audio audio | text string | segid string | speaker string |
|---|---|---|---|
and uh and then a other h h high high school therapist took over um | 50fa_086 | Ryan | |
and then and nsa | 50fa_119 | Ryan | |
and what she had me do was help make cl uh paper cl clowns | 50fa_052 | Ryan | |
and i'll tell you holding syllables for two seconds as a twelve year old | 50fa_065 | Aiden | |
and one of my lines that i say when i talk to students | 50fa_126 | Aiden | |
um and now as a h as an th th therapist | 50fa_010 | Ryan | |
get the | 50fa_114 | Ryan | |
was really really tough | 50fa_067 | Ryan | |
i said it sucks | 50fa_078 | Aiden | |
i'm very good at watching and listening to people | 50fa_006 | Aiden | |
and then nsp | 50fa_118 | Aiden | |
that worked with me | 50fa_094 | Ryan | |
can i be a good communicator | 50fa_129 | Ryan | |
and i would say that probably um shame was was a huge um component um | 50fa_016 | Aiden | |
and um and so we started working on things | 50fa_079 | Ryan | |
so i i i had i have sympathies for them | 50fa_096 | Aiden | |
so at that point i knew what i needed | 50fa_120 | Aiden | |
so i'm at that reevaluative | 50fa_135 | Aiden | |
but it took many years | 50fa_021 | Aiden | |
get the curveball | 50fa_113 | Aiden | |
of what do i need to do | 50fa_138 | Aiden | |
when i've read it b bef before um | 50fa_047 | Ryan | |
and and and so can i say what i wanna say | 50fa_128 | Ryan | |
but that kind of advertising and voluntary stuttering | 50fa_105 | Ryan | |
she died | 50fa_038 | Aiden | |
the whole wizard of oz books | 50fa_043 | Aiden | |
and working on b breath | 50fa_035 | Aiden | |
and uh biofeedback was just starting to come out | 50fa_056 | Ryan | |
which is interesting | 50fa_036 | Ryan | |
for that to really sort of sink in | 50fa_024 | Aiden | |
so i was like why am i reading this | 50fa_046 | Aiden | |
and um and then eventually coming to a place | 50fa_019 | Ryan | |
because they had uh they had me reading to parent volunteers | 50fa_042 | Aiden | |
or mississippi | 50fa_072 | Ryan | |
my speech took a pretty severe nosedive um | 50fa_100 | Ryan | |
after about two years after out of the out of th of c college um | 50fa_109 | Ryan | |
yeah i have | 50fa_140 | Ryan | |
sitting and he said h h how do you feel | 50fa_077 | Aiden | |
i still use to this day | 50fa_107 | Ryan | |
conference with us | 50fa_185 | Ryan | |
and that sounds c cliche | 50fa_145 | Ryan | |
so um put your money where your mouth is um | 50fa_198 | Aiden | |
who have had speech therapists | 50fa_190 | Ryan | |
so i think now there's much more attention paid to that transfer | 50fa_218 | Aiden | |
but there are things you can do | 50fa_186 | Aiden | |
when i heard that when i was young | 50fa_212 | Aiden | |
um uh f f from what i've read it's uh a uh l uh the root cause uh is neurological | 50fb_007 | Aiden | |
live with us um | 50fa_184 | Aiden | |
i still haven't quite reconciled it | 50fa_208 | Aiden | |
and then what you are expected to do is to monitor every single syllable that you say for the rest of your life | 50fb_038 | Ryan | |
um one thing that i often say is don't be scared of us | 50fa_175 | Aiden | |
and i know that they've said it to h h h h encourage me | 50fa_215 | Aiden | |
layered with emotional cognitive mental factors | 50fa_171 | Aiden | |
i i would have always wanted to do | 50fa_155 | Aiden | |
it sounds funny | 50fa_157 | Aiden | |
because it is tough | 50fa_177 | Ryan | |
and uh uh and i keep up a social schedule that would kill a horse | 50fb_006 | Aiden | |
so it's kind of like a big jawbreaker | 50fa_172 | Ryan | |
so i i oftentimes say you know it's the the neuro d deve developmental | 50fa_162 | Aiden | |
leaving fluent | 50fb_019 | Aiden | |
and there are times that there are things on the train tracks | 50fa_169 | Aiden | |
half a second a syllable | 50fb_028 | Ryan | |
and i think that is happening | 50fa_229 | Aiden | |
sure | 50fa_233 | Ryan | |
with my my work situation uh | 50fb_003 | Ryan | |
several times | 50fb_014 | Aiden | |
uh uh uh back in the late eighties and early nineties i went through the the fluency shaping wars | 50fb_013 | Ryan | |
i've always loved sequencing | 50fa_159 | Ryan | |
the one nonvocational thing | 50fa_154 | Aiden | |
and and 'cause i have i have talked to friends | 50fa_189 | Ryan | |
i love doing workshops um | 50fa_151 | Aiden | |
and nobody can do that | 50fb_039 | Ryan | |
and yet ask us to | 50fa_193 | Ryan | |
i think that's that's probably why i had become a family th th therapist um | 50fa_226 | Ryan | |
first | 50fa_232 | Aiden | |
uh m uh uh there uh there the the uh the the there there's a there's there's a al also some work work work work uh work work work work work in investigating the basal ganglia | 50fb_010 | Ryan | |
but um so building in those things | 50fa_224 | Aiden | |
it's like that's the only way that i did | 50fa_194 | Ryan | |
who who wouldn't go out and do surveys | 50fa_191 | Ryan | |
and four months later i was in in the sub basement | 50fb_017 | Ryan | |
and how to how how to do it outside | 50fa_219 | Aiden | |
um the the the signal is just not quite getting from from from here to here um | 50fa_167 | Aiden | |
but um i could go on | 50fa_230 | Aiden | |
uh uh uh uh uh n and even slow normal is still noticeably slower than most people's speech rates | 50fb_030 | Aiden | |
one is don't ask us to do something that you won't do | 50fa_188 | Aiden | |
so for example i would be speaking like that uh uh | 50fb_026 | Aiden | |
i've done small group teaching | 50fa_152 | Aiden | |
and that kind of stuff um uh | 50fa_153 | Ryan | |
or or or or n or or or just this particular fluency shaping | 50fb_032 | Aiden | |
uh uh uh uh uh m uh uh uh y b because what they a a a n a w what they ask of you is to learn this artificial uh uh l m l l speaking style | 50fb_035 | Ryan | |
and then something called slow normal | 50fb_029 | Ryan | |
and you're done | 50fa_180 | Aiden | |
and so forth | 50fa_163 | Aiden | |
but i think i would have um taken more risks um in my | 50fa_161 | Ryan | |
whether that's more p public speaking | 50fa_149 | Aiden | |
where they slow your speech down to two seconds a syllable | 50fb_023 | Aiden | |
and and a couple of things come to mind | 50fa_187 | Ryan | |
and and then you relearn all of the targets | 50fb_024 | Aiden | |
i interpreted that to mean like oh if i'm not doing it out there | 50fa_213 | Aiden | |
the the fluency shaping gains a a a g gains are almost impossible to both transfer and maintain | 50fb_034 | Ryan |
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