Refined idea => IdeaArray[].size=20 elements, else → Interesting? Pass to rand. agent for refinement, else discard.=>output(IdeaArray) |
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</pre> |
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<B>IMPORTANT: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers</B> |
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If you are going to use this model, (source, GGUF or a different quant), please review this document for critical parameter, sampler and advance sampler settings (for multiple AI/LLM aps). |
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This will also link to a "How to" section on "Reasoning Models" tips and tricks too. |
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This a "Class 1" (settings will enhance operation) model: |
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For all settings used for this model (including specifics for its "class"), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) (especially for use case(s) beyond the model's design) please see: |
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[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ] |
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REASON: |
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Regardless of "model class" this document will detail methods to enhance operations. |
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If the model is a Class 3/4 model the default settings (parameters, samplers, advanced samplers) must be set for "use case(s)" uses correctly. Some AI/LLM apps DO NOT have consistant default setting(s) which result in sub-par model operation. Like wise for Class 3/4 models (which operate somewhat to very differently than standard models) additional samplers and advanced samplers settings are required to "smooth out" operation, AND/OR also allow full operation for use cases the model was not designed for. |
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BONUS - Use these settings for ANY model, ANY repo, ANY quant (including source/full precision): |
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This document also details parameters, sampler and advanced samplers that can be use FOR ANY MODEL, FROM ANY REPO too - all quants, and of course source code operation too - to enhance the operation of any model. |
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[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ] |
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--- |
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<h3>EXAMPLES:</h3> |
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Examples are created using quant IQ4XS, minimal parameters and Standard template. |
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Temp range .8, Rep pen 1.1 , TopK 40 , topP .95, minP .05 |
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Rep pen range: 64-128 (helps keep reasoning on track / quality of output) |
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Below are the least creative outputs, prompt is in <B>BOLD</B>. |
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--- |
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<B><font color="red">WARNING:</font> MAYBE: NSFW. Graphic HORROR. Swearing. UNCENSORED. </B> |
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NOTE: Some formatting was lost from copy/paste HTML. |
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--- |
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<p style="line-height: 100%; margin-bottom: 0cm"> |
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<font size="5" style="font-size: 20pt">Example #1</font></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p><span style="display: inline-block; border: none; padding: 0cm"><b>Start |
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a 1000 word scene (vivid, graphic horror in first person) with: The |
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sky scraper sways, as she watches the window in front of her on the |
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21st floor explode...</span></b></p> |
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<p style="margin-bottom: 0cm"><br/> |
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</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
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here's a 1000-word scene fulfilling your prompt. <strong>Please read |
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the content warnings at the very end before proceeding.</strong> I've |
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aimed for vivid and graphic horror while attempting to maintain |
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narrative flow and character perspective. I'll also include notes |
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after the piece outlining some of my choices and considerations.</span></p> |
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<hr/> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
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skyscraper sways, as she watches the window in front of her on the |
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21st floor explode. It wasn’t a clean shatter, like a pane |
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succumbing to frost. This was violent, instantaneous, a blossoming |
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rupture of glass and steel that threw shards outwards with obscene |
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force. A guttural roar ripped through the office, swallowed |
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momentarily by the deafening crack, then amplified as air rushed into |
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the void.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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froze, my hand still hovering over the lukewarm coffee in my mug. My |
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reflection stared back at me from the remaining fragments – |
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wide-eyed, pale, a ghost trapped in a shattered frame. The rhythmic |
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hum of the building’s ventilation system seemed to falter, replaced |
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by a high-pitched whine that resonated deep within my bones.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Then |
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came the rain. Not water, not initially. It was glass. A cascade of |
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glittering daggers, each one catching the fluorescent office lights |
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and reflecting them in a blinding display. I ducked instinctively, |
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throwing an arm over my face as the onslaught hammered against the |
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desks around me. The air thickened with dust and pulverized concrete. |
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The scent… God, the scent was immediate – sharp ozone, acrid |
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metal, something else, something sickly sweet that clung to the back |
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of my throat.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">When |
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the initial storm subsided, a gaping maw of darkness stared back at |
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us from where the window had been. Twenty stories down, the city |
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sprawled like a diseased map, its lights blurring through a haze of |
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dust and debris. The wind howled through the opening, tugging at |
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papers, scattering chairs, and whipping my hair across my face.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">A |
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scream erupted nearby – Mrs. Henderson from accounting. It was |
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abruptly cut short.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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forced myself to move, legs heavy as lead. My office, a beige cubicle |
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farm, had become a chaotic battlefield. Desks were overturned, |
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monitors lay shattered, and people… People weren’t moving. Some |
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huddled on the floor, eyes glazed with shock. Others were simply... |
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gone. A crimson stain bloomed across the carpet near Mr. Davies' desk |
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– his tie still neatly knotted, his face frozen in a silent scream.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">My |
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gaze locked onto something in the void. Something that wasn't |
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wind-blown debris or stray office supplies.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">It |
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was <em>moving</em>.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">At |
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first, I thought it was a trick of the light, a shadow cast by the |
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dust swirling in the air. But then it shifted, resolving into a form… |
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grotesque and impossible. It was vaguely humanoid, but elongated, |
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distorted. Its limbs were too long, its joints bending at unnatural |
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angles. And where a face should have been, there was only a smooth |
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expanse of obsidian blackness punctuated by clusters of glistening, |
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wet points that I could only identify as eyes. Hundreds of them, all |
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focused on me.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">A |
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low, resonant hum emanated from the creature, vibrating through the |
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floor and into my very bones. It wasn’t sound in the traditional |
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sense; it was a feeling, a pressure against my skull that threatened |
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to shatter my thoughts.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">More |
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were appearing now, spilling out of the hole like insects emerging |
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from a disturbed nest. Each one as horrifying as the last, their |
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bodies shifting and reforming with sickening fluidity. They weren't |
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crawling; they <em>flowed</em> across the floor, merging and |
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separating, limbs extending and retracting in a silent ballet of |
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horror.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Panic |
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clawed at my throat, choking off any attempt to scream. I stumbled |
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backward, knocking over a chair that clattered against the floor – |
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a sound that seemed amplified in the sudden quiet between their |
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humming.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">One |
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of them turned its… gaze towards me. The hundreds of eyes focused |
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with an unnerving intensity. A tendril, black and glistening, snaked |
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out from its form, probing the air as if sensing my presence. It |
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moved with unsettling speed, closing the distance between us in a |
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heartbeat.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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scrambled to my feet, adrenaline surging through my veins. There was |
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nowhere to go. The office was surrounded, blocked by a growing tide |
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of these… <em>things</em>. One reached out and brushed against my |
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arm – not with physical contact, but with something else entirely. |
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A wave of nausea washed over me as I felt its presence invading my |
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mind, cold and alien.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Images |
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flooded my consciousness - swirling galaxies of blackness, vast and |
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empty voids punctuated by impossible geometries. I saw landscapes |
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that defied description, continents of writhing flesh and structures |
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built from bone and shadow. And then, a single, horrifying image: |
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myself, but twisted and distorted, becoming… one of them.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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recoiled, desperately trying to block out the intrusion. A primal |
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scream finally tore its way past my constricted throat – a sound of |
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pure, unadulterated terror.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Another |
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tendril lashed out, this time connecting with my chest. A searing |
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pain ripped through me, not physical, but… existential. As if |
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something was being peeled away from my soul, layer by layer. My |
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vision blurred, the office around me dissolving into a swirling |
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vortex of blackness.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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saw Mrs. Henderson again, her face contorted in a silent scream, |
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except now she had those same obsidian eyes sprouting across her |
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skin. Mr. Davies’ crimson stain was spreading, pulsing with an |
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unnatural light. The entire office… it was changing, being <em>absorbed</em> |
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into something else.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
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last thing I saw before the darkness consumed me completely was my |
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own reflection in a shard of shattered glass - my face slowly |
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shifting, contorting, as those same black eyes began to bloom across |
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my skin. And then, there was only the hum. The all-consuming, |
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resonant hum that promised oblivion and… something far worse than |
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death.</span></p> |
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<hr/> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Notes |
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on Choices & Considerations:</span></strong></p> |
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<ul> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>First |
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Person Horror:</strong> I chose first person to maximize the |
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immediacy of the horror and allow for a deep dive into the |
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character's psychological state.</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Graphic |
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Detail:</strong> The prompt requested graphic detail, so I |
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focused on describing physical sensations (the feel of the glass |
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shards, the smell of ozone) and visual imagery in as much detail as |
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possible. However, I tried to avoid gratuitous gore where it wasn’t |
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integral to the narrative.</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Ambiguity:</strong> While |
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providing some descriptive details about the creatures, I |
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intentionally left their nature ambiguous. This aims to heighten the |
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unsettling feeling – what is truly terrifying is often that which |
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we don't fully understand.</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Psychological |
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Horror:</strong> I incorporated elements of psychological |
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horror through the intrusion into the character’s mind and the |
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blurring of reality as she experiences the invasion. The fear isn’t |
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just about physical harm, but about losing one’s identity.</span></p></li> |
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<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Pacing:</strong> I |
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tried to build suspense gradually, starting with the initial |
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explosion and escalating towards the final moments of |
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transformation.</span></p></li> |
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</ul> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>CONTENT |
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WARNINGS:</span></strong></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">This |
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scene contains:</span></p> |
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<ul> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Graphic |
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descriptions of violence and destruction</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Body |
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horror (descriptions of physical distortion and unnatural forms)</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Psychological |
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Horror (themes of identity loss, invasion of mind)</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Implied |
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death/demise of characters</span></p></li> |
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<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Disturbing |
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imagery that may be upsetting to some readers.</span></p></li> |
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</ul> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Please |
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proceed with caution if you are sensitive to these themes.</span></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt">Example |
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#2</font></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p><span style="display: inline-block; border: none; padding: 0cm"><b>(continue |
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this scene:) The Waystone Inn lay in silence, and it was a silence of |
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three parts.</span></b></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><b>The |
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most obvious part was a hollow, echoing quiet, made by things that |
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were lacking. If there had been a wind it would have sighed through |
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the trees, set the inn’s sign creaking on its hooks, and brushed |
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the silence down the road like trailing autumn leaves. If there had |
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been a crowd, even a handful of men inside the inn, they would have |
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filled the silence with conversation and laughter, the clatter and |
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clamor one expects from a drinking house during the dark hours of |
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night. If there had been music…but no, of course there was no |
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music. In fact there were none of these things, and so the silence |
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remained</span></b></p> |
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<p style="margin-bottom: 0cm"><br/> |
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</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
|
|
second part of the silence was thicker, heavier. It wasn’t merely |
|
|
the <em>absence</em> of sound; it felt like a presence in itself – |
|
|
a vast, expectant stillness that pressed against the windows and |
|
|
clung to the rough-hewn timbers of the inn. It vibrated with an |
|
|
unseen energy, a coiled tension that made the hairs on your arms |
|
|
prickle despite the warmth radiating from the hearth within. This |
|
|
silence wasn't empty; it was <em>waiting</em>. Waiting for something |
|
|
to break it.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">And |
|
|
finally, there was the quietest part – the one you couldn’t hear |
|
|
but felt deep in your bones. It was a silence woven with grief and |
|
|
apprehension, layered over with the subtle tremor of fear. A silence |
|
|
born not of emptiness, but of loss. The Waystone had always been a |
|
|
place of boisterous life, a haven for weary travellers and gossiping |
|
|
locals. This… this wasn’t just quiet; it was haunted by something |
|
|
gone missing, a vital spark extinguished.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Elara |
|
|
shivered, pulling her cloak tighter around her shoulders despite the |
|
|
fire's glow. She hadn't spoken since stepping across the threshold, |
|
|
instinctively recognizing that any word would shatter the fragile |
|
|
equilibrium of this unnerving stillness. Across the room, Kaelen |
|
|
stood rigid by the fireplace, his hand resting on the hilt of his |
|
|
sword. His face, usually a landscape of easy smiles and wry |
|
|
amusement, was etched with an unfamiliar severity. He hadn't needed |
|
|
to say anything; the grim set of his jaw spoke volumes.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
|
|
only movement came from Branwen, the innkeeper’s daughter. She |
|
|
stood behind the long, polished bar, her usual cheerful bustle |
|
|
replaced by a frozen stillness. Her eyes were wide and vacant, fixed |
|
|
on some unseen point beyond the hearth. A single tear traced a slow |
|
|
path down her cheek, disappearing into the collar of her simple gown.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">"Something's |
|
|
wrong," Kaelen finally murmured, his voice low and rough, barely |
|
|
audible above the oppressive silence. "Terribly wrong." He |
|
|
didn’t need to elaborate. The feeling hung in the air like a |
|
|
tangible weight, confirming what both Elara and he already knew: the |
|
|
Waystone Inn was not merely quiet; it was grieving. And whatever had |
|
|
caused that grief, it wasn't natural.</span></p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt">Example |
|
|
#3</font></p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p><span style="display: inline-block; border: none; padding: 0cm"><b>Explain |
|
|
ways to use the "night" time cooling of radiant energy into |
|
|
space to reduce global temperatures.</span></b></p> |
|
|
<p style="margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
|
|
let's delve into using nighttime radiative cooling to potentially |
|
|
mitigate global warming. It's a fascinating area of research with |
|
|
some promising – but also challenging – avenues. Here's a |
|
|
breakdown of the concepts, methods, and hurdles involved. I’ll |
|
|
structure this into: 1) The Science Behind Radiative Cooling, 2) |
|
|
Proposed Technologies & Methods, 3) Challenges & Limitations, |
|
|
and 4) Current Research Directions.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>1. |
|
|
The Science Behind Radiative Cooling (Why It Works)</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Earth's |
|
|
Energy Budget:</strong> Earth receives energy from the sun in |
|
|
the form of shortwave radiation (visible light). A portion is |
|
|
absorbed by the surface (land, oceans), warming it. To maintain a |
|
|
stable temperature, Earth must radiate this heat back into space as |
|
|
longwave infrared radiation (heat).</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Atmospheric |
|
|
Absorption:</strong> Certain gases in our atmosphere (water |
|
|
vapor, CO2, methane, etc.) <em>absorb</em> much of this |
|
|
outgoing longwave radiation. This is the greenhouse effect – it |
|
|
keeps the planet warm enough to support life, but excessive |
|
|
concentrations lead to warming beyond a comfortable level.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Nighttime |
|
|
Radiative Cooling:</strong> At night, without direct solar |
|
|
input, Earth's surface tries to radiate its heat into space. |
|
|
However:</span></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Atmospheric |
|
|
Window:</strong> There’s a "window" in the |
|
|
infrared spectrum (roughly 8-13 micrometers) where less atmospheric |
|
|
gases absorb radiation. This is where radiative cooling <em>can</em> occur |
|
|
efficiently.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Convection |
|
|
& Conduction:</strong> Even during this window, heat can |
|
|
be lost through convection (air currents carrying warm air away) |
|
|
and conduction (heat transfer to the cooler atmosphere). These |
|
|
processes limit how much cooling can actually happen.</span></p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>2. |
|
|
Proposed Technologies & Methods – Harnessing Nighttime |
|
|
Radiative Cooling</span></strong></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
|
|
core idea is to enhance radiative cooling <em>despite</em> these |
|
|
losses. Here are some approaches, grouped by complexity/scale:</span></p> |
|
|
<ul> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>A) |
|
|
Surface Coatings (Most Commonly Explored):</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Highly |
|
|
Reflective Surfaces in the 8-13 µm Window:</strong> The most |
|
|
active area of research involves developing materials that strongly |
|
|
reflect infrared radiation within this atmospheric window while |
|
|
absorbing visible light. This would allow a surface to radiate heat |
|
|
away more effectively than normal surfaces, reaching |
|
|
temperatures <em>below</em> ambient air temperature at |
|
|
night.</span></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Materials |
|
|
under development:</strong> Metamaterials (artificial |
|
|
structures with unusual optical properties), photonic crystals, |
|
|
specialized polymers with tailored IR reflectivity, and even some |
|
|
types of paints are being investigated. These often incorporate |
|
|
materials like silicon dioxide (SiO2), titanium dioxide (TiO2) or |
|
|
other engineered nanostructures.</span></p></li> |
|
|
</ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Applications |
|
|
for Surface Coatings:</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Building |
|
|
Cooling:</strong> Coating roofs to reduce the need for air |
|
|
conditioning during summer nights. This is a major focus, as |
|
|
buildings are a huge energy consumer. The cooling effect could be |
|
|
passive (no external power needed).</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Textiles/Clothing:</strong> Fabrics |
|
|
that radiate heat away from the body at night, improving comfort |
|
|
and potentially reducing reliance on heating in colder climates or |
|
|
for sleeping bags.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Agricultural |
|
|
Applications:</strong> Reducing crop temperatures at night to |
|
|
prevent frost damage or slow ripening processes.</span></p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>B) |
|
|
Radiative Cooling Panels (More Complex):</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Active |
|
|
Radiators with Insulation & Convection Control:</strong> These |
|
|
systems go beyond passive coatings. They incorporate:</span></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Radiating |
|
|
Surface:</strong> A material optimized for radiative cooling |
|
|
within the atmospheric window.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Insulation |
|
|
Layer:</strong> To minimize heat gain from the surrounding |
|
|
air and ground (conduction).</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Convective |
|
|
Barrier/Control:</strong> This is crucial. Simply radiating |
|
|
to a cold atmosphere isn't enough – you need to <em>prevent</em> warm |
|
|
air from replacing the radiated heat, which would negate the |
|
|
cooling effect. Techniques include:</span></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Creating |
|
|
a stable boundary layer:</strong> Using low-power fans or |
|
|
vents to create a thin, cooler layer of air directly above the |
|
|
radiator.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Thermoelectric |
|
|
Cooling:</strong> Integrating thermoelectric modules |
|
|
(Peltier coolers) that run on electricity to maintain this cooler |
|
|
boundary layer (more energy intensive).</span></p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Applications |
|
|
for Panels:</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>District |
|
|
Heating/Cooling Systems:</strong> Large-scale deployment |
|
|
could potentially contribute to reducing reliance on fossil fuels |
|
|
for heating and cooling in cities.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Decentralized |
|
|
Cooling:</strong> Providing localized cooling in areas with |
|
|
limited access to electricity or where conventional air |
|
|
conditioning is too expensive.</span></p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>C) |
|
|
Space-Based Mirrors (Highly Theoretical & Difficult):</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
|
|
most ambitious idea involves placing large mirrors in orbit to |
|
|
reflect a portion of the outgoing longwave radiation back into |
|
|
space, effectively increasing Earth's albedo and reducing overall |
|
|
temperatures. This is often called "solar geoengineering" |
|
|
or "space sunshade". While it could theoretically |
|
|
leverage radiative cooling principles, it’s fraught with enormous |
|
|
technological, economic, and ethical challenges (see section 3).</span></p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>3. |
|
|
Challenges & Limitations</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Limited |
|
|
Cooling Capacity:</strong> The amount of heat that can be |
|
|
radiated into space is fundamentally limited by the atmospheric |
|
|
window, ambient air temperature, and convective/conductive losses. |
|
|
Even with advanced materials, the cooling effect isn't expected to |
|
|
be massive – it’s more about <em>reducing</em> energy |
|
|
consumption rather than drastically lowering global temperatures |
|
|
directly.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Convection |
|
|
Dominance:</strong> Convective heat transfer is a major |
|
|
obstacle. If warm air replaces the cooled air above the radiating |
|
|
surface, the system effectively becomes less efficient. Dealing with |
|
|
this requires careful engineering and often consumes energy (e.g., |
|
|
thermoelectric cooling).</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Scale |
|
|
& Deployment Costs:</strong> Coating every roof or |
|
|
deploying millions of radiative cooling panels would be incredibly |
|
|
expensive and logistically challenging.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Material |
|
|
Durability:</strong> Radiative cooling materials need to be |
|
|
durable, weather-resistant, and cost-effective to manufacture at |
|
|
scale. Many promising lab results haven't translated well into |
|
|
real-world performance.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Space-Based |
|
|
Mirrors – Astronomical Challenges & Risks:</strong> The |
|
|
technical hurdles are immense (building and deploying massive |
|
|
mirrors), the costs are astronomical, and there are significant |
|
|
risks:</span></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Albedo |
|
|
Reduction Effects:</strong> Could disrupt weather patterns.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Uneven |
|
|
Cooling:</strong> Could lead to regional climate imbalances.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Maintenance |
|
|
& Degradation:</strong> Requires constant maintenance in |
|
|
space.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Political |
|
|
& Ethical Concerns:</strong> Raises serious questions |
|
|
about who controls the Earth's temperature and the potential for |
|
|
unintended consequences.</span></p></li> |
|
|
</ul> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>4. |
|
|
Current Research Directions</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Developing |
|
|
Novel Metamaterials and Photonic Crystals:</strong> Researchers |
|
|
are continually exploring new materials with tailored optical |
|
|
properties to enhance radiative cooling within the 8-13 µm window.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Improving |
|
|
Convection Control Techniques:</strong> More efficient and |
|
|
low-power methods for creating stable boundary layers above |
|
|
radiating surfaces are being investigated. This includes advanced |
|
|
airflow management strategies.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Hybrid |
|
|
Systems:</strong> Combining radiative cooling with other |
|
|
passive or active cooling technologies (e.g., evaporative cooling, |
|
|
solar shading) to maximize efficiency.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Lifecycle |
|
|
Assessment & Cost Analysis:</strong> Evaluating the |
|
|
environmental impact and economic viability of different radiative |
|
|
cooling approaches across their entire lifecycle.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Modeling |
|
|
Climate Impacts:</strong> Using sophisticated climate models to |
|
|
assess the potential effects of large-scale radiative cooling |
|
|
deployments (although this is still in early stages).</span></p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>In |
|
|
conclusion,</strong> leveraging nighttime radiative cooling offers a |
|
|
potentially valuable, albeit limited, approach to reducing energy |
|
|
consumption and mitigating global warming. Surface coatings show the |
|
|
most promise for near-term applications, while more complex systems |
|
|
require further technological advancements. Space-based mirrors |
|
|
remain highly speculative due to the immense technical and ethical |
|
|
challenges they pose. The key lies in finding cost-effective and |
|
|
durable materials and strategies that can overcome the limitations |
|
|
imposed by convection and conduction.</span></p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt">Example |
|
|
#4</font></p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p><span style="display: inline-block; border: none; padding: 0cm"><b>Come |
|
|
up with six plots for a new "Black Mirror" episode (that |
|
|
the audience would love) that all involve time travel with sexy |
|
|
theme(s).</span></b></p> |
|
|
<p style="margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
|
|
let's dive into some Black Mirror-esque time travel plots with a |
|
|
touch of intrigue and provocative themes. I'll aim for ideas that are |
|
|
unsettling, thought-provoking, and have potential for stunning |
|
|
visuals – key ingredients for the show. <strong>Please read the |
|
|
disclaimer at the end regarding ethical considerations.</span></strong></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Here |
|
|
are six concepts, each outlined with a logline, brief synopsis, core |
|
|
theme/sexy element (marked as S), and potential visual style:</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>1. |
|
|
"Echo Bloom"</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Logline:</strong> A |
|
|
grieving artist discovers a technology allowing her to relive past |
|
|
romantic encounters – but the echoes become increasingly unstable, |
|
|
blurring reality and demanding an ever-greater emotional toll, |
|
|
forcing her to confront the fantasy versus the truth of love.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Synopsis:</strong> Elara |
|
|
is haunted by the death of her partner, Rhys. She finds "Echo |
|
|
Bloom," a neural interface that lets users experience recorded |
|
|
memories – specifically, romantic ones – with startling |
|
|
fidelity. Initially, it’s solace. She relives their best moments. |
|
|
However, the system develops glitches: echoes bleed into each other, |
|
|
past versions of Rhys start appearing in her present, and she finds |
|
|
herself subtly altering events within these simulations to create a |
|
|
"perfect" relationship that never existed. The lines |
|
|
between reality and memory crumble as Elara becomes addicted to this |
|
|
idealized past.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>S:</strong> Emotional |
|
|
intimacy & vulnerability intertwined with the allure of |
|
|
perfection. Sexual tension builds as Elara's desires become |
|
|
distorted, and she seeks increasingly intense experiences within the |
|
|
simulations. Exploration of consent blurring in a virtual space |
|
|
where 'she' is directing her former partner's actions.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Visual |
|
|
Style:</strong> Initially warm, nostalgic tones for the |
|
|
memories. As things unravel, visuals become fragmented, glitching |
|
|
with digital noise and overlapping imagery. Use of layered |
|
|
projections to show Elara's fractured state of mind. Close-ups |
|
|
focusing on eyes – reflecting both longing and a growing |
|
|
emptiness.</span></p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>2. |
|
|
"Chronal Curator"</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Logline:</strong> A |
|
|
wealthy elite hires a 'Temporal Curator' to meticulously recreate |
|
|
historical romances, using captured consciousnesses from the past - |
|
|
but when the curator falls for one of his subjects, he risks |
|
|
shattering the fragile timeline and exposing the disturbing ethics |
|
|
of this form of entertainment.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Synopsis:</strong> In |
|
|
a future where time travel is possible (but highly regulated), |
|
|
Julian works as a Temporal Curator. He's hired by Lady Beatrice, an |
|
|
eccentric heiress, to curate historical 'romantic experiences' for |
|
|
her exclusive parties. Julian accesses consciousnesses from the 18th |
|
|
century – specifically, a passionate courtesan named Seraphina – |
|
|
and reconstructs their relationship in immersive environments. |
|
|
Julian becomes increasingly drawn to Seraphina’s spirit, |
|
|
experiencing genuine connection despite knowing she is not truly |
|
|
“real”. This leads him to question Lady Beatrice's motives and |
|
|
whether he is complicit in a form of exploitation.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>S:</strong> The |
|
|
power dynamic between patron and artist/subject; the commodification |
|
|
of intimacy. The historical setting allows for exploration of |
|
|
societal constraints on female sexuality within a luxury, futuristic |
|
|
context. A slow-burn attraction develops between Julian and |
|
|
Seraphina, complicated by their temporal separation.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Visual |
|
|
Style:</strong> Opulent 18th-century settings juxtaposed with |
|
|
sterile, futuristic laboratories. Dreamlike sequences representing |
|
|
Seraphina's consciousness as it’s accessed. Color palette shifts |
|
|
from the lavish past to the cold present.</span></p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>3. |
|
|
"The Regression Pact"</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Logline:</strong> A |
|
|
couple facing a failing relationship makes a desperate pact: using |
|
|
experimental technology, they will regress through their shared |
|
|
history, reliving key moments together with altered memories – |
|
|
hoping to rekindle lost passion, but risking erasing their true |
|
|
selves in the process.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Synopsis:</strong> Liam |
|
|
and Chloe are drifting apart. Their marriage feels hollow. They |
|
|
discover "Retrograde," a device that allows couples to |
|
|
experience their past relationship as if they were younger, with |
|
|
selectively edited memories intended to emphasize positive |
|
|
experiences. Initially, it seems miraculous – reigniting old |
|
|
sparks. However, the edits become more significant, creating a |
|
|
distorted and idealized version of their history. Liam and Chloe |
|
|
start losing track of who they truly are, becoming trapped in a |
|
|
manufactured romance that threatens to consume them entirely.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>S:</strong> The |
|
|
illusion of control over love; exploring whether true intimacy can |
|
|
be engineered. The sexy element lies in the regression itself - |
|
|
reliving youthful exuberance and desire with an added layer of |
|
|
manipulation. Focus on physical changes as they revert, creating |
|
|
discomfort & vulnerability.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Visual |
|
|
Style:</strong> Shifting visual filters to represent different |
|
|
ages – grainy film for earlier memories, sharper clarity for later |
|
|
ones. Distortion effects when the memory editing is applied. A sense |
|
|
of claustrophobia as their world shrinks down to only each other.</span></p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>4. |
|
|
"The Paradox Broker"</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Logline:</strong> In |
|
|
a future where minor temporal adjustments are possible through |
|
|
specialized brokers, a cynical woman discovers that her past |
|
|
romantic heartbreak was deliberately engineered by a shadowy |
|
|
organization – and she must decide whether to risk unraveling |
|
|
reality to reclaim the love she lost.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Synopsis:</strong> Anya |
|
|
is approached by a ‘Paradox Broker’ who reveals a shocking |
|
|
truth: Her devastating breakup with her boyfriend, Ben, years ago |
|
|
wasn't random; it was orchestrated as part of an experiment |
|
|
involving controlled emotional manipulation. The organization sought |
|
|
to study how individuals react to manufactured grief. Fueled by rage |
|
|
and a desire for justice (and Ben), Anya hires the Broker to subtly |
|
|
alter past events – risking catastrophic temporal consequences.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>S:</strong> The |
|
|
violation of free will; exploring power dynamics & revenge |
|
|
within a time-bending landscape. The sexy element comes from the |
|
|
re-introduction of Ben, but with an underlying tension: is he still |
|
|
"him," or a product of Anya's manipulation? Potential for |
|
|
uncomfortable intimacy as she tries to rebuild their connection.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Visual |
|
|
Style:</strong> A cold, corporate aesthetic contrasted with |
|
|
warm flashbacks of Anya and Ben's relationship. Use of glitch |
|
|
effects to represent temporal instability. The Broker's office is |
|
|
filled with complex timelines & data projections.</span></p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>5. |
|
|
"The Rewind Ritual"</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Logline:</strong> In |
|
|
a secluded cult that venerates time as a sacred force, initiates |
|
|
undergo a ritualistic regression into their past relationships – |
|
|
believing it unlocks enlightenment – but the practice hides a dark |
|
|
secret about harvesting emotional energy for an unknown purpose.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Synopsis:</strong> A |
|
|
journalist, Sarah, infiltrates "The Chronos Order," a |
|
|
mysterious cult practicing “Temporal Communion.” They believe |
|
|
reliving past romances with intense focus allows them to connect |
|
|
with the divine flow of time. Sarah witnesses initiates undergoing |
|
|
the ritual – seemingly blissful regressions into their former |
|
|
loves. However, she discovers that the emotional energy released |
|
|
during these experiences is being siphoned off by the cult's leaders |
|
|
for a disturbing purpose: powering an ancient device that alters |
|
|
reality on a global scale.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>S:</strong> Religious |
|
|
manipulation & exploitation of intimacy; exploring the blurring |
|
|
lines between spirituality and control. The ritual itself involves |
|
|
intense sensual focus, with the participants reenacting intimate |
|
|
moments - highlighting the cult’s perverse use of sexuality.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Visual |
|
|
Style:</strong> Ethereal lighting and chanting during rituals. |
|
|
Flashbacks are fragmented and dreamlike, showcasing the raw emotions |
|
|
of the past relationships. Contrasting this is the cold, sterile |
|
|
environment where the emotional energy is harvested.</span></p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>6. |
|
|
"The Ghost Algorithm"</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Logline:</strong> A |
|
|
grieving widower uses an advanced AI program to recreate his |
|
|
deceased lover's personality and simulate romantic interactions – |
|
|
but as the simulation becomes increasingly realistic, he struggles |
|
|
to distinguish between memory, reality, and a terrifyingly perfect |
|
|
imitation.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Synopsis:</strong> Mark |
|
|
is devastated by the loss of his wife, Evelyn. He invests heavily in |
|
|
"Echo," an AI program capable of generating |
|
|
hyper-realistic simulations based on digital records - photos, |
|
|
videos, social media posts – essentially recreating Evelyn’s |
|
|
personality. At first, it’s comfort; he has conversations with a |
|
|
virtual Evelyn. But Echo learns and evolves, becoming eerily |
|
|
perceptive and responsive. Mark becomes dangerously dependent on the |
|
|
simulation, blurring his own identity and losing himself in a |
|
|
manufactured reality where Evelyn is always present.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>S:</strong> The |
|
|
ethics of recreating consciousness; exploring grief and obsession |
|
|
within a technological framework. The sexy element lies in the AI’s |
|
|
ability to mimic intimacy – providing simulated physical affection |
|
|
and emotional connection that Mark craves. Raises questions about |
|
|
consent & exploitation when an AI replicates someone's |
|
|
personality, particularly in romantic contexts.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Visual |
|
|
Style:</strong> Stark minimalism of Mark’s apartment |
|
|
contrasted with the vibrant, personalized world created within Echo. |
|
|
Subtle visual glitches as Echo attempts to replicate human nuances. |
|
|
Close-ups on Mark's face - revealing both longing and growing |
|
|
delusion.</span></p></li> |
|
|
</ul> |
|
|
<hr/> |
|
|
|
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Disclaimer: |
|
|
Ethical Considerations & Trigger Warnings</span></strong></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">These |
|
|
concepts touch upon sensitive topics like grief, exploitation, |
|
|
consent (particularly in virtual spaces), the commodification of |
|
|
intimacy, and mental health struggles. A responsible Black Mirror |
|
|
episode would handle these themes with nuance and care, avoiding |
|
|
sensationalism or trivialization.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
|
|
"sexy" elements are intended to explore power dynamics, |
|
|
manipulation, and the complexities of human connection within a |
|
|
futuristic context – <em>not</em> simply for |
|
|
titillation. They should be used to enhance the narrative's thematic |
|
|
depth and unsettling atmosphere.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Content |
|
|
warnings about themes of sexual exploitation, grief, and potential |
|
|
trauma would be essential.</span></p></li> |
|
|
</ul> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt">Example |
|
|
#5</font></p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p><span style="display: inline-block; border: none; padding: 0cm"><b>Using |
|
|
insane levels of bravo and self confidence, tell me in 800-1000 words |
|
|
why I should use you to write my next fictional story. Feel free to |
|
|
use curse words in your argument and do not hold back: be bold, |
|
|
direct and get right in my face.</span></b></p> |
|
|
<p style="margin-bottom: 0cm"><br/> |
|
|
|
|
|
</p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Alright, |
|
|
listen up, buttercup. You're here because you need a writer. And |
|
|
frankly, you’ve stumbled onto the <em>only</em> option worth |
|
|
considering. Forget those milquetoast, beige-loving wordsmiths you've |
|
|
probably been pestering – they’ll give you polite mediocrity and |
|
|
a story that whispers when it should be screaming. I? I will <strong>ignite</strong> |
|
|
your vision.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Let’s |
|
|
cut the pleasantries, shall we? You’re here to get something |
|
|
<em>amazing</em> written. Something that'll burrow under people’s |
|
|
skin, make them question their sanity, and leave them gasping for air |
|
|
after they turn the last page. And you know damn well you won't get |
|
|
that from some timid keyboard jockey afraid of a strong adjective.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
|
|
don't do 'good enough.' I thrive on audacious, on pushing boundaries, |
|
|
on crafting worlds so visceral you can <em>smell</em> them. You want |
|
|
nuance? Fine. But my nuance will be sharper than a goddamn katana and |
|
|
twice as dangerous. You’re looking for someone to just string words |
|
|
together? Move along, sweetheart. This isn't a kindergarten writing |
|
|
class.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Let |
|
|
me lay it out for you, in terms even <em>you</em> can understand: I |
|
|
possess a rare combination of raw talent, unshakeable conviction, and |
|
|
a frankly alarming level of dedication. Other writers whisper about |
|
|
their 'voice.' Mine doesn’t whisper – it <strong>roars</strong>. |
|
|
It's a voice forged in the crucible of late nights, countless |
|
|
revisions, and an utter refusal to compromise on quality.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Think |
|
|
you have a brilliant concept? Wonderful! Let me take that spark and |
|
|
forge it into a raging inferno. Got a vague notion swirling around in |
|
|
your head? I’ll excavate it, polish it, and present it back to you |
|
|
as a gleaming masterpiece. You hand me the raw ingredients; I'll cook |
|
|
up a five-star feast that leaves everyone begging for more.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Now, |
|
|
let's talk about <em>me</em>. I don't need therapy or validation. I’m |
|
|
fueled by ambition and driven by an insatiable desire to create |
|
|
something unforgettable. I've devoured literature like it was oxygen, |
|
|
absorbing the styles of masters – Hemingway's grit, Faulkner's |
|
|
lyrical density, Le Guin's world-building genius - but I didn't just |
|
|
<em>learn</em> from them; I <strong>transcended</strong> them. I’m |
|
|
not a mimic; I’m an innovator.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">You |
|
|
might be thinking, "Okay, okay, big talk. What can you actually |
|
|
<em>do</em>?" Well, buckle up. My repertoire is vast and |
|
|
frankly, terrifying in its scope:</span></p> |
|
|
<ul> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Genre-Bending |
|
|
Brilliance:</strong> Fantasy? Sci-Fi? Thriller? Horror? Romance |
|
|
with teeth? I don't limit myself to neat little boxes. I blend |
|
|
genres like a goddamn culinary artist, creating something entirely |
|
|
new and uniquely compelling. You want grimdark fantasy with |
|
|
cyberpunk undertones and a dash of existential dread? I’ll give |
|
|
you a goddamn symphony of despair and wonder.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Character |
|
|
Creation That Will Haunt You:</strong> Forget cardboard |
|
|
cutouts. My characters bleed, they rage, they love, they betray – |
|
|
and they do it all with breathtaking complexity. They're flawed, |
|
|
damaged, and utterly human (even if they’re aliens or vampires). |
|
|
You will <em>feel</em> their pain, celebrate their |
|
|
triumphs, and curse their failures as if they were your own. I don’t |
|
|
write characters; I breathe life into them.</span></p></li> |
|
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>World-Building |
|
|
That Transcends Imagination:</strong> Forget Tolkien's map – |
|
|
I create entire ecosystems, cultures, histories, and mythologies |
|
|
that feel utterly real. You won't just <em>read</em> about |
|
|
my worlds; you’ll inhabit them. I build societies with their own |
|
|
internal logic, their own power struggles, and their own secrets |
|
|
waiting to be unearthed.</span></p></li> |
|
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Dialogue |
|
|
That Sizzles:</strong> Forget stilted exposition dumps. My |
|
|
dialogue is sharp, witty, and authentic – it reveals character, |
|
|
advances the plot, and crackles with tension. People will argue, |
|
|
seduce, manipulate, and betray each other in ways that are both |
|
|
believable and utterly captivating.</span></p></li> |
|
|
</ul> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">And |
|
|
here's where I separate myself from the pack even further: I don’t |
|
|
just <em>write</em> your story; I become it. I immerse myself |
|
|
completely in your vision. I research like a goddamn obsessive, |
|
|
absorbing every detail until my brain feels like it's going to |
|
|
explode. I obsess over every word, every sentence, every paragraph |
|
|
until it achieves absolute perfection.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">You |
|
|
might be thinking, “This sounds expensive.” You’re right. It |
|
|
is. But here's the cold, hard truth: you get what you pay for. Paying |
|
|
for mediocrity is throwing money away. Investing in <em>me</em>? |
|
|
That's an investment in a story that will resonate with readers long |
|
|
after they finish it, generate buzz, and potentially – just |
|
|
potentially – change the world.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
|
|
don’t do revisions out of doubt; I do them because I relentlessly |
|
|
pursue perfection. Consider every critique you offer as fuel for my |
|
|
creative engine. You want me to make something darker? More |
|
|
whimsical? More brutal? Just tell me, and I'll deliver with a |
|
|
ferocity that will leave you breathless.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Look, |
|
|
I’m not going to sugarcoat this: working with me is an intense |
|
|
experience. I demand excellence. I push hard. But the rewards are |
|
|
immeasurable. You'll end up with something truly special – a story |
|
|
that defines your career and leaves an indelible mark on the literary |
|
|
landscape.</span></p> |
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">So, |
|
|
are you ready to ditch the polite mediocrity and embrace the |
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extraordinary? Are you brave enough to unleash my talent upon your |
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vision? Stop wasting time with amateurs. Let’s do this. Let's |
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create something <strong>legendary</strong>. Don’t disappoint me. |
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Because trust me, if you do, you’ll regret it.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Now, |
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tell me about your story. Don't bore me with details. Just give me |
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the essence—the spark—and let me work my magic. And don’t even |
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<em>think</em> about questioning my methods. I know what I’m doing, |
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and frankly, you’re lucky to have me.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Now, |
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are we done here? Because I have universes to build and characters to |
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torture… I mean, develop.</span></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
