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https://ar.wikipedia.org/wiki/%D9%85%D8%AE%D9%84%D9%81%D8%A7%D8%AA%20%D8%A7%D9%84%D8%B2%D9%88%D8%A7%D8%A8%D8%B9%20%D8%A7%D9%84%D8%A3%D8%AE%D9%8A%D8%B1%D8%A9
|
Wikipedia
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Open Web
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CC-By-SA
| 2,023
|
مخلفات الزوابع الأخيرة
|
https://ar.wikipedia.org/w/index.php?title=مخلفات الزوابع الأخيرة&action=history
|
Arabic
|
Spoken
| 593
| 1,769
|
مخلفات الزوابع الأخيرة، هي رواية للاديب جمال ناجي نشرت في العام 1988 من قبل المؤسسة العربية للدراسات والنشر - بيروت.
اعتبر عدد من النقاد أن هذه الرواية هي أفضل ما كتبه جمال ناجي حتى العام 1988، ورؤوا انها رواية المكان بامتياز، حيث أقام الروائي معماره الفني بعد تصفير المكان والزمان، والابتداء بتشييد مدينة جديدة ببيوتها وشوارعها ومحالها التجارية وسكانها وعلاقاتهم الاجتماعية والاقتصادية والسياسية والعاطفية، ومما يميز هذه الرواية أنها تتناول جوهر حياة الغجر، بعيدا عن الصورة النمطية التي درجت العادة على التعامل من خلالها مع الغجر، وهي صورة الغجريات الراقصات اللواتي يرفهن عن الآخرين. جمال ناجي في روايته هذه يهمش هذه الصورة النمطية المسطحة ليغوص في ميثولوجيا الغجر ونشأتهم وعاداتهم وتقاليدهم وأسباب تشتتهم منذ ولادة جدهم الأول، مرورا بما يتهمون به من أنهم رفضوا إيواء مريم العذراء في خيمتهم أثناء هربها، وانتهاء بتفرقهم في أنحاء الأرض، يأتي هذا في سياق انثيال الذاكرة الغجرية في الرواية، وهو ما يتم استحضاره خلال فترة انضمامهم إلى مدينة الوادي التي شيدها الروائي، واختلط فيها الغجر والفلاحون والبدو ليشكلوا بمرور الزمن مجتمعا مدينيا قادرا على التعايش رغم اختلاف الثقافات والمرجعيات خصوصا بين الغجر والآخرين.
ملخص الرواية
تبدأ أحداث الرواية مع غجري اسمه (سبلو) وزوجته (بهاج) وابنته (هجير)، حيث يقرر سبلو الانفصال عن الغجر والعيش في الوادي الذي يسمى فيما بعد (وادي الغجر)، وحيث ان الوادي يكون مقفرا وخاليا من البيوت باستثناء بيت عثمان أبو بركه، فان سبلو وزوجته يجدان صعوبة في العيش فيه، خصوصا بعد أن يتنبها إلى وجود مجموعة من المجرمين يعيشون في كهوف في أعالي الجبال المحيطة بالوادي، وهنا تبدأ هواجس سبلو وتخوفاته من حدوث مكروه له أو لزوجته أو ابنته، وفي إحدى الليالي يعود إلى بيته فيجد زوجته التي أحبها(بهاج) مقتولة بفظاعة، ويصير همه بعدها العثور على قاتلها بعد أن تداهم الشرطة كهوف المجرمين وتشتبك معهم ويفرون من منطقة الوادي.
يأتي إلى الوادي سكان جدد يقيمون فيه ويدفعون أثمان الأراضي إلى (عثمان أبو بركه) الذي يدعي ملكيته لكل الوادي، وتأتي جموع الغجر إلى الوادي أيضا بعد أن يشاهدوا بيت سبلو ويتلمسون إمكانية الاستقرار وفضائله، وتتوارد أسر كثيرة إلى المكان وتنشأ علاقات اجتماعية واقتصادية بين السكان بحكم نمو الحياة في الوادي وتطورها الذي يتزامن مع بحث سبلو عن قاتل زوجته وآلامه المقيمة التي لا يستطيع الخلاص منها، وتلعب ابنته (هجير) دورا رئيسيا في استرجاع معنى الحياة في بيته، وتزداد نضارة وتعيش قصة حب مع (جبر) ابن عثمان أبو بركة الأمر الذي يستفز أهله (الفلاحين) الذين يرفضون ارتباط جبر بفتاة غجرية (هجير) لكن جبر يصر على هذه العلاقة مما يثير حفيظة شقيقه (سلمان أبو بركة) الذي يخوض معه صراعا مكشوفا، إلى حد أنه يتحالف مع (نزار أبو خنجر) وهو واحد من المجرمين الذين نجوا من مداهمة الشرطة واختفوا دون أن يعرفهم أحد.
لكن يفاجأ سكان الوادي بأن الأرض التي اقاموا بيوتهم ومصالحهم عليها منذ عشرين عاما ليست ملكا لعثمان أبو بركه الذي تسلم منهم المال وسلمهم مقابلها(حجج بيع)، انما هي لشخص آخر (معروف المعروف) الذي يصر على استرداد ارضه أو تقاضي ثمنها من السكان بالأسعار السائدة عند ظهوره، وهنا تنشأ الاصطفافات والانتفاضات في الوادي ضد معروف وما يمثله، ويتماسك السكان في البداية، لكن هذا التماسك يبدأ بالتفتت تحت ضغط الحكم القضائي وتدخل سلمان أبو بركه ونزار أبو خنجر اللذان يعقدان صفقة مع صاحب الأرض مقابل الدور المتخاذل الذي يقومان به لصالحه.
في النهاية ورغم شراسة الصراعات في الوادي حول ملكية الأرض، فإن سبلو يشعر بأن لا مكان له في هذا المجتمع الذي أودى بحياة زوجته منذ أعوام طويلة، لكن ابنته هجير تختلف معه بسبب تعايشها منذ طفولتها مع هذا المجتمع وتحولها إلى جزء منه، الأمر الذي يضيف إلى آلام سبلو آلاما وعذابات جديدة.
المسلسل التلفزيوني
تم تحويل هذه الرواية إلى مسلسل تلفزيوني من إنتاج المركز العربي للإنتاج الفني.
مراجع
روايات 1982
روايات 1988
روايات أردنية
روايات متلفزة
| 27,239
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https://joomla.stackexchange.com/questions/15029
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StackExchange
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Open Web
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CC-By-SA
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Stack Exchange
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https://joomla.stackexchange.com/users/1538, jonboy
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English
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Spoken
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| 221
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What steps shoud I include in a health check on an existing Joomla website I am being asked to look after?
I am sometimes asked to adopt orphaned Joomla websites when the original service provider is no longer able or available to do so.
What steps should I include in a health check before agreeing to take on this responsibility?
Have a read of this http://joomla.stackexchange.com/questions/15009/site-clean-up-tips
This is a risk when you don't know how the previous programmer developed the website.
First of all check all extensions installed and if they are updated.
If not, check if the extension has an available update and it's still supported... alternatively look for a similar extension to switch with.
Check also the template version (responsive?) and if it contains lot of overrides...
In general you should adopt the website only if the owner understand that the website must be kept updated and it could require spending something on upgrading or buying new extension.
| 29,842
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https://stackoverflow.com/questions/63901608
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StackExchange
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Open Web
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CC-By-SA
| 2,020
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Stack Exchange
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Gordon Linoff, Prateek, https://stackoverflow.com/users/1144035, https://stackoverflow.com/users/3359893, https://stackoverflow.com/users/3706016, jarlh
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English
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Spoken
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SQL to get two column records in one column
I have two tables, both contain field telephone_number. I want to find all the distinct/unique telephone numbers from both the table. Can this be done?
For eg
Table A
telephone_number
123
123
345
Table B
telephone_number
1234
123
678
Output Table
123
345
678
1234
thanks
Sorry for formatting
Sample data, desired results, and an unambiguous explanation would hep. Do you want a list of unique telephone numbers in both tables? Do you want telephone numbers that are only in one table? Do you want telephone numbers that appear only once?
Sorry about that, i was adding example but was struggling with formatting.
Why do you store phone numbers in two different tables?
They are coming from different data sources.
If you want the distinct telephone numbers in both tables, use union:
select telephone_number
from t1
union -- on purpose to remove duplicates
select telephone_number
from t2;
| 27,529
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https://min.wikipedia.org/wiki/Helius%20%28Rhampholimnobia%29%20reticularis
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Helius (Rhampholimnobia) reticularis
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https://min.wikipedia.org/w/index.php?title=Helius (Rhampholimnobia) reticularis&action=history
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Minangkabau
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Spoken
| 42
| 114
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Helius (Rhampholimnobia) reticularis adolah langau dari famili Limoniidae. Langau ko juo marupokan bagian dari ordo Diptera, kelas Insecta, filum Arthropoda, dan kingdom Animalia.
Langau iko biasonyo tingga di tampek lambok. Larvanyo biasonyo dapek ditamukan habitatnyo di paraiaran ataupun semi parairan.
Rujuakan
Limoniidae
| 92
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hjaQgQ_LufE_1
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Youtube-Commons
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Open Web
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CC-By
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Hend maintains share of lead | Round 3 highlights | New Zealand Open presented by SKY SPORT 2024
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None
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English
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Spoken
| 238
| 308
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Well, we expect a drama on day three of the New Zealand Open presented by Sky Sport at the Mulbook Resort in New Zealand, South Ireland, and we certainly got it. It was a congested leaderboard at the start of the day and remains that way at the completion of round three. Here in Snimon from South Africa, Birdie's the 18th. Brilliant Hong Kong youngster, Tai Chi Kou, hit his second to the Power 5 14th, managed to find the top level and two-putted for Birdie. Long-hitting Japanese star, Hatachi would also birdie the same hole soon after. A few New Zealanders are in the mix, but their hopes currently align with Josh Geary. He birdied from behind the green at the 15th. Joint third-round leader, Matt Griffin, got his round off to a brilliant start. Here he hits his second to the first. At the 16th, he had this tremendously difficult part across the green and across the ridge under yet another birdie. But on the same hole soon after, second-round leader, Scott Hand, hit the perfect approach which stopped on the top of the ridge and fared down into the hole for an eagle to get to 13 under par after what had been a fairly slow round to that point. He was forced to lay up at the Power 5 17th and this was his third to set up yet another birdie for the day..
| 45,207
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https://stackoverflow.com/questions/44934389
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StackExchange
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Open Web
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CC-By-SA
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Adam Ježek, Shawn, https://stackoverflow.com/users/1970497, https://stackoverflow.com/users/6357453
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English
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Spoken
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JOIN, ORDER BY and GROUP BY in same statement
I have two tables - results and contestants. Result table cointains
result_id (PK)
resul_contestant (who scored this)
value (how much did he scored)
result_discipline(where he scored this)
contestants table cointains
contestant_id (PK)
contestant_name
contestant_category
What I want to do is to select results for all contestants, but I only want to show one result per contestant - the highest (lowest) one.
So far I managed to do this:
SELECT * FROM contenstants
JOIN results ON result_contestant = contenstant_id
WHERE result_discipline = 1 AND contestant_category = 1
ORDER BY value DESC
GROUP BY contenstant_id;
However, this gives me syntax error. If I delete the GROUP BY line, I got results ordered from highest, but if any of the contestants scored in this discipline more than once, I got all of his scores.
If I delete the ORDER BY line, I got only one result per contestant, but it returns the first record in db, not the highest one.
How to fix this command to be valid? Also, there are some less_is_better disciplines, where I want the lowest score, but as far as I could use the ORDER BY on final query, it should be achieved by replacing DESC with ASC.
Thanks.
I started to give a ROW_NUMER() answer, but then realized that this is MySQL, and I don't think MySQL has this window function yet. However, that should point you in the right direction. Also see https://dba.stackexchange.com/questions/40130/mysql-and-window-functions
Don't use group by. Using select * with group by just doesn't make sense. Instead, use a filter to get the row you want:
SELECT *
FROM contenstants c JOIN
results r
ON r.result_contestant = c.contestant_id
WHERE r.result_discipline = 1 AND c.contestant_category = 1 AND
r.value = (select min(r2.value)
from results r2
where r2.result_contestant = r.result_contestant and
r2.result_discipline = r.result_discipline
)
ORDER BY value DESC;
Note: I'm not sure if you want min() or max() in the subquery.
Thanks, that did the job. However, I noticed that if a contestant had the same score twice, he is shown twice. But I could take care of this in adding results, as there is no reason why having two same records in db.
| 7,741
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https://en.wikipedia.org/wiki/Acraea%20andromacha
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Acraea andromacha
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https://en.wikipedia.org/w/index.php?title=Acraea andromacha&action=history
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English
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Spoken
| 113
| 263
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Acraea andromacha, the glasswing or small greasy, is a butterfly of the family Nymphalidae. It is found in Australia, New Guinea and surrounding islands. See the subspecies section for more details.
The wingspan is about 60 mm.
The larvae feed on Adenia heterophylla, Passiflora cinnabarina, Passiflora herbertiana, Passiflora foetida, Passiflora mollissima, Passiflora suberosa, Passiflora subpeltata, Hybanthus aurantiacus and Hybanthus enneaspermus.
Subspecies
Acraea andromacha andromacha (Timor Sea, Northern Australia to New South Wales)
Acraea andromacha sanderi Rothschild, 1893 (Papua New Guinea)
Acraea andromacha oenome Kirby, 1889 (Islands of South-Eastern coast of Papua)
References
External links
Australian Caterpillars
Images representing Acraea andromacha at Bold
andromacha
Butterflies described in 1775
Taxa named by Johan Christian Fabricius
| 50,594
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https://min.wikipedia.org/wiki/Anopheles%20algeriensis
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Anopheles algeriensis
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https://min.wikipedia.org/w/index.php?title=Anopheles algeriensis&action=history
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Minangkabau
|
Spoken
| 32
| 87
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Anopheles algeriensis adolah saikua rangik dari famili Culicidae. Spesies ko juo marupokan bagian dari ordo Diptera, kelas Insecta, filum Arthropoda, dan kingdom Animalia.
Spesies iko mahisok darah dari vertebrata hiduik.
Rujuakan
Culicidae
| 8,512
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https://cs.wikipedia.org/wiki/Recopa%20Sudamericana%201993
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Recopa Sudamericana 1993
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https://cs.wikipedia.org/w/index.php?title=Recopa Sudamericana 1993&action=history
|
Czech
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Spoken
| 56
| 137
|
Čtvrtý ročník Recopa Sudamericana byl odehrán ve dnech 26. září a 29. září 1993. Ve vzájemném dvouzápase se střetli vítěz Poháru osvoboditelů v ročníku 1992 – São Paulo FC a vítěz Supercopa Sudamericana v ročníku 1992 – Cruzeiro Esporte Clube.
1. zápas
2. zápas
Vítěz
Reference
Fotbal v roce 1993
Zápasy São Paulo FC
Zápasy Cruzeira
| 25,864
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https://nds.wikipedia.org/wiki/Carsten%20Meyer
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Carsten Meyer
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https://nds.wikipedia.org/w/index.php?title=Carsten Meyer&action=history
|
Low German
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Spoken
| 43
| 106
|
Carsten Meyer is de Naam von
* Carsten Meyer (* 1961), düütschen Politiker,
Carsten Meyer (* 1972), düütschen Kumponist, Musiker un Schauspeler,
Carsten Meyer-Heder (* 1961), düütschen Politiker un Ünnernehmer,
Carsten Meyer-Tönnesmann (* 1954), düütschen Kunsthistoriker un Schriever.
Kiek ok bi: Karsten Meyer.
| 17,652
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https://ms.wikipedia.org/wiki/Br%C3%A4unlingen
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Wikipedia
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Open Web
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CC-By-SA
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Bräunlingen
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https://ms.wikipedia.org/w/index.php?title=Bräunlingen&action=history
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Malay
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Spoken
| 13
| 48
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Bräunlingen merupakan sebuah kota terletak di munisipaliti Schwarzwald-Baar-Kreis, Baden-Württemberg, Jerman.
Bandar di Jerman
| 6,207
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https://fi.wikipedia.org/wiki/Kigeli%20V%20Ndahindurwa
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Kigeli V Ndahindurwa
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https://fi.wikipedia.org/w/index.php?title=Kigeli V Ndahindurwa&action=history
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Finnish
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Spoken
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Kigeli V Ndahindurwa (29. kesäkuuta 1936 Kamembe, Ruanda-Urundi – 16. lokakuuta 2016 Washington D.C., Yhdysvallat) oli Ruandan viimeinen kuningas vuosina 1959–1961. Alkuperäiseltä nimeltään kuningas oli Jean-Baptiste. Hän kävi koulunsa Ruandassa ja Kongon demokraattisessa tasavallassa.
Kun kuningas Mutara Rudahigwasta tuli Ruandan kuningas vuonna 1931, hän aloitti maareformin tutsien ja hutujen välillä. Kuningas kuoli salaperäisesti Bujumburassa Burundissa vuonna 1959. Hänen veljestään Jean-Baptiste Ndahindurwasta tuli uusi kuningas. Hutut aloittivat helmikuussa 1959 kapinan, jota todellisuudessa rahoitti ja tuki Belgian armeija. Vuonna 1961 Kigeli V oli Kinshasassa, missä hän tapasi YK:n pääsihteerin Dag Hammarskjöldin. Samaan aikaan Belgian hallitus pakotti Kigelin maanpakoon. Kigeli asui maanpaossa Dar-es-Salaamissa Tansaniassa 1961–1962, mutta muutti Nairobiin Keniaan, missä hän asui 1963–1971. Vuonna 1972 hän muutti Kampalaan Ugandaan ja asui siellä vuoteen 1978 asti. Hän muutti takaisin Nairobiin, missä hän asui 1979–1992. Washingtoniin Yhdysvaltoihin hän muutti vuonna 1992. Kigeli asui myös Oaktonissa, Virginiassa.
Maanpaossa Kigeli puhui ja kirjoitti aktiivisesti Ruandan demokraattisesta tilanteesta. Ruandan kansanmurhan uhreja hän muisti pystyttämällä muistomerkkejä. Hän luennoi Ruandan kulttuurista ja poliittisesta tilanteesta yliopistoissa ympäri maailmaa. Etelä-Afrikan entinen presidentti Nelson Mandela kuului kuninkaan ystäviin.
Vuonna 2007 kuningas ilmoitti, että hän voisi palata Ruandaan, mutta vain jos saa asemansa takaisin.
Kigeli kuoli sydän- ja verisuonitautiin aamulla sairaalassa Washington, D.C.:ssä 16. lokakuuta 2016. Kigeli ei koskaan avioitunut, joka kuuluu ehtona siihen että hän ei saisi oikeutta hallita kuninkaana silloin kun on ollut avioliitossa ulkomailla.
Vaikka Kigeli ei koskaan avioitunut. 9. tammikuuta 2017 kuninkaallinen hovi kuitenkin ilmoitti, että hänen veljenpoikansa, prinssi Emmanuel Bushayija (hallitsija nimellä Juhi VI) seuraa häntä kuninkaana Ruandan valtaistuimelle. Emmanuel Bushayija on Kigelin velipuolen prinssi William Bushayijan poika. Emmanuel on Britannian kansalainen ja asuu nykyään Suur-Manchesterin alueella, Britanniassa ja on aiemmin työskennellyt PepsiColle Ugandassa.
Kigelin kuoleman jälkeen paljastui, että hänellä oli ainakin yksi tytär, Jacqueline Rwivanga, joka oli avioliitossa Andrew Rugasin kanssa vuosina 1998–2015 ja on viiden lapsen äiti.
Lähteet
Ruandalaiset henkilöt
Kuninkaat
Vuonna 1936 syntyneet
Vuonna 2016 kuolleet
| 26,114
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https://stackoverflow.com/questions/47414897
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StackExchange
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Open Web
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CC-By-SA
| 2,017
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Stack Exchange
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Frank van Puffelen, Grimthorr, JDoe, MarcGV, https://stackoverflow.com/users/209103, https://stackoverflow.com/users/2754146, https://stackoverflow.com/users/6437300, https://stackoverflow.com/users/8740647
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English
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Spoken
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Android - Firebase not inserting correctly
I have an application where I use a Google Maps MapView. With my map, I can insert markers which I save to the Firebase Realtime database. I have a FirebaseMarker class:
public class FirebaseMarker {
String address;
String time;
double latitude;
double longitude;
...
}
In my fragment, I have a HashMap, where I put push-keys and the markers. When a button is pressed these markers are saved to the database.
public class MapFragment extends Fragment implements OnMapReadyCallback {
HashMap<String, Object> markers = new HashMap<>();
public void onMapReady(final GoogleMap googleMap) {
String markerIds = userRef.push().getKey();
FirebaseMarker marker = new FirebaseMarker(address, time, latitude, longitude);
markers.put(markerIds, marker);
}
private void saveToDatabase(){
userRef.child(sharedPreferences.getString("school", null)).child("markers").updateChildren(markers);
}
}
This works fine, but I also want to add the same markers with just a few properties (PartialMarker) inside a different node in Firebase. This gives me problems, as there is always one partial marker missing in the database. So if I put 3 markers on the map, only 2 partial markers are saved in the database inside the node. What I have done:
public class PartialMarker {
String address;
String time;
..
}
Then I do:
public class MapFragment extends Fragment implements OnMapReadyCallback {
HashMap<String, Object> partialMarkers= new HashMap<>();
public void onMapReady(final GoogleMap googleMap) {
for (Map.Entry<String, Object> entry : markers.entrySet()) {
String key = entry.getKey();
FirebaseMarker marker = (FirebaseMarker) entry.getValue();
partialMarkers.put(key, new PartialMarker(marker.getAddress(), marker.getTime()));
}
}
private void saveToDatabase(){
userRef.child(sharedPreferences.getString("school", null)).child("markers").updateChildren(markers);
userRef.child(sharedPreferences.getString("school", null)).child("routes").child(routeId).child("partialMarkers").updateChildren(partialMarkers);
}
}
The markers node:
The partial markers node:
When do you use saveToDatabase()? Add your full code.
Your code looks OK, so there might be some other issue - can you share your complete code sample? As a quick test: if you create both markers at the same time, so when you do: FirebaseMarker marker = new FirebaseMarker([...]), also do: PartialMarker partialMarker = new PartialMarker([...]) and put them in the different maps, there should always be the correct numbers of items in each list. It's likely that you're creating the PartialMarker map out of sync with the FirebaseMarker map.
As @Grimthorr says, most likely the partial marker map is getting out of sync. Put a breakpoint in saveToDatabase() and count the length of both maps. If they are indeed the same, can you try to isolate the problem in a small fragment that I can run? So something with hard-coded values that we can copy/paste into an app to test.
Here is the full code: https://pastebin.com/d2qUkAvS
@Grimthorr I tested the number of items in each HashMap using the size method, and the number of items in both the maps are exactly the same, every time I add a marker.
The maps does not seem to get out of sync when the markers are added. Could there be another problem?
On line 132 of your Pastebin, you are iterating over the markers map before you've added the new marker at line 142, so I don't think the maps are the same size. See my answer - it might be easier to create both the Marker and the PartialMarker at the same time, rather than iterating over the markers map each time.
This is likely an issue with iterating over the markers map before the newest Marker has been added to it, so the maps then don't contain the same number of items.
I'd recommend creating both markers at the same time, something like:
String markerId = userRef.push().getKey();
FirebaseMarker marker = new FirebaseMarker(address, time, latitude, longitude);
PartialMarker partialMarker = new PartialMarker(address, time)
markers.put(markerId, marker);
partialMarkers.put(markerId, partialMarker);
This way, it's guaranteed that both maps have the same number of items.
Thanks for your answer. This works perfectly. I have accepted your answer :)
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https://ru.wikipedia.org/wiki/%D0%A1%D0%BE%D0%B1%D0%BE%D1%80%20%D1%81%D0%B2%D1%8F%D1%82%D1%8B%D1%85%20%D0%B7%D0%B5%D0%BC%D0%BB%D0%B8%20%D0%AD%D1%81%D1%82%D0%BE%D0%BD%D1%81%D0%BA%D0%BE%D0%B9
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Open Web
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CC-By-SA
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Собор святых земли Эстонской
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https://ru.wikipedia.org/w/index.php?title=Собор святых земли Эстонской&action=history
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Russian
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Собо́р святы́х земли́ Эсто́нской (также Собор Святых, в земле Эстонской просиявших, Собор Эстонских святых, эст. Eestimaa Pühakute kogu) — православный праздник (собор).
Установлен в Русской православной церкви и Эстонской православной церкви Московского патриархата в честь православных святых, чья жизнь была связана с Эстонией. Совершатся 18 ноября (1 декабря по новому стилю).
История
Собор был установлен 22 июля 2002 года указом патриарха Московского и всея Руси Алексия II по ходатайству митрополита Таллинского и Эстонского Корнилия.
Согласно указу была написана и икона «Собор святых земли Эстонской», которая находится в Таллинском Александро-Невском кафедральном соборе. На иконе, кроме святых, изображены явление Божией Матери недалеко от будущего Пюхтицкого монастыря, почитаемая икона Успения Божией Матери, хранящаяся в монастыре, Успенский собор монастыря и таллинский Александро-Невский кафедральный собор. Существуют и другие иконографии праздника.
Были составлены литургические тексты, в том числе канон, в котором упоминаются имена 17 святых, которых можно разделить на три группы по времени их подвига: первая — древнейшие подвижники Православия, вторая — продолжатели благочестивых подвигов времён Российской империи; третья группа — новомученики и исповедники, пострадавшие от рук советской власти.
Впервые празднование Собора святых, в земле Эстонской просиявших, состоялось 21 декабря 2002 года в Таллинском кафедральном соборе Александра Невского. Богослужение совершил митрополит Таллинский и всея Эстонии Корнилий в сослужении духовенства Эстонской церкви Московского патриархата. С тех пор подобные службы проходят ежегодно.
Список святых
Благоверный великий князь Александр Невский, в схиме Алексий († 1263, память 30 августа, 23 ноября)
Священномученик Исидор Юрьевский и с ним 72 пострадавшие († 1472, память 8 января)
Преподобная Васса Псково-Печерская († ок. 1473, память 19 марта)
Преподобный Иона Псково-Печерский († ок. 1480, память 29 марта)
Преподобный Серапион Псковский, Спасо-Елеазаровский († 1482, память 15 мая, 7 сентября)
Преподобномученик Корнилий Псково-Печерский († 1570, память 20 февраля)
Священномученик Арсений (Мацеевич), митрополит Ростовский († 1772, память 28 февраля)
Праведный Иоанн Кронштадтский, протоиерей, чудотворец († 1908, память 20 декабря)
Священномученик Иоанн Кочуров († 1917, память 31 октября)
Священномученики Александр Волков и Димитрий Чистосердов Ивангородские († 1918, память 26 декабря)
Священномученик Сергий Флоринский, Раквереский († 1918, память 17 декабря, 19 июня)
Священномученики Платон (Кульбуш), епископ Ревельский, Михаил Блейве и Николай Бежаницкий, протоиереи († 1919, память 1 января)
Святитель Агафангел (Преображенский), исповедник, митрополит Ярославский († 1923, память 3 октября)
Священномученик Николай Сиймо, пресвитер Кронштадтский († 1931, память 5 апреля)
Священномученик Карп Эльб († 1937, память 11 сентября)
См. также
Православие в Эстонии
Собор всех святых, в земле Литовской просиявших
Примечания
Ссылки
СОБОР ЭСТОНСКИХ СВЯТЫХ // «Древо»
2013-11-30 Собор Святых земли Эстонской
Собор святых Эстонской земли
Эстонские
Русские православные святые
Эстонская православная церковь Московского патриархата
Русские в Эстонии
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https://ja.wikipedia.org/wiki/%E3%82%A2%E3%82%A4%E3%83%A0%E3%83%BB%E3%83%AC%E3%83%87%E3%82%A3%20%28%E3%83%9E%E3%83%87%E3%82%A3%E3%83%BB%E3%82%A6%E3%82%A9%E3%83%BC%E3%82%BF%E3%83%BC%E3%82%BA%E3%81%AE%E6%9B%B2%29
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アイム・レディ (マディ・ウォーターズの曲)
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https://ja.wikipedia.org/w/index.php?title=アイム・レディ (マディ・ウォーターズの曲)&action=history
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Japanese
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Spoken
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「アイム・レディ」（I'm Ready）は、アメリカ合衆国のブルース・ミュージシャン、マディ・ウォーターズが1954年に発表した楽曲。作詞・作曲はウィリー・ディクスンによる。
マディ・ウォーターズの録音
1953年、ウォーターズは知り合いのミュージシャンであるウィリー・フォスターにライヴへの参加を依頼したところ、フォスターは約束よりも1日早くウォーターズの元を訪れた。そして、ジン（本作の歌詞でも言及されている）を飲みながらウォーターズ及びウィリー・ディクスンに「俺は準備万端だぜ」と語ったことが、タイトルの由来になったという。オリジナル・ヴァージョンの録音には、ディクスン（アップライト・ベース）、リトル・ウォルター（ハーモニカ）、ジミー・ロジャーズ（ギター）、オーティス・スパン（ピアノ）、フレッド・ビロウ（ドラムス）が参加した。
ウォーターズは本作を度々再演している。1969年4月にポール・バターフィールドやマイク・ブルームフィールド等と共演したヴァージョンは、同年8月発売のアルバム『ファーザーズ・アンド・サンズ』に収録された。アルバム『ザ・ロンドン・マディ・ウォーターズ・セッションズ』（1972年）には、ロリー・ギャラガー等と共演したセッションが収録された。また、ジョニー・ウィンターがプロデュースしたアルバム『アイム・レディ』（1978年）には、1977年の録音が収録された。
カヴァー
デイヴィ・グレアム - アルバム『ハット』（1969年）に収録。
ハンブル・パイ - アルバム『大地と海の歌』（1970年）に収録。ただし、同作のクレジットではディクスンが作詞、ハンブル・パイが作曲と記載されている。
バディ・ガイ - アルバム『ホールド・ザット・プレーン!』（1972年）に収録。
- アルバム『アイム・レディ』（1992年）に収録。
ポール・ロジャース - アルバム『マディ・ウォーター・ブルーズ』（1993年）に、ブライアン・メイ（ギター）をゲストに迎えたカヴァーを収録。
エアロスミス - カヴァー・アルバム『ホンキン・オン・ボーボゥ』（2004年）に収録。
ヒューバート・サムリン - アルバム『About Them Shoes』（2005年）に、エリック・クラプトン（ボーカル&ギター）をゲストに迎えたカヴァーを収録。
ヴィヴィアン・キャンベル - アルバム『ツー・サイズ・オブ・イフ』（2005年）に収録。
脚注
1954年のシングル
マディ・ウォーターズの楽曲
ウィリー・ディクスンが作詞作曲した楽曲
チェス・レコードのシングル
いむれてい
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https://math.stackexchange.com/questions/1203384
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StackExchange
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Stack Exchange
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AlbertB, https://math.stackexchange.com/users/111688, https://math.stackexchange.com/users/86570, jameselmore
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English
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Pigeonhole principle: In every set of 100 integers, there exist two integers whose difference is a multiple of 37
What are the pigeons and the pigeonholes and how to prove this statements?
At first I tried to the following:
There are "100 choose 2" or 4950 pairs of integers. But I don't know how to move further.
Or if we consider the min element of the set. There are 99 pairs with the min integer in the pair. So there are at least 99 unique differencies. Don't know how it helps either.
Your title and body of the question imply different scenarios. Are you drawing sets of size $100$ or are you drawing sets of size $2$ from a set of size $100$?
@jameselmore The latter, if i get the problem right.
This is already true for every set of 38 integers. Just pack these integers into the 37 boxes corresponding to remainder modulo $37$.
The pigeons are the 100 integers. The pigeonholes are the numbers 0 to 36. Map integer
k to rem(k, 37). Since there are 100 pigeons and only 37 pigeonholes, two pigeons must go in the same pigeonhole. This means rem(k1, 37) = rem(k2, 37,), which implies that k1 − k2 is a multiple
of 37.
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https://ceb.wikipedia.org/wiki/Aldridge%20Lake%20%28lanaw%20sa%20Tinipong%20Bansa%2C%20Montana%29
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Aldridge Lake (lanaw sa Tinipong Bansa, Montana)
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https://ceb.wikipedia.org/w/index.php?title=Aldridge Lake (lanaw sa Tinipong Bansa, Montana)&action=history
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Cebuano
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Alang sa ubang mga dapit sa mao gihapon nga ngalan, tan-awa ang Aldridge Lake.
Lanaw ang Aldridge Lake sa Tinipong Bansa. Nahimutang ni sa kondado sa Park County ug estado sa Montana, sa sentro nga bahin sa nasod, km sa kasadpan sa Washington, D.C. metros ibabaw sa dagat kahaboga ang nahimutangan sa Aldridge Lake. Naglangkob kin og ka kilometro kwadrado. Kinahabogang dapit sa palibot ang Cinnabar Mountain, ka metros ni kahaboga ibabaw sa dagat, km sa amihanan sa Aldridge Lake. Ang mga tanom sa palibot sa Aldridge Lake kay hapit tanan kasagbotan ang ulohan sa nasod. Naglukop ni og 0.8 km gikan sa amihanan ngadto sa habagatan ug 0.3 km gikan sa sidlakan ngadto sa kasadpan.
Sa mosunod nga mga natural nga mga bahin makita sa Aldridge Lake:
Aldridge Creek (suba)
Ang klima hemiboreal. Ang kasarangang giiniton °C. Ang kinainitan nga bulan Hulyo, sa °C, ug ang kinabugnawan Disyembre, sa °C. Ang kasarangang pag-ulan milimetro matag tuig. Ang kinabasaan nga bulan Mayo, sa milimetro nga ulan, ug ang kinaugahan Oktubre, sa milimetro.
Saysay
Ang mga gi basihan niini
Mga lanaw sa Montana (estado)
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https://de.wikipedia.org/wiki/Liste%20der%20Naturdenkm%C3%A4ler%20in%20Landshut
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Liste der Naturdenkmäler in Landshut
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https://de.wikipedia.org/w/index.php?title=Liste der Naturdenkmäler in Landshut&action=history
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German
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Spoken
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Die Liste der Naturdenkmäler in Landshut nennt die Naturdenkmäler in der kreisfreien Stadt Landshut in Bayern.
Naturdenkmäler
Laut der im Oktober 2016 beschlossenen Verordnung waren in Landshut diese Naturdenkmäler nach dem bayrischen Naturschutzgesetz geschützt.
Siehe auch
Liste der Landschaftsschutzgebiete in Landshut
Liste der Geotope in Landshut
Weblinks
Interaktiver Stadtplan mit Fotos und Daten aller Naturdenkmäler
Einzelnachweise
!Naturdenkmaler
Landshut
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https://ceb.wikipedia.org/wiki/Soil%20Conservation%20Service%20Site%201a%20Dam
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Wikipedia
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Soil Conservation Service Site 1a Dam
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Cebuano
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Ang Soil Conservation Service Site 1a Dam ngalan niining mga mosunod:
Heyograpiya
Tinipong Bansa
Soil Conservation Service Site 1a Dam (alihan sa tubig sa Tinipong Bansa, Callahan County), Texas,
Soil Conservation Service Site 1a Dam (alihan sa tubig sa Tinipong Bansa, Collin County), Texas,
Soil Conservation Service Site 1a Dam (alihan sa tubig sa Tinipong Bansa, Hill County), Texas,
Soil Conservation Service Site 1a Dam (alihan sa tubig sa Tinipong Bansa, Montague County, lat 33,65, long -97,64), Texas,
Soil Conservation Service Site 1a Dam (alihan sa tubig sa Tinipong Bansa, Montague County, lat 33,59, long -97,77), Texas,
Soil Conservation Service Site 1a Dam (alihan sa tubig sa Tinipong Bansa, Rockwall County), Texas,
Pagklaro paghimo ni bot 2017-02
Pagklaro paghimo ni bot Tinipong Bansa
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https://fa.wikipedia.org/wiki/%D8%A7%D8%B4%D9%81%D9%88%20%D8%A7%D9%85%20%D9%88%DB%8C%D9%84%D8%AF%D9%86%20%DA%A9%D8%A7%DB%8C%D8%B3%D8%B1
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اشفو ام ویلدن کایسر
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https://fa.wikipedia.org/w/index.php?title=اشفو ام ویلدن کایسر&action=history
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Persian
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اشفو ام ویلدن کایسر یک منطقهٔ مسکونی در اتریش است که در ناحیه کوفستاین واقع شدهاست. اشفو ام ویلدن کایسر ۳۱٫۴۵ کیلومتر مربع مساحت دارد ۷۴۵ متر بالاتر از سطح دریا واقع شدهاست.
خواهرخوانده
شهر ووملژم خواهرخواندهٔ اشفو ام ویلدن کایسر هست.
جستارهای وابسته
فهرست شهرهای اتریش
منابع
پیوند به بیرون
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https://de.wikipedia.org/wiki/Encarnaci%C3%B3n%20Tabares%20Plasencia
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Encarnación Tabares Plasencia
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Encarnación Tabares Plasencia (* 1973 in San Bartolomé auf Lanzarote) ist eine spanische Juristin, Übersetzerin und Sprachwissenschaftlerin.
Seit 2003 lehrt sie im Bereich iberoromanische Sprach- und Übersetzungswissenschaft am Institut für Angewandte Linguistik und Translatologie (IALT) an der Universität Leipzig.
Leben und beruflicher Werdegang
Von 1992 bis 1997 studierte sie an der Philologischen Fakultät der Universität La Laguna Philologie und schloss das Studium mit dem Abschluss Licenciada en filología (Magister der Philologie) ab. Der Schwerpunkt lag hierbei auf Klassischer Philologie und Hispanistik.
Von 1997 bis 2002 studierte sie an der Juristischen Fakultät derselben Universität und beendete dieses Studium erfolgreich als Volljuristin.
Zeitgleich promovierte sie von 1998 bis 2004 am Institut für Hispanistik der Philologischen Fakultät der Universität La Laguna zu dem Thema El habla tradicional de la Gomera (Die traditionelle Sprache auf La Gomera). Für ihre Promotion erhielt Tabares Plasencia das Prädikat summa cum laude.
Seit 2003 lehrt sie am Institut für Angewandte Linguistik und Translatologie der Universität Leipzig. Neben ihrer Lehrtätigkeit arbeitet sie als freiberufliche Übersetzerin und publiziert in den Bereichen Linguistik, Übersetzungswissenschaft und Recht.
Tabares Plasencia ist verheiratet und lebt in Leipzig. Sie hat eine Tochter.
Forschungsschwerpunkte
Ihre Forschungsschwerpunkte sind spanische Dialektologie, Lexikographie und Phraseologie sowie Judenspanisch, komparative Linguistik und Stilistik der Fachsprachen, Terminologie und Phraseologie der Rechtssprache, Beziehungen zwischen Sprache, Literatur und Recht sowie deutschsprachige Reiseliteratur über die Kanarischen Inseln.
Lehre
Übersetzung (Einführung, allgemeinsprachliche Texte, wissenschaftliche Texte, Konferenztexte, juristische Fachtexte)
Terminologiearbeit
Kulturstudien Spaniens
Dolmetschen
Sprachpraxis Spanisch
Textanalyse
Wortbildung
Sprachwandel
Internationale Projekte und Forschungsgruppen
Mitglied der Forschungsgruppe: Can-Al (Canarias-Alemania) der Universität La Laguna (Spanien) (seit 2006).
Mitglied der Forschungsgruppe: Estudio y enseñanza de discursos especializados y nuevas tecnologías der Universität Málaga.
Mitglied des Projekts: Descripción funcional contrastiva de textos especializados en español, alemán y francés enfocada hacia la traducción (Translationsorientierte Beschreibung ausgewählter Textsorten im Sprachenpaar Spanisch – Deutsch) (mit Ausweitung auf das Sprachenpaar Französisch-Deutsch) in Zusammenarbeit mit der Universität Granada.
Mitglied der Forschungsgruppe: Estudio y enseñanza de discursos especializados y nuevas tecnologías der Universität Málaga.
Mitglied der Forschungsstelle: Judenspanisch der Universität Leipzig.
Mitglied der Forschungsgruppe: Análisis semántico del lenguaje. Projektleiter: Marcial Morera Pérez (Universität La Laguna).
Mitglied des Forschungsprojekts: Estudio global de los gentilicios en la lengua española.
Mitglied des Programms Internationale Studien- und Ausbildungspartnerschaften (ISAP) (Universität Leipzig – Universität Concepción (Chile)).
Publikationen (Auswahl)
Encarnación Tabares Plasencia hat zahlreiche Beiträge für deutsch- und spanischsprachige Fachzeitschriften verfasst.
Literatura y Derecho en el Libro de buen amor. La fábula del lobo y la raposa. Sevilla: Editorial Doble J. (2005)
Islas Canarias. Cuadros de viaje (in Zusammenarbeit mit José Juan Batista Rodríguez). La Laguna: Centro de la Cultura Popular Canaria. (2006)
Vocabulario tradicional de La Gomera. Santa Cruz de Tenerife: Academia Canaria de la Lengua. 2 Bände. (2006)
Mikrofunktionen in Arbeitsverträgen. Deutsch-spanisch (in Zusammenarbeit mit Karin Vilar Sánchez, Mirjam Reischert, Elke Krüger und Vessela Ivanova), Bern: Peter Lang (Publikation auf CD, 2007)
Translatione via facienda. Festschrift für Christiane Nord zum 65. Geburtstag (Mitherausgabe mit Gerd Wotjak und Vessela Ivanova). Frankfurt am Main: Peter Lang (2009)
Tiempo, espacio y relaciones espacio-temporales en la fraseología y paremiología españolas (Mitherausgabe mit Esteban Montoro del Arco und Carsten Sinner). München: Peniope (2012)
Einzelnachweise
Übersetzungswissenschaftler
Übersetzer aus dem Deutschen
Übersetzer aus dem Französischen
Übersetzer ins Spanische
Hochschullehrer (Universität Leipzig)
Spanier
Geboren 1973
Frau
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https://pt.wikipedia.org/wiki/Videografia%20de%20Iggy%20Azalea
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Wikipedia
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Open Web
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Videografia de Iggy Azalea
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https://pt.wikipedia.org/w/index.php?title=Videografia de Iggy Azalea&action=history
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Portuguese
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A videografia de Iggy Azalea, uma rapper australiana, consiste na sua participação em vinte e dois vídeos musicais (incluindo catorze como artista principal e cinco como uma artista em destaque), um filme, entre várias aparições em outras produções audiovisuais. Em 2011, Azalea publicou no YouTube seu primeiro vídeo musical para "Pu$$y", uma canção de sua mixtape de estreia, Ignorant Art, onde subsequentemente passou a se tornar um viral, ajudando a impulsionar a rapper à notoriedade, depois de compartilhar anteriormente vídeos caseiros como uma rapper underground. Ela lançou mais dois vídeos do projeto nos meses seguintes, "My World" e "The Last Song." Em 2012, ela se junta com o rapper southern T.I. em sua gravadora, a Grand Hustle. Ela foi, então, apresentada em "Murda Bizness", retirada do EP Glory, também aparecendo nos visuais, marcando o início de múltiplas colaborações entre os dois. Por esta altura, Azalea faz sua primeira aparição na televisão americana na BET Hip Hop Awards de 2012 ao lado de outros companheiros de gravadora. Azalea anunciou que iria lançar uma segunda mixtape intitulada TrapGold além de estrear um vídeo para a faixa "Bac 2 Tha Future (My Time)". Ela foi uma artista convidada no VH1 Divas de 2012.
Em 2013, Azalea assina um acordo de gravação com a Virgin EMI e Def Jam, enquanto programava o lançamento de seu álbum de estreia, The New Classic. O vídeo musical para o primeiro single, "Work", que retrata o percurso biográfico de Azalea da vida nas ruas para Hollywood depois que ela se mudou da Austrália para os Estados Unidos para iniciar uma carreira no rap, recebeu elogios da crítica e foi nomeado para o MTV Video Music Award de Best New Artist. "Bounce", o segundo single, filmado em Mumbai provocou uma discussão na representação do estilo e da cultura indiana. O vídeo para o terceiro single "Change Your Life" com participação de T.I., foi lançado no mesmo ano. Azalea também começou a fazer outras aparições na televisão e performances para promover os lançamentos.
Azalea lançou "Fancy", com participação de Charli XCX, em 2014, fazendo uma refilmagem do filme Clueless, alcançar o sucesso em todo o mundo e ganhar a sua atenção mais mainstream, incluindo quatro nomeações no MTV Video Music Awards de 2014 e uma participação no Saturday Night Live. Após o lançamento do álbum, o vídeo musical de "Black Widow", com participação de Rita Ora, estreou recebendo comparações com o filme Kill Bill, de Quentin Tarantino, com o ator Michael Madsen fazendo uma participação, além do mesmo vídeo ter recebido uma nomeação para Best Video no MTV Europe Music Awards 2014. Azalea também apresentou uma nova versão da série House of Style para o MTV.com. Ela também foi destaque em músicas de outros artistas no mesmo ano, tais como "Problem", de Ariana Grande, e "Booty", de Jennifer Lopez, aparecendo nos respectivos vídeos. Um vídeo para "Trouble", com participação de Jennifer Hudson, da reedição de seu álbum de estreia, Reclassified, também foi lançado na Vevo. Azalea co-dirigiu o vídeo de seu single colaborativo com Britney Spears, "Pretty Girls," em 2015, marcando a terceira vez que ela foi creditada oficialmente como diretora, depois de seu trabalho em "Black Widow" e "Trouble" com Director X. Ela fez sua estreia no cinema em Furious 7 (2015).
Vídeos musicais
Como intérprete
Como artista principal
Como artista convidada
Participações especiais
Filmografia
Televisão
Participações como ela mesma
Como performer
Internet
Comerciais
Ligações externas
Videografia
Iggy Azalea
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https://en.wikipedia.org/wiki/Nicky%20Henderson
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Nicky Henderson
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https://en.wikipedia.org/w/index.php?title=Nicky Henderson&action=history
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English
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Spoken
| 1,593
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Nicholas John Henderson (born 10 December 1950) is a British racehorse trainer. He has been British jump racing Champion Trainer six times.
Background
His father was Johnny Henderson who was one of the founders of the Racecourse Holdings Trust as well as earlier in life being Aide-de-camp to Field Marshal Montgomery. In 2005 two years after Johnny Henderson's death Cheltenham renamed one of the races at the Cheltenham Festival in his honour as the Johnny Henderson Grand Annual Chase. In 2006 Nicky Henderson won this race with a horse called Greenhope.
Henderson, educated at Eton College, has been a trainer since 1978, based at Seven Barrows near Lambourn, Berkshire. Previously he was an amateur jockey, and assistant trainer to Fred Winter between 1974 and 1978.
Achievements
His most notable successes have come with See You Then, winner of the Champion Hurdle in 1985, 1986 and 1987; Remittance Man, winner of the Queen Mother Champion Chase in 1992; Punjabi, winner of the Smurfit Kappa Champion Hurdle in 2009 at the Cheltenham Festival, Binocular, winner of the 2010 Champion Hurdle, Long Run, winner of the 2011 Cheltenham Gold Cup and Bobs Worth, winner of the 2013 Cheltenham Gold Cup. Binocular's Champion Hurdle gave Henderson a fifth win in the race, equalling the record held by Peter Easterby. Zaynar, another horse he trained, also won at the 2009 Cheltenham Festival in the Triumph Hurdle. He was Champion Trainer in the 1985/86 and 1986/87 seasons. His record at the Cheltenham Festival is particularly good and amongst currently active trainers only Willie Mullins has won more races at the Festival than Henderson. His main stable jockey was Mick Fitzgerald until Fitzgerald was forced to retire by an injury sustained in the 2008 Grand National; from the 2008–09 season until the 2014–15 season Barry Geraghty was Henderson's principal jockey in Britain. At the start of the 2015–16 season Nico de Boinville became Henderson's principal jockey after Geraghty replaced Tony McCoy as the principal jockey of J P McManus.
One of Henderson's most popular horses in recent years, Caracciola, won the Cesarewitch Handicap flat race at Newmarket in 2008 at odds of 50/1 as an 11-year-old, despite mainly being a National Hunt horse. Caracciola followed up this success by winning the Queen Alexandra Stakes at Royal Ascot in 2009 as a 12-year-old with Eddie Ahern riding on both occasions. Henderson claimed his second winner at the famous Royal Ascot meeting when Veiled won the 2011 Ascot Stakes at 11/2. In 2013 Henderson had another important win with his horse Bobs Worth (bought for only £20,000) continuing his unbeaten streak at Cheltenham with a win in the Gold Cup. This was despite Henderson raising concerns about the suitability of the soft ground before the race started.
Henderson was appointed Officer of the Order of the British Empire (OBE) in the 2020 New Year Honours for services to horse racing.
Controversy
In June 2009, Henderson was found guilty by a British Horseracing Authority panel of breaching the rules of racing, after Moonlit Path, a mare he trains for the Queen, failed a drugs test. Henderson admitted to three of the four charges he faced in relation to the case, in which a prohibited anti-bleeding drug was found in the horse's bloodstream. Henderson accepted that the drug should not have been administered, but argued that it had been done so for the horse's welfare, and that he had not been attempting to enhance performance.
A further hearing was held in July 2009 to determine the sanction to be applied, and Henderson was fined £40,000 (a record penalty for the sport in the UK) and banned from running horses for three months (11 July to 10 October 2009). However, as Henderson is primarily a jumps trainer and this ban was during the flat season it caused him little inconvenience. He was allowed to continue training during the "ban" (which could more accurately be described as a suspension rather than a ban) but was not allowed to enter horses for the period of his ban. The majority of his flat horses were sent to his friend and fellow Lambourn trainer Barry Hills, highest profile of these horses being Caracciola. He caused a little controversy when he attended Royal Ascot when the horse ran but was not breaking any rules as he had not been "warned off" and he was a guest of Barry Hills.
Cheltenham Festival winners (73)
Cheltenham Gold Cup - (2) Long Run (2011), Bobs Worth (2013)
Champion Hurdle - (9) See You Then (1985, 1986, 1987), Punjabi (2009), Binocular (2010), Buveur d'Air (2017, 2018), Epatante (2020), Constitution Hill (2023)
Queen Mother Champion Chase - (6) Remittance Man (1992), Finian's Rainbow (2012), Sprinter Sacre (2013, 2016), Altior (2018, 2019)
Stayers' Hurdle - (2) Rustle (1989), Bacchanal (2000)
Supreme Novices' Hurdle - (5) River Ceiriog (1986), Flown (1992), Altior (2016), Shishkin (2020), Constitution Hill (2022)
Baring Bingham Novices' Hurdle - (1) Simonsig (2012)
Triumph Hurdle - (7) First Bout (1985), Alone Success (1987), Katarino (1999), Zaynar (2009), Soldatino (2010), Peace And Co (2015), Pentland Hills (2019)
Arkle Challenge Trophy - (7) Remittance Man (1991), Travado (1993), Tiutchev (2000), Sprinter Sacre (2012), Simonsig (2013), Altior (2017), Shishkin (2021)
David Nicholson Mares' Hurdle - (1) Marie's Rock
Spa Novices' Hurdle - (1) Bobs Worth (2011)
RSA Insurance Novices' Chase - (4) Trabolgan (2005), Bobs Worth (2012), Might Bite (2017), Champ (2020)
Ryanair Chase - (2) Fondmort (2006), Riverside Theatre (2012)
Festival Trophy Handicap Chase - (2) Marlborough (2000), Beware The Bear (2019)
Centenary Novices' Handicap Chase - (1) Rajdhani Express (2013)
Coral Cup - (4) Spirit River (2010), Whisper (2014), William Henry (2019), Dame De Compagnie (2020)
County Handicap Hurdle - (2) Thumbs Up (1993), Barna Boy (1997)
Fred Winter Juvenile Novices' Handicap Hurdle - (1) Une Artiste (2012)
Paddy Power Plate Handicap Chase - (4) The Tsarevich (1985, 1986), Liberthine (2005), Non So (2006)
Fulke Walwyn Kim Muir Challenge Cup - (3) Master Bob (1990), The Bushkeeper (2002), Juveigneur (2005)
Johnny Henderson Grand Annual Chase - (2) Greenhope (2006), Bellvano (2012)
Martin Pipe Conditional Jockeys' Handicap Hurdle - (1) Andytown (2009)
Golden Miller Novices' Chase - (1) Chantry House (2021)
Cathcart Challenge Cup - (4) Brown Windsor (1990), Raymylette (1994), Stormyfairweather (1999, 2000)
Pertemps Final - (1) Call The Cops (2015)
Major wins
Great Britain
Fighting Fifth Hurdle - (8) Landing Light (2001), Punjabi (2008), My Tent Or Yours (2013), Buveur d'Air (2017, 2018), Epatante (2020, 2021 (dead heat)), Constitution Hill (2022)
Henry VIII Novices' Chase - (5) Acre Hill (1990), Fondmort (2001), Captain Conan (2012), Altior (2016), Jonbon (2022)
Tingle Creek Chase - (2) Sprinter Sacre (2012), Altior (2018)
Long Walk Hurdle – (2) Punchestowns (2008), Champ (2021)
Kauto Star Novices' Chase - (5) Sparkling Flame (1990), Mutare (1991), Fiddling the Facts (1997), Bacchanal (2000), Long Run (2009)
Christmas Hurdle - (11) Geos (2000), Landing Light (2001), Binocular (2010, 2011), Darlan (2012), My Tent Or Yours (2013), Buveur d'Air (2017), Verdana Blue (2018), Epatante (2019, 2021), Constitution Hill (2022)
King George VI Chase - (3) Long Run (2010, 2012), Might Bite (2017)
Finale Juvenile Hurdle - (4) Mister Banjo (1999), Nas Na Riogh (2002), Blue Shark (2005), We Have A Dream (2017)
Challow Novices' Hurdle - (2) Captain Cutter (2014), Champ (2019)
Tolworth Novices' Hurdle - (6) New York Rainbow (1992), Minella Class (2011), Captain Conan (2012), Royal Boy (2014), L'ami Serge (2015), Constitution Hill (2022)
Clarence House Chase - (6) Big Matt (1996), Isio (2004), Tysou (2006), Sprinter Sacre (2013), Altior (2019), Shishkin (2022)
Scilly Isles Novices' Chase - (6) First Bout (1987), Punchestowns (2010), Captain Conan (2013), Oscar Whisky (2014), Top Notch (2017), Terrefort (2018)
Ascot Chase - (4) Tiutchev (2001), Riverside Theatre (2011,2012), Shishkin (2023)
Manifesto Novices' Chase - (2) Mad Max (2010), Captain Conan (2013)
Anniversary 4-Y-O Novices' Hurdle - (3) Binocular (2008), We Have A Dream (2018), Pentland Hills (2019)
Betway Bowl - (2) Might Bite (2018), Shishkin (2023)
Aintree Hurdle - (6) Oscar Whisky (2011, 2012), Buveur d'Air (2017), L'Ami Serge (2018), Epatante (2022), Constitution Hill (2023)
Top Novices' Hurdle - (6) General Miller (2010), Darlan (2012), My Tent Or Yours (2013), Josses Hill (2014), Buveur d'Air (2016), Jonbon (2022)
Mildmay Novices' Chase - (6) Sparkling Flame (1991), Irish Hussar (2003), Burton Port (2010), Might Bite (2017), Terrefort (2018), Chantry House (2021)
Melling Chase - (3) Remittance Man (1992), Finian's Rainbow (2012), Sprinter Sacre (2013)
Maghull Novices' Chase - (4) Finian's Rainbow (2011), Sprinter Sacre (2012), Shishkin (2021), Jonbon (2023)
Sefton Novices' Hurdle - (4) Rustle (1988), Beat That (2014), Santini (2018), Champ (2019)
Mersey Novices' Hurdle - (2) Spirit Son (2011), Simonsig (2012)
Liverpool Hurdle - (2) Whisper (2014, 2015)
Celebration Chase - (6) French Opera (2011), Sprinter Sacre (2016), Altior (2017, 2018, 2019), Jonbon (2023)
Ireland
Punchestown Champion Chase - (2) Big Matt (1998), Get Real (2000), Sprinter Sacre (2013)
Punchestown Champion Hurdle - (1) Buveur d'Air (2019)
Champion INH Flat Race - (1) Royal Rosa (2003)
Savills Chase - (1) Bobs Worth (2013)
Ryanair Novice Chase - (1) Tiutchev (2000)
Champion Four Year Old Hurdle - (4) Katarino (1999), Punjabi (2007), Grandouet (2011), Fusil Raffles (2019)
Mares Champion Hurdle - (1) Marie's Rock (2022)
France
Grande Course de Haies d'Auteuil - (1) L'Ami Serge (2017)
United States
Grand National Hurdle Stakes - (1) Brain Power (2019)
References
BBC profile
Cheltenham Festival trainers
Cheltenham Festival: Punjabi So Brave For Henderson
Living people
1950 births
British racehorse trainers
People educated at Eton College
Lieutenants of the Royal Victorian Order
Officers of the Order of the British Empire
| 26,639
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https://stackoverflow.com/questions/58897918
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StackExchange
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Open Web
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CC-By-SA
| 2,019
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Stack Exchange
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Cheang Wai Bin, David C. Rankin, https://stackoverflow.com/users/3422102, https://stackoverflow.com/users/775806, https://stackoverflow.com/users/8512152, n. m. could be an AI
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English
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Spoken
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How to split a string and store each character into an array
I'm trying to compare the number of similar characters between 2 string and came across strpbrk() function. But I can't find any method to split my search string into array of character.
char search[] = "chzi";
char arr[2][20] = {"cheang", "wai"};
float lengthSearch = strlen(search);
float count = 0;
for(int i = 0; i < 2; i++){
int lengthArr = strlen(arr[i]);
for(int j = 0; j < lengthSearch; j++){
if(strpbrk(&search[j], arr[i])){
printf("%c is the similarity between %s and %s\n", *strpbrk(&search[j], arr[i]), &search[j], arr[i]);
count++;
printf("count is now %.1f\n", count);
}
}
float probability = ((count/lengthSearch) * (count/lengthArr)) * 100;
printf("%s has a probability of %.2f\n\n", arr[i], probability);
count = 0;
}
The problem is here
i is the similarity between chzi and wai
count is now 1.0
i is the similarity between hzi and wai
count is now 2.0
i is the similarity between zi and wai
count is now 3.0
i is the similarity between i and wai
count is now 4.0
instead of chzi I only want to compare c and wai
Your search string is already an array of characters and you can iterate over each character with a simple for (int i = 0; search[i]; i++) where search[i] will be each character in search in sequence. if(strpbrk(&search[j], arr[i])) is backwards. If you want to know if any of the chars in search appear in arr[i] then strpbrk (arr[i], search)
float is wrong, size_t it the return type for strlen. See man 3 strlen
looping through the string will return me each character but when using strpbrk(), it forces me to write in strpbrk(&seach[j], arr[i]), if i am able to just write strpbrk(search[j], arr[i]) I believe this code should be good
strpbrk doesn't work the way you think it works, read the documentation carefully.
I want to check if the first character of search matches any character in the string, that's why I wrote strpbrk(&search[j], arr[i])
Do you only what to know if the first character matches, or do you want to know the number of occurrences of characters in search that are contained in arr[i]??
"I want to check if the first character of search matches any character in the string," That's not what strpbrk does.
I wanted to check how many similar characters between search and arr[i]
No - strpbrk returns a pointer to the first of any character in search that matches. Use strchr (arr[i], search[0]) to find out if the first char in search matches any char in arr[i].
OH -- that's what I thought, then you can use strpbrk and a pointer.
I wanted to check how many similar characters between search and
arr[i]
Then you can use strpbrk but somewhat reversed from how you attempted. man 3 strpbrk with declaration of
char *strpbrk(const char *s, const char *accept);
locates the first occurrence in the string s
of any of the bytes in the string accept.
So what you want do is simply loop with strpbrk and find out how many characters of search are common to arr[i]. Using a pointer makes that simple, e.g.
#include <stdio.h>
#include <string.h>
int main (void) {
char search[] = "chzi",
arr[][20] = {"cheang", "wai"};
size_t n = sizeof arr / sizeof *arr;
for (size_t i = 0; i < n; i++) {
size_t count = 0;
char *p = arr[i];
while ((p = strpbrk (p, search)))
count++, p++;
printf ("%s contains %zu occurrence of characters in %s.\n",
arr[i], count, search);
}
}
Note above you simply use a pointer to arr[i] and then use strpbrk to locate the first character in search that occurs in arr[i]. You then increment the pointer to the next character in arr[i] (using p++;) and do it again until strpbrk returns NULL indicating there are no more character is arr[i] that match any of the characters in search, the code above does just this, e.g.
char *p = arr[i];
while ((p = strpbrk (p, search)))
count++, p++;
which if you wanted to avoid using the comma operator would be:
char *p = arr[i];
while ((p = strpbrk (p, search))) {
count++;
p++;
}
Example Use/Output
Running with your strings would result in:
$ ./bin/strpbrkchars
cheang contains 2 occurrence of characters in chzi.
wai contains 1 occurrence of characters in chzi.
Look things over and let me know if that is what you intended. You will need to add your probability code, but that is left to you.
What does this do? p = strpbrk (p, search) Does it means that if the first character of p matches any character in search it will return that character and store it in p?
Recall, strpbrk returns a pointer to the first character in p (arr[i]) that matches any of the characters in search. So in the case of cheang, strpbrk will return a pointer to c at the beginning. You then increment count++ and p++ so p now points to h and you loop again. h matches so strpbrk returns a pointer to h on the second iteration. You then count++; and p++; so p now points to e. On your next call, nothing in "eang" matches any character in "chzi", so strpbrk returns NULL completing the loop.
Add a new string "caching" to your array and you will find count == 4 as it matches c (2-times), h (1-time) and i (1-time).
| 47,581
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https://vi.stackexchange.com/questions/16082
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StackExchange
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Open Web
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CC-By-SA
| 2,018
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Stack Exchange
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Sebastian Müller, https://vi.stackexchange.com/users/15083
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English
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Spoken
| 448
| 722
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How to quickly edit vim variable content?
In vim I sometimes want to quickly change the content of a variable using its current content as template using vim editing capabilities.
For example I want to append the word "bar" to the existing variable myvar.
let myvar="foo"
A possible workflow could be a ex-command (say Edit) editing myvar in a new buffer with "foo" as its contend and upon saving the buffer it would overwrite the new content (i.e. "foo bar") to the variable:
:Edit myvar
I feel there must be an elegant solution, possibly even another workflow than the one outlined above.
You've picked an unfortunate example, as it's more easily achieved with:
let myvar .= 'bar'
Still, for more complicated edits, you could use the following commands:
Insert the variable into the buffer:
o<C-R>=myvar<CR>
N.B. In the above, <C-R> denotes a press of Ctrl-R, and <CR> is a press of Return.
Perform your edits.
Reassign the contents of the line to the variable and delete the line:
:let myvar = getline('.') | d
Steps 1 & 3 can be converted into mappings:
:nnoremap <expr> <leader>ev "o\<C-R>=" . input('Variable: ', 'myvar', 'var') . "\<CR>"
:nnoremap <expr> <leader>av ':let ' . input('Variable: ', 'myvar', 'var') . " = getline('.') <bar> d\<CR>"
These prompt the user for which variable they want to edit/assign to, offering a default of myvar, and using variable completion so you don't have to type out the whole variable name.
If you always want to edit myvar, you can just replace the call to input() with myvar. If you only want to be asked in the first mapping, then you could save the name of the variable selected in a variable and use that in the second mapping: at that point you'd probably be better off using a mapping that calls a function instead of attempting to cram it into a one-liner.
Creating a more polished, complete solution as described in the question is left as an exercise to the reader. You'd probably want to set up a function to create the new buffer and insert the contents of the variable, and a BufWriteCmd autocommand to intercept the saving of that buffer (and only that buffer) and instead reassign to the variable.
Further reading:
:help i_CTRL-R_=
:help getline()
:help :d
:help :map-expr
:help input()
:help :command-completion
:help :function
:help autocommand
:help Cmd-event
I've accepted this solutions since extensively elaborated, adaptable and doesn't require a plugin (which I prefer). I agree, the example was somewhat unfortunate.
The plugin editvar does this. Just use :Editvar myvar, where myvar is a variable. This opens a window with the variable's contents. You can type :w to update the variable value.
| 11,797
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https://vi.wikipedia.org/wiki/Lertha%20schmidti
|
Wikipedia
|
Open Web
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CC-By-SA
| 2,023
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Lertha schmidti
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https://vi.wikipedia.org/w/index.php?title=Lertha schmidti&action=history
|
Vietnamese
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Spoken
| 29
| 61
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Lertha schmidti là một loài côn trùng trong họ Nemopteridae thuộc bộ Neuroptera. Loài này được H. Aspöck et al. miêu tả năm 1984.
Chú thích
Tham khảo
Lertha
| 31,394
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https://craftcms.stackexchange.com/questions/16419
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StackExchange
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Open Web
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CC-By-SA
| 2,016
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Stack Exchange
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Brad Bell, Terry Upton, https://craftcms.stackexchange.com/users/5418, https://craftcms.stackexchange.com/users/57
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English
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Spoken
| 153
| 250
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Categories not adding trailing slash
In my general config I have enabled URLS to have trailing slashes.
'addTrailingSlashesToUrls' => true,
This is working for products and entries. But it is not working on Categories. Category links are not adding trailing slashes.
Is there some additional config I need to add/setup or is this a bug?
Can you share the code you're using to generate the links? Have you made any modifications to the stock public .htaccess file (assuming you're running Apache)?
Whoops! Sorry Brad. As I went to check the code I realised, I was using {{ category.uri }} instead of {{ category.url }}.
Incidentally what exactly is uri?
Ahh... would you mind adding that as an answer? There's a good venn diagram here on URI vs. URL vs. URN: https://danielmiessler.com/study/url-uri/
Whoops! Sorry. As I went to check the code I realised, I was using {{ category.uri }} instead of {{ category.url }}.
| 2,084
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https://es.wikipedia.org/wiki/Elecciones%20parlamentarias%20de%20Kirguist%C3%A1n%20de%202020
|
Wikipedia
|
Open Web
|
CC-By-SA
| 2,023
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Elecciones parlamentarias de Kirguistán de 2020
|
https://es.wikipedia.org/w/index.php?title=Elecciones parlamentarias de Kirguistán de 2020&action=history
|
Spanish
|
Spoken
| 1,257
| 2,121
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Las elecciones parlamentarias de Kirguistán se realizaron el 4 de octubre de 2020, con el fin de renovar los miembros del Consejo Supremo. Luego de protestas masivas en la capital Biskek y otras ciudades del país, la autoridad electoral anunció el 6 de octubre de 2020 que los resultados electorales del 4 de octubre fueron cancelados, por lo que son necesarias nuevas elecciones. El proceso posterior sigue sin estar claro por el momento. El presidente Sooronbay Jeenbekov pidió a los manifestantes que se moderen y pongan fin a las protestas masivas.
Según los resultados preliminares de las elecciones, cuatro partidos entraron al parlamento, el Partido del Socialismo Democrático - Opción Euroasiática "Unidad" (Birimdik) formará el grupo parlamentario más grande. De los siete partidos que estuvieron representados después de las elecciones de 2015, solo el Partido Kirguistán (KP) habría logrado reingresar al parlamento. A pesar de esta gran dinámica, las elecciones en general han sido como un voto de confianza para el gobierno anterior bajo el liderazgo del Partido Socialdemócrata (SDPK), ya que con Birimdik, Mi Patria Kirguistán (MK) y el Partido Kirguistán (KP), principalmente los partidos oficialistas tienen mayoría en el parlamento.
Contexto
Las anteriores elecciones parlamentarias realizadas en 2015 fueron ganadas por el entonces opositor Partido Socialdemócrata de Kirguistán, lideradas por Chynybai Tursunbekov con el 27.56% de los votos y 38 escaños, mientras que el entonces partido de gobierno Respublika–Ata Zhurt, ocupó el segundo lugar con el 20.26% de los votos y 23 escaños.
Los aliados de la coalición del Partido Socialdemócrata resultaron con un baja importante, dado el colapso del partido Ar-Namys, que no obtuvo ninguno escaño y la caída del partido Ata-Meken. Dos nuevos partidos ingresaron al Consejo Supremo: Partido del Desarrollo y el Progreso y el partido Bir Bol.
El Partido Socialdemócrata formó una nueva coalición con Ata-Meken, el Partido Kirguistán y Partido del Desarrollo y el Progreso, lo que le permitió a Temir Sariyev mantenerse como Primer Ministro, sin embargo, renunció por una investigación de corrupción llevada a cabo por una comisión parlamentaria siendo reemplazado por Sooronbay Jeenbekov. Posteriormente Jeenbekov renunció el 21 de agosto de 2017, luego de ser nombrado como candidato oficial en las elecciones presidenciales de 2017, siendo sustituido por el exjefe de gabinete de Atambáyev Sapar Isakov. Finalmente Isakov es destituido del cargo y le remplazó Muhammetkaliy Abulgaziyev.
La generalización del control biométrico de la votación, que en sí mismo es un paso adelante, no ha sido suficientemente informada y ha limitado el ejercicio del derecho al voto en las pasadas elecciones parlamentarias en las zonas remotas del país.
Sistema electoral
Los 120 miembros en el Consejo Supremo son elegidos por representación proporcional por listas en una circunscripción única en todo el país, con un umbral electoral del 7%. No se permite a ningún partido tener más de 65 miembros en el Consejo. Se requiere que las listas del partido tengan al menos un 30% de candidatos de cada sexo, y cada cuarto candidato tenía que ser de un género diferente. También se requiere que un 15% de los candidatos sean de minorías étnicas y por lo mínimo, dos personas con discapacidad.
Partidos
Un total de 16 partidos políticos acudieron a las elecciones, un aumento de dos partidos en comparación con las elecciones de 2015. El Partido Socialdemócrata de Kirguistán (SDPK) y el Partido del Desarrollo y el Progreso (OP), dos de los partidos representados en el parlamento no se presentaron a las elecciones.
Partido Socialdemócrata de Kirguistán
El SDPK fue la facción más grande en el parlamento en la coalición gobernante durante la última legislatura y ha sido fundamental en la configuración de la política en los últimos años, incluyendo al presidente en ejercicio Jeenbekov y su predecesor, Almasbek Atambayev Después de la transición pacífica del poder de Atambayev a Jeenbekov en el curso de las elecciones presidenciales de 2017, una lucha de poder comenzó en 2018 entre el presidente y su predecesor en el cargo, que culminó en la detención de Atambayev después de violentos enfrentamientos entre las fuerzas de seguridad y sus partidarios. Dentro del SDPK, el conflicto entre los dos líderes continuó y finalmente condujo a la división del SDPK. Los partidarios de Atambayev se reunieron en el partido Socialdemócratas de Kirguistán, mientras que muchos de los partidarios del presidente cambiaron al pequeño y testimonial partido Unidad (Birimdik).
Birimdik
Después de la división del SDPK, el Partido del Socialismo Democrático - Elección Euroasiática 'Unidad' (Birimdik) fue considerado un partido gobernante no oficial y nombró a numerosos partidarios prominentes del presidente, incluidos su hermano Asylbek Jeenbekovy la vicepresidenta del parlamento Aida Kasymalijewa. El partido dio la implementación de un socialismo democrático como el objetivo primordial. El partido también representa una mayor cooperación con Rusia, en el marco de la Unión Económica Euroasiática. Durante la campaña electoral, el partido trató tanto de servirse de la nostalgia soviética que estaba generalizada en partes de la población como de enfatizar la importancia de las tradiciones kirguisas.
Mekenim Kirguistán
El segundo favorito en el período previo a las elecciones fue Mi Patria Kirguistán (MK). Esto fue dirigido en gran parte por la poderosa familia Matraimow alrededor de Raimbek Matraimov, quien había hecho una gran fortuna en su función como subjefe de la autoridad aduanera de Kirguistán. En términos de contenido, también se considera que el partido es pro-Rusia y en gran medida leal al gobierno. Una preocupación central del partido también fue la reducción de la burocracia y una mayor responsabilidad para las áreas rurales del país en el contexto de la descentralización. Debido a los grandes recursos financieros del partido a través del apoyo de la familia Matraimov, ya estaba en el centro de acusaciones de manipulación comprando votos durante la campaña electoral. El partido también se benefició del apoyo de Patria (Ata-Zhurt), un partido conservador que se postuló junto con República (Respublika) en las elecciones de 2015.
Partido de Kirguistán
Después de las elecciones de 2015, el partido de Kirguistán, sorprendentemente, logró formar el tercer grupo más grande en el parlamento con 18 escaños. El registro del partido para las elecciones de 2020 fue objeto de una disputa legal luego de que la comisión electoral rechazara inicialmente el registro con referencia a documentos que no se presentaron a tiempo. Sin embargo, la acción contra esta decisión fue exitosa, por lo que posteriormente se registró al partido. Durante la campaña electoral, el partido se presentó como un representante de la economía y un partidario del gobierno, el lema principal de la campaña fue: Kirguistán está en mi corazón.
Butun Kirguistán
El partido Kirguistán Unido (BK) no logró entrar al parlamento en las elecciones de 2015 en alianza con el partido Emgek. El partido pertenece al espectro político de derecha y es considerado nacionalista. El partido goza de un fuerte apoyo, especialmente en la región de Batken en el sur y entre los partidarios del expresidente Kurmanbek Bakíev. El líder del partido del Partido Comunista de Kirguistán, Isják Masalíyev, también estaba en la lista de candidatos.
Respublika
República (Respublika) se postuló en las elecciones anteriores en alianza con el nacionalista Patria (Ata-Zhurt), pero no logró el objetivo de convertirse en la fuerza más poderosa del parlamento. Tras la ruptura de la alianza con Ata-Zhurt en noviembre de 2016 y la retirada del antiguo presidente del partido, Ömürbek Babanov, el partido se vio debilitado, pero reapareció en las elecciones parlamentarias como una alternativa favorable hacia los negocios.
Resultados
Véase también
Protestas en Kirguistán de 2020
Referencias
Fraudes electorales
Elecciones parlamentarias de Kirguistán
Kirguistán en 2020
Elecciones en Asia de 2020
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Torneo di Wimbledon 2011 - Doppio ragazze
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Tímea Babos e Sloane Stephens erano le detentrici del titolo, ma quest'anno non hanno partecipato.
Eugenie Bouchard e Grace Min hanno battuto in finale Demi Schuurs e Tang Haochen 5–7, 6–2, 7–5.
Teste di serie
Dar'ja Gavrilova / Dar'ja Sal'nikova (ritiro)
Eugenie Bouchard / Grace Min (campioni)
Barbara Haas / Anett Kontaveit (secondo turno)
Ashleigh Barty / Miho Kowase (quarti di finale, ritiro)
Victoria Duval / Zarah Razafimahatratra (secondo turno)
Jesika Malecková / Chantal Škamlová (secondo turno)
Victoria Bosio / Patricia Iveth Ku Flores (primo turno)
Montserrat González / Ganna Poznikhirenko (secondo turno)
Tabellone
Fase finale
Parte alta
Bottom Half
Note
Torneo di Wimbledon 2011
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https://en.wikipedia.org/wiki/Muhambet%20Kopeev
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Muhambet Kopeev
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Muhammet Jumanazaruly Kopeev (, , romanized: Mūhammet Jūmanazarūly Kopeev; born 15 November 1949) is a Kazakhstani politician who served as a member of the Senate of Kazakhstan from 29 November 2005 to 24 November 2011 and was its Deputy Chair. Prior to that, he was Minister of Emergency Situations from 30 September 2004 to 11 August 2005 and was a member of the Mazhilis from 1996 to 2004 where he was Mazhilis Deputy Chair from 1 December 1999 until 2004.
Biography
Early life and education
Muhammet Kopeev was born to a Muslim Kazakh family in the village of Rudnik in Karaganda Region, Kazakhstan. He is the son of Fariza and Jumanazar Kopeev. In 1972, he graduated from the Satbayev University with a degree mining engineering. From 1983 to 1985, Kopeev attended the Alma-Ata Higher Party School where he earned degree in political science and then in 1998 from the Abai Kazakh National Pedagogical University where he specialized in law.
Career
From 1973 to 1976, Kopeev was mining foreman, Secretary of the Komsomol Committee of the Dzhezkazgan Mining Trust. He then worked as a Secretary and First Secretary of the Nikolsk City Committee of the Leningrad Komsomol Committee until he became the instructor of the Dzhezkazgan Regional Party Committee in 1980. From 1985, Kopeev was the Second Secretary of the Dzhezdinsky District Party Committee. In 1986, he became the Chairman of the Qarajal City Executive Committee and from 1989, was the Head of Department of the Dzhezkazgan Regional Party Committee.
In 1991, Kopeev was appointed as the Chairman of the Administrative Council of the Jairem-Atasui Consolidated Economic Zone and was the Head of the Qarajal City Administration from 1992 until becoming a member of the Mazhilis in 1996 where he was member of the Finance and Budget Committee. On 1 December 1999, Kopeev was elected as the Mazhilis Deputy Chair where he served the post until he was appointed as Minister of Emergency Situations on 30 September 2004.
On 29 November 2005, he was appointed as member of the Senate of Kazakhstan and from 1 December 2005 was its Deputy Chair until being dismissed as Senator on 24 November 2011.
References
1949 births
Living people
People from Karaganda Region
Government ministers of Kazakhstan
Ministers of Emergency (Kazakhstan)
Members of the Mazhilis
Members of the Senate of Kazakhstan
20th-century Kazakhstani politicians
21st-century Kazakhstani politicians
| 15,152
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https://eu.wikipedia.org/wiki/Rouvres-en-Xaintois
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Rouvres-en-Xaintois Frantziako udalerria da, Vosgeak departamenduan dagoena, Ekialde Handia eskualdean. 2013an biztanle zituen.
Demografia
Biztanleria
2007an Rouvres-en-Xaintois udalerrian erroldatutako biztanleak 295 ziren. Familiak 132 ziren, horien artean 40 pertsona bakarrekoak ziren (12 bakarrik bizi ziren gizonak eta 28 bakarrik bizi ziren emakumeak), 44 seme-alabarik gabeko familiak ziren, 40 seme-alabak dituzten bikoteak ziren eta 8 seme-alabak dituzten guraso-bakarreko familiak ziren.
Biztanleriak, denboran, ondorengo grafikoan ageri den bilakaera izan du:
Erroldatutako biztanleak
<noinclude>
Etxebizitza
2007an 144 etxebizitza zeuden, 131 familiaren etxebizitza nagusia ziren, 8 bigarren erresidentzia ziren eta 5 hutsik zeuden. 138 etxeak ziren eta 6 apartamentuak ziren. 131 etxebizitza nagusietatik 115 bere jabearen bizilekua ziren, 11 alokairuan okupaturik zeuden eta 5 doan lagata zeuden; 1ek gela bat zuen, 7 etxek bi zituzten, 3 etxek hiru zituzten, 43 etxek lau zituzten eta 77 etxek bost zituzten. 90 etxek euren parking plaza propioa zuten azpian. 66 etxetan ibilgailu bat zegoen eta 51 etxetan bat baino gehiago zituzten.
Biztanleria-piramidea
2009an sexu eta adinaren araberako biztanleria-piramidea hau zen:
Ekonomia
2007an lan egiteko adina zuten pertsonak 186 ziren, horien artean 134 aktiboak ziren eta 52 inaktiboak ziren. 134 pertsona aktiboetatik 125 lanean zeuden (68 gizon eta 57 emakume) eta 10 langabezian zeuden (6 gizon eta 4 emakume). 52 pertsona inaktiboetatik 22 erretiraturik zeuden, 7 ikasten zeuden eta 23 "bestelako inaktibo" gisa sailkaturik zeuden.
Diru sarrerak
2009an Rouvres-en-Xaintois udalerrian 136 unitate fiskal zeuden, 320,5 pertsonek osaturik. Pertsona bakoitzeko diru-sarrera fiskalaren mediana urteko 18.022 euro zen.
Ekonomia jarduerak
2007an zeuden 7 komertzioetatik, 1 janari enpresa zen, 1 eraikuntza enpresa zen, 2 ibilgailuen saltze eta konpontze enpresak ziren, 2 ostalaritza eta jatetxe enpresak ziren eta 1 «beste zerbitzu jarduera batzuk» multzoan sailkatutako enpresa zen.
2009an norbanakoentzat zegoen zerbitzu bakarra iturgina zen.
2009an zeuden 2 establezimendu komertzial guztiak harategiak ziren.
2000. urtean Rouvres-en-Xaintois udalerrian 5 nekazaritza-ustiategi zeuden.
Hezkuntza eta osasun ekipamenduak
2009an lehen-hezkuntzako eskola bat zegoen.
Gertuen dauden herriak
Diagrama honek gertuen dauden herriak erakusten ditu.
Erreferentziak
Kanpo estekak
Résumé statistique INSEEren udalerriko estatistiken laburpena.
Évolution et structure de la population INSEEren udalerriko datuen fitxa.
France par comune Frantziako udalerri guztietako datu zehatzak mapa baten bitartez eskuragarri.
Vosgeetako udalerriak
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https://uz.wikipedia.org/wiki/Breistroff-la-Grande
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Breistroff-la-Grande Fransiyaning Lotaringiya mintaqasida joylashgan kommunadir. Moselle departamenti Thionville-Oost tumani tarkibiga kiradi.
Aholisi
526 nafar aholi istiqomat qiladi (2005). Aholi zichligi — har kvadrat kilometrga 49,6 nafar kishi.
Geografiyasi
Maydoni — 10,6 km2. Dengiz sathidan 157 – 242 m balandlikda joylashgan.
Manbalar
Moselle shaharlari
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https://zh-min-nan.wikipedia.org/wiki/Kiana%20%28Alaska%29
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Kiana (Alaska)
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Min Nan Chinese
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Kiana sī Bí-kok Alaska chiu Northwest Arctic kūn ê chi̍t ê chng-thâu (city).
Alaska ê chng-thâu
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https://it.wikipedia.org/wiki/Renault%20Type%20488
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Wikipedia
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Renault Type 488
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Il Renault Type 488 era un motore a scoppio prodotto dal 1937 al 1953 dalla Casa automobilistica francese Renault.
Caratteristiche
Il motore Type 488 è stato introdotto per essere montato sulla Juvaquatre, che risulterà poi l'unica sua applicazione.
È un motore a 4 cilindri in linea con distribuzione a valvole laterali.
Si tratta di un'unità di tipo sottoquadro, le cui misure di alesaggio e corsa sono di 58x95 mm, per una cilindrata complessiva di 1003 cm³. L'alimentazione era affidata ad un carburatore Solex 26. La potenza massima raggiungeva i 24 CV a 3500 giri/min.
Di questo motore sono esistite più varianti, differenti tra loro semplicemente per il diverso posizionamento di alcuni organi. In particolare:
il 488-S1 è l'unità montata sulle Juvaquatre d'anteguerra e si distingue per lo sbocco del condotto di scarico sistemato sul lato anteriore del motore;
il 488-S2 ha invece lo sbocco del condotto di scarico in posizione centrale;
il 488-S3 ha una nuova frizione della Ferodo con nuovo volano di diametro differente;
il 488-S4 ha un nuovo comando della pompa carburante, simile a quella montata sulle Renault 4CV.
Le ultime tre varianti di motore 488 sono state utilizzate in periodi differenti sulle versioni Break e furgoncino post-belliche.
Questo motore è stato pensionato nel 1953.
Note
Voci correlate
Renault
Renault Juvaquatre
488
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https://ceb.wikipedia.org/wiki/Jhand%C4%81ji%20ki%20Khad
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Jhandāji ki Khad
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Suba nga anhianhi ang Jhandāji ki Khad sa Indiya. Nahimutang ni sa estado sa State of Punjab, sa amihanang bahin sa nasod, km sa amihanan sa New Delhi ang ulohan sa nasod. Ang Jhandāji ki Khad mao ang bahin sa tubig-saluran sa Indus River, ug usa ka sanga sa Sutlej River.
Ang klima umogon ug subtropikal. Ang kasarangang giiniton °C. Ang kinainitan nga bulan Hunyo, sa °C, ug ang kinabugnawan Enero, sa °C. Ang kasarangang pag-ulan milimetro matag tuig. Ang kinabasaan nga bulan Agosto, sa milimetro nga ulan, ug ang kinaugahan Nobiyembre, sa milimetro.
Ang mga gi basihan niini
Indus River (suba) tubig-saluran
Mga suba sa State of Punjab
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https://superuser.com/questions/1407826
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StackExchange
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Bash scripting: how to iterate through all drives?
I have buildroot readonly bootable image, which is normally loaded via TFTP in PXE enviroment. Filesystem in unpacked into ram and remounted as rw. And accidentally I wished to boot it from a USB stick and modify root filesystem content. So I thought of a "patch" system.
In a readonly image I can embed some /etc/init.d script, that, upon start, checks for /dev/sd?? drives, tries to mount them to /mnt (one at a time), seeks for /mnt/patch.sh script and executes it, then unmount and proceed to next drive.
So basically I want to iterate through all availble drives PARTITIONS in system. How to do that in shell script? (I use busybox)
In a for loop, does a ? character in /dev/sd?? meets /dev/sda for example (which i want to avoid)?
busybox shell does not interpret bash.
The Debian ash (dash) variant 0.3.8-5 was incorporated with busybox release 0.52 (07/'01).
There are several differences between ash/dash and bash.
ash man
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Edson Mata, https://codereview.stackexchange.com/users/188446, https://codereview.stackexchange.com/users/95820, tobiasznowak
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Navigation between pages in WPF MVVM application
I did a project in WPF MVVM. Just a single Window with single Frame control and few Pages. My problem was communication between pages without not violating MVVM principles. I'd like to use all bestprogramming-practices.
Can you check if this code agrees with the all best principles?
My solution has two projects: WPF client, ViewModels PCL. I want to have my ViewModels separated from the Views.
Here is the code for WPF Client:
GitHub
App.xaml.cs
namespace NaviWPFApp
{
using System.Windows;
using NaviWPFApp.Views;
using NaviWPFApp.Views.Pages;
public partial class App : Application
{
public static NavigationService Navigation;
protected override void OnStartup(StartupEventArgs e)
{
base.OnStartup(e);
MainWindow mainWindow = new MainWindow();
mainWindow.Show();
Navigation = new NavigationService(mainWindow.MyFrame);
Navigation.Navigate<FirstPage>();
}
}
}
App.xaml It's just:
<Application x:Class="NaviWPFApp.App"
xmlns="http://schemas.microsoft.com/winfx/2006/xaml/presentation"
xmlns:x="http://schemas.microsoft.com/winfx/2006/xaml"
xmlns:local="clr-namespace:NaviWPFApp"
x:Name="Application">
<Application.Resources>
<local:ViewModelLocator x:Key="ViewModelLocator"/>
</Application.Resources>
</Application>
I have one main window with frame, and two very similar pages (no code-behind):
<Window x:Class="NaviWPFApp.Views.MainWindow"
xmlns="http://schemas.microsoft.com/winfx/2006/xaml/presentation"
xmlns:x="http://schemas.microsoft.com/winfx/2006/xaml"
xmlns:d="http://schemas.microsoft.com/expression/blend/2008"
xmlns:mc="http://schemas.openxmlformats.org/markup-compatibility/2006"
mc:Ignorable="d"
Title="NaviWPFApp" Height="300" Width="300">
<Grid>
<Frame x:Name="MyFrame" Margin="10" />
</Grid>
</Window>
<Page x:Class="NaviWPFApp.Views.Pages.FirstPage"
xmlns="http://schemas.microsoft.com/winfx/2006/xaml/presentation"
xmlns:x="http://schemas.microsoft.com/winfx/2006/xaml"
xmlns:mc="http://schemas.openxmlformats.org/markup-compatibility/2006"
xmlns:d="http://schemas.microsoft.com/expression/blend/2008"
mc:Ignorable="d"
d:DesignHeight="300" d:DesignWidth="300" Title="FirstPage"
DataContext="{Binding FirstPageViewModel, Source={StaticResource ViewModelLocator}}">
<Grid>
<Button Command="{Binding Go2}" Height="30" Content="Go to second page" />
</Grid>
</Page>
<Page x:Class="NaviWPFApp.Views.Pages.SecondPage"
xmlns="http://schemas.microsoft.com/winfx/2006/xaml/presentation"
xmlns:x="http://schemas.microsoft.com/winfx/2006/xaml"
xmlns:mc="http://schemas.openxmlformats.org/markup-compatibility/2006"
xmlns:d="http://schemas.microsoft.com/expression/blend/2008"
mc:Ignorable="d"
d:DesignHeight="300" d:DesignWidth="300"
Title="SecondPage"
DataContext="{Binding Path=SecondPageViewModel, Source={StaticResource ViewModelLocator}}">
<Grid>
<Button Command="{Binding Go1}" Content="Go back to page 1" Height="30" />
</Grid>
</Page>
I my client I have also two additional classes ViewModelLocator and NavigationService - used for naviation between pages:
namespace NaviWPFApp
{
using NaviWPFApp.ViewModels.Pages;
public class ViewModelLocator
{
public FirstPageViewModel FirstPageViewModel => new FirstPageViewModel(App.Navigation);
public SecondPageViewModel SecondPageViewModel => new SecondPageViewModel(App.Navigation);
}
}
namespace NaviWPFApp
{
using System;
using System.Linq;
using System.Reflection;
using System.Windows.Controls;
using NaviWPFApp.ViewModels.Common;
public class NavigationService : INavigationService
{
readonly Frame frame;
public NavigationService(Frame frame)
{
this.frame = frame;
}
public void GoBack()
{
frame.GoBack();
}
public void GoForward()
{
frame.GoForward();
}
public bool Navigate(string page)
{
var type = Assembly.GetExecutingAssembly().GetTypes().SingleOrDefault(a => a.Name.Equals(page));
if (type == null) return false;
var src = Activator.CreateInstance(type);
return frame.Navigate(src);
}
public bool Navigate<T>(object parameter = null)
{
var type = typeof(T);
return Navigate(type, parameter);
}
public bool Navigate(Type source, object parameter = null)
{
var src = Activator.CreateInstance(source);
return frame.Navigate(src, parameter);
}
}
}
Here is my ViewModels (Portable) project:
It's only two ViewModel classes for each Page in UI, INavigationService (I don't want to know anything about NavigationService implementation and UI client), MyObservableObject and MyCommand.
MyObservableObject and MyCommand are typical implementations of INotifyPropertyChanged and ICommand interfaces.
This is an interface and two viewmodels:
public interface INavigationService
{
void GoForward();
void GoBack();
bool Navigate(string page);
}
public class FirstPageViewModel : MyObservableObject
{
private readonly INavigationService navigationService;
public FirstPageViewModel(INavigationService navigationService)
{
this.navigationService = navigationService;
}
public MyCommand Go2
{
get { return new MyCommand(x => navigationService.Navigate("SecondPage")); }
}
}
public class SecondPageViewModel : MyObservableObject
{
private readonly INavigationService navigationService;
public SecondPageViewModel(INavigationService navigationService)
{
this.navigationService = navigationService;
}
public MyCommand Go1
{
get { return new MyCommand(x => navigationService.Navigate("FirstPage")); }
}
}
My biggest concern is this: navigationService.Navigate("FirstPage")); I pass view name as a string. That's because I don't want my ViewModel knows anything about View. But my navigation service HAS TO KNOW about View. That's why I did that interface with string parameter.
What do you think?
In my opinion, I don't see anything that violates Mvvm pattern.
Could you tell me how to get the parameters on the page?
My biggest concern is this: navigationService.Navigate("FirstPage"));
I pass view name as a string. That's because I don't want my ViewModel
knows anything about View. But my navigation service HAS TO KNOW about
View. That's why I did that interface with string parameter.
In a given design, independently from any implementation, a dependency either exist or not. Trying to solve this "problem" in the implementation is impossible.
You have to choose if your navigation service helps navigating through xaml views, or through some higher level, more abstract "navigation items".
Thanks for an answer. I'd like to navigate in viewmodels via commands. But viewmodels are located in separated project (they don't see Views at all). And this project is PCL. I've put the code into repo here: https://github.com/AntwanReno/navi
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Alton ie n luech te la Nghiltiera te la contea zeremoniela Staffordshire. Tl 2019 ovel na populazion de abitanc.
Geografia
Storia
Referënzes
Luech te la Nghiltiera
Luech tl Riam Unì
Staffordshire
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Chrisney è un comune degli Stati Uniti d'America, situato nello Stato dell'Indiana, nella contea di Spencer.
Altri progetti
Collegamenti esterni
Comuni dell'Indiana
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https://fr.wikipedia.org/wiki/Mar%C3%ADa%20Luz%20Galicia
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María Luz Galicia Gonzalo, née le à Madrid, est une actrice espagnole.
Biographie
Sœur du chef décorateur José Luis Galicia, María Luz Galicia a connu, au cinéma, une carrière relativement courte, de 1953 à 1963.
Filmographie
1953 : Cabaret
1954 : Buenas noticias
1955 : Señora ama
1956 : Río Guadalquivir
1956 : El Malvado Carabel : Silvia
1958 : I Zitelloni : Gina
1958 : Patio andaluz
1959 : Las de Caín : Rosalía Caín
1961 : Ella y los veteranos
1962 : Zorro le vengeur (La Venganza del Zorro) (comme Mary Anderson) : Maria
1962 : L'Ombre de Zorro (L'Ombra di Zorro) de Joaquín Luis Romero Marchent : María
1963 : Plaza de oriente
1963 : Cléopâtre (Cleopatra) de Joseph L. Mankiewicz
1964 : La Griffe du coyote (Il Segno del coyote) de Mario Caiano : Mary
Notes et références
Liens externes
Actrice espagnole
Naissance à Madrid
Naissance en février 1940
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Zabur (arabisk: زبور) er, i henhold til islam, den hellige boken til Dawud (kong David av Israel), en av de hellige bøker avslørt av Gud før Koranen, sammen med andre slik som Tawrat (Tora) av Musa (Moses) og Injil (evangeliene) om Isa (Jesus Kristus).
En del forskere likestiller Zabur med bibelske Salmenes bok. Begrepet zabur er det arabiske tilsvarende begrepet til det hebraiske zimra i betydningen «sang», «musikk». Det er, sammen med zamir («sang») og mizmor («salme»), avledet fra zamar i betydningen «sang, synge lovprisning, gjøre musikk».
I henhold til tolverne eller imamittene var den opprinnelige og ikke korrupte Zabur bevart i den mystiske al-Jafr, som er i dag bevart av Imāmah Muhammad al-Mahdi.
Referanser
Eksterne lenker
En diskusjon på engelsk av Zabur og andre skrifter, fra et uavhengig, ikke-muslimsk synspunkt; se andre artikler fra dette nettstedets hovedside.
Islam
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Srđan Ognjanović
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Srđan Ognjanović (, English alternatives: Srdjan Ognjanovic, and Srdan Ognjanovic) is a Serbian mathematician. He was a principal of Mathematical Grammar School in Belgrade.
Career
He received his degrees in the field of Mathematical Sciences from the Faculty of Mathematics and Natural Sciences, University of Belgrade. Prior to that, Ognjanović was a student of Mathematical Gymnasium Belgrade, from which he graduated in 1972, in A-division.
Ognjanović started his professional career as a teacher of mathematics at Mathematical Gymnasium Belgrade (Serbian: "Matematička Gimnazija") while still a student of mathematics at Faculty of Mathematics and Natural Sciences, University of Belgrade, continued his career after graduation also in Mathematical Gymnasium Belgrade, and devoted his career to teaching mathematics in the same school, now being a professor in Mathematical Gymnasium Belgrade for more than 30 years.
Students of professor Ognjanović won numerous prizes at International Science Olympiads in Mathematics, Physics, Informatics, Astronomy, Astrophysics, and Earth Sciences, also at other prestigious competitions around the world, and, accordingly, won many full scholarships at top-ranked universities.
Mr Ognjanović is the author of numerous books and collections of problems for elementary and secondary schools, as well as special collections of assignments for preparation for mathematics competitions and mathematics workbooks used as a preparation for admission to faculties.
Awards and legacy
Ognjanović was listed among "300 most powerful people in Serbia" in a list published annually by "Blic" daily newspaper (14 February 2011), member of Axel Springer AG. The criteria were easiness in achieving goals, public awareness, financial and political influence, personal integrity and authority, respectiveness of the institution the person represents, and personal charisma.
Among latest awards for his published works Mr Ognjanović received (in 2010): Grand Prize at 16th International Book Fair, in Novi Sad, from a Business Chamber of Vojvodina, and "Stojan Novaković" Prize for the best textbook and set of textbooks published by Zavod - Serbian State Company of Textbooks.
References
External links
Mathematical Gymnasium Belgrade homepage
Principal of Mathematical Gymnasium Belgrade homepage
Heads of schools in Serbia
Mathematics educators
Education in Belgrade
Scientists from Belgrade
University of Belgrade Faculty of Mathematics alumni
Living people
Year of birth missing (living people)
Place of birth missing (living people)
Serbian mathematicians
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«Европлан» (до 2004 года — DeltaLeasing) — автолизинговая компания. Компания предоставляет услуги по оформлению автомобилей в лизинг и сопутствующие автоуслуги: страхование, обслуживание автомобиля и парка, доставку транспорта и др. «Европлан» на 100% принадлежит инвестиционному холдингу «ЭсЭфАй» (SFI) .
Показатели деятельности
По итогам 2022 года размер чистых инвестиций в лизинг до вычета резерва под ожидаемые кредитные убытки на конец прошлого года составил 162,7 млрд рублей .
На конец 2022 года лизинговый портфель «Европлан» составлял 164,2 млрд рублей. Доходы, полученные от операционной деятельности, за 2022 год составили 23,9 млрд рублей. Чистая прибыль компании за 2022 год равнялась 11,9 млрд рублей. Капитал ЛК на 31 декабря 2022 года составлял 33,8 млрд рублей, его рентабельность – 39,7%. В структуре фондирования ЛК на конец 2022 года на банковские кредиты приходилось 94,2%, а на облигации – 47,4%.
В течение 2021 года группа «Европлан» выплатила акционеру дивиденды за девять январь-сентябрь 2020 года, тогда их сумма составила 1,2 млрд рублей, по 10 рублей на акцию. В течение прошлого года группа выплатила своему акционеру холдинговой компании «ЭсЭфАй» (SFI, в прошлом — «Сафмар финансовые инвестиции») дивиденды по результатам за 2021 год и за первые шесть месяцев 2022 года. Их сумма составила 3,5 млрд рублей, по 29,17 рублей на акцию.
История компании
Компания DeltaLeasing начала свою деятельность 21 апреля 1999 года в городе Ростов-на-Дону. Через год штаб-квартира ЛК была перенесена в Москву. В 2003 году DeltaLeasing была приобретена фондом Baring Vostok. Новый акционер увеличил уставный капитал ЛК и способствовал привлечению заемных средств: компания получила первый кредит на рынке США от Экспортно-Импортного банка США. В следующем году компания переименовывается в «Европлан» и покупает у автомобильного дистрибутора «Рольф» своего главного конкурента на рынке автолизинга ЛК «Кельвин» («Рольф-лизинг»). В 2005 году управляющая компания фондов прямых инвестиций Capital International за $10 млн приобрела миноритарного пакета акций «Европлана». ЛК выходит на российский рынок рублевых облигаций в 2007 году, тогда же компания привлекает синдицированный кредит в размере $110 млн от 13 банков, организатором пула которого выступил BNP Paribas. В 2009 году, по данным Российской ассоциацией лизинговых компаний «Рослизинг», «Европлан» признан крупнейшей в России лизинговой компанией по количеству заключенных в 2008 году договоров лизинга, а также крупнейшей автолизинговой компанией 2008 года по сумме контрактов всех видов автотранспорта. В 2011 году ЛК приобретает банк, также получивший название «Европлан». В 2015 году фонды Baring Vostok и Capital Group продали 100% группы «Европлан» акционерам Бинбанка (группа «Бин», впоследствии получившая название «Сафмар»). В конце года новые акционеры вывели ЛК на IPO на Московской бирже (было продано 25% минус 1 акция), в результате чего вся компания была оценена в 13 млрд рублей. Вскоре после этого крупными миноритарными акционерами «Европлана» стали негосударственные пенсионные фонды, входящие в группу «Бин». В декабре 2016 года компания «Европлан», на основе которой группа создала финансовый холдинг «Сафмар Финансовые инвестиции», провела SPO на Московской бирже, таким образом «Европлан» снова утратил статус публичной компании. В 2021 году холдинг «ЭсЭфАй» (в прошлом — «Сафмар Финансовые инвестиции») вновь задумался об IPO «Европлана». В середине 2022 года возглавлявший более пяти лет «Европлан» Александр Михайлов в июне покинул лизинговую компанию, его на посту гендиректора сменил Сергей Мизюра.
Примечания
Компании, основанные в 1999 году
Финансовые компании России
Лизинговые компании
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Στην ιστορία της τέχνης, της λογοτεχνίας και των πολιτιστικών σπουδών, ο Οριενταλισμός ή Ανατολισμός είναι η απομίμηση ή απεικόνιση πτυχών του ανατολικού κόσμου. Αυτές οι απεικονίσεις γίνονται συνήθως από συγγραφείς, σχεδιαστές και καλλιτέχνες από τη Δύση. Συγκεκριμένα, η ανατολίτικη ζωγραφική, που απεικονίζει πιο συγκεκριμένα τη «Μέση Ανατολή», ήταν μια από τις πολλές ειδικότητες της ακαδημαϊκής τέχνης του 19ου αιώνα και η λογοτεχνία των δυτικών χωρών είχε παρόμοιο ενδιαφέρον για τα ανατολίτικα θέματα.
Από τη δημοσίευση του έργου Οριενταλισμός του Έντουαρντ Σαΐντ το 1978, πολλές ακαδημαϊκές συζητήσεις έχουν αρχίσει να χρησιμοποιούν τον όρο για να αναφερθούν σε μια γενική πατροναριστική δυτική στάση απέναντι στις κοινωνίες της Μέσης Ανατολής, της Ασίας και της Βόρειας Αφρικής. Η Δύση ουσιαστικοποιεί αυτές τις κοινωνίες ως στατικές και μη-ανεπτυγμένες κατασκευάζοντας έτσι μια άποψη του ανατολικού πολιτισμού, που μπορεί να μελετηθεί, να απεικονιστεί και να αναπαραχθεί στην υπηρεσία της αυτοκρατορικής εξουσίας. Ουσιώδης σε αυτήν την κατασκευή είναι η ιδέα ότι η δυτική κοινωνία είναι ανεπτυγμένη, λογική, ευέλικτη και ανώτερη.
Ιστορικό
Ετυμολογία
Ο οριενταλισμός αναφέρεται στην Ανατολή, σε αναφορά και αντίθεση με τον Δυτικό Κόσμο. Η λέξη εισήλθε στην αγγλική γλώσσα από τη μεσαιωνική γαλλική orient. Αυτή, με τη σειρά της, κατάγεται από το λατινικό Oriens: το ανατολικό μέρος του κόσμου, ο ουρανός εκεί που ανατέλλει ο ήλιος. Ωστόσο, άρχισε να χρησιμοποιείται ως γεωγραφικός όρος.
Το 1375, ο Τζόφρι Σώσερ έγραψε: "Κατέλαβαν πολλά regnes grete / Στην ανατολή [...]". Ο όρος αναφέρεται σε χώρες ανατολικά της Μεσογείου και της Νότιας Ευρώπης. Το 1952, ο Νάι Μπέβαν χρησιμοποίησε μια διευρυμένη ονομασία της Ανατολής, που περιλάμβανε την Ανατολική Ασία: "Το ξύπνημα της Ανατολής υπό την επίδραση των δυτικών ιδεών». Ο Έντουαρντ Σαΐντ είπε ότι ο οριενταλισμός "επιτρέπει την πολιτική, οικονομική, πολιτιστική και κοινωνική κυριαρχία της Δύσης, όχι μόνο κατά την αποικιακή εποχή, αλλά και στο παρόν".
Τέχνη
Στην ιστορία της τέχνης, ο όρος αναφέρεται στα έργα των Δυτικών καλλιτεχνών, που ειδικεύτηκαν σε ανατολίτικα θέματα, που παράγονται από τα ταξίδια τους στη Δυτική Ασία κατά τον 19ο αιώνα. Εκείνη την εποχή, καλλιτέχνες και μελετητές χαρακτηρίστηκαν ως Οριενταλιστές, ειδικά στη Γαλλία. Παρά την τόσο κοινωνική περιφρόνηση για ένα στυλ αναπαραστατικής τέχνης, η Γαλλική Εταιρεία Οριενταλιστών Ζωγράφων ιδρύθηκε το 1893, με τον Ζαν-Λεόν Ζερόμ ως επίτιμο πρόεδρο. Στη Βρετανία, ο όρος Οριενταλιστής σήμαινε "καλλιτέχνης".
Ο σχηματισμός της Γαλλικής Εταιρείας Οριενταλιστών Ζωγράφων άλλαξε τη συνείδηση των ασκούμενων στα τέλη του 19ου αιώνα, καθώς οι καλλιτέχνες μπορούσαν τώρα να δουν τον εαυτό τους ως μέρος ενός ξεχωριστού καλλιτεχνικού κινήματος. Ως καλλιτεχνικό κίνημα, η ανατολίτικη ζωγραφική αντιμετωπίζεται γενικά ως ένας από τους πολλούς κλάδους της ακαδημαϊκής τέχνης του 19ου αιώνα. Ωστόσο, υπήρχαν πολλά διαφορετικά είδη ανατολίτικης τέχνης. Οι ιστορικοί της τέχνης τείνουν να αναγνωρίζουν δύο μεγάλους τύπους ανατολίτικου καλλιτέχνη: τους ρεαλιστές, που ζωγράφιζαν προσεκτικά ό,τι παρατηρούσαν, και όσους φαντάστηκαν ανατολίτικες σκηνές χωρίς να φύγουν ποτέ από το στούντιό τους. Γάλλοι ζωγράφοι όπως ο Ευγένιος Ντελακρουά (1798–1863) και ο Ζαν-Λεόν Ζερόμ (1824–1904) θεωρούνται ευρέως ως οι κορυφαίοι του κινήματος του Ανατολισμού.
Ανατολικές σπουδές
Τον 18ο και 19ο αιώνα, ο όρος "Οριενταλιστής" χαρακτήριζε έναν μελετητή, που ειδικευόταν στις γλώσσες και τις λογοτεχνίες του Ανατολικού Κόσμου. Μεταξύ αυτών των μελετητών ήταν Βρετανοί αξιωματούχοι της Εταιρείας των Ανατολικών Ινδιών, οι οποίοι δήλωσαν ότι ο αραβικός πολιτισμός, ο πολιτισμός της Ινδίας και οι ισλαμικοί πολιτισμοί πρέπει να μελετηθούν ως ίσοι με τους πολιτισμούς της Ευρώπης. Μεταξύ αυτών των μελετητών είναι ο φιλόλογος Γουίλιαμ Τζόουνς, του οποίου οι μελέτες ινδοευρωπαϊκών γλωσσών καθιέρωσαν τη σύγχρονη φιλολογία. Η βρετανική αυτοκρατορική στρατηγική στην Ινδία τάχθηκε υπέρ του Ανατολισμού ως τεχνική για την ανάπτυξη καλών σχέσεων με τους ιθαγενείς - μέχρι το 1820, όταν η επιρροή "αγγλικιστών" οδήγησαν στην προώθηση της αγγλοκεντρικής εκπαίδευσης.
Επιπλέον, ο εβραϊσμός και οι εβραϊκές σπουδές κέρδισαν δημοτικότητα μεταξύ Βρετανών και Γερμανών μελετητών τον 19ο και τον 20ο αιώνα. Ο ακαδημαϊκός τομέας των ανατολικών σπουδών, ο οποίος απαρτιζόταν από τους πολιτισμούς της Εγγύς και Άπω Ανατολής, έγινε το πεδίο των ασιατικών σπουδών και των σπουδών της Μέσης Ανατολής.
Επικριτικές μελέτες
Ο Έντουαρντ Σαΐντ επαναπροσδιορίζει τον όρο για να περιγράψει μια διεισδυτική δυτική παράδοση - ακαδημαϊκή και καλλιτεχνική - των προκατειλημμένων εξωτερικών ερμηνειών του ανατολικού κόσμου, που διαμορφώθηκαν από τις πολιτιστικές στάσεις του ευρωπαϊκού ιμπεριαλισμού τον 18ο και του 19ου αιώνα. Η διατριβή του αναπτύσσει τη θεωρία της πολιτιστικής ηγεμονίας του Αντόνιο Γκράμσι και τη θεωρία του Μισέλ Φουκώ για να ασκήσει κριτική στην επιστημονική παράδοση των ανατολικών σπουδών. Ο Σαΐντ άσκησε κριτική στους σύγχρονους μελετητές, που διαιωνίζουν την παράδοση της εξωτερικής ερμηνείας των αραβο-ισλαμικών πολιτισμών.
Στον ακαδημαϊκό κόσμο, το βιβλίο Οριενταλισμός (1978) έγινε ένα θεμελιώδες κείμενο μεταποικιακών πολιτιστικών σπουδών. Επιπλέον, σε σχέση με τον πολιτιστικό θεσμό της ιθαγένειας, ο Οριενταλισμός έχει καταστήσει την έννοια της ιθαγένειας ως πρόβλημα της επιστημολογίας, επειδή η ιθαγένεια προήλθε από έναν κοινωνικό θεσμό του δυτικού κόσμου. Ως εκ τούτου, το πρόβλημα του ορισμού της ιθαγένειας αναδιαμορφώνει την ιδέα της Ευρώπης σε περιόδους κρίσεων.
Υπάρχει επίσης μια τάση κριτικής στον ισλαμικό κόσμο και το 2002 εκτιμάται ότι μόνο στη Σαουδική Αραβία, γράφτηκαν από ντόπιους ή ξένους μελετητές, περίπου 200 βιβλία επικριτικά για τον Ανατολισμό, καθώς και περίπου 2000 άρθρα.
Στην ευρωπαϊκή αρχιτεκτονική και διακόσμηση
Το μορέσκ στυλ της αναγεννησιακής διακόσμησης είναι μια ευρωπαϊκή προσαρμογή του ισλαμικού αραμπέσκ, που ξεκίνησε στα τέλη του 15ου αιώνα και επρόκειτο να χρησιμοποιηθεί σε ορισμένους τύπους έργων, όπως στη βιβλιοδεσία, μέχρι σχεδόν σήμερα.
Ένα από τα πρώτα παραδείγματα πρώιμης αρχιτεκτονικής χρήσης μοτίβων από την ινδική υποήπειρο είναι η πρόσοψη του Guildhall του Λονδίνου (1788–1789). Το στυλ έγινε δημοφιλές στη Δύση.
Τουρκερί (γαλλικά: turquerie) ήταν η ανατολίτικη μόδα στη Δυτική Ευρώπη από τον 16ο ως τον 18ο αιώνα για μίμηση στοιχείων της τουρκικής τέχνης και κουλτούρας στις διακοσμητικές τέχνες, την υιοθέτηση τουρκικής φορεσιάς κατά καιρούς, όσο και το ενδιαφέρον για την τέχνη που απεικόνιζε την ίδια την Οθωμανική Αυτοκρατορία. Η Βενετία, ο παραδοσιακός εμπορικός εταίρος των Οθωμανών, ήταν το παλαιότερο κέντρο, με τη Γαλλία να γίνεται πιο εμφανής τον 18ο αιώνα.
Σινουαζερί είναι ο γενικός όρος για τη μόδα για κινεζικά θέματα στη διακόσμηση στη Δυτική Ευρώπη, ξεκινώντας από τα τέλη του 17ου αιώνα και με κορύφωση ανά κύματα. Από την Αναγέννηση έως τον 18ο αιώνα, οι δυτικοί σχεδιαστές προσπάθησαν να μιμηθούν την τεχνική πολυπλοκότητα των κινεζικών κεραμικών με μερική μόνο επιτυχία. Οι πρώτες νότες εμφανίστηκαν τον 17ο αιώνα σε έθνη με ενεργές εταιρείες της Ανατολικής Ινδίας: Αγγλία, Δανία, Κάτω Χώρες και Γαλλία. Κεραμικά κατασκευασμένα στο Ντελφτ και άλλες ολλανδικές πόλεις υιοθέτησαν τη γνήσια μπλε και λευκή πορσελάνη εποχής Μινγκ από τις αρχές του 17ου αιώνα. Τα πρώιμα κεραμικά είδη, που κατασκευάστηκαν στο Μέισεν, και σε άλλα κέντρα μιμούνταν κινεζικά σχήματα για πιάτα, βάζα και τσαγιέρες.
Μετά το 1860, ο Ιαπωνισμός, που πυροδοτήθηκε από την εισαγωγή του Ουκίγιο-ε, έγινε σημαντική επιρροή στις δυτικές τέχνες. Συγκεκριμένα, πολλοί σύγχρονοι Γάλλοι καλλιτέχνες όπως ο Κλωντ Μονέ και ο Εντγκάρ Ντεγκά επηρεάστηκαν από το ιαπωνικό στυλ.
Η αιγυπτιακή αρχιτεκτονική έγινε δημοφιλής στις αρχές και τα μέσα του 19ου αιώνα και συνεχίστηκε ως ελάσσον στυλ στις αρχές του 20ου αιώνα.
Ανατολίτικη τέχνη
Πριν τον 19ο αιώνα
Απεικονίσεις "Μαυριτανών" και "Τούρκων" (ανακριβώς οριζόμενες μουσουλμανικές ομάδες σε νότια Ευρώπη, Βόρεια Αφρική και Δυτική Ασία) εντοπίζονται στη μεσαιωνική, αναγεννησιακή και μπαρόκ τέχνη.
Στις Βιβλικές σκηνές στην πρώιμη ολλανδική ζωγραφική, σε δευτερεύουσες μορφές, ειδικά στους Ρωμαίους, δόθηκαν εξωτικά κοστούμια, που αντανακλούσαν αχνά τα ρούχα της Εγγύς Ανατολής. Οι Τρεις μάγοι στη Γέννηση του Ιησού ήταν ένα ιδιαίτερο επίκεντρο. Η αναγεννησιακή Βενετία είχε μια φάση ιδιαίτερου ενδιαφέροντος για τις απεικονίσεις της Οθωμανικής Αυτοκρατορίας στη ζωγραφική. Ο Μπελίνι, που ταξίδεψε στην Κωνσταντινούπολη και ζωγράφισε τον σουλτάνο, και ο Καρπάτσιο ήταν οι κορυφαίοι ζωγράφοι. Μέχρι τότε οι απεικονίσεις ήταν πιο ακριβείς, με άντρες τυπικά ντυμένους στα λευκά. Η απεικόνιση ανατολίτικων χαλιών σε πίνακες ζωγραφικής της Αναγέννησης μερικές φορές τροφοδείται από ανατολίτικο ενδιαφέρον, αλλά πιο συχνά απλώς αντανακλά το κύρος, που είχαν αυτά τα ακριβά αντικείμενα κατά την περίοδο.
Ο Ζαν-Ετιέν Λιοτάρ (1702–1789) επισκέφθηκε την Κωνσταντινούπολη και ζωγράφισε πολλά παστέλ τουρκικών σκηνών της καθημερινότητας. Συνέχισε επίσης να φοράει τουρκική ενδυμασία για μεγάλο χρονικό διάστημα, όταν επέστρεψε στην Ευρώπη. Ο φιλόδοξος Σκωτσέζος καλλιτέχνης του 18ου αιώνα Γκάβιν Χάμιλτον βρήκε μια λύση στο πρόβλημα της χρήσης σύγχρονου ρουχισμού, που θεωρούνταν αντιηρωικός και άκομψος, στην ιστορική ζωγραφική, χρησιμοποιώντας σκηνές της Μέσης Ανατολής με Ευρωπαίους να φορούν τοπική φορεσιά, όπως συμβουλευόταν να κάνουν οι ταξιδιώτες. Πολλοί ταξιδιώτες είχαν ζωγραφιστεί με εξωτική ανατολίτικη φορεσιά κατά την επιστροφή τους, συμπεριλαμβανομένου του Λόρδου Βύρωνα, όπως και πολλοί που δεν είχαν φύγει ποτέ από την Ευρώπη, συμπεριλαμβανομένης της Μαντάμ ντε Πομπαντούρ. Το αυξανόμενο γαλλικό ενδιαφέρον για την εξωτική ανατολίτικη πολυτέλεια και την έλλειψη ελευθερίας τον 18ο αιώνα αντικατοπτρίζει σε κάποιο βαθμό μια έντονη αναλογία με τη δική τους γαλλική απόλυτη μοναρχία. Η ποίηση του Λόρδου Βύρωνα είχε μεγάλη επιρροή στην εισαγωγή της Ευρώπης στον Ρομαντισμό σε εξωτικά ανατολίτικα σκηνικά, κάτι που επρόκειτο να κυριαρχήσει στην ανατολίτικη τέχνη του 19ου αιώνα.
Γαλλικός Οριενταλισμός
Η γαλλική οριενταλιστική ζωγραφική μεταμορφώθηκε από την ανεπιτυχή εισβολή του Ναπολέοντα σε Αίγυπτο και Συρία το 1798–1801, που πυροδότησε μεγάλο δημόσιο ενδιαφέρον για την Αιγυπτιολογία.
Η πρώτη μεγάλη επιτυχία του Ευγένιου Ντελακρουά, η Σφαγή της Χίου το 1824, δημιουργήθηκε, προτού επισκεφθεί ο ίδιος την Ελλάδα, η οποία μαχόταν για ανεξαρτησία από τους Οθωμανούς και θεωρούνταν το ίδιο "εξωτική" με τα πιο μεσανατολίτικα μέρη της αυτοκρατορίας. Ακολούθησε από τον ίδιο το έργο Η Ελλάδα στα ερείπια του Μεσολογγίου. Το 1832, ο Ντελακρουά τελικά κατάφερε να επισκεφθεί την περιοχή της σημερινής Αλγερίας και του Μαρόκου. Εντυπωσιάστηκε πολύ από όσα είδε, συγκρίνοντας τον βορειοαφρικανικό τρόπο ζωής με αυτόν των αρχαίων Ρωμαίων, και συνέχισε να ζωγραφίσει εντυπώσεις από το ταξίδι του κατά την επιστροφή του στη Γαλλία. Όπως πολλοί μεταγενέστεροι Οριενταλιστές ζωγράφοι, οργιζόταν από τη δυσκολία του να ζωγραφίσει γυναίκες και πολλά από τα έργα του παρουσιάζουν Εβραίους ή έφιππους πολεμιστές. Ωστόσο, προφανώς κατάφερε να εισέλθει στο χαρέμι ενός σπιτιού και να ζωγραφίσει τις Γυναίκες του Αλγερίου. Λίγοι μεταγενέστεροι πίνακες ζωγραφικής είχαν τέτοια αυθεντικότητα.
Όταν ο Ζαν Ωγκύστ Ντομινίκ Ενγκρ, διευθυντής της Γαλλικής Ακαδημίας Ζωγραφικής, ζωγράφισε τη δική του οπτική για ένα τουρκικό λουτρό, έκανε την αισθησιακή εκδοχή του για την Ανατολή ευρύτερα αποδεκτή γενικοποιώντας τα γυναικεία σώματα (που μπορεί να ήταν όλα το ίδιο μοντέλο). Στην εξωτική Ανατολή θεωρούνταν αποδεκτός ο πιο ανοιχτός αισθησιασμός. Αυτός ο τρόπος απεικόνισης παρέμεινε στην τέχνη μέχρι και τις αρχές του 20ού αιώνα, όπως φαίνεται από τα ανατολίτικα ημίγυμνα του Ανρί Ματίς και τη χρήση ανατολίτικων φορεσιών και σχεδίων.
Σε πολλά τέτοια έργα, η Ανατολή απεικονίζεται ως εξωτική, πολύχρωμη και αισθησιακή, σχεδόν στερεότυπο. Τέτοια έργα επικεντρώνονταν κυρίως σε αραβικές, εβραϊκές και άλλες σημιτικές κουλτούρες, καθώς με αυτές έρχονταν σε επαφή περισσότερο οι καλλιτέχνες, όσο η Γαλλία ενδιαφερόταν όλο και περισσότερο για την Βόρεια Αφρική. Πολλά έργα ασχολούνταν με τον ισλαμικό πολιτισμό, συχνά περιέχοντας οδαλίσκες.
Βρετανικός Οριενταλισμός
Αν και το βρετανικό πολιτικό ενδιαφέρον για τα εδάφη της Οθωμανικής Αυτοκρατορίας ήταν τόσο έντονο όσο στη Γαλλία, ασκήθηκε κυρίως πιο διακριτικά. Η προέλευση της βρετανικής ανατολίτικης ζωγραφικής του 19ου αιώνα οφείλεται περισσότερο στη θρησκεία παρά στη στρατιωτική κατάκτηση ή στην αναζήτηση τοποθεσιών με γυμνές γυναίκες. Ο κορυφαίος Βρετανός ζωγράφος Σερ Ντέιβιντ Γουίλκι ήταν 55 ετών, όταν ταξίδεψε στην Κωνσταντινούπολη και την Ιερουσαλήμ το 1840. Αν και δεν έχει χαρακτηριστεί θρησκευτικός ζωγράφος, έκανε το ταξίδι με μια προτεσταντική ατζέντα για τη μεταρρύθμιση της θρησκευτικής ζωγραφικής, καθώς πίστευε ότι: "ένας Μαρτίνος Λούθηρος στη ζωγραφική είναι αναγκαίος τόσο πολύ, όσο και στη θεολογία, για να εξαλείψει τις καταχρήσεις, με τις οποίες επιβαρύνεται η θεϊκή μας επιδίωξη", με το οποίο εννοούσε την παραδοσιακή χριστιανική εικονογραφία. Ήλπιζε να βρει πιο αυθεντικές σκηνές και διακόσμηση για Βιβλικά θέματα στην τοποθεσία τους αυτή καθεαυτή, αν και ο θάνατός του στο Γιβραλτάρ τον εμπόδισε . Άλλοι καλλιτέχνες είχαν παρόμοια κίνητρα, δίνοντας έμφαση στον ρεαλισμό στη βρετανική ανατολίτικη τέχνη από την αρχή. Ο Γάλλος καλλιτέχνης Τζέιμς Τισό χρησιμοποίησε επίσης σύγχρονο τοπίο και διακόσμηση της Μέσης Ανατολής για βιβλικά θέματα, με μικρή προσοχή στις ιστορικές φορεσιές ή σε άλλα είδη.
Ο Γουίλιαμ Χόλμαν Χαντ δημιούργησε μια σειρά από σημαντικούς Βιβλικούς πίνακες με βάση τα ταξίδια του στη Μέση Ανατολή, αυτοσχεδιαστικές παραλλαγές σύγχρονων αραβικών ενδυμάτων και επίπλων για να αποφύγει συγκεκριμένα ισλαμικά στιλ, καθώς και ορισμένα τοπία και θέματα.
Άλλοι καλλιτέχνες επικεντρώθηκαν στη ζωγραφική τοπίου, συχνά σε σκηνές της ερήμου. Ο Ντέιβιντ Ρόμπερτς (1796–1864) παρήγαγε αρχιτεκτονικά τοπία, πολλά από αρχαιότητες, και δημοσίευσε πολύ επιτυχημένα βιβλία λιθογραφιών από αυτά.
Αλλού
Η ρωσική ανατολίτικη τέχνη ασχολήθηκε σε μεγάλο βαθμό με τις περιοχές της Κεντρικής Ασίας, που η Ρωσία είχε κατακτήσει κατά τη διάρκεια του αιώνα, καθώς και στην ιστορική ζωγραφική με τους Μογγόλους, που είχαν κυριαρχήσει στη Ρωσία για μεγάλο μέρος του Μεσαίωνα και σπάνια αποτυπώνονταν με "καλό μάτι". Οι εθνικιστικοί ιστορικοί πίνακες στην Κεντρική Ευρώπη και τα Βαλκάνια βασίστηκαν στην τουρκική καταπίεση, με σκηνές μάχης και κορίτσια που έπεφταν θύματα βιασμού.
Η ανάλυση του Σαΐντ δεν εμπόδισε την έντονη αναβίωση του ενδιαφέροντος και τη συλλογή έργων Ανατολισμού του 19ου αιώνα από τη δεκαετία του '70. Ξεκίνησε σε μεγάλο βαθμό από αγοραστές της Μέσης Ανατολής.
Ελληνικός Οριενταλισμός
Ο Οριενταλισμός και η ελληνική ηθογραφία δεν έχουν σαφή όρια, καθώς οι σκηνές της καθημερινότητας κατά τον 18ο-19ο αιώνα είχαν ακόμα έντονο ανατολίτικο χαρακτήρα. Χαρακτηριστικοί εκπρόσωποι του 19ου αιώνα είναι οι Νικηφόρος Λύτρας, Νικόλαος Γύζης, Θεόδωρος Ράλλης, Άγγελος Γιαλλινάς, Συμεών Σαββίδης.
Ποπ κουλτούρα
Συγγραφείς και συνθέτες δεν αναφέρονται συνήθως ως "Οριενταλιστές" με τον τρόπο που το κάνουν οι καλλιτέχνες και σχετικά λίγοι ειδικεύονται σε ανατολίτικα θέματα ή στυλ ή είναι πιο γνωστοί για τα έργα τους, συμπεριλαμβανομένων αυτών. Ωστόσο, πολλές σημαντικές προσωπικότητες, από τον Μότσαρτ έως τον Φλωμπέρ, έχουν παράγει σημαντικά έργα με ανατολίτικα θέματα. Ο Λόρδος Βύρων στην ποίηση είναι ένας από τους σημαντικότερους συγγραφείς, που κατέστησε τα εξωτικά φανταστικά σκηνικά της Ανατολής σημαντικό θέμα στη λογοτεχνία του Ρομαντισμού. Η όπερα Αΐντα του Τζουζέπε Βέρντι (1871) λαμβάνει χώρα στην Αίγυπτο, όπως απεικονίζεται μέσω του περιεχομένου και του οπτικού θεάματος. Η Αΐντα απεικονίζει μια στρατιωτική τυραννία της Αιγύπτου έναντι της Αιθιοπίας.
Ο ιρλανδικός Ανατολισμός είχε έναν ιδιαίτερο χαρακτήρα, αντλώντας από διάφορες πεποιθήσεις σχετικά με τους πρώιμους ιστορικούς δεσμούς μεταξύ Ιρλανδίας και Ανατολής, λίγους εκ των οποίων πλέον θεωρούνται ως ιστορικά σωστοί. Οι μυθικοί Μιλέσιοι είναι ένα παράδειγμα αυτού. Οι Ιρλανδοί συνειδητοποίησαν επίσης τις απόψεις άλλων εθνών, που τους θεωρούσαν συγκρίσιμους με την Ανατολή και τους χαρακτήριζαν η "Ανατολή της Ευρώπης".
Μουσική
Στη μουσική, ο Οριενταλισμός μπορεί να εφαρμοστεί σε στιλ που εμφανίζονται σε διαφορετικές περιόδους, όπως το "α λα τούρκα", που χρησιμοποιείται από πολλούς συνθέτες, συμπεριλαμβανομένων των Μότσαρτ και Λούντβιχ βαν Μπετόβεν. Ο Αμερικανός μουσικολόγος Ρίτσαρντ Ταρούσκιν έχει αναγνωρίσει στη ρωσική μουσική του 19ου αιώνα ένα στέλεχος Οριενταλισμού: "Η Ανατολή ως σημάδι ή μεταφορά, ως φανταστική γεωγραφία, ως ιστορική μυθοπλασία, ως ο "άλλος", εναντίον του οποίου κατασκευάζουμε την (όχι λιγότερο μειωτική και συνολική) αίσθηση του εαυτού μας". Παραδέχεται ότι Ρώσοι συνθέτες, σε αντίθεση με εκείνους της Γαλλίας και της Γερμανίας, ένιωσαν "αμφιθυμία" για το θέμα, δεδομένου ότι "η Ρωσία ήταν μια αυτοκρατορία, στην οποία οι Ευρωπαίοι, που ζούσαν δίπλα-δίπλα με "Ανατολίτες", ταυτίζονταν μαζί τους και έκαναν και μεικτούς γάμους πολύ περισσότερο από ό,τι στην περίπτωση άλλων αποικιακών δυνάμεων".
Παρ' όλα αυτά, ο Ταρούσκιν χαρακτηρίζει τον Ανατολισμό στη ρομαντική ρωσική μουσική ως μελωδίες "γεμάτες στολίδια και μελίσματα", χρωματικές συνοδευτικές γραμμές, μπάσα, χαρακτηριστικά που χρησιμοποιήθηκαν από τους Μιχαήλ Γκλίνκα, Μίλι Μπαλάκιρεφ, Αλεξάντρ Μποροντίν, Νικολάι Ρίμσκι-Κόρσακοφ, Σεργκέι Λιαπούνοφ και Σεργκέι Ραχμάνινοφ.
Ο Ανατολισμός ανιχνεύεται επίσης στη μουσική, που θεωρείται ότι έχει επιδράσεις εξωτισμού, συμπεριλαμβανομένου του ιαπωνισμού στη μουσική πιάνου του Κλωντ Ντεμπυσσύ μέχρι το σιτάρ, που χρησιμοποιείται στις ηχογραφήσεις των Beatles.
Λογοτεχνία
Το κίνημα του Ρομαντισμού στη λογοτεχνία ξεκίνησε το 1785 και έληξε γύρω στο 1830. Ο όρος Ρομαντικός αναφέρεται στις ιδέες και τον πολιτισμό, που οι συγγραφείς της εποχής αντανακλούσαν στο έργο τους. Κατά τη διάρκεια αυτής της περιόδου, ο πολιτισμός και τα αντικείμενα της Ανατολής άρχισαν να έχουν βαθιά επίδραση στην Ευρώπη. Εκτεταμένα ταξίδια από καλλιτέχνες και μέλη της ευρωπαϊκής ελίτ έφεραν ταξιδιωτικές ιστορίες και συγκλονιστικές αφηγήσεις στη Δύση δημιουργώντας μεγάλο ενδιαφέρον για όλα τα "ξένα" πράγματα. Ο Ρομαντικός Οριενταλισμός ενσωματώνει γεωγραφικές τοποθεσίες Αφρικής και Ασίας, γνωστές αποικιακές και "ιθαγενείς" προσωπικότητες, λαογραφία και φιλοσοφίες για τη δημιουργία ενός λογοτεχνικού περιβάλλοντος αποικιακής εξερεύνησης από μια ευδιάκριτη ευρωπαϊκή κοσμοθεωρία. Η τρέχουσα τάση στην ανάλυση αυτού του κινήματος αναφέρει την πίστη σε αυτήν τη λογοτεχνία ως έναν τρόπο για να δικαιολογηθούν οι ευρωπαϊκές αποικιακές προσπάθειες επεκτατισμού.
Στο μυθιστόρημά του Σαλαμπό, ο Γκυστάβ Φλωμπέρ χρησιμοποίησε την αρχαία Καρχηδόνα στη Βόρεια Αφρική ως αντίποδα της αρχαίας Ρώμης. Απεικόνισε τον πολιτισμό της ως ηθικά αλλοιωμένο και με επικίνδυνα σαγηνευτικό ερωτισμό. Αυτό το μυθιστόρημα αποδείχθηκε εξαιρετικά ισχυρή επιρροή σε μεταγενέστερες απεικονίσεις αρχαίων σημιτικών πολιτισμών.
Κινηματογράφος
Ο Σαΐντ υποστηρίζει ότι η συνέχεια του Οριενταλισμού στο παρόν βρίσκεται σε εικόνες με επιρροή, ιδιαίτερα μέσω του αμερικανικού Κινηματογράφου, καθώς η Δύση έχει πλέον εξελιχθεί, ώστε να συμπεριλαμβάνει και τις Ηνωμένες Πολιτείες. Πολλές ταινίες μεγάλου μήκους, όπως η σειρά Ιντιάνα Τζόουνς, οι ταινίες Η Μούμια και οι ταινίες της Ντίσνεϋ Αλαντίν δείχνουν τις φανταστικές γεωγραφίες της Ανατολής. Οι ταινίες απεικονίζουν συνήθως τους πρωταγωνιστές ήρωες από τον Δυτικό Κόσμο, ενώ οι κακοί συχνά προέρχονται από την Ανατολή. Η αναπαράσταση της Ανατολής συνεχίστηκε στον κινηματογράφο, αν και αυτή η αναπαράσταση δεν εμπεριέχει απαραίτητα κάποια αλήθεια.
Ο υπερβολικά αισθησιακός χαρακτήρας της πριγκίπισσας Γιασμίν στον Αλαντίν είναι απλώς συνέχεια των έργων του 19ου αιώνα, όπου οι γυναίκες αναπαριστούνταν ως ερωτικές, σεξουαλικές φαντασιώσεις.
Ακόμα, στην ταινία Αναμνήσεις μιας Γκέισας (2005), υποστηρίζεται ότι περιέχονται ανατολίτικα κλισέ και βαθιές "πολιτιστικές λανθασμένες απεικονίσεις". Η ταινία "ενισχύει την ιδέα για τον ιαπωνικό πολιτισμό και την Γκέισα ως κάτι εξωτικό, οπισθοδρομικό, παράλογο, βρώμικο, βέβηλο, ασύδοτο, περίεργο και αινιγματικό".
Χορός
Κατά τη ρομαντική περίοδο του 19ου αιώνα, το μπαλέτο επικεντρώθηκε πολύ στο "εξωτικό" στοιχείο. Αυτός ο εξωτισμός κυμαινόταν από μπαλέτα στη Σκωτία μέχρι και μπαλέτα για αιθέρια πλάσματα. Μέχρι το τέλος του αιώνα, τα μπαλέτα είχαν συλλάβει την υποτιθέμενη ουσία της μυστηριώδους Ανατολής. Αυτά τα μπαλέτα συχνά περιελάμβαναν σεξουαλικά θέματα και έτειναν να βασίζονται σε υποθέσεις ανθρώπων και όχι σε συγκεκριμένα γεγονότα. Ο Ανατολισμός είναι εμφανής σε πολλά έργα.
Η Ανατολή αποτέλεσε έμπνευση για πολλά μεγάλα μπαλέτα, τα οποία έχουν επιβιώσει από τα τέλη του 19ου και στις αρχές του 20ού αιώνα. Ο Κουρσάρος έκανε πρεμιέρα το 1856 στην Όπερα του Παρισιού. Η περίπλοκη ιστορία του, βασισμένη στο ποίημα του Λόρδου Βύρωνα, λαμβάνει χώρα στην Τουρκία και επικεντρώνεται σε μια ιστορία αγάπης μεταξύ ενός πειρατή και μιας όμορφης σκλάβας. Οι σκηνές περιλαμβάνουν ένα παζάρι, όπου οι γυναίκες πωλούνται σε άνδρες ως σκλάβες, και το παλάτι του Πασά, το οποίο διαθέτει το χαρέμι του. Το 1877, παρουσιάστηκε η Μπαγιαντέρα, η ιστορία αγάπης μιας Ινδής χορεύτριας σε ναό και ενός Ινδού πολεμιστή. Το μπαλέτο χρησιμοποίησε αόριστα ινδική ενδυμασία και ενσωμάτωσε χειρονομίες εμπνευσμένες από την Ινδία στο κλασικό μπαλέτο. Επιπλέον, περιλάμβανε έναν «Ινδικό χορό», εμπνευσμένο από το καθάκ, μια ινδική μορφή χορού. Ένα άλλο μπαλέτο, η Σεχραζάντ, του 1910 σε μουσική του Ρίμσκι-Κόρσακοφ, είναι μια ιστορία για τη σύζυγο ενός σάχη και τις παράνομες σχέσεις της με έναν Χρυσό Σκλάβο. Η αμφιλεγόμενη προσήλωση του μπαλέτου στο σεξ περιλαμβάνει ένα όργιο σε ανατολίτικο χαρέμι. Όταν ο σάχης ανακαλύπτει τις πράξεις των πολυάριθμων συζύγων του και των εραστών τους, διατάζει τους θανάτους των εμπλεκομένων. Το μπαλέτο βασίστηκε σε παραμύθια αμφισβητήσιμης γνησιότητας.
Ως μία από τις πρωτοπόρες του σύγχρονου χορού στην Αμερική, η Ρουθ Σεντ Ντένις εξερεύνησε επίσης τον Οριενταλισμό στο χορό της. Οι χοροί της δεν ήταν αυθεντικοί. Εμπνεύστηκε από φωτογραφίες, βιβλία και αργότερα από μουσεία στην Ευρώπη. Ωστόσο, ο εξωτισμός των χορών της εξυπηρέτησε τα συμφέροντα των γυναικών της κοινωνίας στην Αμερική.
Ενώ ο οριενταλισμός στο χορό κορυφώθηκε στα τέλη του 19ου και στις αρχές του 20ού αιώνα, εξακολουθεί να υπάρχει στη σύγχρονη εποχή. Με έμπνευση από μπαλέτα του παρελθόντος, έχουν αναπτυχθεί και παραμείνουν στερεοτυπικές "ανατολίτικες" κινήσεις και θέσεις βραχίονα.
Θρησκεία
Μια ανταλλαγή δυτικών και ανατολικών ιδεών περί πνευματικότητας αναπτύχθηκε, καθώς η Δύση εγκαθίδρυσε αποικίες στην Ασία και συνέχισε το εμπόριο με αυτές. Η πρώτη δυτική μετάφραση ενός σανσκριτικού κειμένου εμφανίστηκε το 1785, σηματοδοτώντας το αυξανόμενο ενδιαφέρον για τον ινδικό πολιτισμό και τις γλώσσες. Οι μεταφράσεις των Ουπανισάδων, έργο που ο Αρθούρος Σοπενάουερ αποκάλεσε "παρηγοριά της ζωής του", εμφανίστηκαν για πρώτη φορά το 1801 και το 1802. Οι πρώτες μεταφράσεις εμφανίστηκαν επίσης και σε άλλες ευρωπαϊκές γλώσσες. Ο υπερκειμενισμός του 19ου αιώνα επηρεάστηκε από την ασιατική πνευματικότητα.
Μια σημαντική δύναμη στην αμοιβαία επιρροή ανατολικής και δυτικής πνευματικότητας και θρησκευτικότητας ήταν η Θεοσοφική Εταιρεία, μια ομάδα που έψαχνε την αρχαία σοφία από την Ανατολή και διέδωσε τις ανατολικές θρησκευτικές ιδέες στη Δύση. Ένα από τα εμφανή χαρακτηριστικά της Θεοσοφίας ήταν η πίστη στους "Δάσκαλους της Σοφίας", "όντα, ανθρώπινα ή κάποτε ανθρώπινα, που έχουν ξεπεράσει τα φυσιολογικά σύνορα της γνώσης και που κάνουν τη σοφία τους διαθέσιμη σε άλλους". Η Θεοσοφική Εταιρεία διέδωσε επίσης δυτικές ιδέες στην Ανατολή, συμβάλλοντας στον εκσυγχρονισμό της και στον αυξανόμενο εθνικισμό στις ασιατικές αποικίες.
Η Θεοσοφική Εταιρεία είχε σημαντική επιρροή στον βουδιστικό μοντερνισμό και στα ινδουιστικά μεταρρυθμιστικά κινήματα. Η Ελένα Μπλαβάτσκυ, μαζί με τους Χένρι Στιλ Όλκοτ και Anagarika Dharmapala, έπαιξαν καθοριστικό ρόλο στη δυτική μετάδοση και αναβίωση του Βουδισμού Θεραβάντα.
Μια άλλη σημαντική επιρροή ήταν ο Βιβεκανάντα, ο οποίος διέδωσε την εκσυγχρονισμένη ερμηνεία του για την Αντβάιτα Βεντάντα κατά τα τέλη του 19ου και στις αρχές του 20ού αιώνα τόσο στην Ινδία όσο και στη Δύση, δίνοντας έμφαση στην ανουμπάβα ("προσωπική εμπειρία") αντί για τα γραπτά.
Παραπομπές
Πηγές
Beard, David and Kenneth Gloag. 2005. Musicology: The Key Concepts. New York: Routledge.
Cristofi, Renato Brancaglione. Architectural Orientalism in São Paulo - 1895 - 1937. 2016. São Paulo: University of São Paulo online, accessed July 11, 2018
Harding, James, Artistes Pompiers: French Academic Art in the 19th Century, 1979, Academy Editions,
C F Ives, "The Great Wave: The Influence of Japanese Woodcuts on French Prints", 1974, The Metropolitan Museum of Art,
Gabriel, Karen & P.K. Vijayan (2012): Orientalism, terrorism and Bombay cinema, Journal of Postcolonial Writing, 48:3, 299–310
Holloway, Steven W., ed. (2006). Orientalism, Assyriology and the Bible. Hebrew Bible Monographs, 10. Sheffield Phoenix Press, 2006.
King, Donald and Sylvester, David eds. The Eastern Carpet in the Western World, From the 15th to the 17th century, Arts Council of Great Britain, London, 1983,
Mack, Rosamond E. Bazaar to Piazza: Islamic Trade and Italian Art, 1300–1600, University of California Press, 2001
Meagher, Jennifer. Orientalism in Nineteenth-Century Art. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. online, accessed April 11, 2011
Nochlin, Linda, The Imaginary Orient, 1983, page numbers from reprint in The nineteenth-century visual culture reader,google books, a reaction to Rosenthal's exhibition and book.
Said, Edward W. Orientalism. New York: Pantheon Books, 1978 ).
Taruskin, Richard. Defining Russia Musically. Princeton University Press, 1997 .
Tromans, Nicholas, and others, The Lure of the East, British Orientalist Painting, 2008, Tate Publishing,
Πηγές - Εξωτερικοί σύνδεσμοι
The Orientalist Painters
Arab world in art
Arab women in art
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Alan Stokes, https://stackoverflow.com/users/212870, https://stackoverflow.com/users/3159253, https://stackoverflow.com/users/458429, szli, user3159253
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Understanding virtual table in multiple inheritance
I have a class implementing two abstract classes, like the following. No virtual inheritance. No data member.
class IFace1 {
public:
virtual void fcn(int abc) = 0;
};
class IFace2 {
public:
virtual void fcn1(int abc) = 0;
};
class RealClass: public IFace1, public IFace2 {
public:
void fcn(int a) {
}
void fcn1(int a) {
}
};
And I find the vtable and object memory layout for RealClass is like the following.
Vtable for RealClass
RealClass::_ZTV9RealClass: 7u entries
0 (int (*)(...))0
8 (int (*)(...))(& _ZTI9RealClass)
16 (int (*)(...))RealClass::fcn
24 (int (*)(...))RealClass::fcn1
32 (int (*)(...))-8
40 (int (*)(...))(& _ZTI9RealClass)
48 (int (*)(...))RealClass::_ZThn8_N9RealClass4fcn1Ei
Class RealClass
size=16 align=8
base size=16 base align=8
RealClass (0x2af836d010e0) 0
vptr=((& RealClass::_ZTV9RealClass) + 16u)
IFace1 (0x2af836cfa5a0) 0 nearly-empty
primary-for RealClass (0x2af836d010e0)
IFace2 (0x2af836cfa600) 8 nearly-empty
vptr=((& RealClass::_ZTV9RealClass) + 48u)
I am confused about this. What is RealClass::_ZThn8_N9RealClass4fcn1Ei? Why the vptr of IFace2 points to that? What happens when I call fcn1 from IFace2 *? How does the program finds RealClass::fcn1 in the Vtable of RealClass? I guess it somehow need to use the IFace2 vptr, but not clear exactly how.
There are many ways of implementing this. A good, well-documented one is http://refspecs.linuxbase.org/cxxabi-1.83.html (but it may not match the one you're using).
Try looking at the code generated for such a call?
RealClass::_ZThn8_N9RealClass4fcn1Ei is a RealClass::non-virtual thunk to RealClass::fcn1(int) which is probably intended for inlining and other call optimizations. Hint: c++filt program is your friend.
I think the RealClass::_ZThn8_N9RealClass4fcn1Ei is the magic function gcc put to direct function call to RealClass::fcn1. When we make call to fcn1 using a IFace2*, it simply call the function that is pointed by its vptr
Warning: Most of the stuff below is of course implementation and platform dependent and simplified. I'll follow the way I see it is implemented in your examples -- probably GCC, 64-bits.
First, what is the contract for instances of virtual classes? E.g. if you have a variable IFace1* obj:
There is a pointer to virtual table at obj+0.
Any member data fields would continue at obj+8 (sizeof(void*)).
The virtual table contains one record which points to void fcn(int) at vtbl+0.
In the table, there is also a pointer to typeinfo of the class at vtbl-8 (used by dynamic_cast etc.) and "offset to base" at vtbl-16.
Any function which sees a variable of type IFace1* can depend on this being true. Similarly for IFace2*.
If they want to call the virtual function void fcn(int), they look at obj+0 to get the vtable, then at vtbl+0 and call the address found there. this is set to obj.
If they want to access a member field (by themselves, e.g. if the field has public access, or if there is an inline accessor), they just read/write the member at its address obj+xxx.
If they want to see what type they really have, they subtract the value at vtbl-16 from the address to their object, then look at the typeinfo pointer of the vtable referenced by the base object.
Now, how can you compiler satisfy these requirements for a class with multiple inheritance?
1) First it needs to generate the structure for itself. The virtual table pointer must be at obj+0, so there it is. How will the table look like? Well, the offset to base is 0, obviously, the typeinfo data and pointer to it is generated easily, then the first virtual function and the second, nothing special. Anyone who knows the definition of RealClass can do the same calculations, so they know where to find the functions in the vtable etc.
2) Then it goes to make it possible to let RealClass be passed around as IFace1. So it needs to have a pointer to virtual table in the IFace1 format somewhere in the object, then the virtual table must have that one record for void fcn(int).
The compiler is clever and sees that it can reuse the first virtual table it has generated, because it complies with these requirements. If there were any member fields, they would be stored after the first pointer to the virtual table, so even them could be accessed simply as if the derived class was the base one. So far so good.
3) Finally, what to do with the object so others will be able to use it as IFace2? The one vtable already created cannot be used anymore, because IFace2 needs its void fcn1(int) to be at vtbl+0.
So another virtual table is created, the one you see immediately following the first one in your dump, and a pointer to it is stored in RealClass at the next available place. This second table needs to have offset to base set to -8, because the real object starts at offset -8. And it contains just the pointer to that IFace2 virtual function, void fcn1(int).
The virtual pointer in the object (at offset obj+8) would be then followed by any member data fields of IFace2, so that any inherited or inline functions could again work when given the pointer to this interface.
OK, now how can someone call the fcn1() from IFace2? What is that non-virtual thunk to RealClass::fcn1(int)?
If you pass your RealClass* pointer to a stranger function which takes IFace2*, the compiler will emit code to increase your pointer by 8 (or however large sizeof(void*) + sizeof(IFace1) is), so that the function gets the pointer which starts with the virtual table pointer of IFace2, then its member fields -- just as agreed in the contract I outlined earlier.
When that function wants to call void IFace2::fcn1(int), it looks into the virtual table, goes to the record of this particular function (the first and only one) and calls it, with this set to the address being passed as pointer to IFace2.
And here arises a problem: If someone invokes this method implemented in RealClass on a RealClass pointer, this points to the base of RealClass. The same with IFace1. But if it is invoked by someone having a pointer to the IFace2 interface, this points 8 (or however many) bytes into the object instead!
So the compiler would need to generate the function multiple times to accomodate this, otherwise it could not access member fields and other methods correctly, as it differs depending on who is calling the method.
Instead of having the code really twice, the compiler optimizes this by creating that hidden implicit small thunk function instead, which just
decreases the this pointer by the proper amount,
calls the real method, which can now work fine regardless of who invoked it.
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Procris là chi thực vật có hoa trong họ Tầm ma.
Các loài
Chi này gồm các loài:
Procris crenata C.B.Rob.
Procris pedunculata (J.R. Forst. & G. Forst.) Wedd.
Chú thích
Liên kết ngoài
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What's the point in holding a second Brexit referendum?
Closely related to: What would be the subject of a second Brexit Referendum?
Currently, there is discussion about a possible second referendum fueled by Labour, and there seems to be the publicly voiced conception that Lord Kerr (who is regarded as being somewhat authorative) sees it perfectly possible that UK revokes its Article 50 notification, and this just works out.
In particular:
If, having looked into abyss, we changed our minds about withdrawal, we certainly could - and no-one in Brussels could stop us.
That's quite problematic, considering that not just the UK has looked into abyss, but the remaining states have as well. Even assuming it was technically possible to simply stop Brexit now, it couldn't possibly work that way practically, since it would serve as a precedent for copycats invoking Article 50 over and over again regularly, every time causing billions of damage to economy and causing a massive destabilization of the entire union, effectively being a means of blackmailing co-member states. So, from a purely practical point of view, this is actually not something that should be remotely possible.
Also, back in 2017, the EU Commission explicitly stated earlier the same day UK filed the notification that whether or not to give notification is everybody's discrete decision, but the notification is a do-once point-of-no-return thing. This was well-understood by all parties.
That point of view does seem to make sense, too. After all, invoking Article 50 and giving the notice is akin to telling your wife: "I slept with your sister, and now I want the divorce". You cannot take this back, once you said it.
Now, looking more closely and not taking one sentence out of context, it seems like Kerr himself indeed is not as absolutely positive about it as it may seem, either:
The European union is a union of democracies. If this Parliament asked – and our Government conveyed our request – for an extension, in my judgement it would certainly be given.
Now wait a moment. He said "ask", not "inform" or "tell". Ask implies the other side can say "no". Also, he said "extension", not "reversal". Also, extension would (likely) be given, in his judgement.
So that doesn't look quite as confident, and indeed suggests that UK cannot just unilaterally revoke Brexit. Or, at all.
Rather, it looks like they might kind of ask for mercy (sorry for the slightly provocative wording) and if the remaining member states decide so (which Kerr believes would happen) then an extension would be granted. Extension, not reversal. That's a totally different thing, altogether.
Time to look what's actually in that infamous Article 50. There is nothing in there that I can see which suggests it is possible to revoke at all. In my understanding, the wording, in particular sentence (3)
... failing that, two years after the notification [...] unless the European Council, in agreement with the Member State concerned, unanimously decides to extend this period
suggests exactly what Kerr expects in his second quote: The remaining states would have to decide, unanimously, that they're happy with granting an extension (...to the exit negotiation period). Assuming only a single member state disagrees, bad luck, the lights just go out end of March.
Of course, UK could, following Brexit, apply again to become a member state according to Article 49. Indeed, Article 50 explicitly states that. However, this obviously wouldn't just work, it would be subject to fulfilling all of the basic conditions, plus some. Also it would be subject to member states agreeing. Surely, member states would expect to get "paid" (one way or the other) for the economic damages they've had from the uncertainity caused by Brexit, it seems unlikely they'd just shrug and move on.
tl;dr
So, considering that a second referendum and attempting a full U-turn half a year before Day X would be most devastating in terms of credibility (both internally and externally), but also stopping the Brexit does not seem to be possible at all ("extension" does not mean the same as "reversal"), what would be the point in holding such a referendum in the first place?
In my opinion, at this point in time, it can only make things worse, not better.
This isn't a question but a rant with an implicit "Don't you agree?" at the end.
The initial Brexit referendum was flawed from the Leave-Campaign operating with false numbers and flat-out misinformation, e.g. the 350 million pounds for the NHS.
As the referendum concluded with a narrow win for the Leave side, there was/is no clear strategy on how to leave the EU, i.e. soft vs. hard Brexit. Theresa May's "Brexit means Brexit" is somewhat telling.
Thus, after the UK government negotiates with the EU on the conditions for leaving, the people finally learn what Brexit really means, apart from meaning Brexit.
So the point of a second referendum would be:
redress the flaw of the Leave Campaign winning by lies
let the population vote on an actual proposal, in contrast to the first referendum, which was on "Imagine your own, ideal Brexit"TM
IMO, the first point is the most pertinent, since no democracy can afford to let the people's trust in the validity of elections erode. If, there are cases of actual voting fraud, an election is very likely to be invalidated with the need to repeat the election. If, on the other hand, a campaign is caught blatantly lying, there should be similar repercussions.
When a campaign is able to win an election with lies, and afterwards fights a repetition of that very election by arguing that the repetition would undermine democracy. Then, the democracy, or the people's trust in democracy, takes damage.
As a secondary point to the above, the set of people entitled to vote in the referendum was considerably smaller than the set of people that would be affected by the decision. If you were a UK citizen but resident elsewhere in the EU, no vote. If you were an EU citizen resident in the UK, but not a UK citizen, no vote. There's also the principle that a major, irreversible, constitutional question like this should require a supermajority to enact, rather than only a plurality.
@Chromatix. I am a UK citizen resident elsewhere in the EU, and I voted. You had to be non-resident in the UK for 15 years to lose your vote. (You also omitted young people who will be affected for longest and couldn't vote.)
The EU and some individual member states have gone on record saying that Article 50 can be revoked. The author of Article 50 agrees (and he is British). So it can be stopped.
Even if stopping were not an option, there are other things that could be voted on.
Should whatever deal is done be accepted?
If not, should the government have to try to re-negotiate or just leave with no deal?
Stay in the Single Market and Customs Union (like Norway)
Join EFTA
Even if cancelling Article 50 is impossible, re-apply for membership during the transition period
Well, that author happens to be Lord Kerr. And as pointed out in the Q, he didn't quite say that, exactly. When did the EU state that Art 50 can be revoked? Do you have an official source?
@Damon, they haven't said it can, or that it can't. Yet. https://www.bbc.co.uk/news/uk-scotland-scotland-politics-45601394
Whether the EU will accept it being revoked is entirely a political question. They will just change any rule to suit whatever decision they make.
"Can be revoked" is totally different from "can be revoked by Britain alone without agreement from the (majority/all) EU states".
Nobody doubted that it can be revoked.
Quote from The Independent: “Late last year, the European Court of Justice decided that the U.K. can revoke Article 50 (cancel Brexit).
The answer depends on your point of view.
If you want to Leave, there is no point in a second vote.
If you want to Remain, the point is that you might win the second time.
If you think this is overly cynical, look at the evidence. It's possible I've missed something, but I haven't seen a single Leave advocate who has argued for a second vote. And I know that before the first vote a lot of Remainers said the vote would be the first and only one. But I haven't seen any recent examples of a Remain advocate arguing forcefully against another vote.
This does not really answer the question: The Q is explicitly about what a (hypothetical) win for the Remain side would mean in practice - reversal of Art.50 invocation, new negotiations... .
Even if you want to leave, isn't a second referendum an opportunity that with current knowledge this is still the consensus?
Otherwise known as a "loser's vote" or a "do-over"
Actually before they won many leave voters are on record as saying they wanted another one. Of course that changed fast once they saw the result.
From outside UK I believe that there are three possible outcomes of the Brexit process that could be asked about in a poll:
1) remain
2) leave without deal
3) accept the deal as it stands
The parliament and government seems to be hung between 2) and 3), so the democratic question would be to select between these two. The decision to leave has already been voted on, now it is only about the details.
But politics is not always ( or possibly seldom ) about logics.
The official line (from the UK) seems to be that negotiations are still going on for a new deal. It's highly disputed though, as foreignpolicy.com points out.
Now that how it actually can be done becomes known and the blatant lies are exposed, assuming that nobody thinks it was a bad idea from the start, or just disregarding them out of hand, is pretty presumptuous.
To say that Parliment is stuck between 2 and 3 is to ignore most of the last 3 years. And the news of the last week. Such as Labour, LibDems SNP, which is pretty much what the Government has done for the whole Article 50 period.
That's pathetic and dishonest. The referendum was 40 months ago. We had elections after 25 months, and Johnson wants another election after 28 months, so there is no sane reason not to have another referendum with the full choice of options.
I suppose if it is suspected that Russia influenced public opinion on Brexit, and they realize they've been deceived, then it might be better for the health of the UK and the EU to change their minds than to say "whelp, you tricked us, but I guess we have to follow through with the consequences of being tricked."
Articles suggesting a Russian propaganda involvement related to Brexit:
https://www.theguardian.com/commentisfree/2018/jun/17/why-isnt-there-greater-outrage-about-russian-involvement-in-brexit
https://en.wikipedia.org/wiki/Russian_interference_in_the_2016_Brexit_referendum
https://www.cnn.com/2018/07/04/uk/uk-brexit-russia-links-arron-banks-intl/index.html
Support in the UK for Brexit has deteriorated since the initial vote, which I'd suspect correlates with increased knowledge of Russian interference, as well as the public becoming better-informed about the consequences of Brexit. A recent poll suggests that 54% of UK citizens want to remain in the EU and 46% want to exit. At the time of this article from May 2018, the results of 14 consecutive YouGov polls all reflected a preference to remain rather than exit.
Also, I believe the Brexit referendum was not precisely legally-binding. Although, it's complicated.
https://www.independent.co.uk/voices/brexit-deal-european-union-eu27-withdrawal-bill-8-december-is-it-binding-a8105936.html
If these allegations are true, that would indeed be a valid reason to do a second referendum (but... in June 2017, not now). Though the allegations came from Cameron who was the very same person initiating the poll in the first place, so I'd say they're a bit dubious. I mean, first he initiates the poll, and then he says "Russians would be happy about a positive result". That being said, poll invalid or not, binding or not, having handed in the leave note is legally binding. Only "clean" way out might have been re-voting and revoking early as soon as allegations came up.
In that case, I could see how the EU might have said: "OK, looks like maybe you guys were tricked, and you changed mind on that base, so we will just ignore that you gave us notice". Maybe. Who knows. Would have been a possibility. But over one year after that, I can't see this being a valid argument any more.
UK referendums are historically uncommon, scotiparture and brexit are the only referendums that i recall from the previous 30 years. So, they are more of an exceptional measure, with a vague description in UK law. Other countries have clearer constitutional descriptions of referendums to predefine yes percentages, and other conditions necessary for various types of decisions.
A second EU referendum asks the same question as the first: Do you want to come out of the EU, A populist question which encourages a 50/50 result, by it's vague, nebulous, popular connotation.
A second referendum is therefore an exotic and somewhat illogical political process. It voids/reverses the result and the authenticity of the first referendum using the same question, some years later.
The point of promising another referendum shortly after the first, is a politician's election tool, to cater for foreign pressures that are opposed to the results of the first referendum, and obey international diplomatic pressure to reverse the result of the first referendum.
The previous EEC / EU referendums of 1975 and 2016 were also election promises. The 2021 election promise is also a pledge by the opposing party leader.
Suppose that constitutional rights were subject to a referendum, and the referendum required 3 years to pass into law, and resulted in international diplomatic pressure and revenge policies against the nation that had the referendum, like trade wars, import export bans, travel restrictions...
Then, sufficient foreign diplomatic pressure would have been exerted on the nation that had voted in the referendum, so that a politician who accepted the referendum, decides that he has changed his mind, and wishes to negate the first referendum and to organize a second one.
Yes I was having trouble finding an equivalent referendum. I just wrote constitutional rights instead. a referendum on constitution.
Brexit was a political stunt, David Cameron wished to have a mock referendum which would give him popularity and not change the constitution... He could have instead made a referendum about border control, legal subjugation to Brussels, or something like that, but he knew that the british would heavily vote agaisnt foreign border control and legal subjugation, so he chose an unreasonable mock referendum, which unexpectedly came to pass.
I don't disagree, except it was less about popularity across the country than stopping the continual split in the Tory party along pro/anti-EU lines. The Referendum was supposed to leave DC in charge of a conservative party with one of its major causes of internal strife removed. And we can see how well that's worked out.
It was one of his election promises for his campaign. The new referendum is also an election promise.
"It voids the result and the authenticity of the first referendum." No, it doesn't. It's a key element of democracy that the sovereign is allowed to change its mind, especially when circumstances change (e.g. promises turn out to be unfullfillable). Same reasoning for having elections every 4-5 years instead of 40-50.
The point of promising another referendum shortly after the first, is a politician's election tool, to cater for foreign pressures that are opposed to the results of the first referendum, and obey international diplomatic pressure to reverse the result of the first referendum, that sounds entirely wrong, and at very least needs to be backed up.
@Annatar It over-rules/voids/reverses the first referendum. If referendums were elections, they could organize referendums every 4-5 years in the UK. Elections are not Yes or No regarding national independence, or constitutional change.
@gerrit 1975, first ECommunity referendum in the UK: ELECTION PROMISE by harold wilson. 2016, ELECTION PROMISE by David Cameron, first EU referendum in the uk, second referendum since 1975, 41 years after the first. Today, ELECTION PROMISE for a 2021, second referendum, because of a diplomatic war with brussels to prevent brexit, which would reverse/void the 2016 referendum. Will the UK common folk agree that border control is more important than stocks and shares? It's highly unlikely that the UK plebiscite will stoop to Brussels and hand over their strong island borders.
@com.prehensible Laws over-rule/void/reverse older laws all the time. Elections are not about single questions, true. But they are a (presumably) necessary simplification (instead of voting on every single question themselves, voters choose delegates to do their work for them) derived from the original idea, not the original idea itself!
@annatar The referendum question of the second would be the same as the first: Do you wish to come out of the EU? (broadly speaking), so the only results would be A/void the first referendum decision and B/continue with the first referendum decision.
@com.prehensible You give the best example yourself. The 2016 referendum over-ruled the 1975 referendum (which asked the exact same question, broadly speaking) and this is totally fine in a democracy.
Nononono!!! The EU only existed since 1993, previously it was called the European Economic Community. It's entire mission and constitution was different. The EC referendum was therefore different from the EU referendum because the EU was defined by 2-3 constitnutional expansions, which took control of UK supreme courts, and UK border decision, EC was called "Common Market" in the UK, Maarstricht and Lisbon became: also justice, immigration, border controls, benefits systems, automobile laws. EC is not the same as EU 41 years later.
@com.prehensible I am confused. Brexit is completely a self-inflicted wound and the pressure for a second referendum is entirely domestic from people who try to stop the UK jumping off a cliff. The EU-27 has presented post-Brexit UK with options compatible with EU rules, UK has the arrogance to insist EU changes its rules to benefit a non-member (future UK), and is upset when it doesn't. If you want to export to the EU you have to meet EU rules (duh!).
Ultimately, an economic and capitalistic union of homogeneity is degrading European cultures into a consumerist homogenous mess with mechanized tax havens, France and the UK are more "made in china" and "contains glucose syrup and palm oil" than ever before. If the aim of the European Union were primarily based on non-monetary measures of a healthy society, I would be happy with it;) At the moment, megafactory mass produced goods and foods occupy 95% of consumption, and are mostly owned by multinational conglomerates.
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Caradrina catalana
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Caradrina catalana là một loài bướm đêm trong họ Noctuidae.
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Liên kết ngoài
Caradrina
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Cebuano
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Ang P’eng-hu Shui-tao ngalan niining mga mosunod:
Republika sa Tsina
Pescadores Channel, estretso,
Republikang Popular sa Tsina
Beigang Shuidao, agianan nga kadagatan, Shanghai Shi,
Pagklaro paghimo ni bot 2016-03
Pagklaro paghimo ni bot Republika sa Tsina
Pagklaro paghimo ni bot Republikang Popular sa Tsina
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https://stackoverflow.com/questions/69088434
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Martinaut, Robert Tab, Rohit Tagadiya, https://stackoverflow.com/users/12168235, https://stackoverflow.com/users/5128755, https://stackoverflow.com/users/8951377, https://stackoverflow.com/users/9634096, ppotaczek
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How to remove background color on hover of bar in highcharts
I am using highcharts. Version: 9.1.1
I am displaying bar chart. When I hover on bars it display background color but I don't want that background color.
As we can see in below image I don't want that grey color by hover on green bar.
I applied this solution but it disable tooltip also. but I need tooltip on hover.
plotOptions: {
series: {
enableMouseTracking: false
}
}
Thanks
Hi @Rohit Tagadiya, Could you adapt this example: http://jsfiddle.net/BlackLabel/oazfkxdn/ to show the problem? As you can see, it works fine with basic options.
By taking reference of @Robart. I inspect chart and modified class .highcharts-crosshair-category style
I applied below style
.highcharts-crosshair-category {
display: none !important;
visibility: hidden !important;
}
To use !important is not a good approach. In my example, I used all these classes to avoid using !important. So, take a look before .highcharts-crosshair-category, and see if there are other classes defined and use them as in my example. https://stackoverflow.com/questions/27443589/how-do-i-avoid-using-important
I would check to see the classes used for these charts.
Once you found the class of your charts you can modify them in the .css file.
<li class="class1">
<a class="class2">
<span class="class3"></span>
Let's say you have something like this but the span in your case would be the chart.
In this case in the.css file you have to do something like this:
.class1 .class2 .class3:hover {
background: none;
}
Using the browser tools you can also simulate(force) a hover and do there some changes.
Will check it out. Thanks for your answer
Make this change in chartOption: crosshair: false
This does not answer the question.
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劉遵
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劉遵（），字孝陵，彭城安上里人，南梁官员。
劉遵的祖父是劉宋司空劉勔，父親南齊太常劉悛，兄弟劉孺、劉覽。劉遵年少端莊，有學問品德，擅長寫文章，從著作郎、太子舍人起家，遷任晉安王蕭綱的宣惠、雲麾二府記室，獲得敬重，轉任南徐州治中；之後蕭綱任職雍州刺史，引用他為安北諮議參軍，帶任邔縣縣令。中大通二年（530年），梁武帝立蕭綱為皇太子，劉遵除授中庶子，他跟隨蕭綱自藩國到東宮，因為舊恩得到寵遇，其他人都及不上他。大同元年（535年）他在任內去世，蕭綱十分可惜，與他的堂兄劉孝儀說下許多懷念他的話。
引用
参考文献
《梁書》·卷四十一·列傳第三十
《南史》·卷三十九·列傳第二十九
Z遵
L劉
L劉
L劉
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https://ml.wikipedia.org/wiki/%E0%B4%A8%E0%B4%BF%E0%B4%AF%E0%B4%BE%E0%B4%B8%E0%B4%BF%E0%B5%BB
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വെള്ളനിറമുള്ള, ജലത്തിൽ ലയിക്കുന്ന ക്രിസ്റ്റലീയ ഘടനയുള്ള ഒരു ജീവകമാണ് നിയാസിൻ അഥവാ നിക്കോട്ടിനിക് ആസിഡ്. ജീവകം ബി കോമ്പ്ലക്സിൽ അംഗമായ നിയാസിന്റെ നമ്പറിന്റെ കാര്യത്തിൽ വിഭിന്നങ്ങളായ അഭിപ്രായങ്ങൾ നിലനിൽക്കുന്നുണ്ട്. B5 ആയും B3 ആയും പരിഗണിക്കുന്നത് കാണാറുണ്ട്. അന്തരീക്ഷവായുവിലോ,ചൂടിലോ,ഈ ജീവകം വിഘടിച്ച് നശിക്കുന്നില്ല. ധാന്യങ്ങൾ, പയറുവർഗ്ഗ്ങ്ങൾ, യീസ്റ്റ്, ഇറച്ചിവർഗ്ഗങ്ങൾ, യീസ്റ്റ്, ഇറച്ചി, കരൾ, പഴവർഗ്ഗങ്ങൾ, പച്ചക്കറികൾ, ഉരുളക്കിഴങ്ങ് തുടങ്ങിയവയിൽ നിയാസിൻ ധാരാളമായി അടങ്ങിയിരിക്കുന്നു.
ആവശ്യകത
ഈ ജീവകത്തിൽ നിന്ന് ഹൈഡ്രജന്റെ ഉപാപചയത്തിനാവശ്യമായ ഘടകങ്ങളായ NAD യും NADP യും ഉണ്ടാക്കുന്നു. അതുകൊണ്ട് വളർച്ച,ഉപാപചയം,നാഡീവ്യവസ്തയുടെ പ്രവർത്തനം,തുടങ്ങിയ ജീവല്പ്രവർത്തനങ്ങൾക്ക് നിയാസിന്റെ പങ്ക് വളരെ പ്രധാനപ്പെട്ടതാണ്.
നിയാസിൻ അപര്യാപ്തത
നിയാസിന്റെ അപര്യാപ്തത മൂലമുണ്ടാകുന്ന രോഗമാണ് പെല്ലാഗ്ര. ത്വക്ക് വിണ്ട് കീറുക, പാടുകൾ ഉണ്ടാവുക, നിറവ്യത്ത്യാസം വരിക, വായിലും നാവിലും വ്രണങ്ങളും വീക്കങ്ങളും ഉണ്ടാവുക, വയറിളക്കം തുടങ്ങിയവയാണ് രോഗലക്ഷണങ്ങൾ.
അവലംബം
ബി ജീവകങ്ങൾ
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https://physics.stackexchange.com/questions/300228
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Chet Miller, Simorq, https://physics.stackexchange.com/users/102308, https://physics.stackexchange.com/users/76804
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The second law of thermodynamics in terms of entropy at negative absolute temperatures
Why is it that the second law of thermodynamics in terms of entropy doesn't change at negative absolute temperatures? Has it been observed in experiment that if you add heat to a system with negative absolute temperature (which decreases its entropy), the entropy of the surroundings increase in a way that the change in the entropy of universe won't be negative?
Edit: Why am I asking this question: Since it is a "law", if it is to be true at negative temperatures as well as positive temperatures, what I said above must have been observed in experiment. Therefore one can prove that when two systems, one with negative temperature, and the other with positive are brought in contact, heat flows from the one with negative temperature to the one with positive temperature. On the other hand, if it has been observed in experiment that heat flows from a system with negative temperature to a system with positive temperature in contact with it, then one concludes that the second law is also true at negative temperatures. I want to know which one, maybe both, is an experimental fact. The second law of thermodynamics in terms of entropy true at negative temperatures, or Heat flows from a system with negative temperature to a system with positive temperature in contact with it.
Are you talking about negative centigrade temperatures or negative absolute temperatures?
@ChesterMiller Negative absolute temperature. I edited the question to make it clear.
In practical reality there is no such thing as negative absolute temperature. At least for Temperature as an aggregated measure of the kinetic energy of a collection of particles, that energy cannot drop below 0.
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https://stackoverflow.com/questions/40865252
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erip, https://stackoverflow.com/users/2883245
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How can I make my local actor more testable?
I have an actor system which roughly looks like this:
class LocalActor extends Actor {
// create the remote actor
val remoteActor = context.actorSelection("akka.tcp://RemoteSystem@127.0.0.1:2552/user/RemoteActor")
def receive = {
case foo: String => remoteActor ! s"foo = ${foo}"
case bar: Int => remoteActor ! s"bar = ${bar}"
case _ => remoteActor ! "No clue..."
}
}
I'd like to refactor it so remoteActor's TCP/IP isn't hardcoded. The easiest change is to pass it explicitly to the constructor:
class LocalActor(TcpIp: String) extends Actor {
val remoteActor = context.actorSelection(TcpIp)
// ...
}
But I fear this might cause problems in the case that the TCP/IP address is already in use. The option that makes the most sense to me is to pass the actor (or a reference or similar) to the constructor -- is there an idiomatic way to do this in Akka?
I'm a bit confused because the type of remoteActor is akka.actor.ActorSelection, where I might have expected it to be an Actor or ActorRef.
Luckily the remote actor interacts only with sender, so it is fine the way it is; but the local actor is still tricky.
If my idea above is not a good one, what's the traditional way to make this more generic and testable?
One way to achieve this is directly passing the reference to your actor class:
object LocalActor {
def prop(remoteActor: ActorRef) = Props(new LocalActor(remoteActor))
}
class LocalActor(remoteActor: ActorRef) extends Actor {
def receive = {
case foo: String => remoteActor ! s"foo = ${foo}"
case bar: Int => remoteActor ! s"bar = ${bar}"
case _ => remoteActor ! "No clue..."
}
}
Then wherever you are creating your LocalActor you can also create the reference to remoteActor by resolving the actorSelection:
val system = ActorSystem("yourSystem")
implicit val resolveTimeout = Timeout(5 seconds)
val remoteActor = Await.result(system.actorSelection("akka.tcp://RemoteSystem@127.0.0.1:2552/user/RemoteActor").resolveOne(), resolveTimeout.duration)
val localActor = system.actorOf(LocalActor.props(remoteActor), "LocalActor")
Then for testing you just need to inject a TestProbe:
val testProbe = TestProbe()
val testingLocalActor = system.actorOf(LocalActor.props(testProbe.ref))
val testString = "TEST"
testingLocalActor ! testString
testProbe.expectMsg(s"foo = $testString")
TestProbe is brilliant! Cheers.
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https://de.wikipedia.org/wiki/Jewgeni%20Tarassow%20%28Fu%C3%9Fballspieler%2C%201979%29
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Jewgeni Tarassow (Fußballspieler, 1979)
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Jewgeni Tarassow (kasachisch Евгений Тарасов; * 25. März 1979 in Qaraghandy) ist ein ehemaliger kasachischer Fußballspieler.
Karriere
Jewgeni Tarassow begann seine Karriere im Jahre 1997 bei Kairat Almaty. Von 2000 bis 2002 spielte er beim russischen Klub Zenit Sankt Petersburg. Die nächsten drei Saisons spielte er in Russland bei Sokol Saratow und Mordowija Saransk. 2006 kehrte der Stürmer nach Kasachstan zurück zu Schachtjor Qaraghandy. Während der Saison wechselte er zu Jessil Bogatyr Petropawl, wo er seine aktive Laufbahn beendete.
Für die Kasachische Fußballnationalmannschaft absolvierte der Stürmer von 2001 bis 2003 insgesamt sechs Partien, in denen er ein Tor erzielen konnte.
Weblinks
Karrierestatistik auf KLISF (russisch)
Fußballnationalspieler (Kasachstan)
Fußballspieler (FK Qairat Almaty)
Fußballspieler (Schachtjor Qaraghandy)
Fußballspieler (FK Qysyl-Schar SK)
Fußballspieler (Zenit St. Petersburg)
Fußballspieler (Mordowija Saransk)
Fußballspieler (PFK Sokol Saratow)
Sowjetbürger
Kasache
Geboren 1979
Mann
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https://vi.wikipedia.org/wiki/Neuronema%20albostigma
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Neuronema albostigma
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https://vi.wikipedia.org/w/index.php?title=Neuronema albostigma&action=history
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Neuronema albostigma là một loài côn trùng trong họ Hemerobiidae thuộc bộ Neuroptera. Loài này được Matsumura miêu tả năm 1907.
Chú thích
Tham khảo
Neuronema
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https://en.wikipedia.org/wiki/Charles%20Lyell%20%28Liberal%20politician%29
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Charles Lyell (Liberal politician)
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Major Charles Henry Lyell (18 May 1875 – 18 October 1918) was a British politician and Liberal Member of Parliament who died in the First World War.
Education and private life
Lyell was born in 1875, the only son of Leonard Lyell, 1st Baron Lyell, and was educated at Eton and New College, Oxford. Whilst at Oxford he became a Freemason in the Apollo University Lodge, a Masonic lodge for students and former students of the university.
He married Rosalind Margaret Watney on 18 May 1911 at Cornbury Park, Oxfordshire. They had one son, Charles Anthony Lyell (later 2nd Baron Lyell) and one daughter, Margaret Laetitia.
Political career
Lyell was elected to represent East Dorset in a 1904 by-election, and was appointed as Parliamentary Private Secretary to Sir Edward Grey, the Foreign Secretary, in 1906. He was re-elected at the 1906 general election, but failed to win election in the January 1910 general election, where he contested Edinburgh West. He was elected for Edinburgh South at a by-election in April, and won re-election in the December general election. He was appointed as the Parliamentary Private Secretary to H. H. Asquith, the Prime Minister, in February 1911, and stood down from the seat in May 1917.
Military career
Lyell was commissioned as a lieutenant in the Forfar and Kincardine Artillery Militia in 1900, and served until 1908 when the Militia was dissolved under the Territorial and Reserve Forces Act 1907. He then served as the vice-chairman of the County Territorial Association for Forfarshire. On the outbreak of the First World War, he was gazetted a captain in the Fife Royal Garrison Artillery, and in May 1915 made a major in the Highland Battery of the Fife RGA.
Death
Charles Henry Lyell died on 18 October 1918 of pneumonia during the global Spanish flu pandemic while serving as Assistant Military Attaché to the US, and was buried at Arlington National Cemetery. Lyell is commemorated on Panel 1 of the Parliamentary War Memorial in Westminster Hall, one of 22 MPs that died during the First World War to be named on that memorial. A further act of commemoration came with the unveiling in 1932 of a manuscript-style illuminated book of remembrance for the House of Commons, which includes a short biographical account of the life and death of Lyell.
Notes
References
"LYELL, Hon. Charles Henry", in
Obituary in The Times, p. 5, 19 October 1918
External links
1875 births
1918 deaths
Scottish Liberal Party MPs
Liberal Party (UK) MPs for English constituencies
UK MPs 1900–1906
UK MPs 1906–1910
UK MPs 1910
UK MPs 1910–1918
Parliamentary Private Secretaries to the Prime Minister
Royal Garrison Artillery officers
Burials at Arlington National Cemetery
British Army personnel of World War I
Heirs apparent who never acceded
People educated at Eton College
Alumni of New College, Oxford
Deaths from the Spanish flu pandemic in the United States
Members of the Parliament of the United Kingdom for Edinburgh constituencies
British military personnel killed in World War I
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https://stackoverflow.com/questions/52311916
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Ali Kanat, Christoph K, L.Th, Senbazuru, Z3RP, derHugo, https://stackoverflow.com/users/10009861, https://stackoverflow.com/users/3491589, https://stackoverflow.com/users/5444350, https://stackoverflow.com/users/7111561, https://stackoverflow.com/users/7796872, https://stackoverflow.com/users/9242491
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Unity - Move object until point
I'm using the code below to move a Ball to determined point. But, the ball are "teleporting" to there, how can i roll the ball until the point ?
void Update(){
if (Input.GetMouseButtonDown(0) && EventSystem.current.currentSelectedGameObject != ButtonDiminuir && EventSystem.current.currentSelectedGameObject != ButtonAumentar &&
EventSystem.current.currentSelectedGameObject != BarraForca) {
transform.position = Vector3.Lerp(transform.position, new Vector3(transform.position.x, transform.position.y, -9.0424f), 2 * Time.deltaTime);
Anim.Play("Kick_Up");
}
}
Use a delay between each position change.
https://docs.unity3d.com/ScriptReference/Vector3.Lerp.html this is exactly what you want
Add a coefficient to the multiplication like this : transform.position += Vector3.forward * 0.05f *Time.deltaTime;
You can do it like this using Vector3.Lerp :
Vector3 startPosition;
Vector3 endPosition;
var speed = 10.0;
transform.position = Vector3.Lerp(startPosition, endPosition, speed * Time.deltaTime);
or using Vector3.MoveTowards
// The step size is equal to speed times frame time.
float step = speed * Time.deltaTime;
// Move our position a step closer to the target.
transform.position = Vector3.MoveTowards(transform.position, target.position, step);
Note that using the first snippet like this, it will barely move! Lerp interpolates between the start and end position dependin on the 3rd parameter (between 0 and 1). Time.deltaTime depends on the framerate and is usually something like 1/60 s => You set the interpolation always to fixed on 10 * 1/60 = 1/6. It never reaches 1. On start you need a passedTime = 0 before each step do passedTime+= Time.deltaTime. Than in the Lerp use this instead Vector3.Lerp(start, end, speed * passedTime)
I'll try and come back i'll bring answers
Z3RP, i think you code works. But the ball kind of just does a step for Update(), there is a way that runs at once in the first Update() call ? I will update the code of my question
@L.Th In your Update Method you set the end and start position everytime update is called new. Try to set it at the start and set it to null at the end :)
woooow ! Very nice. it Works! Thank you very much !
If you want to roll the ball, use AddForce() instead transform.position.
First, add Rigidbody and Sphere Collider to your ball game object.
Then try this code:
public Vector3 targetPoint;
public float forceAmount;
...
void Update()
{
Vector3 force = ((targetPoint - transform.position).normalized * forceAmount * Time.smoothDeltaTime);
GetComponent<Rigidbody>().AddForce(force);
}
Also, if you want to ball stops immediately when arrive to target point, you can set GetComponent<Rigidbody>().velocity to 0 when targetPoint - transform.position = 0
I hope it helps you.
I tried with AddForce(), but it doens't work for me, i'll try this way like you showed me, and later i'll bring some answers
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https://en.wikipedia.org/wiki/Phoenix%20Nights
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Phoenix Nights
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https://en.wikipedia.org/w/index.php?title=Phoenix Nights&action=history
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Phoenix Nights, also known as Peter Kay's Phoenix Nights, is a British sitcom about The Phoenix Club, a working men's club in the northern English town of Bolton, Greater Manchester. The show is a spin-off from the "In the Club" episode of the spoof documentary series That Peter Kay Thing, and in turn was followed by the spin-off Max and Paddy's Road to Nowhere. It was produced by Goodnight Vienna Productions and Ovation Entertainments, and broadcast on Channel 4 in the UK.
The show was written by Peter Kay, Neil Fitzmaurice and Dave Spikey. All three writers star in the show, with Kay also directing in the second series. All the music was written by Toni Baker and Peter Kay. Additional material was provided by Paddy McGuinness.
Two series have been produced, which were first broadcast in 2001 and 2002 respectively. The first series transmission dates were brought ahead to January 2001 due to the success of Kay's first home video stand-up release Live at the Top of the Tower, released in November 2000, and That Peter Kay Thing winning Best New TV Comedy at the British Comedy Awards, which meant the series began broadcasting before editing had even been completed on all episodes.
Phoenix Nights won the People's Choice Award at the British Comedy Awards 2002, and was nominated for several others.
Characters
The owner of The Phoenix Club is wheelchair user Brian Potter (played by Peter Kay), who has presided over two clubs in the past: the first (The Aquarius) flooded, the second (The Neptune) burned down. His ambition, with the help of Jerry St Clair, is to see The Phoenix Club become the most popular in Bolton and thus outdo his nemesis, Den Perry (Ted Robbins), owner of rival club The Banana Grove.
The Phoenix Club
The Phoenix Club is a fictional working men's club in Farnworth near Bolton. The Phoenix Club is home to entertainment of all types, including bingo, singing, cabaret and a wide range of themed nights. The club was opened by Brian Potter and is run by him and his staff.
Employees
The club has a number of workers:
Brian Potter: Owner of the club, who goes to any extremes to keep it open.
Jerry St.Clair: Compere, Cabaret singer and fall guy of the show. He later becomes licensee of the club.
The Captain: The club's doorman. He dies in series 1, episode 2.
Ray Von: A former fairground worker and electrician, who is the club's DJ and sound engineer.
Max and Paddy: The club's two bouncers.
Les and Alan: The two backing players, with drums and keyboard, known as "Les Alanos".
Kenny Senior: A Jack of all trades at the club and compulsive liar. Claims to have stayed in a tent next to Robert De Niro in Pwllheli and beaten him at Swingball.
Young Kenny: A young, dim-witted handyman.
Mary (Holy Mary): Bar worker and strict Catholic.
Spencer: Ignorant but hard-working barman.
Ant and Dec: Two illegal Chinese immigrants whom the club accidentally brought into the country. Employed by Brian Potter as chefs.
Marion: Bar worker, cleaner and chef. She is good friends with Mary and also works as Brian's PA.
Layout
The club follows the layout of a typical working men's club, with a large cabaret room along with a lounge area (called 'The Pennine Suite' in the opening series). In an attempt to diversify and attract more customers, the lounge is later converted into a successful Chinese restaurant named "The Golden Phoenix". There is also a games room in the club, which was named the "Jocky Wilson Suite" in the first series, and the "Tony Knowles Suite" in the second. In the first series, the room was shown as a home to the games supplied by "Dodgy Eric", such as the wonky snooker table, the bucking bronco and the child's aeroplane ride. In the second series, the games room is used more as lounge and general social area with dining tables, although there is a dartboard and a new snooker table. The solarium is also adjacent, through a door from this room. The Pennine Suite served as a general large lounge and social area in the first series, but was seldom seen in the second series; it contains a small stage used for Wednesday "free and easy" nights. Eventually it was replaced by a Chinese restaurant. The other room in the club is a larger cabaret style room, which plays host to larger features such as Talent Trek and Stars in their Eyes.
Filming location
As well as being set in Bolton, Phoenix Nights is also filmed in the area. The location for the club itself is St Gregory's Social Club on Church Street in Farnworth, a few miles from Bolton.
When Max and Paddy return from France in Series 2, the location used is Fleetwood Docks.
Plot
Throughout the two series of Phoenix Nights, a theme of the show is the rivalry between The Phoenix Club and local rival club 'The Banana Grove', run by the flamboyant Den Perry. Brian Potter devises ideas for the club to attract more customers, usually to the disapproval of Jerry "The Saint" St. Clair. As more people come to the club, its popularity exceeds that of its rivals. Despite this, Brian Potter's thrifty ways means he continues to try to cut corners in the running of the club.
The second series follows on from the first. Following the staging of the highly regarded local talent contest 'Talent Trek' a vengeful Den Perry burns the club down. With the authorities taking a dim view of Potter's poor attitude towards fire safety and suspending his licence, he then rebuilds the club on the cheap with Jerry as the licensee. The club bounces back and regains its popularity, with schemes such as placing a fake speed camera outside the club to slow motorists down, and a re-enactment of the club's arson on TV show Crimetime (a parody of Crimewatch) in order to gain free advertising.
Following Potter's hiring of two Chinese immigrants, Jerry decides to open a Chinese restaurant inside the club, which, despite Potter's concerns, becomes an instant hit, driving the Phoenix to success whilst leaving other clubs behind. Infuriated at this, Den Perry decides to burn the club again but unwittingly reveals to the clientele that he burned down the Phoenix Club the first time and he is arrested for arson and the club is victorious.
Episode guide
Series 1
Episode 1
It is the opening day of Brian Potter's new club, the Phoenix (two of his previous clubs having burned down while another flooded). With "TV's own Roy Walker" opening the club, Brian wants everything to be perfect. But he has to contend with a power cut that leaves the club in the dark, the theft of the bingo machine, a German-speaking "Das Boot" arcade machine, Max the doorman injuring himself and a racist folk band called "Half A Shilling" (with the lead singer played by Tim Healy). The band are ostensibly singing about Holy Communion Shoes, although journalist Deborah Quinn detects the racist metaphor in the song entitled "Send The Buggers Back". These factors soon ruin everything. The auditioning act at the end of the episode is a pair of spacemen, one on a spinning disc, miming to a David Bowie song.
Episode 2
The club's doorman, the Captain, dies, possibly as a result of inhaling smoke from new DJ Ray Von's home-made smoke machine. There is further misfortune when two men in overalls walk in off the street and steal the television set, with the staff doing nothing about it, except for Kenny Senior who kindly hands them the remote control. A warped snooker table is replaced by a bucking bronco, which leads to a Wild West Night being held. It's a huge success, until Jerry's blatantly biased shoot-out between teams from Lancashire and Yorkshire gets violent and a drunken horse tries to have sex with the bucking bronco. The auditioning act at the end of the episode is an escape artist, trapped in a bag.
Episode 3
Jerry St. Clair has booked psychic medium Clinton Baptiste (Alex Lowe) for the club, following a recommendation by Den Perry. Jerry seems oblivious to the fact that Den Perry wants the Phoenix Club to fail. Brian and Jerry then have to attend a fire safety seminar at the Banana Grove Club presented by Keith Lard (from That Peter Kay Thing), who was arrested for "interfering" with dogs, but was acquitted due to lack of evidence. After the meeting, Lard tells Brian he will be inspecting the club immediately to ensure it meets safety standards. Jerry and Brian rush back to the club before Keith inspects it, but a run-in with the police delays them and Keith shuts the club down for being unsafe. Never a quitter, Brian blackmails Lard with a faked photo of Lard's head on the body of a semi-nude man (with a dog) so that he re-opens the club. However, the event they re-open for, the psychic night, forces Brian to refund all his guests after Clinton Baptiste tells a bit more about the future than the guests would like. The auditioning act at the end of the episode is a bad juggler, breaking his props.
Episode 4
It's 'Singles Night' at the Phoenix club and house band Les Alanos and bouncers Max and Paddy are all looking. Brian is the most successful, though, when he accidentally runs over a woman's foot before buying her a drink and talking the night away. Throughout the episode, their relationship progresses, until Beverley (played by Jo Enright) reveals to Brian that she works for the DSS and was sent to investigate him for fraudulent disability claims. Despite Beverley's assertions that her feelings for him are genuine, Brian ends the relationship. Elsewhere, Paddy strikes up a relationship with Holy Mary's daughter Mary. The audition at the end of the episode is a man jumping around to Nellie the Elephant wearing little more than a mackintosh and an elephant soft toy's trunk over his genitals.
Episode 5
Jerry is in hospital. Before Brian argues with Jerry's decision to host an alternative comedy night, the comedy night turns out to be a disaster, with none of the entrants being any good. As one of the acts, Steve Davies plays a placid metalwork teacher introduced as 'Darius' by Jerry. Darius comes on wearing only a pair of C&A underpants with 'Darius' written in ink on his body. He proceeds to have a psychotic episode, with unintelligible language delivered menacingly towards the audience and the house band onstage whilst striking the drummer's cymbal with his hand. He is crying out to the universe to complete his breakdown. At the end of it all, Jerry has a heated confrontation with a student who had been heckling him, until the student threatens to hit Jerry and all the staff stick up for him. Elsewhere, Ray Von hosts a Robot Wars tournament, which is won by Max and Paddy, who are using a robot built by Ray, who has a penchant for electronics. At the end of the episode, a man called Dougie Hayes offers Jerry a job on a cruise ship. The auditioning act at the end of the episode are a pair of elderly Spanish dancers.
Episode 6
Jerry gets an all-clear from hospital. However, Brian tells him to keep pretending to be ill because the club got the rights to host Talent Trek because he told the organisers that Jerry is dying. Tensions boil when Brian has to hire a Right Said Fred tribute band called 'Right Said Frank' for the grand finale due to Les Alanos performing a Karate Kid musical with the local youth club on the same night. Right Said Frank end up stealing stereos from all the cars parked outside. Ray Von tries to stop them but he is overpowered. Luckily, they slam into Max's car, setting off his personal alarm. Max and Paddy rush outside and tackle the two men to the ground. Brian then 'reveals' to the audience that Jerry has got an all-clear for his illness. Despite everything, Jerry can't bring himself to leave the club and turns down the cruise ship job offer. The series concludes with Den Perry, outraged at the success of the Phoenix Club, setting it on fire.
Series 2
Episode 1
Brian and the staff watch the club burn to the ground, with Jerry managing to rescue Brian's little disabled boy-shaped charity box. After the flames are put out, a fireman reveals the fire was caused by a discarded cigarette or cigar, leading Brian to believe Den Perry was responsible. Brian then has to appear in court due to his breach of fire and safety regulations and as a result his alcohol licence is revoked and he is blacklisted by the breweries. Despite all this, Brian dreams of rebuilding the Phoenix Club. On his trip to Asda he finds Jerry and Alan singing to promote products. Brian begs Jerry to help him to rebuild the Phoenix but Jerry rebuffs him and tells him to forget about the Phoenix. Still undeterred, Brian travels to Blackpool to visit an old friend, Frank Cartwright (played by Jim Bowen), owner of the Hotel "Le Ponderosa". Cartwright advises him to sell bottles and cans to get around the ban, get a licensee whom he can manipulate and have multiple facilities under one roof. Brian then phones around to find all the staff. He finds Les working as a butcher, Kenny Senior as a lollipop man (constantly lying to the kids crossing the road), Ray Von at a fairground, and Holy Mary in church. In what was to become an iconic moment for the series he calls Max and Paddy as they are driving elderly Asian gentlemen to a mosque and singing at the tops of their voices to "I Could Be so Good For You". Brian succeeds in bringing all of them together to discuss his plans, and convinces Jerry to become the new licensee. The auditioning act at the end of the episode is a magician whose pigeon gets caught in a rotating fan.
Episode 2
Reconstruction is going quite well, and a fun day is organised to raise awareness of the rebuilding. However, an inflatable that resembles an erect penis is rejected by Brian, so it is fastened to the ground and covered up to look like a snake. Unfortunately, the inflatable escapes from its cover and explodes, shocking everyone who is spending their money. Furthermore, a botched face-painting job leaves Young Kenny with a permanent tiger face. Elsewhere, Max and Paddy go to France to stock up on booze, unwittingly picking up two Chinese immigrants in the process. The auditioning act at the end of the episode is a young woman who fires ping pong balls from her vagina.
Episode 3
Brian decides to get the club on Crimetime for publicity and a chance to accuse Den Perry. Changes are made throughout the club to make it look good for the TV crew, but the TV appearance is a disaster when Brian loses it after he believes that he is being accused of burning the club down himself. Elsewhere, Spencer is hired for the vacant bar job. The auditioning act at the end of the episode is a one-legged Elvis impersonator.
Episode 4
Brian comes across two Japanese people promoting their new lager, and offers them a chance to promote it in the club, an offer they accept. A pub quiz is arranged, with the winner taking home a year's supply of the lager. Both Brian and Den Perry enter teams to try and win it. Brian's team wins, but his victory is short-lived when it turns out the lager is non-alcoholic. In the other suite, Jerry's medication binge gets the better of him and he loses it on stage, which causes him to go into the next suite and urinate everywhere, shocking the customers. The auditioning act at the end of the episode is a man with a battery-powered singing teddy bear.
Episode 5
A power cut in Brian's home sees him stuck on his stair lift all night until Jerry breaks his door down the next morning. At the club, Jerry has turned part of the club into a Chinese restaurant called "The Golden Phoenix". A ladies night has been arranged, which causes Paddy to go on stage dressed in nothing but a fake moustache and leather thong, and carrying a trident. Outside, Max is accosted by a woman who wants her husband killed. Max tells her that he will kill her husband for £8,000. Lying to Paddy that she will pay them both £1,000, Max gets Paddy to agree to do the job with him. Max, Paddy and Max's brother Terry go to practise shooting using a Broomhandled Mauser which Max's grandad gave him. When Paddy starts to fire, he accidentally shoots Terry. Eventually, Max and Paddy can't kill the man and give him £3,000 to leave the country. Max gives Paddy £1,000, and spends £4,000 on a motor home. The auditioning act at the end of the episode is the same man as in S2E4, this time with a battery-powered singing gorilla.
Episode 6
Max and Paddy spot the man they were meant to kill in town, and are later confronted by his angry wife, who hints that she has put a hit out on them. She also reveals to Paddy that she paid Max £8,000, of which Paddy only received £1,000. In the club, Brian has arranged a Stars in Your Eyes night to impress a brewery representative who is coming over. Unfortunately, Den Perry has other ideas and cancels the acts by impersonating Jerry. However, in a memorable series of scenes, all of the staff from the club dress up to become acts, including Holy Mary as Lulu, Ray Von and Les Alanos as Adam and the Ants, Kenny Senior as Britney Spears, Young Kenny as Meat Loaf, Jerry as Eminem and George Michael, Brian as Elton John and Spencer as Gary Glitter. At the end of the episode, Den Perry threatens Brian and talks to him about burning the club down before and makes threats to do it again. However, he is unaware that Brian has switched on a radio microphone on his desk, meaning that the entire club has heard the conversation. Den Perry is arrested and the staff celebrate. Ray Von then reminds Brian that now the truth has come out, he can get his licence back. However, Brian decides to let Jerry remain as licensee and the staff hold a toast to Jerry. At the end of the episode, Max, terrified that there is a hit out on him, is about to flee all over the country in his motor home, when Paddy decides to come with him, setting the scene for the spin-off series Max and Paddy's Road to Nowhere.
Keith Laird controversy
A complaint was filed about the show in 2001 by Keith Laird, a fire safety officer working for Bolton Council. He claimed that the character Keith Lard in series 1 episode 3 was based on him. Channel 4 issued an apology for any confusion and Kay maintained that Lard was fictional:
Broadcasts
Series 1: six episodes, broadcast 14 January 2001 to 18 February 2001
Series 2: six episodes, broadcast 8 August 2002 to 12 September 2002
Phoenix Nights is rarely repeated on British television. During an interview with Danny Baker for Peter Kay In Conversation, Kay stated he resents allowing his shows, including Phoenix Nights, to be repeated as it "dilutes the quality" of the programme, citing Only Fools and Horses as an example of a highly regarded programme "ruined" by excessive repeat showings.
Potential third series
In September 2006, Kay revealed on BBC Radio 1 that a third series of Phoenix Nights has been written, but it is unknown when the series will be filmed. On 8 May 2007, another announcement by Kay was made promising another series will be made. However Dave Spikey, in interviews with The Sentinel and the Croydon Guardian in late 2009, claimed that neither he nor fellow co-writer Neil Fitzmaurice were aware of any plans to bring back the series. In a recent interview with Peter Kay he stated that he had written a third series of Phoenix Nights and had even written a screenplay for it. However, when asked if he would be going back there he said that he would prefer to do something new next. Kay also claims he's been approached to make a Phoenix Nights movie following the success of The Inbetweeners Movie. In August 2014, it was reported that Kay was in talks to revive Phoenix Nights in the form of a series of live shows for Comic Relief in 2015. In November 2014, Kay announced during a charity fundraising event at the Opera House Theatre, Blackpool, that an official announcement would be made regarding the revival of the show. Kay confirmed again in April 2017 that a third series had been written but that "things kept getting in the way" of filming it.
References
External links
2001 British television series debuts
2002 British television series endings
2000s British sitcoms
Channel 4 sitcoms
English-language television shows
Television shows set in Greater Manchester
Television shows set in Lancashire
Television shows shot in Manchester
Bolton
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https://stackoverflow.com/questions/26894349
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A. Wolff, LcSalazar, Liftoff, Rohit Mehra, ekad, https://stackoverflow.com/users/1414562, https://stackoverflow.com/users/1905949, https://stackoverflow.com/users/2186292, https://stackoverflow.com/users/3170478, https://stackoverflow.com/users/892629
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Disable the input value
I have an input field. In which I want to fix a value. I am able to fix the value by putting readonly but it's not passing the value which I have put as fixed.
what I am doing is:-
<input name="txt_zip_code" class="z-con-input adj-z-con-input" style="background:#eee" type="text" maxlength="13" field="txt_zip_code" value="98052" readonly="readonly" />
I want to make the value same for every user.
Can I get any help in this.
it's not passing the value with I have put as fixed, so what does it actually pass?
@ekad it gives a validation error.
passing the value to where? If the value is hard coded, put it already in the destination...
How does the validation error happen? On submitting the form?
It's like I have 3 input fields: Order Number, PO Number and Billing Zip Code. User is having option either he can put order number OR PO number. And there is a fixed value for zip code which is common for every user and required for order number and po number.
I assume you are validating with JS/jQ? How are you validating the value? $("input[name='txt_zip_code']").val()? What does that return?
@RohitMehra Why not put all relevant infos in question? You'd have better to explain what are you looking for
Pulling the val from jQuery works just fine: JSFiddle
You have not included what back end system you are using, which is relevant information. However, with PHP and ASP.NET MVC I've discovered a similar behavior. I believe you are describing disabled/readonly inputs sending null values to the back end controller. In the past, I've found that I had to re-enable inputs with Javascript before submitting them to the controller. The jquery to do this is:
$("input[type='submit']").click(function(e){
e.preventDefault();
$("input").removeProp('readonly');
$("form").submit();
});
However, if the field is always static, you may just want to hard code it on the back end.
I'd also recommend you check out the w3 specification on disabled elements to make sure the readonly attribute is the correct attribute for you. You are currently using the readonly attribute incorrectly, as it is a boolean attribute.
<input readonly="readonly">
should be:
<input readonly>
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https://zh.wikipedia.org/w/index.php?title=深崎暮人&action=history
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Chinese
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Spoken
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深崎暮人（），日本男性插畫家與原畫家，出生於北海道，目前居住於東京都。
經歷
少年時代沉迷於SD鋼彈與遊戲軟體，描摹攻略本上的機械與怪物。
受到女神轉生系列遊戲的影響，進入了遊戲CG的專業學校。學校學科以視訊與3D為主，並在這時候與當時同年級、在之後經常在同人創作與商業創作合作者黑谷忍相遇。其後受到移植到世嘉土星的美少女遊戲的影響，開始對美少女人物產生了興趣。
專業學校畢業後，開始在柏青哥製造商工作，負責設計機台。在此之後，由於自思無法在公司成長，幫助父親的公司，開始從事建築的工作。然而在現場工作的一年後，發生椎間盤突出的病變，導致無法繼續現場的工作，從而轉為處理公司內部事務。從事公司內部工作時間比較有閒暇，適逢mixi網開始流行，開始在網路上留下自己繪畫的插圖。
2005年與黑谷忍創立了同人社團「Cradle」並開始同人活動，最早同人誌發行時，考慮當時東方Project的創作容易受矚目，開始了以東方Project為主的二次創作，其後以世界觀的獨創性受到矚目。其後視野放寬，進行東方系列以外的同人創作，並獨自拓展自己的社交圈。
透過來自出版社ENTERBRAIN的e-mail，接到了雜誌書《Magi-Cu》的工作，這是深崎暮人第一份商業工作。之後無論是一般向或是成人向的作品，皆積極創作與活動。
2007年後黑谷忍創立自己的社團「Puffsleeve」，但一到關鍵時刻還是和深崎暮人組隊發行新作品。
2008年擔任遊戲公司ABHAR所製作的美少女遊戲《水平線まで何マイル? -Deep Blue Sky & Pure White Wings-》的原畫，對當時的業界造成巨大的衝擊。
2011年9月5日，在自己的Twitter發布眼睛不適需要就醫的宣告，隨後被確診為視網膜脫離，於醫院手術後於9月15日恢復工作。
2015年於《不起眼女主角培育法》BD/DVD中第2卷副音軌中公開了深崎暮人與黑谷忍的夫妻關係。
作品
書籍
E☆2（發行：メディエイション 発売：飛鳥新社→ビオ・マガジン）海報插畫、與其他插畫家的對談
月刊Comic電擊大王（發行：アスキー・メディアワークス 発売：角川グループパブリッシング、 2008年5月 - 2009年5月）封面與海報插畫
COMIC阿吽（ヒット出版社、2009年6月 - ）封面連載
よいこの萌えっ娘!濡れスケ!!（コアマガジン、2011年7月1日初版発行）封面插畫・訪談
PC遊戲原畫
水平線まで何マイル?-Deep Blue Sky & Pure White Wings- (ABHAR)
すまいるCubic! -水平線まで何マイル?アフター&アナザーストーリーズ- (ABHAR)
尋找失去的未來 (TRUMPLE)
小說插畫
ぼくと彼女に降る夜（八街歩著、富士見Fantasia文庫）
不起眼女主角培育法（丸户史明著、富士見Fantasia文庫）
原点回帰ウォーカーズ（MF文庫J）
アリス×アカデミィ -彼女のついたウソ-（関涼子著、GA文庫）
ありす×ユニバース -キャプテンはJK-（関涼子著、GA文庫）
（入間人間著、電撃文庫）
アラタなるセカイ（入間人間著、電撃文庫）
CD封面插畫
RAMM feat.ayami『Freedom』（2012年3月21日）
圖案設計
Animage（徳間書店、2006年）紙面デザイン3P（ベースのみ）
POP画集 SUPER LOLLIPOP（三才ブックス、2007年9月14日初版発行）装丁全般
ダイキ工業各種フィギュア（2007年）パッケージデザイン
テレビアニメ『もえたん』DVD予約特典 クリアファイルデザイン2種
チュウニズム 美嶋はるな キャラクターデザイン
人物原案
22/7-齋藤妮可露（2020年）
不起眼女主角培育法
畫集
CRADLE（クレイドル）（発行：E☆2編集部・発売：廣済堂出版、2010年12月22日初版発行）
限定版（ハードカバー仕様）ISBN 978-4-331-90053-6
通常版（ソフトカバー仕様）ISBN 978-4-331-90052-9
COMIC阿吽表紙イラスト小画集（COMIC阿吽2011年6月号付録）
COMIC阿吽表紙イラスト小画集ver.2（COMIC阿吽2013年6月号付録）
COMIC阿吽表紙イラスト小画集ver.3（COMIC阿吽2015年6月号付録）
動畫
我们没有翅膀（第5話片尾插圖）
輪迴的拉格朗日（第3話片尾插圖）
我的妹妹哪有這麼可愛！（第二季 第2話片尾插圖）
超自然9人組（第8話片尾插圖）
參考文獻
『メガミマガジンCreators』Vol.18、学習研究社、2009年、47-49頁。
外部連結
cradle – 社團官網
日本插畫家
電子遊戲繪圖及原畫家
北海道出身人物
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Wikipedia
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Open Web
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CC-By-SA
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مورجان ادواردز
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https://arz.wikipedia.org/w/index.php?title=مورجان ادواردز&action=history
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Egyptian Arabic
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مورجان ادواردز كان مؤرخ.
حياته
مورجان ادواردز من مواليد يوم 9 مايو سنة 1722 فى پونتيپول.
وفاته
مورجان ادواردز مات يوم 25 يناير سنة 1795.
لينكات
مصادر
مؤرخين
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https://ceb.wikipedia.org/wiki/Anderson%20Ridge%20%28tagaytay%20sa%20Tinipong%20Bansa%2C%20Montana%29
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Open Web
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Anderson Ridge (tagaytay sa Tinipong Bansa, Montana)
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https://ceb.wikipedia.org/w/index.php?title=Anderson Ridge (tagaytay sa Tinipong Bansa, Montana)&action=history
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Cebuano
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Alang sa ubang mga dapit sa mao gihapon nga ngalan, tan-awa ang Anderson Ridge.
Tagaytay ang Anderson Ridge sa Tinipong Bansa. Ang Anderson Ridge nahimutang sa kondado sa Park County ug estado sa Montana, sa sentro nga bahin sa nasod, km sa kasadpan sa ulohang dakbayan Washington, D.C.
Ang klima hemiboreal. Ang kasarangang giiniton °C. Ang kinainitan nga bulan Hulyo, sa °C, ug ang kinabugnawan Pebrero, sa °C. Ang kasarangang pag-ulan milimetro matag tuig. Ang kinabasaan nga bulan Mayo, sa milimetro nga ulan, ug ang kinaugahan Pebrero, sa milimetro.
Saysay
Ang mga gi basihan niini
Mga bungtod sa Montana (estado)
Kabukiran sa Tinipong Bansa nga mas taas kay sa 2000 metros ibabaw sa dagat nga lebel
Mga artikulo sa posisyon itarong ni bot
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Wikipedia
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Open Web
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CC-By-SA
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Røylikollen
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https://ceb.wikipedia.org/w/index.php?title=Røylikollen&action=history
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Cebuano
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Spoken
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Bungtod ang Røylikollen sa Noruwega. Nahimutang ni sa munisipyo sa Drangedal ug lalawigan sa Telemark fylke, sa habagatang bahin sa nasod, km sa habagatan-kasadpan sa Oslo ang ulohan sa nasod. metros ibabaw sa dagat kahaboga ang nahimutangan sa Røylikollen, o ka metros sa ibabaw sa naglibot nga tereyn. Mga ka kilometro ang gilapdon sa tiilan niini.
Ang yuta palibot sa Røylikollen kasagaran kabungtoran. Ang kinahabogang dapit sa palibot dunay gihabogon nga ka metro ug km sa sidlakan sa Røylikollen. Dunay mga ka tawo kada kilometro kwadrado sa palibot sa Røylikollen may kaayo gamay nga populasyon. Ang kinadul-ang mas dakong lungsod mao ang Lunde, km sa sidlakan sa Røylikollen. Hapit nalukop sa lasang nga dagomkahoy ang palibot sa Røylikollen. Sa rehiyon palibot sa Røylikollen, mga bungtod, mga walog, ug mga kalapukan talagsaon komon.
Ang klima boreal. Ang kasarangang giiniton °C. Ang kinainitan nga bulan Agosto, sa °C, ug ang kinabugnawan Enero, sa °C.
Saysay
Ang mga gi basihan niini
Mga bungtod sa Telemark fylke
Kabukiran sa Noruwega nga mas taas kay sa 500 metros ibabaw sa dagat nga lebel
sv:Røylikollen
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https://ar.wikipedia.org/wiki/%D9%88%D8%B2%D8%A7%D8%B1%D8%A9%20%D8%A7%D9%84%D8%AA%D8%B9%D8%A7%D9%88%D9%86%20%D8%A7%D9%84%D8%AF%D9%88%D9%84%D9%8A%20%28%D9%85%D8%B5%D8%B1%29
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Wikipedia
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Open Web
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CC-By-SA
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وزارة التعاون الدولي (مصر)
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https://ar.wikipedia.org/w/index.php?title=وزارة التعاون الدولي (مصر)&action=history
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Arabic
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Spoken
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وزارة التعاون الدولي المصرية هي الوزارة المسؤولة عن إبرام اتفاقيات القروض والمنح مع شركاء مصر في التنمية لتمويل المشروعات التنموية في جمهورية مصر العربية ويتولاها حالياً رانيا المشاط.
مهمة الوزارة
الإجراءات التمهيدية
يدرج مشروع التنمية المطلوب تمويله من الخارج بمعرفة الجهة المستفيدة بالخطة الخمسية للتنمية الاقتصادية والاجتماعية وتحدد له أولوية ورقم كودى.
تقوم الجهة المستفيدة بتوجيه طلب إلى وزارة التعاون الدولى لتوفير التمويل اللازم للمشروع يبين فيه الرقم الكودى والتكلفة الإجمالية للمشروع وقيمة التمويل الأجنبى المطلوب مرفقا به دراسة الجدوى وإقرار بتدبير المكون المحلى اللازم له.
معايير الحصول على تمويل من شركاء مصرفى التنمية
تقوم وزارة التعاون الدولى بدراسة طلب تمويل المشروع والتأكد من إدراجه بالخطة الخمسية وفحص ودراسة الجدوى المرفقة به التي تؤكد جدواه وعائده ومدى مساهمته في التنمية العامة للدولة آخذا في الاعتبار التوزيع العادل للإمكانيات المالية المتاحة لقطاعات التنمية الاقتصادية والاجتماعية المختلفة كذلك التوزيع العادل على محافظات الجمهورية لضمان استخدام التمويل بأسلوب يحقق أكبر استفادة لمصر.
تراعى الوزارة بقدر الإمكان الحصول على منح لا ترد عند المساهمة في تمويل مشروع غير هادف للربح.
تهتم الوزارة بقدرة المشروع على توليد عائد بالنقد الأجنبى ومن ثم القدرة على سداد القرض وأعبائه بمعرفة الجهة المستفيدة دون تحميل موازنة الدولة أية أعباء.
يجب أن يتضمن القرض عنصر منحة لا يقل عن 40% .
أن يتم الاقتراض وفقا لسقف الاقتراض المسموح به وهو يتمثل في ألا يزيد حجم الاقتراض سنويا عما يتم سداده في نفس السنة من أعباء حتى يكون الاقتراض في الحدود الآمنة.
أن تكون الشروط ميسرة إلى أقصى درجة من حيث فترتى السماح والسداد وسعر الفائدة وكذلك الحزمة التمويلية.
أن يتم الاقتراض في أضيق الحدود وبأيسر الشروط للمشروعات الخدمية الحتمية المرتبطة بالخدمات الأساسية للمواطنين كمياه الشرب والصرف الصحى والتعليم والصحة .
ضرورة الحصول على موافقة رئيس الجمهورية السابقة على مبدأ الاقتراض وذلك قبل البدء في إجراءات التفاوض.
التفاوض مع الجهة التمويلية
يقوم الشريك التنموي بدراسة المشروع من الجانب الفنى والمالى وذلك عن طريق إيفاد بعثة إلى مصر لمناقشة تفاصيل المشروع مع الجهة المستفيدة.
تعد الجهة التمويلية تقريرا بتقييم المشروع من وجهة نظرها وتوافى وزارة التعاون الدولى به وترفق معه مسودة اتفاق المنحة أو القرض لدراستها.
تطرح وزارة التعاون الدولى من جانبها مشروع اتفاقية مع شريك التنمية وتبدأ التفاوض عليه بين الطرفين.
بعد التوصل إلى أفضل الشروط وأيسرها لتمويل المشروع مع الشريك التنموى يتم التوقيع من الطرفين بصفة مبدئية على نص الاتفاقية (التوقيع بالأحرف الأولى).
يتم عرض مشروع تلك الاتفاقية باللغتين العربية والإنجليزية و أي لغة أجنبية أخرى على «اللجنة القومية لمراجعة الاتفاقيات والقروض الدولية» بوزارة الخارجية التي تضم ممثلين من كافة جهات الدولة المعنية بالأمر – بما في ذلك وزارة التعاون الدولى والجهة المستفيدة لإجازة نصوص الاتفاقية وذلك من النواحى القانونية والفنية والمالية، وتصدر اللجنة تقريرا بتوصياتها لوزارة التعاون الدولى سواء بالموافقة أو إعادة التفاوض.
يتم مناقشة توصيات اللجنة الموضوعية مع الجهة الممولة لإجراء التعديلات اللازمة – إن وجدت - ويتم التوقيع النهائى على الاتفاقية بمعرفة الطرفين بعد الحصول على تفويض من وزارة الخارجية بالتوقيع على الاتفاق.
إجراءات التصديق
بعد التوقيع النهائى على الاتفاقية يتم موافاة وزارة الخارجية بالنسخ الأصلية للاتفاقية باللغتين العربية والأجنبية لتقوم بإرسالها إلى مجلس الوزراء مصحوبة بمذكرة إيضاحية ووثيقة التصديق على الاتفاقية ومحضر اجتماع لجنة مراجعة الاتفاقيات والقروض الدولية بالإضافة إلى مشروع قرار جمهورى بالموافقة على الاتفاقية مع التحفظ بشرط التصديق.
بعد موافقة مجلس الوزراء على الاتفاقية يرفع الأمر إلى السيد رئيس الجمهورية لاستصدار القرار الجمهورى بالموافقة على الاتفاقية.
بعد موافقة رئيس الجمهورية يحال القرار الجمهورى والاتفاقية إلى كل من مجلسى الشعب والشورى.
تقوم اللجان النوعية في مجلس الشورى بمناقشة الاتفاق وإعداد تقرير بشأنه ويعرض على المجلس للموافقة عليه بجلسة عامة.
تقوم اللجنة المختصة بمجلس الشعب – وبعد موافقة مجلس الشورى – بمناقشة الاتفاق وإعداد تقرير بشأنه للعرض على المجلس للموافقة عليه بجلسة عامة.
بعد موافقة مجلس الشعب يتم الحصول على شهادة سلامة الإجراءات من وزارة العدل (في حالة القروض) وتخطر الجهة طالبة التمويل والشريك التنموى بإتمام الإجراءات التنفيذية والدستورية لدخول الاتفاق حيز التنفيذ
الاتفاقيات التي لا تحمل الدولة أية أعباء مالية يحاط مجلس الشعب علما بها وبذلك تدخل حيز النفاذ.
المنشآت التابعة
مركز تقييم المشروعات وتحليل الاقتصاد الكلي
الوزراء
رانيا المشاط (التعاون الدولي)
سحر نصر (التعاون الدولي ثم التعاون الدولي والاستثمار)
نجلاء الأهواني (التعاون الدولي)
أشرف السيد العربي (التخطيط والتعاون الدولي)
زياد بهاء الدين (التعاون الدولي ونائب رئيس مجلس الوزراء)
عمرو دراج (التخطيط والتعاون الدولي)
أشرف السيد عبد الفتاح (التخطيط والتعاون الدولي)
فايزة أبو النجا (التعاون الدولي ثم التخطيط والتعاون الدولي)
أحمد الدرش (التخطيط والتعاون الدولي)
ظافر البشري (التخطيط والتعاون الدولي)
نوال التطاوي (الاقتصاد والتعاون الدولي)
عاطف صدقي (رئيس الوزراء ووزير التعاون الدولي)، في نفس الوزارة يوسف بطرس غالي (وزير دولة لشئون التعاون الدولي)
مراجع
وصلات خارجية
موقع وزارة التعاون الدولي
وزارات حكومة مصر
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Wikipedia
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Open Web
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CC-By-SA
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توني والس
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https://ar.wikipedia.org/w/index.php?title=توني والس&action=history
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Arabic
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Spoken
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توني والس (16 يناير 1990 بواواتوزا في الولايات المتحدة - ) هو لاعب كرة قدم أمريكي في مركز الدفاع. لعب مع شيكاغو فاير و و.
روابط خارجية
مراجع
أشخاص على قيد الحياة
أشخاص من واواتوزا
رياضيون من مقاطعة ميلووكي (ويسكونسن)
لاعبو الدوري الأمريكي لكرة القدم الدرجة الثانية
لاعبو الدوري الرئيسي لكرة القدم داخل الصالات (2008–2014)
لاعبو بطولة الدوري الأمريكي الدرجى الأولى
لاعبو بطولة دوري كرة القدم المتحدة
لاعبو بيتسبورغ ريفرهوندز
لاعبو روشستر راينوس
لاعبو شاتانوغا ريد ويلفز
لاعبو شيكاغو فاير
لاعبو كرة قدم أمريكيون
لاعبو كرة قدم رجالية أمريكيون
لاعبو كرة قدم من ويسكونسن
لاعبو ميلواكي وايف
لاعبو نادي سانت لويس
مدافعو كرة قدم رجالية
مواليد 1990
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https://ca.wikipedia.org/wiki/Esgl%C3%A9sia%20de%20Sant%20Joan%20de%20Saldus
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Wikipedia
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Open Web
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Església de Sant Joan de Saldus
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https://ca.wikipedia.org/w/index.php?title=Església de Sant Joan de Saldus&action=history
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Catalan
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Spoken
| 332
| 622
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Lesglésia de Sant Joan de Saldus, es troba a la ciutat de Saldus a Letònia, va ser dedicada oficialment a Sant Joan Evangelista el 27 d'agost de 1900, després d'una llarga història d'ús i segles de reconstruccions.
Història
La primera església de fusta va ser construïda el 1461.
El segon edifici, també de fusta, va ser construït el 1530 i després reformat el 1567.
L'església de maçoneria va ser edificada entre 1614-1615 i finançada per Wilhelm Duke.
La quarta església a Saldus va ser aixecada l'any 1737 al turó on es troba l'església actual, va tenir una reforma el 1825, sofrint la seva demolició el 1898.
La cinquena i actual església va realitzar el seu disseny l'arquitecte Wilhelm Neumann. La construcció es va portar a terme des de 1898 fins a 1899 i va costar 19.700 rubles. Quant es va completar el temple va ser dedicat en honor de Sant Joan Evangelista. Wilhelm Neumann també va dissenyar el Museu d'Art Nacional de Letònia a Riga i la mansió Jaunsvente Manor al municipi de Daugavpils.
Darreres modificacions
L'església va ser reformada el 1938 per un import de 15.000 lats. L'artista Ansis Bērziņš va dirigir la renovació de l'interior i el mobiliari. L'exèrcit alemany en retirada el 1944 va bombardejar la torre i va danyar el sostre. Es va construir una torre de fusta provisional durant els anys 1945-1946.
La demolició de la torre temporal va començar el 13 de juny de 1981, i la construcció de la nova torre va començar deu dies més tard. L'arquitecte de Saldus Edgars Krūmiņš va dissenyar la torre i V. Krivans va fer el gall del penell a la part superior de la torre. L'església reformada va ser novament dedicada l'1 d'agost de 1982. Les tombes subterrànies es van obrir i es va fer una investigació durant una renovació de 1995, quan es va instal·lar la calefacció radial per terra de l'edifici. La façana de l'església també va ser novament renovellada l'any 2006.
Referències
Esglésies de Letònia
| 38,388
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https://stackoverflow.com/questions/14615039
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StackExchange
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Open Web
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CC-By-SA
| 2,013
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Stack Exchange
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fge, https://stackoverflow.com/users/1093528
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Swedish
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Spoken
| 237
| 649
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java.lang.ClassFormatError: when trying to mock HttpServletRequest using Mockito
I am running some unit tests within Eclipse and I am using Mockito to mock as follows:-
HttpServletRequest mockRequest = mock(HttpServletRequest.class);
When I run the test from within Eclipse I get the following stack trace
java.lang.ClassFormatError: Absent Code attribute in method that is not native or abstract in class file javax/servlet/ServletException
at java.lang.ClassLoader.defineClass1(Native Method)
at java.lang.ClassLoader.defineClassCond(ClassLoader.java:631)
at java.lang.ClassLoader.defineClass(ClassLoader.java:615)
at java.security.SecureClassLoader.defineClass(SecureClassLoader.java:141)
at java.net.URLClassLoader.defineClass(URLClassLoader.java:283)
at java.net.URLClassLoader.access$000(URLClassLoader.java:58)
at java.net.URLClassLoader$1.run(URLClassLoader.java:197)
at java.security.AccessController.doPrivileged(Native Method)
at java.net.URLClassLoader.findClass(URLClassLoader.java:190)
at java.lang.ClassLoader.loadClass(ClassLoader.java:306)
However I do not receive any such errors when run from the command line using maven
I have seen similar questions posted elsewhere and I have made sure I have the implementation jars and not just the API jars. My maven dependency is as follows
<dependency>
<groupId>org.glassfish</groupId>
<artifactId>javax.servlet</artifactId>
<version>10.0-b28</version>
<scope>test</scope>
</dependency>
I have spent way too much time on this, fiddling with my classpaths and cleaning my workspace multiple times but to no avail.
http://stackoverflow.com/questions/12142872/java-lang-classformaterror-absent-code-attribute-in-method-that-is-not-native-o <-- have you had a look here?
I just created a simple test:
@Test
public void test(){
HttpServletRequest request = Mockito.mock(HttpServletRequest.class);
System.out.println(request);
}
with my Helios eclipse and with dependency provided by you - everything works as expected, no exceptions.... You might have something else on your classpath in eclipse or the problem might come from a different line.
You can try checking which jar is used using (for example)
HttpServletRequest.class.getProtectionDomain().getCodeSource()
You could also consider using httpunit instead of mocking request.
| 1,004
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https://stackoverflow.com/questions/57249826
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StackExchange
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Open Web
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CC-By-SA
| 2,019
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Stack Exchange
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Kamil Sindi, Michael, Stefano Sambruna, https://stackoverflow.com/users/1898563, https://stackoverflow.com/users/6783371, https://stackoverflow.com/users/690430
|
English
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Spoken
| 457
| 660
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How can I upload videos to JWPlayer with Java (Spring Boot)
I have a Java Spring Boot web app which should allow the users to upload their videos. I did some researches and I found that JWPlayer is the best solution in this way.
I would like to upload videos to JWPlayer and store in a database the id of the uploaded video related to a particular user.
The only problem is that the documentation is not so clear, and I don't understand how can I interact with JWPlayer with my Spring Boot back end.
There is just this page which does not show any code nor give any intuition of the process.
"There is just this page which does not show any code nor give any intuition of the process." I see code. I see intuition of the process. What are you looking at?
@Michael I don't see the code honestly... I don't understand the whole process... from the browser to my backend to JWPlayer... is it shown on the page? I cannot really find it. I have a spring boot web app and I would like to upload video from the browser and store them on JWPlayer, but as I said I don't know what's the best process...
def create_video(...
That's not the whole process... and how can I translate that code into Java? It uses the jwplatform python library which I'm not sure how to substitute in Java. And how can I reach that point? How can I pass from the browser to that function?
Use jython. If you can't figure it out, use the "regular style upload" which is just a HTTP request.
@StefanoSambruna take a look at https://developer.jwplayer.com/jw-platform/reference/v1/uploads.html for more information re how to make the API calls yourself. We're looking at revamping our developer docs with example code in the next month or two.
JWPlayer doesn't provide a Java or Spring Boot integration, but it does have APIs that you can call from Java. The steps go as follows:
Create your video metadata by calling /v1/videos/create. I highly recommend using the S3 upload method. If you're not sure how to make this call you can read about the call structure and authentication
Upload your video by using the link returned in the create call. You can read more about how to do this here if you do the S3 method, or here otherwise.
There is a pretty good example of how this entire process goes written in Python on the page you linked.
If you're uploading videos on behalf of your users, it'd probably be easiest to do this on the frontend with JavaScript instead of proxying through your Java application
Ok I'm using s3 but I'm having some problems: https://stackoverflow.com/questions/57697391/jwplayer-and-s3-calculated-signature-does-not-match-the-provided-one
| 29,716
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https://arz.wikipedia.org/wiki/%D8%AF%D8%A8%D9%84%D9%8A%D9%88.%20%D9%88%D9%8A%D9%84%D9%8A%D8%A7%D9%85%20%D9%88%D9%8A%D9%84%D8%AA
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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دبليو. ويليام ويلت
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https://arz.wikipedia.org/w/index.php?title=دبليو. ويليام ويلت&action=history
|
Egyptian Arabic
|
Spoken
| 46
| 148
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دبليو. ويليام ويلت كان سياسى من امريكا.
حياته
دبليو. ويليام ويلت من مواليد يوم 15 ابريل 1918 فى التونا, مات فى 28 سبتمبر 2004.
الحياه العمليه
سياسيا كان عضو فى الحزب الجمهورى.
اشتغل فى هاريسبرج..
المناصب
عضو مجلس نواب بنسيلفانيا
لينكات برانيه
مصادر
سياسيين
سياسيين امريكان
| 9,998
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https://ar.wikipedia.org/wiki/%D8%A5%D9%84%20%D8%A8%D8%A7%D8%B1%D8%A7%D9%84
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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إل بارال
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https://ar.wikipedia.org/w/index.php?title=إل بارال&action=history
|
Arabic
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Spoken
| 51
| 169
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بلدية إل بارال (بالإسبانية: El Parral) هي بلدية تقع في مقاطعة آبلة التابعة لمنطقة قشتالة وليون وسط إسبانيا.
الديموغرافيا
يبلغ عدد سكان بلدية إل بارال 112 نسمة عام 2011 (وفقاً للمعهد الوطني للإحصاء الإسباني).
أعلام
خوسيه فرناندو راميريز
مراجع
مصادر
الموقع الرسمي لبلدية إل بارال
أماكن مأهولة في آبلة
بلديات آبلة
| 17,182
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https://af.wikipedia.org/wiki/North%20American%20B-25%20Mitchell
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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North American B-25 Mitchell
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https://af.wikipedia.org/w/index.php?title=North American B-25 Mitchell&action=history
|
Afrikaans
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Spoken
| 102
| 231
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Die North American B-25 Mitchell is 'n tweemotorige medium bomwerper wat tydens die Tweede Wêreldoorlog deur die Amerikaanse Lugmag gebruik is. 'n Kontrak is aan North American Aviation toegeken sonder dat 'n prototipe ooit gebou is.
Die eerste B-25 het op 19 Augustus 1940 sy nooiensvlug onderneem. Aan die einde van 1940 was 24 vliegtuie reeds afgelewer. Die vliegtuig het bekend geword toe vyf-en-twintig B-25 Mitchell bomwerpers, onder beheer van lt-kol. James Doolittle, van die vliegdekskip USS Hornet opgestyg het om Tokio te bombardeer.
Tegniese besonderhede
Bron
Bombers 1939–1945 Kenneth Munson, Bounty Books 2012 ISBN 978-0-7537-2172-8
Bomwerpers
Vliegtuie van die Tweede Wêreldoorlog
| 21,703
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jsQEQrR1Ixw_1
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Youtube-Commons
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Open Web
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CC-By
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Dr Carolyn Myers on FendX Technologies’ Breakthrough Film Formulation that Kills and Repels Bacteria
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None
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English
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Spoken
| 1,553
| 1,923
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Today, I have the pleasure of speaking with Dr. Caroline Myers from Fendex Technologies, Biotech, a sector we are watching. And you had breaking news yesterday about a breakthrough in nanotechnology with a film that repels and kills bacteria. How about I let you tell our audience how important that news release was. Thank you. Well, let me just tell you a little bit of the background. We licensed the original technology from McMaster in 2021. And over the next two years, it was clear that we needed to reformulate, to put together a nanotechnology formulation that would be amenable to scale up. And so, you know, in collaboration with McMaster, that's what we did. And so, one of the formulations that we came up with was one that both repels and kills. I mean, our original formulation and the one that, you know, we are currently moving forward in production with Dunmore, our film manufacturer, who's doing scale development, is a repel film. But through this whole process, we discovered this film and components of it that actually kill as well as repel. And what it encompasses is a product that has a photoactive nanoparticle in it. It's called Titanium TiO2 is what it goes by. And not only does it work as a linker in the whole chemistry to create the repelling surfaces, but if you put it in, if you expose it to light, just regular light or UV light, it also kills. So our films, as it relates to repelling, they repel quite significantly. This publication actually showed that the combination of TiO2 and fluorocarbons to make our surface repel or prevent adhesion of bacteria by close to 99.8%. So that's pretty close to 100%. But if you do have residual bugs, so that other 0.2%, it will kill those bugs up to 99.6%. So surface is almost like, you know, invincible, like nothing will adhere to it. But just by virtue of the fact that these surfaces repel by close to, you know, 100%, in this particular case, 99.8%, we're still going to continue down the road of developing a repell wrap film, which is the product that just repels or prevents adhesion of bacteria and viruses quite significantly. But in the background, we'll still be looking at this repelling kill version as we move forward. So we're pretty excited about the results, and that's why we put them out, because quite frankly, I don't know of any films out there that repel, first of all, but also repel and kill. And potentially the combination might be a better than a repel version or a kill version of films. But, you know, we're getting pretty good results with our repelling properties today. So that's where we're going to continue moving down that road. And for those of you out there with your pen and paper trying to put this all together, let me just reinforce what Carolyn has just said, which is basically, and correct me if I'm wrong here. You've got, this is a specific mechanism where you take your photoactive nanoparticles and the fluorosilane, is that pronounced properly? You get fluorosilane or fluorocarbons, yeah, it's a fluorocarbon combination, yes. But these are basically activated by light exposure and film, and they work together to both repel and kill bacteria, which is really, which is the exciting and competitive advantage that we're talking about, not to mention the percentage of reduction in bacterial adhesion. Is that correct? Yeah, so let me just explain how this works. So basically you have your film, which is like the equivalent of saran wrap, right? And what you do is you activate the surface of that film, and then you attach the nanoparticles. And in this case, we attach the TIO2 to it. And then on top of it, you put the fluorosilane. And then once the chemical reactions have all happened, then you heat shrink it, and that's what creates the surface. So you can, and the TIO2, they're called linkers. So it's linking the fluorosilane to the actual film. And so there are all kinds of different linkers you can use. I mean, originally we were using aptes, which is, I'm not even going to tell you what that is because it takes me five minutes to say what aptes means. But we're also looking at other linkers. The fluorosilane is really important from the repelling standpoint. It is very important. But you need all of these components together in order to make that surface with the properties that we desire, which is this 99.9% prevention of adhesion of bacteria. So can you tell us how the film's efficacy in reducing bacterial contamination compares with existing surface protection technologies, particularly in high-risk environments like hospitals? So there are other films out there, and they work very differently than we do. They actually kill bugs on the surface. They all have some sort of either photorap, reactive, or metal ions in them. The ones that are probably most known are ones that have silver or copper in them. And those surfaces are known as being antimicrobial, that when the bugs actually stick to the surface because they can stick to the surface and they start replicating, they will be killed by the metal ions. Whereas ours, because they can't adhere, they can't replicate because the bugs have to, they have these little feelers that they have to hold them to the surface in order to replicate. And if you can't attach to the surface, you can't replicate. And so in our case, because you can't replicate, the level of transmission is significantly reduced. With regard to the other films, because they are killed on the surface, they do have to replicate. And so what I've always said is that there's still a potential window of opportunity that you might get transmission and cause the bugs to be transmitted between person to person. But at the end of the day, those films are also very effective. They've shown that they can reduce, they can kill up to like in the high 90s as well. But it takes time, whereas ours, again, nothing sticks to it and instantly. So as soon as something tries to attach to the surface, it can't replicate. And so we, you know, that's our, that's the foundation of our technology and why we're so excited about moving forward with it. Certainly, it does sound incredibly exciting. Our investor talk audience was very excited about the wide ranging applications. And with the ongoing development of the Repel Wrap film, what are your anticipated applications of this technology in commercial and public settings? And can you comment on when this is expected to be widely available? So we're developing two different products. One is a film and one is a spray on of the film. The spray on of the film is a little bit earlier in development. And our film is our lead product, which currently is with our manufacturing partner, Dunmore International, where they're doing the scale of development work. And you may know, I mean, part of the reason we started this whole company was actually not because of code, I hate to say it, but it was because of the fact that there are a number of pathogens that thrive on surfaces that if they are transmitted, they can cause disease and potentially kill people. You probably know some of them, MRSA or MRSA, C. difficile and others. Some of the E. Coli strains also, you know, can be very, very lent or and potentially kill. So, so that's the reason we started the company. Our film, the idea is that we'll create films of different sizes and shapes to go on door handles to not not knobs, but door handles and on railings on flat surfaces to protect those surfaces. And we, we are really excited about the spray because if we get to the point of being able to scale it up, we anticipate that it will be easier to apply and expand the opportunity. These beyond what we're looking for with repel wrap film, which initially is healthcare, potentially other high touch surfaces and other high traffic venues, but that the spray may be able to apply to number one, more, more high touch surfaces, like the actual door knobs, taps, et cetera, and potentially go beyond high touch surfaces in terms of applications. Well, I just want to add one more item, you know, that I, that I heard you say in a conversation recently with some investors, you know, you have been involved in building some very successful companies and you, you were disclosing the organic growth path pathway. You're setting for fendex technologies, but you also included the fact that your background includes a very successful MNA licensing experience. Can you talk to talk to our audience about how this may impact your role as a CEO of fendex and how you may integrate that into your existing role? Yeah, good question. I mean, it's one of my passions. I have done a lot of work in the MNA and licensing area, having worked in senior roles in some of the large cap pharmaceutical companies in the corporate office.
| 23,815
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https://sr.wikipedia.org/wiki/%D0%95%D0%BB%20%D0%A5%D0%B0%D0%B1%D0%B0%D0%BB%D0%B8%20%28%D0%9A%D0%BE%D0%BC%D0%B0%D0%BB%D0%B0%29
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Ел Хабали (Комала)
|
https://sr.wikipedia.org/w/index.php?title=Ел Хабали (Комала)&action=history
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Serbian
|
Spoken
| 56
| 174
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Ел Хабали () насеље је у Мексику у савезној држави Колима у општини Комала. Насеље се налази на надморској висини од 1200 м.
Становништво
Према подацима из 2005. године у насељу су живела 4 становника.
Хронологија
Попис
Види још
Савезне државе Мексика
Референце
Спољашње везе
Мексичка насеља
Насеља у општини Комала (Колима)
Википројект географија/Насеља у Мексику
| 33,564
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https://pl.wikipedia.org/wiki/Ligi%20kuu%20Bara%20%282009/2010%29
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Ligi kuu Bara (2009/2010)
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https://pl.wikipedia.org/w/index.php?title=Ligi kuu Bara (2009/2010)&action=history
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Polish
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Spoken
| 71
| 178
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Sezon (2009/2010) jest 46. sezonem o mistrzostwo Tanzanii. Tytułu nie obroniła drużyna Young Africans Dar es Salaam. Nowym mistrzem Tanzanii został zespół Simba SC Dar es Salaam. Tytuł króla strzelców zdobył Musa Hassan Mgosi, który w barwach klubu Simba SC Dar es Salaam strzelił 18 goli.
Tabela końcowa
Bibliografia
[dostęp: 30-05-2010]
Pierwszy poziom rozgrywek piłkarskich w Tanzanii
2009 w piłce nożnej
2010 w piłce nożnej
2009 w Afryce
2010 w Afryce
| 28,729
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https://ceb.wikipedia.org/wiki/Aquarius%20Lake%20%28lanaw%20sa%20Tinipong%20Bansa%29
|
Wikipedia
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Open Web
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CC-By-SA
| 2,023
|
Aquarius Lake (lanaw sa Tinipong Bansa)
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https://ceb.wikipedia.org/w/index.php?title=Aquarius Lake (lanaw sa Tinipong Bansa)&action=history
|
Cebuano
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Spoken
| 158
| 254
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Alang sa ubang mga dapit sa mao gihapon nga ngalan, tan-awa ang Aquarius Lake.
Lanaw ang Aquarius Lake sa Tinipong Bansa. Nahimutang ni sa kondado sa Park County ug estado sa Montana, sa sentro nga bahin sa nasod, km sa kasadpan sa Washington, D.C. metros ibabaw sa dagat kahaboga ang nahimutangan sa Aquarius Lake. Ang kinahabogang dapit sa palibot dunay gihabogon nga ka metro ug km sa amihanan-sidlakan sa Aquarius Lake. Ang mga tanom sa palibot sa Aquarius Lake kay hapit tanan kasagbotan ang ulohan sa nasod.
Sa mosunod nga mga natural nga mga bahin makita sa Aquarius Lake:
Little Molar Lake (lanaw)
Sedge Lake (lanaw)
Ang klima hemiboreal. Ang kasarangang giiniton °C. Ang kinainitan nga bulan Agosto, sa °C, ug ang kinabugnawan Pebrero, sa °C. Ang kasarangang pag-ulan milimetro matag tuig. Ang kinabasaan nga bulan Mayo, sa milimetro nga ulan, ug ang kinaugahan Enero, sa milimetro.
Saysay
Ang mga gi basihan niini
Mga lanaw sa Montana (estado)
| 9,826
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https://stackoverflow.com/questions/73439404
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StackExchange
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Open Web
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CC-By-SA
| 2,022
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Stack Exchange
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Les Nightingill, https://stackoverflow.com/users/451893
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English
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Spoken
| 179
| 375
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Rails remote form HotWire not sending javascript
I have an error, the thing is I need to send a remote form, this is my configuration
<%= form_tag(get_provider_configuration_server_providers_path, method: :post, local: false, data: { turbo: "false" }) do %>
<%= hidden_field_tag :provider, '', id: 'provider-configuration-value' %>
<%= button_tag 'Save Deploy Script', style: 'display: flex;', id: 'btn-provider-configuration' %>
<%end%>
and this the javascript I am using
document.getElementById('server_server_provider').addEventListener('change', function() {
document.getElementById('provider-configuration-value').value = this.value;
document.getElementById('btn-provider-configuration').click();
});
and this the controller and I have the view get_provider_configuration.js.erb
def get_provider_configuration
respond_to do |format|
format.js
end
end
But it is sending the form like a normal form, it means it reload the page.
Any help?
well I can see a couple of issues... there may be more. You define data: {turbo: false} on the form... but you seem to want a turbo response, so I'm not sure why you set false. Also, you need to request (i.e. in the form url) a js format, the default will be html.
Instead of setting local: false you need to set remote: true to make the form submit async
| 2,933
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https://stackoverflow.com/questions/6798946
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StackExchange
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Open Web
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CC-By-SA
| 2,011
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Stack Exchange
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Alessandro Capanna, Asraful Islam, Brad Larson, Firoz Khan, Yairish13, https://stackoverflow.com/users/14871748, https://stackoverflow.com/users/14871749, https://stackoverflow.com/users/14871750, https://stackoverflow.com/users/14872487, https://stackoverflow.com/users/19679
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English
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Spoken
| 93
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possible to take picture without launching the front camera in iphone sdk
is possible to take picture without launching the front camera in iphone device
if yes means, give that sample tutorial for refrence.
i want to take picture with front camera . but user will not see the camera screen.
in back end it have to take pictures and save in photo album
possible duplicate of Capture photo without camera view in iOS
Yes, it is possible. Pl. see this link.
In that link, have a look at Generating a Single Image.
| 37,750
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https://shn.wikipedia.org/wiki/%E1%80%95%E1%80%BD%E1%81%B5%E1%80%BA%E1%82%89%E1%80%90%E1%80%B1%E1%82%83%E1%80%B8%E1%81%8A%20%E1%80%9D%E1%80%B5%E1%80%84%E1%80%BA%E1%80%B8
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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ပွၵ်ႉတေႃး၊ ဝဵင်း
|
https://shn.wikipedia.org/w/index.php?title=ပွၵ်ႉတေႃး၊ ဝဵင်း&action=history
|
Shan
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Spoken
| 710
| 13,332
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ဝဵင်းပွၵ်ႉတေႃး ( ; ) ၼႆႉ ပဵၼ်ဝဵင်းပၵ်းလုမ်း ၸႄႈဝဵင်းပွၵ်ႉတေႃး၊ ၸႄႈတွၼ်ႈၸိတ်ႉတူၺ်ႇ၊ ၸႄႈမိူင်းရၶႅင်ႇ၊ မိူင်းမျၢၼ်ႇမႃႇ ယဝ်ႉ။ မီးဝႆႉ ၸဵင်ႇႁွင်ႇဝၼ်းဢွၵ်ႇ ဝဵင်းၸိတ်ႉတူၺ်ႇ ယၢၼ်ႇ 15 လၵ်းသေ မီးဝႆႉတီႈ ၽင်ႇၽၢႆႇဢွၵ်ႇ မႄႈၼမ်ႉၵလတၢၼ်ႇယဝ်ႉ။ ၸႄႈဝဵင်းၼႆႉ တၢင်းၵႂၢင်ႈၶႂၢင် မီး 496 လွၵ်းလၵ်းယဝ်ႉ။ မီးဝႆႉတီႈၼိူဝ် သၢႆတၢင်းၵုင်း သၢႆတၢင်းလိၼ် ဢၼ်လုၵ်ႉၸိတ်ႉတူၺ်ႇ ၵႂႃႇၸူး ဝဵင်းမိၼ်းပျႃးၼၼ်ႉလႄႈ လွင်ႈၵပ်းသိုပ်ႇ သဵၼ်ႈတႃႈသၢႆတၢင်းတႄႉ ပဵၼ်ဢၼ်ၶႅမ်ႉလႅပ်ႈဝႆႉယဝ်ႉ။ တီႈပတ်ႉပိုၼ်ႉၸႄႈဝဵင်းၼႆႉ ဢွၼ်ၵၼ် ၽုၵ်ႇသွမ်ႈ ၶဝ်ႈယဝ်ႉ။ ၸွမ်းလူၺ်ႈ သဵၼ်ႈမၢႆႁူဝ်ႁိူၼ်း ပီ 1953 သေ ႁူဝ်ၼပ်ႉၵူၼ်း မီးမႃး မွၵ်ႈ 2956 ၵေႃႉယဝ်ႉ။
လွင်ႈဝဵင်းပွၵ်ႉတေႃးပေႃႇပဵၼ်မႃး
ဝဵင်းပွၵ်ႉတေႃးၼႆႉ ဢမ်ႇၸႂ်ႈဝဵင်း ဢၼ်မီးမႃး ၸဵမ်မိူဝ်ႈပၢၼ် ၶုၼ်ရၶႅင်ႇၼၼ်ႉသေ ပဵၼ်ဝဵင်း ဢၼ်တိုၵ်ႉႁႃမီးမႃး ပၢၼ်ဢင်းၵိတ်ႉၼၼ်ႉယဝ်ႉ။ ဝၢႆးသေ ႁေႃၶမ်းရၶႅင်ႇ လႆႈတူၵ်းသုမ်းၵႂႃႇ မိူဝ်ႈပီၶရိတ်ႉ (1784) ၼၼ်ႉသေ မိူင်းရၶႅင်ႇပတ်ႉပိုၼ်ႉၼႆႉ လႆႈၶၢမ်ႇတၢမ်ႇၽေးသိုၵ်းသေ ယၢႆႈလဵဝ်ယဝ်ႉ ၽူႈၵွၼ်းဝၢၼ်ႈ ဢူးၸၢၼ်ႇၽျူႇ လႄႈ မႄးၼၢင်းမိမလႃႉ ဢၼ်ယူႇတီႈ ဝၢၼ်ႈယၢၼ်းပျႄးၸိၼ်ႇၶျွင်း၊ ရမ်ႇမႃႇဝတီႇၼၼ်ႉ ၶဝ်တင်းမုင်ႉႁေႃႁိူၼ်း ၶၢႆႉၸူးတီႈထုင်ႉတွင်ႇယိၼ်းၵျုၼ်းမႃးယဝ်ႉ။ မုင်ႉႁေႃႁိူၼ်းၼၼ်ႉ ဢဝ်ၶႅပ်းတႅင်းၵႃး (35) သေၵေႃႈ သိုဝ်ႉဢဝ် ပၢင်ႇပွၵ်ႉတေႃး ဢၼ်ပဵၼ်တီႈ ပႃႇယိူဝ်ႈဝူဝ်းၵႂၢႆး ႁင်း ဢူးမျႃႉၽေႃႇဢွင်ႇ ဢၼ်မီးတီႈႁိမ်းဝၢၼ်ႈ တယွႆးၵျုၼ်း ၼၼ်ႉယဝ်ႉ။ ၸူးလႆႈ ၽဵဝ်ႈသၢင်းလၢင်း တူၼ်ႈယိူဝ်ႈတူၼ်ႈယႃႈ ဢၼ်မီးတီႈၼႂ်း ပၢင်ႇၼၼ်ႉသေ ထိုင် ပီၶရိတ်ႉ (1787) ၼၼ်ႉ လႆႈတႄႇတင်ႈဝၢၼ်ႈယဝ်ႉ။ ၸိုဝ်ႈဝၢၼ်ႈတႄႉ ယွၼ်ႉပိူဝ်ႈမီး တူၼ်ႈပွၵ်ႉ (ပေါက်ပင်ကြီး) လႄႈ ၸူးႁွင်ႉၵိုၵ်းၼၼ်ႉသေ ၸင်ႇႁွင်ႉဝႃႈ တယွႆးပွၵ်ႉတေႃး ဝႃႈၼႆယဝ်ႉ။
ထိုင် ပီၶရိတ်ႉ (1824) ဝၢႆးသေ ဢင်းၵိတ်ႉၶဝ် သိမ်းဢဝ် မိူင်းရၶႅင်ႇယဝ်ႉ ဢၼ်ပဵၼ် ဝၢၼ်ႈတယွႆးပွၵ်ႉတေႃးၼႆႉၵေႃႈ ၽႅဝ်ႁွတ်ႈတႂ်ႈမိုဝ်း ဢင်းၵိတ်ႉၶဝ်ၵႂႃႇယဝ်ႉ။ တီႈႁိမ်းႁွမ်းဝၢၼ်ႈၵျုၼ်းၼႆႉ ယွၼ်ႉပိူဝ်ႈ ၵၢၼ်တေႃႉသူင်ႇ၊ ၵၢၼ်ၵႃႉၶၢႆ၊ ပဵၼ်တီႈလီတွၼ်ႈတႃႇ တႃႈႁိူဝ်းလႄႈ ဝၢႆးၼႆႉ ပဵၼ်ဢၼ်ၵိုၼ်းမႃးသေ ထိုင်ပီ (1890) ၼၼ်ႉ ၶုၼ်ဢင်းၵိတ်ႉၶဝ်ၼႆႉ မၵ်းမၼ်ႈဝၢၼ်ႈၵျုၼ်း ပဵၼ် ဝဵင်းဢၼ် ၽူႈၵွၼ်းၼႃႈလိၼ် ဢုပ်ႉပိူင်ႇသေ (ဝဵင်းပွၵ်ႉတေႃး) ဢၼ်ဝႃႈၼၼ်ႉၵေႃႈ လႆႈပေႃႇပဵၼ်မႃးယူႇယဝ်ႉ။
ဢွင်ႈတီႈ၊ တၢင်းၵႂၢင်ႈၶႂၢင် လႄႈ ႁူဝ်ၼပ်ႉၵူၼ်း
ဝဵင်းပွၵ်ႉတေႃးၼႆႉ မီးဝႆႉတီႈၼႂ်းၵႄႈ လုတ်ႉတီႇတုတ်ႉႁွင်ႇ (20) တီႇၵရီႇ (10) မိတ်ႉၼိတ်ႉ (36) ၸႅတ်ႉၵၢၼ်ႉ၊ လွင်ႇၵျီႇၵျုဢွၵ်ႇ (93) တီႇၵရီႇ (14) မိတ်ႉၼိတ်ႉ (18) ၸႅတ်ႉၵၢၼ်ႉယဝ်ႉ။ ၽၢႆႇႁွင်ႇၸႄႈဝဵင်းၼၼ်ႉ မီးဝႆႉ ၸႄႈဝဵင်းမျွၵ်ႉဢူး၊ ၽၢႆႇၸၢၼ်း မီးဝႆႉ ဢၢဝ်ႇပၢင်ႇလၢႆႇပင်းၵလႃး၊ ၽၢႆႇဢွၵ်ႇမီးဝႆႉ ၸႄႈဝဵင်းမျေႇပူင်ႇ၊ ၽၢႆႇတူၵ်း ဢိူမ်ႈၸပ်းၵၼ်ဝႆႉတင်း ၸႄႈဝဵင်းၸိတ်ႉတူၺ်ႇ ၸိူဝ်းၼႆႉယဝ်ႉ။ တၢင်းၵႂၢင်ႈၶႂၢင် ၸႄႈဝဵင်းပတ်ႉပိုၼ်ႉၼႆႉ မီး 403.74 လွၵ်းလၵ်းယဝ်ႉ။ ၶဝ်ႈပႃးဝႆႉ ပွၵ်ႉ (5) ပွၵ်ႉ၊ ဢိူင်ႇ (53) ဢိူင်ႇ လႄႈ ဝၢၼ်ႈ (178) ဝၢၼ်ႈယဝ်ႉ။ တၢင်းၵႂၢင်ႈၶႂၢင် ဝဵင်းပွၵ်ႉတေႃးၼႆႉ မီး 0.68 လွၵ်းလၵ်းယဝ်ႉ။
ၸွမ်းလူၺ်ႈ သဵၼ်ႈမၢႆ ပီ 1999 သေ ႁူဝ်ၼပ်ႉၵူၼ်းၼိူဝ်ဝဵင်း တီႈ ပွၵ်ႉ (5) ပွၵ်ႉၼႆႉ ၵူၼ်းယူႇသဝ်း မီး 14,094 ၵေႃႉသေ တီႈဝၢၼ်ႈၼႆႉ မီးႁူဝ်ၼပ်ႉၵူၼ်း 123,916 ၵေႃႉယဝ်ႉ။ ႁူဝ်ၼပ်ႉၵူၼ်းႁူမ်ႈၵၼ်တင်း ၸႄႈဝဵင်းၼႆႉ မီးယူႇ 138,010 ၵေႃႉယဝ်ႉ။
ၼႃႈလိၼ် လႄႈ ၵႄးၼမ်ႉ
ၸႄႈဝဵင်းပွၵ်ႉတေႃးၼႆႉ ပဵၼ်ၸႄႈဝဵင်း ဢၼ်ဢိူမ်ႈၸပ်းၸမ်ၵၼ်တင်း ပၢင်ႇလၢႆႇယဝ်ႉ။ မီးဝႆႉတီႈၼိူဝ်သုင် ၼႃႈပၢင်ႇလၢႆႇ (11) ထတ်းယဝ်ႉ။ တီႈၸႄႈဝဵင်းၼႆႉ မီးဝႆႉ ၵုၼ်ၽယူင်ႇၵႃႇ (3)ၵုၼ်၊ ၵုၼ်တွင်ႇယိၼ်း၊ ၵုၼ်ပျႃး၊ ၵုၼ်ဝိၼ်း၊ ၵုၼ်ပျီႇၸူဝ်းၵျီး (ၵုၼ်ပျီႇတူႇၵျီး)၊ ၵုၼ်တလုၼ်ႇတွင်ႇ၊ ၵုၼ်ၸၢႆးတူၵ်ႉ၊ ၵုၼ်ၼၢၼ်းတႅတ်ႉ၊ ၵုၼ်ငပျီႇၼႆသေ ဢဝ်ၵုၼ် (11) ၵုၼ် ၽွတ်ႈႁႅၼ်းဝႆႉယဝ်ႉ။ လိူဝ်သေ ၵုၼ်ၽယူင်ႇၵႃႇ လႄႈ ၵုၼ်တွင်ႇယိၼ်းၼၼ်ႉ ၵုၼ်းၸိူဝ်းဢၼ်ၵိုတ်ႈလိူဝ်ၼၼ်ႉ ပဵၼ် ၵုၼ်ပၢင်ႇၼႃႈလိၼ်ပဵင်းယဝ်ႉ။
တီႈၼႂ်းၵႄႈၵုၼ်ၸိူဝ်းၼၼ်ႉ ၼႂ်းၵႃႈမႄႈၼမ်ႉၵႄးၼမ်ႉ ဢၼ်လႆလူင်းယူႇၼၼ်ႉ မႄႈၼမ်ႉပၸဵင်ႇၵျႃၼႆႉ လႆၶဝ်ႈၼႂ်း ပၢင်ႇလၢႆႇ တီႈပွတ်းၸၢၼ်းယဝ်ႉ။ မႄႈၼမ်ႉၵျွႆးၵူး ဢၼ်လႆလူင်းယူႇတီႈ ၼႂ်းၵၢင်ၵႅၼ်ၸႄႈဝဵင်းၼၼ်ႉ လုၵ်ႉဢဝ် ၽၢႆႇႁွင်ႇ လႆလူင်းၽၢႆႇၸၢၼ်းသေ ၵူၼ်းငွၵ်းၵႂႃႇၸူး ၸဵင်ႇၸၢၼ်းဝၼ်းတူၵ်းယဝ်ႉ ၵႂႃႇႁူမ်ႈၵၼ်တင်း ပၢၵ်ႇမႄႈၼမ်ႉၵိတ်ႉၸ်ပၼတီႇသေ လႆၶဝ်ႈၼႂ်းဢၢဝ်ႇပၢင်ႇလၢႆႇပင်းၵလႃးယဝ်ႉ။
ၵၢၼ်ၽွင်းငမ်း
ဝဵင်းပွၵ်ႉတေႃးလႆႈ လႆႈမၵ်းမၼ်ႈပဵၼ်ဝဵင်း မိူဝ်ႈပီ ၶရိတ်ႉ (1890)တဵမ်ၼၼ်ႉသေ လႆႈတႄႇၵၢၼ်ၽွင်းငမ်းဝဵင်းမႃးယဝ်ႉ။ ပိူင်ၵၢၼ်ၽွင်းငမ်း တင်းၸႄႈဝဵင်းၼႆႉ ပဵၼ် လၢႆးပိူင်ၵၢၼ်ၽွင်းငမ်း ၶုၼ်ဢင်းၵိတ်ႉယဝ်ႉ။
ပၢႆးမၢၵ်ႈမီး
ပၢႆးမၢၵ်ႈမီးပိူင်လူင် တီႈ ၸႄႈဝဵင်းပွၵ်ႉတေႃးၼႆႉ ပဵၼ် လွင်ႈၽုၵ်ႇသွမ်ႈႁဵတ်းဢွၵ်ႇၶဝ်ႈယဝ်ႉ။ ၸွမ်းလူၺ်ႈသဵၼ်ႈမၢႆ ပီ (1998-99) သေ ဢွင်ႈတီႈၽုၵ်ႇသွမ်ႈၶဝ်ႈၶၢဝ်းၽူၼ်ႇၼႆႉ မီးယူႇ (74280) ဢေႇၵယဝ်ႉ။ လိူဝ်သေၼၼ်ႉဢမ်ႇၵႃး ဢွင်ႈတီႈလိၼ်မၢင်ၸိူဝ်းၼႆႉ ၸွမ်းလူၺ်ႈၶၢဝ်းမၼ်းသေ ၽုၵ်ႇသွမ်ႈ ထူဝ်ႇ၊ ငႃး၊ မွၵ်ႇဝၢႆႇဝၼ်း၊ မၢၵ်ႇၽိတ်ႉ၊ ၸိူဝ်းၼႆႉယဝ်ႉ။ ဢၼ်ပဵၼ် ထူၼ်ႈသွင်တႄႉ ယွၼ်ႉပိူဝ်ႈဝႃႈ ၸႄႈဝဵင်းပွၵ်ႉတေႃးၼႆႉ မီးဢိူမ်ႈၸမ်ၵၼ်တင်းပၢင်ႇလၢႆႇလႄႈ ဢၼ်ပဵၼ် ၵၢၼ်ငၢၼ်းလဵင်ႉပူပႃၵုင်ႈၸိူဝ်းၼႆႉၵေႃႈ ႁဵတ်းပဵၼ်ၵၢၼ်ပၢႆးမၢၵ်ႈမီးဢၼ်ၼိုင်ႈယဝ်ႉ။ ၸွမ်းလူၺ်ႈ သဵၼ်ႈမၢႆ ပီ (2000)တဵမ်သေ ဢွင်ႈတီႈလဵင်ႉၵုင်ႈ တီႈ ၸႄႈဝဵင်းပွၵ်ႉတေႃးၼႆႉ မီးယူႇ (17112) ဢေႇၵယဝ်ႉ။ လိူဝ်သေၼၼ်ႉဢမ်ႇၵႃး ၸိူဝ်းပဵၼ်တီႈ ၵုၼ်ၽယူင်ႇၵႃႇ သၢမ်ၵုၼ်ၼၼ်ႉၵေႃႈ ပိုတ်ႇၽုၺ်ႇဝႆႉ ဢွင်ႈတီႈလဵင်ႉပႃသေၵေႃႈ ဢဝ်ပႃၼၼ်ႉ တၢင်ႇသူင်ႇၶၢႆထိုင်မိူင်းၼွၵ်ႈယဝ်ႉ။ ထူၼ်ႈသၢမ်တႄႉ ပဵၼ်ၵၢၼ်ငၢၼ်း ႁုင်ၵိူဝ်ယဝ်ႉ။ ၸွမ်းလူၺ်ႈသဵၼ်ႈမၢႆ (1997-98) သေ တီႈၸႄႈဝဵင်းပတ်ႉပိုၼ်ႉ ဢၼ်ပဵၼ်ဢွင်ႈတီႇ တၢၵ်ႇၵိူဝ်ၼႆႉ မီးယူႇ (738) ဢေႇၵသေ ၼမ်ႉၼၵ်းၵိူဝ် ဢၼ်ဢွၵ်ႇၼႆႉ မီးယူႇ ႁူၵ်းသိပ်းသႅၼ်ၸွႆႉ ၼႆယဝ်ႉ။
လွင်ႈၽႃႇသႃႇၵိူဝ်းယမ်
ၸၢဝ်းၶိူဝ်းၵူၼ်း ဢၼ်ယူႇသဝ်းတီႈၼႂ်း ၸႄႈဝဵင်းပွၵ်ႉတေႃး ၵမ်ႉၼမ်ၼႆႉ ပဵၼ် ၵူၼ်းၶိူဝ်းရၶႅင်ႇသေ ပဵၼ်ၸၢဝ်းပုတ်ႉထၽႃႇသႃႇယဝ်ႉ။ တီႈၸႄႈဝဵင်းၼႆႉ ႁူၼ်ႁၢင်ႈၽြႃးပဵၼ်ၸဝ်ႈ (ဢၼ်တၢင်းသုင်ယႂ်ႇ) မီး (16) သူႇ၊ ၵွင်းမူး (21) သူႇ လႄႈ ၸွမ်းလူၺ်ႈ သဵၼ်ႈမၢႆ ပီ (1999) ၼၼ်ႉသေ ၵျွင်းမုၼ်ၸဝ်ႈ မီး (173) ၵျွင်း၊ ၵျွင်းၼၢႆးၶၢဝ် မီး (3) ၵျွင်း၊ ၸဝ်ႈရႁၢၼ်းသင်ႇၶႃႇ မီး (782) ပႃး၊ ၼၢႆးၶၢဝ် မီး (45) ပႃးၼႆယဝ်ႉ။ ၸိူဝ်းပဵၼ် ၽႃႇသႃႇၵိူဝ်းယမ်တၢင်ႇၸိူဝ်းၵေႃႈ မီးဝႆႉၵျွင်းၽြႃးၶရိတ်ႉယၢၼ်ႇ ၵျွင်းၼိုင်ႈ၊ ပလီမုတ်ႇသလိမ်ႇ မီးယူႇ (28) ဢၼ်ယဝ်ႉ။ ၽြႃးၵွင်းမူး ဢၼ်ၸိုဝ်ႈလိုဝ်းလင်ၼႆႉ ၵွင်းမူးသၢၼ်ႇတေႃႇသျိၼ်ႇ ဢၼ်မီးတီႈ ၵုၼ်မျေႇငူႇ၊ ထၢတ်ႈတေႃႇလၢႆႇယူဝ်း ဢၼ်မီးတီႈ ဝဵင်းပွၵ်ႉတေႃး၊ ၽြႃးလူင်တွင်းၽူး (ႁွင်ႉ) တိလေႃးၵမႃႇရၸဵင်ႇ၊ ၽြႃးၸိူဝ်းမီးၼႂ်းထမ်ႈတွင်ႇၺွင်ႇ လႄႈ ထၢတ်ႈတေႃႇဢူႇမ ဢၼ်မီးတီႈ ၵုၼ်ၵၢင် ၽယူင်ႇၵႃႇၵျုၼ်း၊ ၵွင်းမူးသျိၼ်ႇထီး၊ ထၢတ်ႈတေႃႇမႃႇလႃႇ ၸိူဝ်းၼႆႉယဝ်ႉ။ တီႈၵုၼ်ႇတၢင်ႇၸိူဝ်းၼၼ်ႉၵေႃႈ မီးဝႆႉ ၽြႃးၸိုဝ်ႈသဵင်ယႂ်ႇ လႄႈ ထၢတ်ႈတေႃႇၸိူဝ်းၼႆႉယဝ်ႉ။
ပၢႆးယူႇလီ
ဝဵင်းပွၵ်ႉတေႃးၼႆႉ ယွၼ်ႉပဵၼ်ဝဵင်း ဢၼ်လႆႈတႄႇတင်ႈမႃး မိူဝ်ႈပၢၼ်ဢင်းၵိတ်ႉ ႁူဝ်တီးမၼ်းၼၼ်ႉလႄႈ ဢွင်ႈတီႈယူတ်ႉယႃ ဢၼ်ၵဵဝ်ႇလူၺ်ႈ ပၢႆးယူႇလီၼၼ်ႉ မိူဝ်ႈၸဝ်ႉၸဝ်ႉၼၼ်ႉတႄႉ ဢမ်ႇပႆႇလႆႈႁၼ်။ မိူဝ်ႈဢွၼ်တၢင်းၼႆႉ ၵူၼ်းၸိူဝ်းတီႈ ၸႄႈဝဵင်းၼႆႉ လႆႈၶၢမ်ႇဢဝ်တၢင်းယူတ်ႉယႃတီႈ ပူႇသြႃႇမေႃယႃရၶႅင်ႇၶဝ်မႃးယဝ်ႉ။ ဝၢႆးၼႆႉမႃး တီႈၼိူဝ်ဝဵင်းပွၵ်ႉတေႃးၼႆႉ မီးမႃး ႁွင်ႈယႃႈဢွၼ်ႇဢၼ်ၼိုင်ႈယဝ်ႉ။ ႁွင်ႈယႃၼၼ်ႉ မီးႁိမ်းၸမ် လုမ်း လ.ဝ.ၵ ယၢမ်းလဵဝ်ၼႆႉယဝ်ႉ။ ယူင်ႉသၢင်ႈမၼ်းတႄႉ ပဵၼ်ယူင်ႉသၢင်ႈမႆႉမွင် ဢဝ်ဢုတ်ႇမုင်းယဝ်ႉ။ ၵဵဝ်ႇလူၺ်ႈလွင်ႈယူတ်းယႃသေ မီး ၶွမ်ႇပွင်းတႃ (ၽူႈၸၢပ်ႈယႃႈယႃ) ၵေႃႉၼိုင်ႈ လႄႈ ၵူၼ်းႁဵတ်းၵၢၼ်ၵေႃႉၼိုင်ႈၵူၺ်း။
ဝၢႆးၼႆႉမႃး ဢၼ်ပဵၼ် ႁွင်ႈယူတ်းယႃၼၼ်ႉ လႅၵ်ႈလၢႆႈပဵၼ် ယူင်ႉသၢင်ႈဢုတ်ႇမႃးယဝ်ႉ။ တီႈႁွင်ႈယႃႈၼၼ်ႉ မီးမႃး မေႃယႃၵေႃႉၼိုင်ႈ၊ ၶွမ်ႇပွင်းတႃ ၵေႃႉၼိုင်ႈ၊ ၵူၼ်းႁဵတ်းၵၢၼ်ၵေႃႉၼိုင်ႈယဝ်ႉ။ ထိုင် ပီ (1941) မႃး လုၵ်ႉတီႈ မုင်ႉႁေႃႁိူၼ်း သထေးလူင်ဢူးသူၺ်ႇတႃႇ ဢၼ်ပဵၼ် တႅၼ်းၽွင်း လုမ်းတႅၼ်းၽွင်းတႂ်ႈ မိူင်းမျၢၼ်ႇမႃႇ တီႈဝဵင်းၸိတ်ႉတူၺ်ႇၼၼ်ႉ လႆႈလူႇတၢၼ်း ႁဵတ်းၶႂၢင်ႈဢွင်ႈယူတ်းယႃမႂ်ႇ တီႈတႂ်ႈၼၼ်ႉ ဢၼ်ၼိုင်ႈယဝ်ႉ။ ထိုင် ပီ (1985) မႃး ဢဝ်ငိုၼ်းလူႇတၢင်းၸႄႈဝဵင်းသေ လႆႈၶၢႆႉႁဵတ်း ႁူင်းယႃမႂ်ႇမႃး ႁင်းၵူၺ်းယဝ်ႉ။
ယၢမ်းလဵဝ်တႄႉ တီႈၼိူဝ်ဝဵင်းပွၵ်ႉတေႃးၼႆႉ မီးဝႆႉ ႁူင်းယႃ ဢၼ်ၵူႇၶဝ်ႈ (16) လုၵ်ႈ ႁူင်းၼိုင်ႈ၊ ႁွင်ႈပၢႆးယူႇလီ (5) တီႈ၊ ႁူင်းယႃဢိူင်ႇ (ၵျွင်ႉသွင်ႇ)၊ ႁွင်ႈယႃ မႄႈ လႄႈ လုၵ်ႈဢွၼ်ႇ (1) ဢၼ်ၼႆႉယဝ်ႉ။ လိူဝ်သေၼၼ်ႉဢမ်ႇၵႃး တွၼ်ႈတႃႇယူတ်းယႃပၼ် ၸဝ်ႈသင်ႇၶႃႇၶဝ် ႁင်းၶေႃၼႆသေ လုၵ်ႉတီႈ ၸဝ်ႈသြႃႇလူင် ဢူးၼႃႇရတ ဢၼ်ပဵၼ်ၸဝ်ႈသြႃႇလူင် မျူဝ်ႉမပွၵ်ႉတေႃး ဢွၼ်ႁူဝ်သေ လႆႈႁဵတ်း ႁွင်ႈယူတ်ႉယႃသင်ႇၶႃႇသေ လူႇတၢၼ်းမႃးယဝ်ႉ။ ႁွင်ႈယူတ်းယႃ တွၼ်ႈတႃႇယူတ်းယႃ လုၵ်ႈဢွၼ်ၵေႃႈ ၶိုၼ်းၶႂၢၵ်ႈႁဵတ်းႁိမ်းၼၼ်ႉမႃးယဝ်ႉ။
ပၢႆးပႆႇၺႃႇ
ယွၼ်ႉၵၸႅတ်ႉတီႇယႃႇ ဝဵင်းၸိတ်ႉတူၺ်ႇသေ လႆႈႁူႉဝႃႈ မိူဝ်ႈပၢၼ်ဢင်းၵိတ်ႉၼၼ်ႉ တီႈဝဵင်းပွၵ်ႉတေႃးၼႆႉ မီးမႃး ႁူင်းႁဵၼ်းသွၼ်လိၵ်ႈ ႁူင်းၼိုင်ႈၼႆယဝ်ႉ။ ႁူင်းႁဵၼ်းၼၼ်ႉ မီးဝႆႉတီႈၼိူဝ်ဝဵင်းသေ သွၼ်ပၼ်လႆႈတေႃႇထိုင် ၸၼ်ႉၵၢင် ဝႃႈၼႆယဝ်ႉ။ ဝၢႆးသေၼၼ်ႉ ၶိုၼ်းသိုပ်ႇပိုတ်ႇ ႁူင်းႁဵၼ်းၸၼ်ႉၵၢၼ် တီႈဝၢၼ်ႈတဝိၼ်ႇၶျွင်းၼၼ်ႉယဝ်ႉ။ ၸိူဝ်းပဵၼ်ၼႃႈလိၼ်ၵုၼ်တၢင်ႇၸိူဝ်းၼၼ်ႉတႄႉ ဢမ်ႇမီးႁူင်းႁဵၼ်းလူင်ပွင်ၸိုင်ႈသေ လႆႈပိုင်ႈဢိင် ပၢႆးပႆႇၺႃႇ ႁူင်းႁဵၼ်းၸဝ်ႈမုၼ်သွၼ်မႃးယဝ်ႉ။ ဢွင်ႈတီႈ ႁူင်းႁဵၼ်းၸၼ်ႉၵၼ် ဢွၼ်တၢင်းသုတ်း ႁင်း ဝဵင်းပွၵ်ႉတေႃးၼႆႉ ပဵၼ် ဢွင်ႈတီႈ ဢ.ထ.ၵ ယၢမ်းလဵဝ်ၼႆႉယူႇယဝ်ႉ။ မိူဝ်ႈၽွင်းၼၼ်ႉ ႁူင်းႁဵၼ်းၼႆႉ ဢဝ်မႆမၢၵ်ႇဢုၼ်၊ ဢဝ်ၽၢၵ်ႈသိုဝ်ႇ၊ ပဵၼ်ယူင်ႉသၢင်ႈ ဢဝ်ၽႃသၢၼ်ၵင်ႈဝႆႉၵူၺ်း။ ဝၢႆးသေ လႆႈလွင်ႈလွတ်ႈလႅဝ်းသဝ်းၶေႃႈယဝ်ႉ ထိုင် ပီ (1953) မႃး လႆႈယႃႉပႅတ်ႈ ယူင်ႉသၢင်ႈႁူင်းႁဵၼ်းၵဝ်ႇၼၼ်ႉသေ ၶိုၼ်းမႄးႁဵတ်း ႁူင်းႁဵၼ်းဢုတ်ႇသွင်ၸၼ်ႉယဝ်ႉ။ ၽွင်းမိူဝ်ႈ ၵေႃႇသၢင်ႈႁူင်းႁဵၼ်းမႂ်ႇၼၼ်ႉ လႆႈၶၢႆႉၵႂႃႇတီႈ ႁူင်းထမ်း ၸူဝ်ႈၶၢဝ်း (ယၢမ်းလဵဝ် ပဵၼ်ၽၢႆႇဢေးၸေႇတီႇ ဝဵင်းပွၵ်ႉတေႃး) ၼၼ်ႉသေ သွၼ်ႁဵၼ်းမႃးယဝ်ႉ။ ထိုင် ပီ (1975) ၼၼ်ႉ လႆႈယုၵ်ႉဢဝ် ႁူင်းႁဵၼ်းၸၼ်ႉၵၢင် ၶိုၼ်ႈပဵၼ် ႁူင်းႁဵၼ်းၸၼ်ႉသုင်မႃးယဝ်ႉ။ ယၢမ်းလဵဝ်တႄႉ တီႈဝဵင်းပွၵ်ႉတေႃးၼႆႉ ႁူင်းႁဵၼ်းၸၼ်ႉသုင် မီး (2) ႁူင်း၊ ႁူင်းႁဵၼ်းၸၼ်ႉၵၢင ် (8) ႁူင်း၊ ႁူင်းႁဵၼ်းၸၼ်ႉငဝ်ႈ မီး (137) ႁူင်းယဝ်ႉ။
ၵၢၼ်ၵေႃႇသၢင်ႈ ၼႂ်းဝဵင်း
ၵၢၼ်ၵေႃႇသၢင်ႈၼႂ်းဝဵင်းၼႆႉ တိူဝ်းၶိုၼ်ႈယႂ်ႇမႃးလိူဝ်သေ မိူဝ်ႈဢွၼ်တၢင်းယဝ်ႉ။ မိူဝ်ႈၵူႈပွၵ်ႈတႄႉ သဵၼ်ႈတၢင်းၵူၼ်းပႆႇၼႆႉ ပဵၼ်သဵၼ်ႈတၢင်း မၢၵ်ႇႁိၼ်ၵျၢမ်းယဝ်ႉ။ မိူဝ်ႈပီ (1990-91) ၼၼ်ႉ လူင်ပွင်ၸိုင်ႈ လႆႈဢဝ် ငိုၼ်း (10) သႅၼ် ၵမ်ႉထႅမ်ပၼ် ၵၢၼ်ၵေႃႇသၢင်ႈၼႂ်းဝဵင်း၊ ပီ (1991-92) ၼၼ်ႉ လႆႈၶႂၢင်းပၼ် တႃႇ (23) သႅၼ်လႄႈ လႆႈဢဝ်ငိုၼ်းၸိူဝ်းၼၼ်ႉသေ သိုဝ်ႉတၢင်းၶွၼ်ႇၶရိတ်ႉ တီႈ သဵၼ်ႈတၢင်းဢူးဢူၵ်ႉတမ၊ သဵၼ်ႈတၢင်းမိၼ်းၸေႃးမုၼ်ႇ၊ လႆႈႁဵတ်းႁွင်ႈၼမ်ႉ တီႈ သဵၼ်ႈတၢင်းဢူးမျႃႉဝႃႇ မႃးယဝ်ႉ။ ဝၢႆးသေၼၼ်ႉ လုၵ်ႉတီႈၸုမ်းဝဵင်းမူၼ်းၵူၼ်းၵိုၼ်းလႆႈၶႂၢင်းပၼ်ငိုၼ်းသေ လႆႈသိုဝ်တၢင်းယၢင် တီႈ သဵၼ်ႈတၢင်းဢူးဢူၵ်ႉတမ (2800) ထတ်း၊ တီႈသဵၼ်ႈတၢင်း မိၼ်းၸေႃးမုၼ်ႇ (910) ထတ်း၊ တီႈသဵၼ်ႈတၢင်း ပူဝ်ႇၶျိၼ်းပျၢၼ်ႇ (790) ထတ်းၸိူဝ်းၼႆႉယဝ်ႉ။
တီႈဝဵင်းပွၵ်ႉတေႃးၼႆႉ မိူဝ်ႈဢွၼ်တၢင်း မီးလွင်ႈတၢင်းယၢပ်ႇၽိုတ်ႇလူၺ်ႈ ၼမ်ႉၵိၼ် ၼမ်ႉၸႂ်ႉတိုဝ်းယဝ်ႉ။ ထိုင် ပီ (1990) တဵမ်ၼၼ်ႉ ဢဝ် ႁဵင်းငိုၼ်းၵူၼ်းမိူင်း (6.5) သႅၼ်၊ ငိုၼ်းလူင်ပွင်ၸိုင်ႈသႂ်ႇပၼ် (15.5) သႅၼ်သေၵေႃႈ လႆႈၵေႃႇသၢင်ႈ ၽၢႆဢိုတ်းၽၢႆႇလဵဝ်ၼၼ်ႉယဝ်ႉ။ ထိုင်ပီ (1995-96) မႃး ဢဝ် ငိုၼ်းဢၼ်လူင်ပွင်ၸိုင်ႈ ၶႂၢင်းပၼ် (20) သေၵေႃႈ လႆႈသိုဝ်ႉဢဝ် လွတ်ႇၽီႇဝီႇၸီႇ ဢၼ်မီးႁူၵ်းၼိဝ်ႉၼၼ်ႉ တႃႇ (400) သေၵေႃႈ လုၵ်ႉဢဝ်တီႈ ၽၢႆႇၼၼ်ႉသေ ၵၢႆႇဢဝ်ၼမ်ႉပၼ်ၼႂ်းဝဵင်းမႃးယဝ်ႉ။ လွတ်ႇဢၼ်မီးတၢင်းၵႂၢင်ႈ 3 ၼိဝ်ႉၼၼ်ႉၵေႃႈ ၶိုၼ်းဢဝ်လၢႆးပိုင်ႈတူဝ်ၵဝ်ႇ သိုဝ်ႉဢဝ်သေ လႆႈၶိုၼ်းၵၢႆႇႁႂ်ႈပေႃး ႁွတ်ႈထိုင်ၼႂ်းဝၢင်းယဝ်ႉ။ ယဝ်ႉၵေႃႈ လႆႈႁဵၼ်း ၼွင်ဢုတ်ႇ (6) လုၵ်ႈ တီႈၼႂ်းဝဵင်း ဢၼ်ၼမ်ႉၸၢင်ႈၶဝ်ႈ (200) ၵႃႇလၢၼ်ႇၼၼ်ႉယဝ်ႉ။
ၽိုၼ်ဢိင်
ၸႄႈမိူင်းၼႂ်းမိူင်းမျၢၼ်ႇမႃႇ
ဝဵင်းၸိူဝ်းမီးၼႂ်း မိူင်းမျၢၼ်ႇမႃႇ
ဝဵင်းၸိူဝ်းမီးၼႂ်း ၸႄႈမိူင်းရၶႅင်ႇ
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https://sv.wikipedia.org/wiki/Indian%20Standard%20Time
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Indian Standard Time
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https://sv.wikipedia.org/w/index.php?title=Indian Standard Time&action=history
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Indian Standard Time (IST) är tidszonen som används i Indien och har en tidsskillnad på UTC+5:30. Indien tillämpar ingen sommartid.
Tidszoner
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https://fr.wikipedia.org/wiki/Parler%20berlinois
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Parler berlinois
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https://fr.wikipedia.org/w/index.php?title=Parler berlinois&action=history
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French
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Le parler berlinois (en ou Berlinerisch) est la forme de l'allemand parlé dans la région métropolitaine de Berlin-Brandebourg. D'un point de vue linguistique, il ne s'agit pas d'un dialecte, mais d'un « métrolecte », une variante locale du moyen-allemand oriental qui a dépassé le bas allemand initialement parlé dans la marche de Brandebourg.
Famille linguistique
linguistique
liste de langues
langues par famille
langues indo-européennes
langues germaniques
Langues germaniques occidentales
Haut allemand
Moyen allemand
Moyen-allemand oriental
Parler berlinois
Exemples de parler berlinois
Voir aussi
Articles connexes
Bérolinisme
Parler parisien
Français montréalais
Cockney
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Culture à Berlin
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https://uk.wikipedia.org/wiki/%D0%A2%D1%80%D0%BE%D1%97%D0%BB%20%D1%96%20%D0%9A%D1%80%D0%B5%D1%81%D1%81%D1%96%D0%B4%D0%B0
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Троїл і Крессіда
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«Троїл і Крессіда» () — трагедія англійського письменника Вільяма Шекспіра, написана приблизно 1602 року.
Драма основана на давньогрецькому циклі міфів про Троянську війну. В центрі сюжету — історія кохання сина царя Пріама Троїла й дочки троянського жерця Калхаса Крессіди.
Дійові особи
Пріам — цар троянський
Пріамові сини:
Гектор
Троїл
Паріс
Деїфоб
Гелен
Маргарелон — Пріамів нешлюбний син
Троянські ватажки:
Еней
Антенор
Калхас — троянський жрець, перекинчик до греків
Пандар — Крессідин дядько
Агамемнон — грецький полководець
Менелай — його брат
Грецькі ватажки:
Ахілл
Аякс
Улісс
Нестор
Діомед
Патрокл
Терсіт — потворний і безсоромний грек
Олександр — Крессідин слуга
Слуга Троїлів
Слуга Парісів
Слуга Діомедів
Єлена — Менелаєва дружина
Андромаха — Гекторова дружина
Кассандра — Пріамова дочка, пророчиця
Крессіда — Калхасова дочка
Троянські та грецькі воїни та слуги
Діється в Трої та у грецькому таборі під містом.
Українські переклади
Перший переклад п'єси українською мовою був здійснений Пантелеймоном Кулішем, і він входить до першого тому його перекладів з Шекспіра, виданого 1881 р. у Львові. Інший переклад, який надруковано в шеститомному зібранні творів Шекспіра видавництва «Дніпро», зробив Микола Лукаш.
Посилання
Troilus and Cressida — текст англійською на сайті Проект «Гутенберг»
Твори в шести томах. Том 4. Троїл і Крессіда пер. М. Лукаша 331—436 с.
Трагедії Шекспіра
П'єси XVII століття
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https://stackoverflow.com/questions/13731080
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Jump to point in timeline from url
I have a web site that is going to link to a new web page built in Flash. The main site will have links pointing to that one flash page throughout. Depending on where you are in the site I'd like to open that flash at different points in the timeline. Is that something that can be done, and if so, how should I go about doing it?
Thanks, Mark
You'll need to pass a var to the call of the webpage that will then pass it on to the .swf as a flashVar. It will require a little js/jquery to create the page correctly and that dynamically loads the .swf.
In the swf, you'll have to have a function that takes the flashVar, i.e. 'frameNum=40' and it will call gotoAndStop(frameNum);
What parts do you want specific help with?
It is possible, but you should have access to Flash source file.
Check out this article on Adobe's devnet: http://www.adobe.com/jp/devnet/flash/articles/deep_linking.html
General approach is the same as Gone3d said:
You add a callback-method in flash-source.
You access a swf
object with javascript and call its callback-method.
also see this answer
It looks like SWFObject allows me to do what I need. I found this tutorial.
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Stack Exchange
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Apoorv Chauhan, JB Nizet, Jagruti Dhagawkar, Prabhavith, Purushottam, Ruslan Baybekov, UltraInstinct, chandaka raju, https://stackoverflow.com/users/1210818, https://stackoverflow.com/users/21217187, https://stackoverflow.com/users/21217188, https://stackoverflow.com/users/21217189, https://stackoverflow.com/users/21217997, https://stackoverflow.com/users/227884, https://stackoverflow.com/users/571407, https://stackoverflow.com/users/997102
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English
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Spoken
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Problems in transmitting a List<> Object over a socket
I dont know why but suddenly i am facing problems in sending and receiving a List over a TCP socket, initially I was successful in doing so. Here is my transfer code:
Sender:
List<String> A = ....;
ObjectOutputStream out = new ObjectOutputStream(soc.getOutputStream());
System.out.println("Wrinting the answers");
out.writeObject(A);
System.out.println("Wrote the answers, now reading the flag");
I am getting the SOP correctly, however the reciever goes into waiting state:
ObjectInputStream in = new ObjectInputStream(soc.getInputStream());
ls = (List<String>)in.readObject();
System.out.println("Recieved the list of results");
Here I am not getting the SOP and the receiver continues to be in waiting state.
To add: I was successful in transfering the List previously, but then I made a few changes here and there and now dont know what is the problem. I actually intend to transfer another List<> too, but I will try that only when I get the solution to the first problem! Thanks for your answer..
try to convert list object to Object type and send
A list is an Object. There's nothing to convert.
You have the SOP working fine, because the data you write is buffered. You should call out.flush() once you are done writing object(s).
Try this:
ObjectOutputStream out = new ObjectOutputStream(soc.getOutputStream());
System.out.println("Wrinting the answers");
out.writeObject(A);
out.flush(); // flush the stream!
System.out.println("Wrote the answers, now reading the flag");
i had tried to flush, still not i am getting the same result.
| 4,679
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https://uk.wikipedia.org/wiki/%D0%9C%D0%B0%D0%B9%D1%8F%20%D0%94%D1%96%D1%80%D0%B0%D0%B4%D0%BE
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Майя Дірадо
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https://uk.wikipedia.org/w/index.php?title=Майя Дірадо&action=history
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Ukrainian
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Spoken
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Майя Дірадо (, 5 квітня 1993, Сан-Франциско, Каліфорнія, США) — американська плавчиня, дворазова олімпійська чемпіонка, срібна та бронзова призерка Олімпійських ігор 2016 року, чемпіонка світу.
Виступи на Олімпійських іграх
Посилання
Профіль на сайті FINA
Профіль на сайті usaswimming
Плавчині США
олімпійські чемпіони США
срібні олімпійські медалісти США
бронзові олімпійські медалісти США
Олімпійські чемпіони з плавання
Чемпіони літніх Олімпійських ігор 2016
Срібні призери літніх Олімпійських ігор 2016
Бронзові призери літніх Олімпійських ігор 2016
Плавці та плавчині на літніх Олімпійських іграх 2016
Чемпіони світу з плавання
Бронзові олімпійські медалісти з плавання
Срібні олімпійські медалісти з плавання
Уродженці Сан-Франциско
Призери з плавання чемпіонатів світу з водних видів спорту
Призери Універсіад з плавання
Спортсмени з Каліфорнії
Плавчині батерфляєм
Плавчині вільним стилем
Спортсмени Сан-Франциско
Олімпійські плавці та плавчині США
| 44,987
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https://ar.wikipedia.org/wiki/%D9%84%D8%A7%D9%8A%D8%AF%20%D8%AA%D9%88%20%D8%B1%D8%B3%D8%AA%20%28%D9%81%D9%8A%D9%84%D9%85%29
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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لايد تو رست (فيلم)
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https://ar.wikipedia.org/w/index.php?title=لايد تو رست (فيلم)&action=history
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Arabic
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Spoken
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لايد تو رست فيلم رعب تم انتاجه في الولايات المتحدة وصدر سنة 2009، من بطولة توماس ديكر، نيك برينسيب ولينا هيدي.
القصة
فتاة تستيقظ من النوم لتجد نفسها محبوسة في نعش مع وجود جرح في رأسها، وقد تعرضت لفقدان ذاكرة، مع مرور الوقت تكتشف أنها ضحية لقاتل متسلسل مختل، قام بخطفها وحبسها، تحاول قضاء ليلتها والخروج من هذا المأزق، لكن هذا الشخص المختل لا يترك لها الفرصة، ويزيد الأمر صعوبة استخدامه للعديد من الوسائل التكنولوجية المعقدة.
مراجع
وصلات خارجية
لايد تو رست على imdb
لايد تو رست على rotten tomatos
لايد تو رست على allmovies
أفلام باللغة الإنجليزية في عقد 2000
أفلام أمريكية
أفلام أمريكية في عقد 2000
أفلام أمريكية مستقلة
أفلام إنتاج 2009
أفلام باللغة الإنجليزية
أفلام تقطيع أمريكية
أفلام تقع أحداثها في ألاباما
أفلام رعب إنتاج 2009
أفلام عن دعارة في الولايات المتحدة
أفلام عن فقدان الذاكرة
أفلام مستقلة 2009
أفلام مستقلة عقد 2000
أفلام مصورة في ميريلاند
أفلام مطاردة أمريكية
| 17,724
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https://stackoverflow.com/questions/6776421
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StackExchange
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Open Web
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CC-By-SA
| 2,011
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Stack Exchange
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Ahmed Shawky, Anthony, Josh Milthorpe, Milad Barshahi, Roman Orlovsky, S N O O P Y, Samba Chinta, forzagreen, https://stackoverflow.com/users/14818585, https://stackoverflow.com/users/14818586, https://stackoverflow.com/users/14818587, https://stackoverflow.com/users/14819449, https://stackoverflow.com/users/14831978, https://stackoverflow.com/users/1743950, https://stackoverflow.com/users/18182629, https://stackoverflow.com/users/2293756, https://stackoverflow.com/users/27905, https://stackoverflow.com/users/3495031, https://stackoverflow.com/users/592817, https://stackoverflow.com/users/8395964, nitind, tonihauptq, tsohr, user8395964
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English
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Spoken
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Display the Tomcat Manager Application?
using this tutorial http://www.eclipse.org/birt/phoenix/deploy/viewerSetup.php#install_viewer
And it tells me to display the Tomcat manager application through this link http://localhost:8080/manager/html.
However when I click it I get an error from my browser saying it could not connect. Why is this? How exactly does one display the Tomcat Manager Application
First check you are looking in the good $CATALINA_BASE and $CATALINA_HOME, then make sure your have the manager folder in your $CATALINA_BASE/webapps/.
See: https://stackoverflow.com/a/47717619/3495031
If you are launching tomcat from within Eclipse (using the webtools tomcat server adapter) you will have to make sure you have changed the settings to use the installation directory to launch instead of the default which uses a separate location for loading and deploying webapps. So just having the manager in your webapps in the tomcat installation wont be enough to see the manager since by default tomcat launched by Eclipse doesn't look for apps in the webapps folder.
Just make sure that catalina.base and catalina.home point to the tomcat installation directory
how do I set catalina.base and catalina.home?
In Eclipse Luna, in the Servers view, open your Tomcat server (double-click to open). Under 'Server Locations', select 'Use Tomcat installation (takes control of Tomcat installation)'.
I solved that problem by setting up the server management in Eclipse to take control of the Tomcat installation, which has the manager enabled. This thread explains how to do it:
Tomcat started in Eclipse but unable to connect to http://localhost:8085/
Anyway I have the console at the address you mentioned:
localhost:8080/manager/html
in Tomcat 7.
this should simply be a community wiki (as it's basically just a referral) and an accepted answer.
Below things worked for me on fresh installation of apache-tomcat-7.0.63 -
Please make changes to below files and restart the server using %CATALINA_HOME%\bin>catalina.bat start and then try -
http://localhost:8080/manager/html
1) configured variables - CATALINA_HOME and CATALINA_BASE
2) created manager.xml file inside %CATALINA_HOME%\conf\Catalina\localhost
please paste below lines into manager.xml file -
<Context privileged="true" antiResourceLocking="false"
docBase="${catalina.home}/webapps/manager">
<Valve className="org.apache.catalina.valves.RemoteAddrValve"
allow="127\.0\.0\.1" />
</Context>
3) modified %CATALINA_HOME%\conf\tomcat-users.xml file
please paste below lines into tomcat-users.xml file
<role rolename="manager-gui"/>
<role rolename="manager-script"/>
<role rolename="manager-jmx"/>
<role rolename="manager-status"/>
<role rolename="admin-gui"/>
<role rolename="admin-script"/>
<user username="admin" password="admin" roles="manager-gui,manager-script,manager-jmx,manager-status,admin-gui,admin-script"/>
4) modified %CATALINA_HOME%\conf\server.xml
Search this line '<Engine name="Catalina" defaultHost="localhost">' and add below line after that -
<Realm className="org.apache.catalina.realm.MemoryRealm" />
thumbs up this comprehensive instruction: eclipse_workspace\.metadata\.plugins\org.eclipse.wst.server.core\tmp0\conf\Catalina\localhost\manager.xml was the key in my case
Make sure you activated the manager app and created a user that has access to it. For details see the documentation to your Tomcat-Version (e.g. for Tomcat 7: http://tomcat.apache.org/tomcat-7.0-doc/manager-howto.html )
Hey this issue just took me a lot of time to fix, so my tips would be (if it's relevant to others that view this page as well):
Use command line commands (set CATALINA_HOME etc..) instead of changing it through control panel enviroment variables.
When people use %.....% it means give the path to the folder of this variable, except the folder which you are at in command promplt. For example if you are in C:\ in command line and someone tells you to do %CATALINA_HOME%\bin, assuming for example the path for CATALINA_HOME is C:\Program Files, it means write in command line: Pragram Files\bin (excluding C:).
Could have saved me a lot of time.
Right Click On Apache Tomcat
Select Open
Go to Server Locations Tab
Select use tomcat installation
Goto the installation directory
Edit apache-tomcat-8.0/conf/tomcat-users.xml
Add the below users in the xml file
<role rolename="tomcat"/>
<role rolename="manager-gui"/>
<role rolename="manager"/>
<user username="tomcat" password="tomcat" roles="tomcat"/>
<user username="tomcat" password="tomcat" roles="tomcat,manager-gui,manager"/>
Copy tomcat-user.xml file in eclipse workspace server's tomcat directory
Now open tomcat manager page http://localhost:/manager/html/
Use username and password tomcat and manager page will open on your browser
If you want to keep using the workspace metadata for you Eclipse Tomcat instance, here's how you can get the manager webapp to work.
The base configuration instructions can be found in Apache Tomcat 7 Manager App HOW-TO.
In your Servers IDE project, the <server name>-config\server.xml file should have the following nested entries:
...
<Service name="Catalina">
...
<Engine defaultHost="localhost" name="Catalina">
...
<Host appBase="webapps" autoDeploy="true" name="localhost" unpackWARs="true">
...
Open your Eclipse workspace metadata, where the Tomcat instance folders are published, i.e.:
<your-workspace-dir>\.metadata\.plugins\org.eclipse.wst.server.core\tmp<n>
there, inside the conf\ folder create a new folder named Catalina (derived from <Engine ... name="Catalina"> above), inside this folder create another one named localhost (derived from <Host ... name="localhost" ...> above) and in this last one edit a file named manager.xml with the content as per the linked docs:
<Context privileged="true" antiResourceLocking="false"
docBase="${catalina.home}/webapps/manager">
<Valve className="org.apache.catalina.valves.RemoteAddrValve"
allow="127\.0\.0\.1" />
</Context>
Now publish and start the server instance, the manager will be deployed along side the other webapps you have added — for me it is the last one being deployed.
Tested with Tomcat 7, but I guess it would work for any Tomcat version that supports that linked configuration.
Side note
Do not create the above mentioned folders and files inside the configuration stored in the Eclipse Servers project, they won't be published in the org.eclipse.wst.server.core\tmp<n>\conf directory.
You know, that sounds like a worthwhile feature request.
| 36,940
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https://fr.wikipedia.org/wiki/Liste%20des%20cardinaux%20cr%C3%A9%C3%A9s%20par%20Cl%C3%A9ment%20X
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Liste des cardinaux créés par Clément X
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https://fr.wikipedia.org/w/index.php?title=Liste des cardinaux créés par Clément X&action=history
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French
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Spoken
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Le pape Clément X (1670-1676) a créé 20 cardinaux dans 6 consistoires, dont 2 français, 1 allemand, 1 autrichien et 1 anglais.
22 décembre 1670
Federico Borromeo
Camillo Massimi
Gaspare Carpegna
24 août 1671
Bernhard Gustave von Baden-Durlach
César d'Estrées
Johann Eberhard Nidhard
22 février 1672
Pierre de Bonzi
Vincenzo Maria Orsini (futur pape Benoît XIII)
16 janvier 1673
Felice Rospigliosi
12 juin 1673
Francesco Nerli
Girolamo Gastaldi
Girolamo Casanate
Federico Baldeschi Colonna
Pietro Basadonna
27 mai 1675
Galeazzo Marescotti
Alessandro Crescenzi
Bernardino Rocci
Fabrizio Spada
Mario Alberizzi
Philip Thomas Howard of Norfolk
Voir aussi
Liste des cardinaux créés au XVIIe siècle
Clement 10
| 8,268
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https://fr.wikipedia.org/wiki/Panorama%20du%20Caire
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Wikipedia
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Open Web
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CC-By-SA
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Panorama du Caire
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https://fr.wikipedia.org/w/index.php?title=Panorama du Caire&action=history
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French
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Spoken
| 1,065
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Le Panorama du Caire, exactement intitulé Le Caire et les rives du Nil (1881), est une vaste toile panoramique circulaire, aujourd'hui perdue, peinte par l'artiste peintre belge Émile Wauters (1846-1933).
Genèse de la toile
En 1880, la mode est aux panoramas. Une société commerciale belgo-autrichienne présentant au public ces gigantesques toiles passe commande à Émile Wauters du Panorama de la bataille de Custozza, une œuvre destinée à être exposée à Vienne, en Autriche. Mais Wauters refuse la commande, de crainte de heurter la susceptibilité de l'Italie (les deux pays ont des rivalités territoriales). Se remémorant son voyage de 1869 en Égypte, il propose de concevoir un autre panorama plus pittoresque avec comme sujet la ville du Caire.
Le prince héritier de l’Empire austro-hongrois, l'archiduc Rodolphe se rendant justement en Égypte, Wauters, accompagné de son frère Alphonse, est convié au voyage afin de réaliser un panorama relatant cette visite.
À noter que l'archiduc se fiance en 1880 avec la princesse Stéphanie de Belgique et l'épouse l'année suivante.
Réalisation du panorama
Émile Wauters reste deux mois en Égypte, où il peint quelque et accumule des documents sur ce pays. De retour en Belgique, avec l'aide de quelques amis et élèves dont Jean Degreef, il réalise en 1880 et 1881 en moins d'un an son immense panorama de 114 mètres de longueur et 14 mètres de hauteur intitulé Le Caire et les rives du Nil. Le motif officiel en est éclipsé et sa toile montre un pays enchanteur avec sa lumière, sa vie et son mouvement.
Les Établissements Mommen de Saint-Josse-ten-Noode fournissent la toile et le matériel pour la réalisation du Panorama.
Villes hôtes du panorama
Ce vaste panorama, connu sous le nom de Panorama du Caire, est exposé à Vienne en 1882 pour l'inauguration d'une nouvelle rotonde, puis, toujours avec un grand succès, à Munich puis La Haye en 1887 et 1888.
En 1895, la rotonde viennoise est victime d'un incendie. Le panorama est alors ramené en Belgique et laissé dans un entrepôt de Molenbeek-Saint-Jean.
Il est finalement acquis par un mécène, le baron Cavens, et offert à l'État belge en 1896 afin d'être installé au parc du Cinquantenaire à Bruxelles dans un pavillon mauresque en forme de mosquée spécialement construit par Ernest Van Humbeeck pour l'abriter. La toile sera ainsi une pièce maîtresse de l'exposition universelle de 1897.
Vicissitudes de la toile
Bien que construit pour durer et devenir une annexe des musées royaux des Arts décoratifs et industriels, le bâtiment trop humide est bientôt fermé au public et laissé à l'abandon. Le Panorama du Caire se dégrade alors rapidement. Alfred Bastien, qui avait élaboré et peint le Panorama de la bataille de l'Yser en 1919-1920 dans cette même rotonde, est chargé de la restauration vers 1923. Bastien doit repeindre complètement certaines parties, dont la quasi-totalité du ciel. Le pavillon est à nouveau ouvert au public, mais bien vite l'humidité fait à nouveau des ravages. De plus, le gouvernement se déclarant incapable de rémunérer un gardien, la toile est à nouveau laissée à l'abandon. Émile Wauters éprouve une rancœur tenace envers le gouvernement, coupable de négligence envers son œuvre. En 1950, Bastien est chargé de la même opération, la verrière de la rotonde ayant été endommagée durant la Seconde Guerre mondiale. En 1963, elle ferme une nouvelle fois au public.
En 1967, à la suite d'une visite officielle du roi Fayçal ben Abdelaziz Al Saoud d'Arabie saoudite, le bâtiment est confié à la communauté musulmane. Ouvert à tous les vents, le bâtiment souffrait d'un relatif abandon.
En 1970, l'œuvre de Wauters subit des dommages dus à des coups de couteau. Puis, des vandales s'amusent à détacher la toile pour la faire tomber au sol, tentant même, mais sans y parvenir, d'y bouter le feu avec de l'essence.
Le musée Art et Histoire décide alors de la retirer, en 1970 ou 1971.
Selon une note trouvée dans les archives du musée, le panorama aurait été découpé en morceaux, formant six rouleaux. Ils sont entreposés dans les réserves du musée, d'où ils auraient mystérieusement disparu au milieu des années 1980. Malgré leur taille énorme, ils deviennent par la suite introuvables. En réalité, l'œuvre était déjà perdue dès le début des années 1970. Victime de l'humidité, vandalisée, en partie brûlée, sans compter la moisissure, il ne doit donc plus en rester grand-chose, même si des collections privées en conservent des fragments.
En 1975, la rotonde du Cinquantenaire est rénovée par l'architecte tunisien Mongi Boubaker, qui la transforme afin d'accueillir le Centre islamique et culturel et la Grande Mosquée de Bruxelles, inaugurés en 1978 (voir ce dernier article pour l'histoire de la rotonde).
En décembre 2020, un fragment de 1,15 sur 4,3 mètres est retrouvé par un antiquaire à Villecroze, dans le Var. Il s'agit du morceau figurant l'attelage de l'archiduc Rodolphe.
Tableaux témoins du Panorama du Caire
De nombreux tableaux de Bastien sont soit des études pour le Panorama, soit des reprises de parties de la toile. Felouques sur le Nil conservée au musée Charlier à Saint-Josse-ten-Noode et Le Caire près du pont de Kasr-el-Nil, une toile de peinte en 1881 et conservée au Musée des beaux-arts d'Anvers en sont deux exemples.
À noter qu'un petit musée accolé à la rotonde accueillait à l'origine une autre toile d'Émile Wauters, Sobieski devant Vienne.
Bibliographie
Lucien Solvay, Notice sur Charles-Émile Wauters, in: Annuaire de l'Académie royale des Sciences, des Lettres et des Beaux-Arts de Belgique, 1935, pp. 35-86.
L'orientalisme et l'africanisme dans l'art belge . et , catalogue d'exposition, Bruxelles, Galerie CGER, - .
Jacky Marchal, Les Panoramas, Namur : Les Amis de la Citadelle de Namur, 2005.
S. Cartuyvels, Parc du Cinquantenaire. Histoire du parc, étude inédite réalisée pour la Fondation Roi Baudouin, 2003, p. 77.
C. Deltour-Levie et Y. Hanosset, Le Cinquantenaire et son site, coll. Bruxelles, Ville d’Art et d’Histoire, 1, ministère de la Région de Bruxelles-Capitale, service des Monuments et Sites, Bruxelles, 1993, p. 46-47.
E. Hennaut (dir.), Parc du Cinquantenaire, le complexe architectural dans ses relations avec le parc, étude réalisée pour la Fondation Roi Baudouin, archives d’Architecture moderne, 2003, p. 116-119.
Le Cinquantenaire, chronique d’un parc, 1880-1980, Fondation Roi Baudouin, Bruxelles, 1980.
Islamic and cultural center in Brussels / Centre islamique et culturel à Bruxelles, Bruxelles, impr. Weissenbruch sa, 1976.
Notes et références
Liens externes
Tableau d'un peintre belge
Tableau réalisé en 1881
Peinture panoramique
Le Caire
Égypte dans la peinture
Œuvre picturale perdue
Nil
| 33,205
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https://ceb.wikipedia.org/wiki/Round%20Lake%20State%20Wildlife%20Management%20Area
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Wikipedia
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Open Web
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CC-By-SA
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Round Lake State Wildlife Management Area
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https://ceb.wikipedia.org/w/index.php?title=Round Lake State Wildlife Management Area&action=history
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Cebuano
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Spoken
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Ang Round Lake State Wildlife Management Area ngalan niining mga mosunod:
Heyograpiya
Tinipong Bansa
Round Lake State Wildlife Management Area (parke sa Tinipong Bansa, Iowa), Harrison County,
Round Lake State Wildlife Management Area (parke sa Tinipong Bansa, South Dakota), Deuel County,
Pagklaro paghimo ni bot 2017-02
Pagklaro paghimo ni bot Tinipong Bansa
| 10,082
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https://ru.wikipedia.org/wiki/%D0%81%D0%B7%D0%B3%D0%B0%D0%BD%D0%B4
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Ёзганд
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https://ru.wikipedia.org/w/index.php?title=Ёзганд&action=history
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Russian
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Spoken
| 67
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Ёзганд () — сельский населённый пункт () в Сангворском районе РРП Таджикистана. Входит в состав сельской общины (джамоата) Тавильдара. Расстояние от села до центра района и центра джамоата (село Тавильдара) — 7 км. Население — 997 человек (2017 г.), таджики. Население в основном занято сельским хозяйством (животноводство и растениводство). Земли орошаются главным образом водами горных источников.
Расположена на правом берегу реки Обихингоу.
Примечания
Населённые пункты района Сангвор
| 49,409
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https://ru.wikipedia.org/wiki/%D0%94%D0%B6%D0%B0%D0%BD%D0%B4%D0%B6%D0%B3%D0%B0%D0%B2%D0%B0
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Wikipedia
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Open Web
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CC-By-SA
| 2,023
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Джанджгава
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https://ru.wikipedia.org/w/index.php?title=Джанджгава&action=history
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Russian
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Spoken
| 84
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Джанджгава — фамилия. Известные носители:
Джанджгава, Владимир Николаевич (1907—1982) — министр Внутренних дел Грузинской ССР (1954—1958), Герой Советского Союза.
Джанджгава, Гиви Ивлианович (1940—2021) — генеральный директор Раменского приборостроительного конструкторского бюро, лауреат Государственной премии СССР.
Джанджгава, Лаврентий Фомич (после 1938 года — Цанава, Лаврентий Фомич; 1900—1955) — деятель советских органов госбезопаности, нарком/министр госбезопасности Белорусской ССР в 1938—1951 годах.
Джанджгава, Лаша Анзорович (род. 1970) — грузинский шахматист, гроссмейстер.
Джанджгава, Натия (род. 1972) — грузинская шахматистка.
Джанджгава, Татьяна Васильевна (род. 1964) — советская, российская и австрийская гандболистка.
| 24,368
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https://stackoverflow.com/questions/21712463
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StackExchange
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Open Web
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CC-By-SA
| 2,014
|
Stack Exchange
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Egyptian Arabic
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Spoken
| 829
| 2,036
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Search HTML iFrame with Javascript function
I'm writing a website that displays the content of multiple html files in separate iFrames. I am hoping to integrate a search bar that searches the content of each iFrame and highlights the results (one at a time).
Right now I am using a script from http://www.dynamicdrive.com/dynamicindex11/findpage.htm :
/******************************************
* Find In Page Script -- Submitted/revised by Alan Koontz (alankoontz@REMOVETHISyahoo.com)
* Visit Dynamic Drive (http://www.dynamicdrive.com/) for full source code
* This notice must stay intact for use
******************************************/
// revised by Alan Koontz -- May 2003
var TRange = null;
var dupeRange = null;
var TestRange = null;
var win = null;
// SELECTED BROWSER SNIFFER COMPONENTS DOCUMENTED AT
// http://www.mozilla.org/docs/web-developer/sniffer/browser_type.html
var nom = navigator.appName.toLowerCase();
var agt = navigator.userAgent.toLowerCase();
var is_major = parseInt(navigator.appVersion);
var is_minor = parseFloat(navigator.appVersion);
var is_ie = (agt.indexOf("msie") != -1);
var is_ie4up = (is_ie && (is_major >= 4));
var is_not_moz = (agt.indexOf('netscape')!=-1)
var is_nav = (nom.indexOf('netscape')!=-1);
var is_nav4 = (is_nav && (is_major == 4));
var is_mac = (agt.indexOf("mac")!=-1);
var is_gecko = (agt.indexOf('gecko') != -1);
var is_opera = (agt.indexOf("opera") != -1);
// GECKO REVISION
var is_rev=0
if (is_gecko) {
temp = agt.split("rv:")
is_rev = parseFloat(temp[1])
}
// USE THE FOLLOWING VARIABLE TO CONFIGURE FRAMES TO SEARCH
// (SELF OR CHILD FRAME)
// If you want to search another frame, change from "self" to
// the name of the target frame:
// e.g., var frametosearch = 'main'
//var frametosearch = 'main';
var frametosearch = self;
function search(whichform, whichframe) {
// TEST FOR IE5 FOR MAC (NO DOCUMENTATION)
if (is_ie4up && is_mac) return;
// TEST FOR NAV 6 (NO DOCUMENTATION)
if (is_gecko && (is_rev <1)) return;
// TEST FOR Opera (NO DOCUMENTATION)
if (is_opera) return;
// INITIALIZATIONS FOR FIND-IN-PAGE SEARCHES
if(whichform.findthis.value!=null && whichform.findthis.value!='') {
str = whichform.findthis.value;
win = whichframe;
var frameval=false;
if(win!=self)
{
frameval=true; // this will enable Nav7 to search child frame
win = parent.frames[whichframe];
// win = document.getElementsByName('index');
}
}
else return; // i.e., no search string was entered
var strFound;
// NAVIGATOR 4 SPECIFIC CODE
if(is_nav4 && (is_minor < 5)) {
strFound=win.find(str); // case insensitive, forward search by default
// There are 3 arguments available:
// searchString: type string and it's the item to be searched
// caseSensitive: boolean -- is search case sensitive?
// backwards: boolean --should we also search backwards?
// strFound=win.find(str, false, false) is the explicit
// version of the above
// The Mac version of Nav4 has wrapAround, but
// cannot be specified in JS
}
// NAVIGATOR 7 and Mozilla rev 1+ SPECIFIC CODE (WILL NOT WORK WITH NAVIGATOR 6)
if (is_gecko && (is_rev >= 1)) {
if(frameval!=false) win.focus(); // force search in specified child frame
strFound=win.find(str, false, false, true, false, frameval, false);
// The following statement enables reversion of focus
// back to the search box after each search event
// allowing the user to press the ENTER key instead
// of clicking the search button to continue search.
// Note: tends to be buggy in Mozilla as of 1.3.1
// (see www.mozilla.org) so is excluded from users
// of that browser.
if (is_not_moz) whichform.findthis.focus();
// There are 7 arguments available:
// searchString: type string and it's the item to be searched
// caseSensitive: boolean -- is search case sensitive?
// backwards: boolean --should we also search backwards?
// wrapAround: boolean -- should we wrap the search?
// wholeWord: boolean: should we search only for whole words
// searchInFrames: boolean -- should we search in frames?
// showDialog: boolean -- should we show the Find Dialog?
}
if (is_ie4up) {
// EXPLORER-SPECIFIC CODE revised 5/21/03
if (TRange!=null) {
TestRange=win.document.body.createTextRange();
if (dupeRange.inRange(TestRange)) {
TRange.collapse(false);
strFound=TRange.findText(str);
if (strFound) {
//the following line added by Mike and Susan Keenan, 7 June 2003
win.document.body.scrollTop = win.document.body.scrollTop + TRange.offsetTop;
TRange.select();
}
}
else {
TRange=win.document.body.createTextRange();
TRange.collapse(false);
strFound=TRange.findText(str);
if (strFound) {
//the following line added by Mike and Susan Keenan, 7 June 2003
win.document.body.scrollTop = TRange.offsetTop;
TRange.select();
}
}
}
if (TRange==null || strFound==0) {
TRange=win.document.body.createTextRange();
dupeRange = TRange.duplicate();
strFound=TRange.findText(str);
if (strFound) {
//the following line added by Mike and Susan Keenan, 7 June 2003
win.document.body.scrollTop = TRange.offsetTop;
TRange.select();
}
}
}
if (!strFound) alert ("String '"+str+"' not found!") // string not found
}
// -->
</script>
<!-- EXAMPLE FORM OF FIND-IN-PAGE SEARCH USING SUBMIT (ALLOWING 'ENTER/RETURN' KEY PRESS EVENT) -->
<form name="form1" onSubmit="search(document.form1, frametosearch); return false"><input type="text" name="findthis" size="15" title="Press 'ALT s' after clicking submit to repeatedly search page"> <input type="submit" value="Find in Page" ACCESSKEY="s"></form>
Every time I press search, a pop-up is displayed that says the string cannot be found. I thought the error was due to naming however the iFrame to be searched is named "frametosearch". Are the lack of results due using iFrames rather than Frames?
Edit: I have also tried naming my iFrame as "index" and have changed "var frametosearch=self" in the script to all denominations of "index", including index, 'index', and "index" to no avail. I've also tried changing the onSubmit for the search bar to "search(document.form1, index)" and have had no luck
| 49,230
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|
https://en.wikipedia.org/wiki/List%20of%20palaces%20in%20France
|
Wikipedia
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Open Web
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CC-By-SA
| 2,023
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List of palaces in France
|
https://en.wikipedia.org/w/index.php?title=List of palaces in France&action=history
|
English
|
Spoken
| 480
| 867
|
France has many palaces throughout its vast territory. The list is incomplete.
Paris
Conciergerie, site of the first royal palace, now part of the Palais de Justice
Grand Palais, site of the Universal Exposition of 1900
Hôtel de Matignon, official residence of the Prime Minister
Hôtel de Sully
Hôtel Lambert
Palais Bourbon, home of the French National Assembly
Palais Brongniart, location of the Paris Bourse (stock exchange)
Palais de l'Elysée, presidential palace of France from 1848 to 1852, 1874–1940, and then from 1946 until now
Palais de la Cité, also simply known as le Palais, first royal palace of France, from before 1000 until 1363; now the seat of the courts of justice of Paris and of the Court of Cassation (the supreme court of France)
Palais de la Légion d'honneur
Palais du Louvre, second royal palace of France, from 1364 until 1789; now the Louvre Museum
Palais du Luxembourg, home of the French Senate
Palais Royal, originally the home of Richelieu, it became a royal palace when the young King Louis XIV, his mother Anne of Austria, and Mazarin moved in; later belonged to the dukes of Orléans; now the seat of the Conseil d'État and of the Ministry of Culture
Palais des Tuileries, third royal/imperial palace of France, 1789–1792, 1804–1848, 1852–1870, destroyed in 1871
Petit Palais, home of the Paris Museum of Fine Arts (Musée de Beaux Arts)
Versailles
Château de Versailles, former main residence of the French royal family
Grand Trianon
Petit Trianon
Île-de-France
Château de Bagatelle, Neuilly-sur-Seine
Château de Chantilly, Chantilly
Château de Compiègne
Château d'Écouen, Écouen
Château de Fontainebleau, former royal residence in Fontainebleau
Château de La Roche-Guyon, La Roche-Guyon
Château de Maisons-Laffitte
Château de Rambouillet, presidential summer residence in Rambouillet
Château de Saint-Cloud
Château de Saint-Germain-en-Laye
Château de Sceaux
Château de Vaux-le-Vicomte
Château de Vincennes
Elsewhere
Château d'Amboise
Château d'Anet
Château d'Angers
Château d'Azay-le-Rideau
Château de Blois
Château de Brézé
Château de Cayx, Cahors, a residence of the Danish Royal Family
Château de Chambord
Château de Châteaudun
Château de Châteauneuf
Château de Chantilly
Château de Chaumont
Château de Chenonceau
Château de Cheverny
Château de Commercy
Château de Condé
Château de Dissay
Château d'Ételan
Château de Lunéville
Château de Montbéliard
Château de la Mothe-Chandeniers
Château de Nexon
Château de Pierrefonds
Château de la Rivière Bourdet
Château de Saumur
Château de Talcy
Château de Valençay
Château de Villandry
Château de Vitré
Château de Saumur
Château des ducs de Savoie
Château de Sully-sur-Loire
Château d'Ussé
Palais des ducs et des États de Bourgogne, Dijon (palace of the famous dukes of Burgundy)
Palais des Papes, Avignon (palace of the popes in the Middle Ages)
Palace of the Kings of Majorca, Perpignan
Palais des rois de Navarre, Pau (palace of the kings of Navarre)
Palais ducal de Nancy, Nancy (palace of the dukes of Lorraine)
Palais ducal de Nevers, Nevers (palace of the dukes of Nevers)
References
France
Palaces
| 30,615
|
https://stackoverflow.com/questions/11066823
|
StackExchange
|
Open Web
|
CC-By-SA
| 2,012
|
Stack Exchange
|
Onkelborg, Pacerier, RonLugge, https://stackoverflow.com/users/210865, https://stackoverflow.com/users/251961, https://stackoverflow.com/users/439778, https://stackoverflow.com/users/479134, https://stackoverflow.com/users/632951, lucideer, paddotk
|
English
|
Spoken
| 559
| 858
|
Margin and Padding of <Body> Tag
I am writing a very simple HTML code which is listed below. Written in notepad and opening in IE-8 and Firefox (OS: Window Vista).
<html>
<body>
<table border="1"><tr><td>test</td></tr></table>
</body>
</html>
There is nothing special in the above code, It is creating some space from top left corner.
Which can be easily removed by using the following code
<body style="margin:0; padding:0">
Now i have find out the default margin and padding, which is 4 for Firefox and different for IE-8.
<body style="margin:4; padding:4">
I have some question on this scenario.
Why this value is 4?
From where this value is coming, is it saved somewhere?
Can we modify (configurable) this default value?
How these values are different for browsers?
Thanks.
In at least Firefox, it's always 8px for me. Both from the left as well as from the top.
@poepje, Yea firefox seems to follow http://www.w3.org/TR/CSS2/sample.html
First of all, it's probably 4px and not 4. Second, that's just the way the browser vendor decided should be the default.
It is saved in the default browser stylesheets.
You can, but you shouldn't. It differs with each browser. Google it! How do I change default stylesheet on <insert browser here>?
There probably are slight differences, you should be able to tell... by looking at the default stylesheets :)
That difference is one of the main reasons we as designers use a CSS reset, to normalize all of the CSS awkwardness that follows different browser implementations.
Worth mentioning - changing a browser's behaviour isn't the solution to anything
A small note on 3.: That would be only good if the page is intended just for personal use. If it's published on the web and others would get to see the page, they would have the 4/8px margin and thus see a slightly different page than intended.
Browsers have built-in "sane defaults" for the CSS of most HTML elements - this just prevents your page looking completely unreadable if you have pure HTML without CSS, but they are of course intended to be overridden by your own CSS.
The default browser styles are typically referred to as a "User Agent Style Sheet" - the following site is a good reference of the various peculiar UA sheets IE has had over the years and also provides ones for other browsers at the bottom:
http://www.iecss.com/
One method a lot of people use to "normalise" the defaults so you have the same starting point in all browsers is a "CSS Reset" - this is just a snippet of CSS that you place before your own CSS that sets all of the UA styles to the same thing. This is a well known one:
http://necolas.github.com/normalize.css/
Do you have sources to default styles of other major browsers like Chrome and FireFox?
See the bottom of the page on http://www.iecss.com/ - however this answer is 2 years old, I'm not sure how often that website is updated.
Try this
body{
line-height: 0
}
Add this on top of your stylesheet
*{margin:0px;padding:0px;}
This eliminated all differences in padding and margin across browsers.
This is a horrible approach, as the * select will select everything. And as a consequence, can be considered more specific than other values you may attempt to set elsewhere. Not to mention removing 'sane' defaults you might not realize you rely on.
| 22,604
|
https://en.wikipedia.org/wiki/Krasava%20Point
|
Wikipedia
|
Open Web
|
CC-By-SA
| 2,023
|
Krasava Point
|
https://en.wikipedia.org/w/index.php?title=Krasava Point&action=history
|
English
|
Spoken
| 156
| 283
|
Krasava Point (, ‘Nos Krasava’ \'nos kra-'sa-va\) is the point on the southeast side of the entrance to Finaeus Cove on the northeast coast of Magnier Peninsula, Graham Coast on the Antarctic Peninsula. It is formed by an offshoot of Orbel Peak.
The feature is named after the settlement of Krasava in Western Bulgaria.
Location
Krasava Point is located at , which is 3.8 km southeast of Vartop Point and 7 km south of Eijkman Point. British mapping in 1971.
Maps
British Antarctic Territory. Scale 1:200000 topographic map. DOS 610 Series, Sheet W 65 64. Directorate of Overseas Surveys, Tolworth, UK, 1971.
Antarctic Digital Database (ADD). Scale 1:250000 topographic map of Antarctica. Scientific Committee on Antarctic Research (SCAR), 1993–2016.
References
Krasava Point. SCAR Composite Antarctic Gazetteer.
Bulgarian Antarctic Gazetteer. Antarctic Place-names Commission. (details in Bulgarian, basic data in English)
External links
Krasava Point. Copernix satellite image
Bulgaria and the Antarctic
Headlands of Graham Land
Graham Coast
| 36,492
|
https://stackoverflow.com/questions/39212362
|
StackExchange
|
Open Web
|
CC-By-SA
| 2,016
|
Stack Exchange
|
Andy Ray, Gabriel H, Peter, Quentin, https://stackoverflow.com/users/1146499, https://stackoverflow.com/users/1588485, https://stackoverflow.com/users/19068, https://stackoverflow.com/users/743464
|
English
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Spoken
| 539
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how to run react using only javascript
Is it possible to run react "out of the box" with use of javascript only?
basically what i look for is a way to use react using nothing more than notepad to write the page. (no install and cofigure node etc..)
in more detail-
1) is there a standard built in replacement for node's statements such as -
require('react-dom');
require('MyExampleComponent');
etc...
2) a way to use jsx using an imported library or a replacment method, without the need to compile the jsx files into different js files.
here is an example of what i want to achieve:
<!DOCTYPE html>
<html lang="en">
<head>
<meta charset="UTF-8">
[import more required libraries if such exist]
<script type="text/javascript" src="1.js">
</script>
<title>Title</title>
</head>
<body id="app">
</body>
</html>
1.js:
*[import script function]* ('react.js');
*[import script function]*('react-dom.js');
var testJsx=<h1>test</h1>;
ReactDOM.render(testJsx,document.getElementById("app"));
Are you sure nothing happens? I'd expect the console to report Uncaught ReferenceError: importScripts is not defined
var testJsx=<h1>test</h1>; is not valid Javascript, it's JSX. You either need to include browser.js (like in the "external resources" of this JSFiddle) https://jsfiddle.net/reactjs/69z2wepo/ or use React.DOM.h1('test'); instead;
@Quentin true but not what i'm gunning at, Please take a look at the edited question.
Do you just want to avoid using babel? Since you were using JSX, I don't think you can avoid Babel. But if you just want to have a minimal version of script to test out react, here it is.
<!DOCTYPE html>
<html lang="en">
<head>
<script src="https://cdnjs.cloudflare.com/ajax/libs/babel-core/5.8.34/browser.min.js"></script>
<script src="https://cdnjs.cloudflare.com/ajax/libs/react/15.3.0/react.min.js"></script>
<script src="https://cdnjs.cloudflare.com/ajax/libs/react/15.3.0/react-dom.min.js"></script>
</head>
<body id="app">
<script type="text/babel">
ReactDOM.render(<h1>test</h1>,document.getElementById("app"));
</script>
</body>
</html>
thats pretty much what im looking for, is there a way to make that work from within js files?
Yeah, i think only need to move anything between <script type="text/babel"> and </script> to a file, and add src attribute, like <script type="text/babel" src="path-to-your-js">
it does work, which leads to the final question - is there a built in replacement for node's export and require that i can use so i'll be able to use multiple component files that build on one another?
In the above case, you include <script src="https://cdnjs.cloudflare.com/ajax/libs/react/15.3.0/react-dom.min.js"></script>, then you have access to an object ReactDOM. Similarly, you are going to include many <script type="text/babel" src="path-to-your-babel-js"> in your html, and each of them would export something to the global. You just need to use them in your javascript file, no need to "require".
Unfortunatlly i already tried that , for some reason it doesnt work. for example if i have 2 js files - 1.js contains var MyComponent=React.createClass({
render:function (){
return test component;
}
}); and 2.js that contains var MyComponent1=React.createClass({
render:function (){
"use strict";
return ;
}
})
ReactDOM.render(,document.getElementById("app")); the html that will use them both declare that myComponent is not defined
The importScripts function is part of the Web Worker API and does not work the way you are trying to use it.
Besides that, the following line contains JSX:
var testJsx=<h1>test</h1>;
To use JSX, you need to include a compile step into your build process that turns it into valid JavaScript. Browsers cannot natively process JSX.
i know, i edited the question to reflect what i want to understand. basiclly is there a way to import scripts without node , and a way to use jsx
| 45,493
|
https://bjn.wikipedia.org/wiki/Daptar%20kabupatin%20wan%20kuta%20di%20Kalimantan%20Timur
|
Wikipedia
|
Open Web
|
CC-By-SA
| 2,023
|
Daptar kabupatin wan kuta di Kalimantan Timur
|
https://bjn.wikipedia.org/w/index.php?title=Daptar kabupatin wan kuta di Kalimantan Timur&action=history
|
Banjar
|
Spoken
| 9
| 22
|
Ngini adalah daptar kabupatin wan kuta di Kalimantan Timur.
| 32,727
|
https://tex.stackexchange.com/questions/226716
|
StackExchange
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Open Web
|
CC-By-SA
| 2,015
|
Stack Exchange
|
Andrew Swann, Steven B. Segletes, https://tex.stackexchange.com/users/15925, https://tex.stackexchange.com/users/18982, https://tex.stackexchange.com/users/25858, jja
|
English
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Spoken
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Scoping \raggedbottom to a single page
How does one define a single page to be \raggedbottom? Or, for completion's sake, \flushbottom?
Background
In a comment to a related answer, Ben Lerner provided the following snippet of code to declare a single page to be \raggedbottom:
\def\oneraggedpage{\raggedbottom\afterpage{\flushbottom}}
When I tried this, it did not work as expected: instead of making a single page \raggedbottom it made the entire document. Besides, even if this is made to work) this way of doing things assumes that the default state (into which the document needs to return after the page is shipped out) is \flushbottom, which may or may not be the case (cf. \ensuremath).
So the question is, what is the best way to scope the effects of \raggedbottom (or some such) to a single page?
(Apologies for no MWE, but it's difficult to come up with one in this case)
Sample case
If it helps to think about how this could be useful, think of writing a paper in which the references go in an additional page at the end. By default, the last page can be ragged even without \raggedbottom. But if the last page will have the references, the "final page" of the document itself would be the page before the references.
Maybe in this case (the actual case that motivated me) the changes can be integrated into the bibliography's environment?
Can't \clearpage just be used to create a single ragged-bottomed page?
@StevenB.Segletes \clearpage requires knowing the exact break point.
@Andrew. Yes, but if one wants just one page ragged, one is doing it with an "intention in mind". Given the intentionality of the whole thing, one can intentionally place the \clearpage with equal effectiveness, in just about all cases of which I can think.
Hmm, yeah, I see the point. But it's easier if you don't need to know the exact place where the page should end, as long as you know that you are in the right page. Still, that's a good point.
\afterpage groups its argument, and as \flushbuttom doesn't set its values globally they are lost. You need a "global" variant of \flushbottom:
\documentclass{article}
\usepackage{afterpage}
\usepackage{lipsum}
\begin{document}
\flushbottom
\lipsum[1-2]
\pagebreak
\raggedbottom\lipsum[1-2]
\makeatletter
\afterpage{\global\let\@textbottom\relax \global\let\@texttop\relax}
\pagebreak\lipsum[1-2]
\pagebreak abc
\end{document}
Nice! And Andrew's answer takes care of reading the current state. However, since that was really more of a cherry-on-top kind of problem, I'll accept this as the answer.
Excellent - of course it is the scoping issue...
Updated \global added before \let in \afterpage as explained in Ulrike Fischer's answer. Without that the code below does not work as intended - \raggedbottom is applied to two consecutive pages not one. Thanks to StevenB.Segletes for pointing this out.
Here is a version capturing the current setting, assuming the bottom alignment is achieved purely by adjusting \@textbottom and \@texttop. This is true in standard LaTeX, and in the memoir class. It does not quite capture memoirs \sloppybottom though.
\documentclass{article}
\usepackage{afterpage}
\usepackage{lipsum}
\makeatletter
\newcommand{\oneraggedpage}{\let\mytextbottom\@textbottom
\let\mytexttop\@texttop
\raggedbottom
\afterpage{%
\global\let\@textbottom\mytextbottom
\global\let\@texttop\mytexttop}}
\begin{document}
\flushbottom
%\raggedbottom
\lipsum[1-6]
\vspace{1ex plus 30ex}
\vrule height 10cm
\vspace{1ex plus 30ex}
\oneraggedpage
\lipsum[7]
\vspace{1ex plus 30ex}
\vrule height 10cm
\vspace{1ex plus 30ex}
\lipsum[8-20]
\end{document}
What am I missing? When I compile, it appears pages 2 AND 3 are ragged.
@StevenB.Segletes Your are perfectly right - looking at the result of \showoutput page 3 is ragged too and then we get flush after that. I'll leave this here for the moment as example of code that doesn't work - but isn't as drastically wrong as the poster was expecting.
I didn't know how \raggedbottom and \flushbottom worked. :) However, as informative as it is, there is that problem Steven Segletes pointed out.
Combining this with Ulrike's \global\lets it works as expected. :)
| 45,307
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https://stackoverflow.com/questions/5069225
|
StackExchange
|
Open Web
|
CC-By-SA
| 2,011
|
Stack Exchange
|
Anselm1109, Armstrong Nigere, Francisco Sanchez, doen sky, https://stackoverflow.com/users/10782778, https://stackoverflow.com/users/10782779, https://stackoverflow.com/users/10782780, https://stackoverflow.com/users/10797236, https://stackoverflow.com/users/11115487, mzymk3
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| 398
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Specflow / Watin page checking
We are just getting started writing acceptance tests using specflow and watin. We are trying to iron out some common practices as we go along.
What is a good way to check if a user is on a specific page? For example - user x performs action y, they should be redirected to page z. What is the preferred way to test they are on page z? We have tried things like checking the URL, page title, page heading, etc...
They all work, but what is the most reliable?
I'd see two cases here.
First is some action is fired and you want to sure it does a redirect to the correct page. In this case I'd think the Url is the best the check as it is unique and reasonably robust to change.
Second is where you have navigated (GoTo'd) a page and want to check you're there. Again the Url is good but you might want to check on some known text so you know the page has loaded successfully too (or even a check that the it does not contain 'error'). I'd typically store text values in a resource file and give name them for what they are, e.g. HomePageLoadedText = "Welcome back Bob". Imho it makes them more explicit and should they fail it is more readable.
The most technically correct way I have done this in the past is that we had a unique page identifier in each page. For our system it was there for support purposes on an internal application "Can you look at the bottom left corner and tell me what page you are on". If your developers were to implement something similar that could be tuned on in test that would be the best way.
If that is not possible (and it probably isn't in a lot of cases) you need to find a way to uniquely identify the page you are on. URL's are supposed to be globally unique, so that is probably a good way, except that does not confirm that the correct page is being shown for a given URL.
Generally this type of testing isn't really necessary if you are interacting with components on the page that you navigated to, as if you are not on the correct page, then your test will fail when you try to do something.
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