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Fitzwilliam-museum-images

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media-983177017
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-983177017
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object-178876
https://data.fitzmuseum.cam.ac.uk/id/object/178876
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https://data.fitzmuseum.…1969_79r_dc1.jpg
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4,304
3,480
Illuminated manuscript. Book of Hours. Use of Rome. Production Place: Italy, Florence. Parchment, gold, i parchment flyleaf + 205 fols. + i parchment flyleaf, 120 x 90 mm (70 x 50 mm), 13 long lines, ruled in brown ink, leaf lost before fol. 120, fol. 147 is a modern replacement of the lost original leaf. BINDING: nineteenth century, red velvet over pasteboards. Circa 1460 to circa 1470. CONTENTS fols. 1r-12v Calendar. fols. 14r-78r Hours of the Virgin. fols. 78v-115r Hours of the Passion. fols. 115v-119v Short Hours of the Cross. fols. 120r-146r Penitential Psalms (begin imperfectly) and Litany. fols. 147r-205r Office of the Dead (begins imperfectly). DECORATION: Full-page framed miniature with full floral border containing putti, birds, spraywork with gold dots and a medallion with the arms of the Bari family (in chief a label of Anjou, gules of four and three fleur-de-lis or): fol. 13r Hours of the Virgin, Annunciation. Four historiated initials in blue or pink with acanthus extensions on gold grounds and full or partial floral borders containing birds, putti and spraywrok with gold dots: fol. 14r Hours of the Virgin, Matins, [D, 9 ll.] Virgin and Child, with full border containing a deer, putti, birds and two angels supporting a medallion with the arms of the Del Caccia family (in chief a label of Anjou, or a lion’s gamp gules); fol. 79r Hours of the Passion, [D, 7 ll.] Bust of Christ as the man of Sorrows, with three-sided border; fol. 115v Short Hours of the Cross, [A, 6 ll.] Gold cross against blue sky, with three-sided border; Office of the Dead, [D, 7 ll.] Half-length skeleton holding a scroll inscribed MEMENTO MORTIS ET IN ETERNVM NPE. ORNAMENTATION: Pink or blue initials [4 ll.] with foliate infill on gold grounds and acanthus extensions forming one-sided borders and terminating in gold balls; alternate red and blue penwork initials [4 ll.] with reserved ornament and violet or red pen-flourished infill and extensions; alternate red and blue one-line penwork initials.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
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media-98327458
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https://data.fitzmuseum.cam.ac.uk/id/image/media-98327458
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object-110684
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https://data.fitzmuseum.…07_kly25_mas.jpg
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https://data.fitzmuseum.…07_kly25_mas.jpg
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4,671
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Textiles. Band sampler. Rixton, Mary (English). The sampler comprises 20 horizontal bands which contain alphabets, repeat border patterns (several of which are incomplete), numerals, and the inscription ' Iohn Rixton Ellen Rixton Iosjah Rixton, Ellen Rixton/ Love the Lord and he will be a tender father unto the/If all mankind would live in mutual love/This world would much resemble that above/ this work of mine my friends may have/ when i am dead and in my grave/ Mary Rixton worked this sampler in the year 1730'. The bottom band contains detached motifs of a peacock, a strawberry, a crown, a lion and a cross. Linen, embroidered with polychrome silk in cross, eyelet hole, four-sided cross, double running and satin stitch. Length 75.5 cm, width 20.2 cm, 1730.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-98327458
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media-983395559
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https://data.fitzmuseum.cam.ac.uk/id/image/media-983395559
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object-65631
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https://data.fitzmuseum.…05_mdb56_mas.jpg
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https://data.fitzmuseum.…05_mdb56_mas.jpg
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3,874
5,172
Vessel. Cup. I, athlete, A and B, athletes. Production Place: Athens, Greece. Find Spot: Vulci Etruria Italy. Red-figured, clay, height 0.087 m, width 0.288 m, diameter 0.215 m, diameter, interior, 0.103 m. 430 B.C. Classical Greek Period.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-983395559
https://api.fitz.ms/data-distributor/iiif/media-983395559/manifest
media-9834
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9834
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null
null
null
https://data.fitzmuseum.…iew_P_1700_R.jpg
213
250
https://data.fitzmuseum.…p15/P_1700_R.jpg
647
760
null
null
null
null
null
null
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media-983511081
1,529,389,929,000
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https://data.fitzmuseum.cam.ac.uk/id/image/media-983511081
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object-157132
https://data.fitzmuseum.cam.ac.uk/id/object/157132
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https://data.fitzmuseum.…10_amt49_mas.jpg
205
250
https://data.fitzmuseum.…10_amt49_mas.jpg
841
1,024
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3,743
4,556
Liber Studiorum. Martello Towers near Bexhill, Sussex. Turner, Joseph Mallord William (British, 1775-1851). Say, William, printmaker (British, 1768-1834). Etching, mezzotint, 1811. Production Note: State I; Issued in Part VII, published June 1811. Alternative Number: Finberg (Turner); 34.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
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media-983576894
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-983576894
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object-7472
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https://data.fitzmuseum.…_12_1984_mas.jpg
325
250
https://data.fitzmuseum.…_12_1984_mas.jpg
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5,187
3,996
A young man reading. Guercino (Giovanni Francesco Barbieri) studio of (Italian, 1591-1666). Pen and brown ink, brown wash, on paper, height 230 mm, width 186 mm.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-983576894
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media-983608795
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https://data.fitzmuseum.cam.ac.uk/id/image/media-983608795
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object-68850
https://data.fitzmuseum.cam.ac.uk/id/object/68850
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https://data.fitzmuseum.…12_adn21_mas.jpg
188
250
https://data.fitzmuseum.…12_adn21_mas.jpg
768
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/561/886/GR_16_1923_1_201112_adn21_mas.ptif&cvt=jpeg
4,872
6,496
Figure of a Horse, with Stamp on Base. Copper alloy, depth 0.026 m, height 0.089 m, length 0.085 m, circa 760-701 B.C. Field Collection: Sparta, Greece.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-983608795
https://api.fitz.ms/data-distributor/iiif/media-983608795/manifest
media-983666776
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-983666776
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-983666776
object-110005033
https://data.fitzmuseum.cam.ac.uk/id/object/110005033
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https://data.fitzmuseum.…II_105_05_1_.jpg
194
250
https://data.fitzmuseum.…II_105_05_1_.jpg
795
1,024
null
null
null
null
Photograph copyright � The Fitzwilliam Museum, Cambridge
null
null
media-983672699
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-983672699
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-983672699
object-181390
https://data.fitzmuseum.cam.ac.uk/id/object/181390
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-181390
https://data.fitzmuseum.…n_201_9f_mas.jpg
239
250
https://data.fitzmuseum.…n_201_9f_mas.jpg
980
1,024
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3,832
4,003
Illuminated manuscript. Cutting. Initial from an Antiphoner. Production Place: Italy, Bologna. Parchment, 64 x 66 mm, one four-line musical stave ruled in red ink and one line of fragmentary text on reverse, circa 1350 to circa 1375. CONTENTS: On reverse, fragmentary text: […]nes[…]; the initial would have introduced the antiphon at First Vespers for Pentecost, Dum complerentur, or the responsory to the first lesson at Matins, also Dum complerentur. DECORATION: Historiated initial in shell pink on a gold ground: [D] Group of men looking upwards, probably Pentecost.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-983672699
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media-983788799
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-983788799
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object-1195
https://data.fitzmuseum.cam.ac.uk/id/object/1195
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-1195
https://data.fitzmuseum.…_58_1973_mas.jpg
310
250
https://data.fitzmuseum.…_58_1973_mas.jpg
1,270
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/588/4/PD_58_1973_mas.ptif&cvt=jpeg
4,979
4,015
Vase of flowers. Brussel, Paul Theodor van (Dutch, 1754-1795). Oil on panel, height 71.7 cm, width 56.4 cm, 1783.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-983788799
https://api.fitz.ms/data-distributor/iiif/media-983788799/manifest
media-9838
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9838
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null
null
null
https://data.fitzmuseum.…w_PD_30_1978.jpg
193
250
https://data.fitzmuseum.…3/PD_30_1978.jpg
587
760
null
null
null
null
null
null
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media-983867888
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-983867888
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-983867888
object-34599
https://data.fitzmuseum.cam.ac.uk/id/object/34599
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-34599
https://data.fitzmuseum.…_1948_20_mas.jpg
333
250
https://data.fitzmuseum.…_1948_20_mas.jpg
1,365
1,024
null
null
null
The private pleasure of the Kunwar Meghraj Ji, by Lachmi Narain. Bodycolour including white, pen and ink with gold on paper, height 200mm, width 136mm, circa 1678.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-983953454
1,565,598,381,000
1,613,665,239,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-983953454
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object-165056
https://data.fitzmuseum.cam.ac.uk/id/object/165056
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-165056
https://data.fitzmuseum.…11_amt49_dc1.jpg
169
249
https://data.fitzmuseum.…11_amt49_dc1.jpg
694
1,024
null
null
null
Halfpenny token. Wilberforce, William, issuer (inferred). Society for the Suppression of the Slave Trade, issuer, uncertain, York. Production Place: Middlesex. Obverse; AM I NOT A MAN AND A BROTHER; Negro kneeling right in chains, looking upwards with hands clasped in entreaty. Reverse; MAY SLAVERY & OPPRESSION CEASE THROUGHOUT THE WORLD.; Clasped hands. Marginal inscription; edge; YORK BUILT 1223 CATHEDRAL REBUILT AD 1075 +. Copper alloy, milled, width 29.29 mm, height 28.63 mm, weight 9.62 g, c.1787 to c. 1805.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-984058420
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-984058420
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-984058420
object-69021
https://data.fitzmuseum.cam.ac.uk/id/object/69021
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250
https://data.fitzmuseum.…11_amt49_mas.jpg
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5,994
4,468
Vessel/Jug/Chous. Swan drawing cart with choes. Clay, red-figured, height 0.062 m, width 0.05 m, 460 B.C. Production Place: Athens. Classical Period.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-984058420
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media-984079131
1,534,155,117,000
1,617,831,054,000
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object-19064
https://data.fitzmuseum.cam.ac.uk/id/object/19064
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-19064
https://data.fitzmuseum.…A_1933_1_dc1.jpg
119
249
https://data.fitzmuseum.…A_1933_1_dc1.jpg
489
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2,848
5,968
Weapons. Hunting sword with hilt of chased silver. Leather scabbard with silver chape. Unknown production, probably German. Steel sword, cast, with hilt of chased silver, leather scabbard, silver chape, circa 1700-1730. Acquisition Credit: J.S. Henderson Bequest.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-984079131
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media-984089029
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-984089029
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-984089029
object-72500
https://data.fitzmuseum.cam.ac.uk/id/object/72500
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-72500
https://data.fitzmuseum.…11_amt49_dc1.jpg
333
250
https://data.fitzmuseum.…11_amt49_dc1.jpg
1,365
1,024
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4,000
3,000
English Delftware. Punch bowl with three-part cover. Liverpool Factory. The bowl itself rests on a high domed foot and is painted round the outside with a Chinese landscape, with pavilions on rocks, trees and flying birds, below a border of formal foliage; a similar landscape on the foot. Inside, the arms of Liverpool with the motto 'DEUS.NOBIS.HAEC.OTIA.FECIT'; symmetrical scroll ornaments round the side. The lower part of the lid is domed and painted with similar Chinese landscapes below a panelled border; it has in the middle of it a deep depression forming a small bowl which is covered by the second lid; this supports a third small receptacle, also covered by means of the uppermost lid which ends in a bulbous knob (whole lid is a replacement). Both upper lids are painted with Chinese landscapes; the lower one of them is inscribed inside: 'THOMAS BOOTLE ESQUIRE MEMBER OF PARLIAMENT FOR LIVERPOOLE 1724'. Earthenware, thrown in parts, tin-glazed and painted in cobalt blue, height, whole, 59 cm, diameter, bowl, 35.5 cm, dated 1724. Oriental Style.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-984089029
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media-984166469
null
null
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object-216120
https://data.fitzmuseum.cam.ac.uk/id/object/216120
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-216120
https://data.fitzmuseum.…9_sjc288_dc1.jpg
333
250
https://data.fitzmuseum.…9_sjc288_dc1.jpg
1,365
1,024
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3,000
2,250
Figure. The Young Emigrant [sic]. Copeland, England, Staffordshire, Stoke-on-Trent. Inscriptions: title; Front of base; marked; THE YOUNG EMIGRANT. Maker's name; reverse of bust; marked; COPYRIGHT RESERVED. COPELAND. Parian (porcelain), slip-cast, height, 52.3 cm, length, 16.7 cm, width, 15.7 cm, length, base, 15.7 cm. Acquisition Credit: Accepted by H. M. Government in lieu of Inheritance Tax from the estate of G. D. V. Glynn, and allocated to the Fitzwilliam Museum.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-984166469
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media-984282936
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null
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https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-984282936
object-31604
https://data.fitzmuseum.cam.ac.uk/id/object/31604
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https://data.fitzmuseum.…01_kly25_mas.jpg
333
250
https://data.fitzmuseum.…01_kly25_mas.jpg
1,366
1,024
null
null
null
Album. Botanical Drawings. Passiflora holosericea (Passion Flower). Ehret, Georg Dionysius (German, 1708-1770). Album containing 16 watercolours on vellum bound into an album with quarter morocco, gilt tooled on spine, with marbled boards and end papers. The vellum sheets are interleaved with ones of thick paper and both are gilt-edged. Height, page size, 525 mm, width, page size, 360, mm. 1741.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-984392408
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-984392408
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object-1090
https://data.fitzmuseum.cam.ac.uk/id/object/1090
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https://data.fitzmuseum.…view_509_mas.jpg
349
250
https://data.fitzmuseum.…arge_509_mas.jpg
1,430
1,024
null
null
null
Bust portrait of a man. Backhuysen, Ludolf, attributed to (Dutch, 1631-1708). Oil on copper, height 14.0 cm, width 10.2 cm. Production Note: Formerly ascribed to F. Bol, but seems nearer to L. Backhuijzen, who occasionally painted portraits both in large and in miniature.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-9844
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9844
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null
null
null
https://data.fitzmuseum.…ew_PD_2_1979.jpg
449
250
https://data.fitzmuseum.…p2/PD_2_1979.jpg
760
423
null
null
null
null
null
null
null
media-984444264
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-984444264
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object-11708
https://data.fitzmuseum.cam.ac.uk/id/object/11708
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-11708
https://data.fitzmuseum.…01_amt49_mas.jpg
205
250
https://data.fitzmuseum.…01_amt49_mas.jpg
839
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/639/898/C_729___A_1928_09_201701_amt49_mas.ptif&cvt=jpeg
4,733
5,777
Teaware. Teapot and cover. Wedgwood, Josiah (English, 1730-1795), Staffordshire. Green, Guy, printer (British, act.1756-1799). Globular with leaf-wrapped spout, double entwined handle with rounded foliate terminals and close-fitting circular cover surmounted by a flower finial. Decorated on one side with The Tea Party, on the other with The Shepherd, and on the cover with two floral sprays. Lead-glaze, transfer-printing onglaze. Pale cream-coloured earthenware (Queen's ware) printed onglaze in black. Height, whole, 14.4 cm, length, whole, 21.7 cm, circa 1780. Rococo.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-984444264
https://api.fitz.ms/data-distributor/iiif/media-984444264/manifest
media-984487842
1,529,373,186,000
1,617,822,554,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-984487842
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object-110784
https://data.fitzmuseum.cam.ac.uk/id/object/110784
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-110784
https://data.fitzmuseum.…06_amt49_mas.jpg
308
250
https://data.fitzmuseum.…06_amt49_mas.jpg
1,262
1,024
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6,483
5,261
Embroidery sampler/Border sampler. Cooks, Catherine, West Midlands. A repeating geometric border pattern surrounds the sampler. The main body is divided into two horizontal sections by a repeating floral border pattern. The largest upper section contains a balanced arrangement of detached flowerpots, flowering trees and sprays with central verse ' See Israels gentle shepherd stand/ With all engaging charms/Hark how he calls the tender lambs/ And folds them in his arms/ Permit then to approach he cries/ nor scorn their humble name/ for twas to bless such souls as these/ The lord of angels came.' the lower section contains similar detached motifs arranged symmetrically either side of a large flower spray. Above them the inscription 'Catherine Cooks Work Brierly hill School 1812'. Embroidered with polychrome silks in cross-stitch. All the edges are bound in green silk ribbon. A repeating geometric border pattern surrounds the sampler. Length 42.5 cm, width 32 cm, 1812. English.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-984487842
https://api.fitz.ms/data-distributor/iiif/media-984487842/manifest
media-9845
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null
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null
null
null
https://data.fitzmuseum.…review_2031a.jpg
167
250
https://data.fitzmuseum.…p/pdp2/2031a.jpg
508
760
null
null
null
null
null
null
null
media-984638689
1,529,372,711,000
1,617,822,402,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-984638689
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object-110712
https://data.fitzmuseum.cam.ac.uk/id/object/110712
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-110712
https://data.fitzmuseum.…07_kly25_mas.jpg
301
250
https://data.fitzmuseum.…07_kly25_mas.jpg
1,235
1,024
null
null
null
Map sampler. Seaton, Ann, English. Lines of double backstitch in three colours frame a map sampler of England and Wales. The counties and main towns are marked, as are the neighbouring parts of Ireland, Scotland, France and the Channel Isles. A compass point is worked to the lower left of the map and a very worn inscription on the bottom right reads 'Ann Seaton Lincoln 1790'. Embroidered with polychrome wool threads in cross, double back and satin stitch. The bottom edge is raw; the other edges are turned under. Length 52 cm, width 47.75 cm, 1790.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-9847
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9847
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null
null
null
https://data.fitzmuseum.…review_2032B.jpg
197
250
https://data.fitzmuseum.…p/pdp2/2032B.jpg
599
760
null
null
null
null
null
null
null
media-9848
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9848
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null
null
null
https://data.fitzmuseum.…review_2032D.jpg
376
250
https://data.fitzmuseum.…/pdp13/2032D.jpg
760
505
null
null
null
null
null
null
null
media-9849
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9849
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9849
null
null
null
https://data.fitzmuseum.…review_2032E.jpg
390
250
https://data.fitzmuseum.…/pdp13/2032E.jpg
760
487
null
null
null
null
null
null
null
media-984963162
1,529,286,925,000
1,617,819,620,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-984963162
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-984963162
object-31224
https://data.fitzmuseum.cam.ac.uk/id/object/31224
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-31224
https://data.fitzmuseum.…004_fitz_mas.jpg
333
250
https://data.fitzmuseum.…004_fitz_mas.jpg
1,365
1,024
null
null
null
Sculpture/Figure. A full length figure of a woman, representing 'Glory' supported on a high pedestal. Baratta, Giovanni (the Younger), sculptor, (Italian, 1670-1747, Florence). Carrara white marble, carved in the round; on grey veined marble pedestal, with black marble cartouche, height, plinth, 132.0 in, height, figure, 217.2 cm, height, whole, 335.5 cm, circa 1715, possibly completed earlier than 1715. Baroque. Production Note: The inscription on the black marble is not the original as devised by James Brydges, first Duke of Chandos (1784-1744) which read: GLORIA MARLBURI, LAURO TUA TEMPORA CINGIT/DIVA LUBENS QUORSIUM? PAR DECUS INDE REFERT.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-9850
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9850
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9850
null
null
null
https://data.fitzmuseum.…review_2032J.jpg
174
250
https://data.fitzmuseum.…/pdp13/2032J.jpg
529
760
null
null
null
null
null
null
null
media-985062501
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-985062501
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-985062501
object-7938
https://data.fitzmuseum.cam.ac.uk/id/object/7938
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-7938
https://data.fitzmuseum.…_32_1959_mas.jpg
200
250
https://data.fitzmuseum.…_32_1959_mas.jpg
817
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/592/656/PD_32_1959_mas.ptif&cvt=jpeg
3,991
5,000
Two donkeys and a goat in a landscape. Tiepolo, Giovanni Domenico (Italian, 1727-1804). Pen and dark brown ink, dark brown wash on paper, height 192 mm, width 282 mm.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-985062501
https://api.fitz.ms/data-distributor/iiif/media-985062501/manifest
media-985067398
1,537,063,514,000
1,617,832,676,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-985067398
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-985067398
object-67843
https://data.fitzmuseum.cam.ac.uk/id/object/67843
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-67843
https://data.fitzmuseum.…04_amt49_mas.jpg
346
250
https://data.fitzmuseum.…04_amt49_mas.jpg
1,418
1,024
null
null
null
Figure/Figurine of a warrior in a helmet. Find Spot: Perugia, Italy. Production Place: Etruria. Bronze, depth 0.005 m, height 0.062 m, width 0.029 m, 500 B.C.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-9851
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9851
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null
null
null
https://data.fitzmuseum.…preview_2057.jpg
190
249
https://data.fitzmuseum.…p/pdp13/2057.jpg
579
760
null
null
null
null
null
null
null
media-985131069
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-985131069
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-985131069
object-239842
https://data.fitzmuseum.cam.ac.uk/id/object/239842
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-239842
https://data.fitzmuseum.…10_amt49_mas.jpg
223
250
https://data.fitzmuseum.…10_amt49_mas.jpg
913
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/636/14/P_14928_R_25__1_201810_amt49_mas.ptif&cvt=jpeg
4,809
5,394
The Great War: Britain's Efforts and Ideals: Making Guns. Where the Guns are Made. Clausen, George (British, 1852-1944). Ministry of Information. An elevated view of the roofs and buildings of a munitions factory which is dominated by the tall smoking chimney at the far right. Contained along with 6 lithographs inside a large portfolio (approx. 20"x27") of brown paper. A sheet with a central, red-printed rectangular box containing the stamp of the Coat of Arms of the United Kingdom (George V) as used by HM Government followed by the title, 'THE GREAT WAR: / BRITAIN'S EFFORTS / AND IDEALS / shown in a series of lithographic prints' / "MAKING GUNS" / Six subjects by / GEORGE CLAUSEN ... / 25. "Where the Guns are made" ... 30. "Lifting an Inner Tube". The capital 'A' printed at lower left is the insignia of the printers of the series, The Avenue Press. This is also seen on the label affixed to the mounts. The central box of the title page is pasted onto the front flap of the portfolio. Lithography, 1917.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-985131069
https://api.fitz.ms/data-distributor/iiif/media-985131069/manifest
media-985143421
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-985143421
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object-75238
https://data.fitzmuseum.cam.ac.uk/id/object/75238
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-75238
https://data.fitzmuseum.…05_kly25_dc1.jpg
203
250
https://data.fitzmuseum.…05_kly25_dc1.jpg
831
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/625/790/C_48___A_1961_4_201805_kly25_dc1.ptif&cvt=jpeg
2,435
3,000
Cup And Saucer/Gobelet litron et soucoupe. Sèvres Porcelain Manufactory. Micaud, Jacques-François (French, 1732/5-1811, op.1757-1810). Noël, Guillaume (French, 1734/5-1804, op.1755-1804). Soft-paste porcelain, with a bleu nouveau ground, painted in enamels with a basket of flowers in reserve, and gilded. Height, cup, 6.8 cm, width, cup with handle, 9.2 cm, diameter, cup rim, 6.7 cm, height, saucer, 6.9 cm, diameter, saucer, 14.0 cm, 1774. French. Louis XVI.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-985143421
https://api.fitz.ms/data-distributor/iiif/media-985143421/manifest
media-9852
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9852
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null
null
null
https://data.fitzmuseum.…preview_2056.jpg
191
250
https://data.fitzmuseum.…p/pdp13/2056.jpg
581
760
null
null
null
null
null
null
null
media-9854
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9854
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9854
null
null
null
https://data.fitzmuseum.…ew_PD_1_1961.jpg
136
250
https://data.fitzmuseum.…13/PD_1_1961.jpg
412
760
null
null
null
null
null
null
null
media-985432026
1,537,142,893,000
1,617,835,907,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-985432026
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object-114694
https://data.fitzmuseum.cam.ac.uk/id/object/114694
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-114694
https://data.fitzmuseum.…11_kly25_mas.jpg
182
250
https://data.fitzmuseum.…11_kly25_mas.jpg
745
1,023
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/565/901/CM_YG_1094_R_2_201611_kly25_mas.ptif&cvt=jpeg
4,636
6,368
Coinage. Denarius. Marcus Antonius, Marcus Barbatius Pollio, moneyers. Rome Mint. Obverse; Head of M. Antonius; around, M.ANT.IMP.AVG.III.VIR.R.P.C.M.BARBAT. Reverse; Head of L. Antonius r.; around, L.ANTONIVS.COS. Silver, struck, height 19 mm, width 20 mm, weight 3.90 g, die axis, 0, degrees, 41 B.C. Roman Republic. Production Note: mint moving with M. Antonius.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-985432026
https://api.fitz.ms/data-distributor/iiif/media-985432026/manifest
media-985558540
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-985558540
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-985558540
object-11962
https://data.fitzmuseum.cam.ac.uk/id/object/11962
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-11962
https://data.fitzmuseum.…_58_1950_mas.jpg
298
250
https://data.fitzmuseum.…_58_1950_mas.jpg
1,219
1,024
null
null
null
William Blake, wearing hat, three-quarter view, half-length with hands. Linnell, John (British, 1792-1882). Graphite on paper, height 179 mm, width 115 mm, circa 1825.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-985667146
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-985667146
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-985667146
object-3386
https://data.fitzmuseum.cam.ac.uk/id/object/3386
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-3386
https://data.fitzmuseum.…12_adn21_mas.jpg
215
250
https://data.fitzmuseum.…12_adn21_mas.jpg
881
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/590/471/PD_11_1964_201112_adn21_mas.ptif&cvt=jpeg
4,710
5,477
Before. William Hogarth (British, 1697-1764). Oil on canvas, height 37.2 cm, width 44.7 cm, 1730. Acquisition Credit: Through the National Art Collections Fund.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-985667146
https://api.fitz.ms/data-distributor/iiif/media-985667146/manifest
media-98568674
1,529,372,276,000
1,617,822,260,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-98568674
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-98568674
object-110896
https://data.fitzmuseum.cam.ac.uk/id/object/110896
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-110896
https://data.fitzmuseum.…07_kly25_mas.jpg
285
250
https://data.fitzmuseum.…07_kly25_mas.jpg
1,166
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/506/675/T_1_1946_1_201607_kly25_mas.ptif&cvt=jpeg
5,631
4,946
Textiles. Border sampler. Collins, Caroline, English. A waved stem, flower bud and leaf border frames the main body of the sampler which comprises four horizontal bands. These include alphabets, numerals, waved stem borders with geometrical flowers, a large crown, a fruit basket, a flower in a two handled vase, a flowering plant in a pot, clipped bushes, the name and date 'Caroline Collins, aged 11, George IV 1820-1830' and the verse 'On Charity/ Charity, decent, modest, easy, kind/Softens the high and rears the abject mind/knows with just reins and gentle hand to guide/Betwixt vile shame and arbitrary pride/Not soon provoked she easily forgives/ and much she suffers as she believes'. Wool, embroidered with polychrome silks in cross-stitch, length 43.2 cm, width 40.3 cm, 1820-1830.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-98568674
https://api.fitz.ms/data-distributor/iiif/media-98568674/manifest
media-9857
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9857
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9857
null
null
null
https://data.fitzmuseum.…w_PD_41_1978.jpg
325
250
https://data.fitzmuseum.…2/PD_41_1978.jpg
760
585
null
null
null
null
null
null
null
media-985714259
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-985714259
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-985714259
object-138315
https://data.fitzmuseum.cam.ac.uk/id/object/138315
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-138315
https://data.fitzmuseum.…01_mdb56_dc1.jpg
250
250
https://data.fitzmuseum.…01_mdb56_dc1.jpg
1,024
1,024
null
null
null
Relief. Mirror made from bronze, inscribed with makers name (Teh'e). Around the central boss is a band of tail-less dragons, surmounted by a band of dragons, figures of men, and chariots. There is a band of inscription and a rim with dragons in light relief. Diameter 21.6 cm. Late Han Dynasty (206 BC-220 AD).
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-985783661
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-985783661
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-985783661
object-178329
https://data.fitzmuseum.cam.ac.uk/id/object/178329
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-178329
https://data.fitzmuseum.…47v_148r_dc1.jpg
167
250
https://data.fitzmuseum.…47v_148r_dc1.jpg
683
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/720/737/MS_Marlay_4_147v_148r_dc1.ptif&cvt=jpeg
3,564
5,346
Illuminated Manuscript. Book of Hours. Use of Rome. Giovanni, Gherardo di and assistants. Latin, Gothic bookhand (textualis). Parchment, i contemporary parchment flyleaf + 243 fols. + i contemporary parchment flyleaf, 107 x 75 mm (60 x 38 mm), 12 long lines, ruled in black ink. BINDING: Twentieth century, red leather over wooden boards, rebound at the Fitzwilliam Museum by Robert Proctor, preserving a sample of the sixteenth-century crimson silk cover and re-using the sixteenth-century gilt corner pieces (two on each cover), clasp with niello inscription AVE MARIA (re-attached to upper cover), and catchplate (re-attached to lower cover), edges gilt and gauffered. Production Place: Florence, Italy. 1490-1500. CONTENTS: fols. 1r-12v Calendar. fols. 14r-111v Hours of the Virgin. fols. 112r-147v Penitential Psalms and Litany. fols. 148r-215v Office of the Dead. fols. 218r-235r Gradual Psalms, with versicles, responses and collects. fols. 236r-243r Short Hours of the Cross. DECORATION: Full-page framed miniature with framed border formed of gold branchwork with pearls and rubies on blue ground: fol. 13v Hours of the Virgin, Annunciation. Four historiated initials in blue or dark pink with delicate white floral motifs and acanthus extensions on gold grounds (except fol. 148r, initial in light blue with gold diamond pattern on dark red ground with floral ornament in gold ink), accompanied by full or partial floral borders terminating in spraywork with gold balls: fol. 14r Hours of the Virgin, Matins, [D, 6 ll.] Virgin and Child, surrounded by a full, framed floral border including a medallion with a prophet in the outer border and, in the lower border, a laurel wreath flanked by two putti and enclosing the arms of the Forteguerri family of Pistoia (party per pale, dexter or, sinister vair of argent and azure); fol. 112r Penitential Psalms, [D, 6 ll.] David playing the psaltery, with three-sided floral border including a psaltery; fol. 148r Office of the Dead, [D, 6 ll.] Half-length skeleton with scroll inscribed PENSA AL FINE, with three-sided floral border; fol. 236r Short Hours of the Cross, [D, 6 ll.] Empty Cross on Golgotha, with two-sided floral border. ORNAMENTATION: Ornamental initials [4-5 ll.] in blue or dark pink with delicate white floral motifs and acanthus extensions on gold grounds, and partial floral borders terminating in spraywork with gold balls, for the remaining canonical hours of the Virgin (fols. 30r, 47v, 54r, 59v, 64v, 70r, 80r) and for the Gradual Psalms (fol. 218r); alternate blue and red penwork initials [2 ll.] with red or violet pen-flourished infill and extensions; alternate red and blue one-line penwork initials.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-985783661
https://api.fitz.ms/data-distributor/iiif/media-985783661/manifest
media-9858
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https://data.fitzmuseum.…w_PD_64_1961.jpg
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250
https://data.fitzmuseum.…3/PD_64_1961.jpg
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591
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null
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null
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media-9859
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https://data.fitzmuseum.cam.ac.uk/id/image/media-9859
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null
null
null
https://data.fitzmuseum.…preview_2391.jpg
193
250
https://data.fitzmuseum.…p/pdp13/2391.jpg
587
760
null
null
null
null
null
null
null
media-9861
null
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https://data.fitzmuseum.cam.ac.uk/id/image/media-9861
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null
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https://data.fitzmuseum.…preview_2921.jpg
169
249
https://data.fitzmuseum.…p/pdp13/2921.jpg
515
760
null
null
null
null
null
null
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media-9862
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https://data.fitzmuseum.cam.ac.uk/id/image/media-9862
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9862
null
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https://data.fitzmuseum.…w_PD_70_1961.jpg
177
250
https://data.fitzmuseum.…3/PD_70_1961.jpg
539
760
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media-986288660
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https://data.fitzmuseum.cam.ac.uk/id/image/media-986288660
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-986288660
object-1679
https://data.fitzmuseum.cam.ac.uk/id/object/1679
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-1679
https://data.fitzmuseum.…eview_45_dc1.jpg
171
250
https://data.fitzmuseum.…large_45_dc1.jpg
699
1,024
null
null
null
Landscape with Figures. Molijn, Pieter (Dutch, 1595-1661). Oil on panel, height 44.4 cm, width 66 cm, circa 1655-1660.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
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media-9863
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https://data.fitzmuseum.cam.ac.uk/id/image/media-9863
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9863
null
null
null
https://data.fitzmuseum.…w_PD_37_1956.jpg
177
250
https://data.fitzmuseum.…8/PD_37_1956.jpg
537
760
null
null
null
null
null
null
null
media-986382958
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-986382958
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-986382958
object-176361
https://data.fitzmuseum.cam.ac.uk/id/object/176361
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-176361
https://data.fitzmuseum.…S_44_23v_mas.jpg
336
250
https://data.fitzmuseum.…S_44_23v_mas.jpg
1,375
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/707/90/MS_44_23v_mas.ptif&cvt=jpeg
5,100
3,798
Illuminated Manuscript. Antiphoner. Dominican use. Ballo, Giovanni (Iohannes Ballus), scribe. Battista Rosa, Giovanni and assistants. Gothic bookhand (textualis), Latin. Production Place: Naples, Italy. 1604. Parchment, ii paper flyleaves + 161 fols. (foliated i, 1-160) + i paper flyleaf, 662 x 440 mm (444 x 286 mm), 5 four-line musical staves ruled in red ink, 5 text lines in between ruled in pale black ink, equivalent in all to 30 lines, one leaf lost after fol. 28. BINDING: Seventeenth century, brown stained paper over wooden boards, sewn on six supports, leather spine and corner pieces nailed to boards, remains of metal furniture (probably chain attachments) on upper and lower covers. CONTENTS: fols. 1v-129v Antiphons, versicles and responsories for the Temporal from Trinity Sunday to the 22nd Sunday after Trinity (the leaf after fol. 28, which would have contained the beginning of Corpus Christi, has been excised) fols. 129v-60v Antiphons, versicles and responsories for the Dedication of a Church. DECORATION: Historiated initial with full border frame containing large clumps of acanthus foliage set against rinceaux ground with framed corner miniatures: fol. 2r Antiphon for the psalms for First Vespers of Trinity Sunday, [O, 11 ll.] Holy Trinity with God the Father and God the Son seated on clouds with a globe between them, and with the Holy Spirit as a Dove above them, the border originally contained four framed corner miniatures of saints, two of which have been cut out, those that survive have three-quarter length figures of Saints Dominic and Peter Martyr, in the middle of the top border a cartouche with heads of putti encloses the shield of the Dominican Order, surmounted by a crown, in the lower border a similar cartouche contains the arms of Pignatelli surmounted by a coronet. Two initials sketched out in leadpoint, with borders of the type described above, but without sketches for the historiation: fol. 60v First Sunday after the Octave of Trinity Sunday, [L, 9 ll.] with two-sided border sketched out; fol. 130r Dedication of a Church, [framed space left for initial S, 11 ll.] with full border sketched out. ORNAMENTATION: One large gold framed border block containing gold, green, blue and orange acanthus leaves on dark blue ground running up the full length of the outer border at the opening of Lauds for Trinity Sunday (fol. 23v); gold, red and blue initials [4-6 ll.] with ornamental foliage in their stems, set against coloured foliage grounds in gold frames (e.g. fols. 4v, 23v, 54r, 83r).
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-986382958
https://api.fitz.ms/data-distributor/iiif/media-986382958/manifest
media-9864
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9864
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9864
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https://data.fitzmuseum.…/preview_849.jpg
175
250
https://data.fitzmuseum.…dp/pdp13/849.jpg
531
760
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null
null
null
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media-986497913
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-986497913
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-986497913
object-182621
https://data.fitzmuseum.cam.ac.uk/id/object/182621
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-182621
https://data.fitzmuseum.…1_vol2_9_mas.jpg
188
250
https://data.fitzmuseum.…1_vol2_9_mas.jpg
768
1,024
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Book. Ehon mushi erami. A collection of crawling creatures. Utamaro, Kitagawa (Japanese, c.1756-1806). Two-volume collection of kyôka verse with 15 illustrations by Utamaro. Printed in colours from woodblocks, with applied mica and blind embossing. Published by Tsutaya Jûsaburô, Edo (Tokyo), 1788. Japanese. Ukiyo-e. Notes: This book of kyôka (comic verse) is illustrated with exquisitely subtle and finely printed designs of flowers, insects and other creatures. The postscript is by Utamaro’s teacher Sekien: ‘My disciple’s present volume, a collection depicting insects in nature, contains such paintings that were first painted in the artist’s heart... Even as a child, Utamaro had a fine awareness of the world around him. For fun, he would try to catch fireflies or capture crickets and grasshoppers that he would allow to move about freely on his outstretched palm as he observed them, completely engrossed'.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
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media-9865
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null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9865
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9865
null
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https://data.fitzmuseum.…preview_1534.jpg
176
250
https://data.fitzmuseum.…p/pdp13/1534.jpg
536
760
null
null
null
null
null
null
null
media-986531609
1,529,374,703,000
1,617,823,113,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-986531609
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-986531609
object-77334
https://data.fitzmuseum.cam.ac.uk/id/object/77334
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-77334
https://data.fitzmuseum.…10_mfj22_mas.jpg
167
250
https://data.fitzmuseum.…10_mfj22_mas.jpg
683
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/508/435/M_71_1930_1b_200710_mfj22_mas.ptif&cvt=jpeg
2,912
4,368
Counter Box. Containing thirty-two engraved silver counters of English monarchs and their children. The box is cylindrical with a detachable lid. The base is decorated with a bust of Queen Henrietta Maria in profile to left in low relief in an open oval medallion with pairs of inwards scrolls above and below, and S-scrolls on either side, with a cut away background. The top bears a bust of Charles I in profile to left in an open oval medallion surrounded by four paired scrolls with single scrolls between them, with a cut away background. The sides have two panels each containing pierced scrolling foliage and a monster. The counters are circular, and are engraved with monarchs and coats-of-arms respectively on the two sides: Prince Charles (d. 1130), Edward the Confessor, Willima I (2), William II, John, Edward I, Edward II, Edward III, Edward IV, Edward V, Edward VI, Henry I, Henry II, Henry III, Henry IV, Henry V, Henry VI (2), Henry VII, Henry VIII, Richard I, Richard II, Richard III, Mary I (2), Elizabeth I, Henry father of King James I and VI, James I and VI, Charles I, Elizabeth of Bohemia (his sister), Charles Louis Count of the Palatinate (her son). Silver, the box pierced, chased, and engraved; the counters engraved, c.1640-1650. English.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-986531609
https://api.fitz.ms/data-distributor/iiif/media-986531609/manifest
media-986564607
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-986564607
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-986564607
object-182962
https://data.fitzmuseum.cam.ac.uk/id/object/182962
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-182962
https://data.fitzmuseum.…4_detail_mas.jpg
166
250
https://data.fitzmuseum.…4_detail_mas.jpg
681
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/655/41/P_26_2003_4_detail_mas.ptif&cvt=jpeg
2,000
3,008
Hyôshito Rinchû Kills Officer Riku Near the Temple of the Mountain Spirit. Hyôshito Rinchû sanshinbyô no mae ni oito riku gukô o korosu. Yoshitoshi, Tsukioka (Japanese, 1839-1892). Colour print from woodblocks, with spattered white pigment (gofun) and burnishing (shômenzuri). Ôban format vertical diptych. Publisher: Matsui Eikichi. 1886. Keyes 492. Notes: This subject is from the Chinese novel Shuihu zhuan (The Water Margin), known in Japanese as Suikoden, which tells of the legendary exploits of a group of Chinese brigands during the Northern Song dynasty (1101-26). It was retold in a popular Japanese novel illustrated by Hokusai, and was the subject of Kuniyoshi's first set of warrior prints in 1827. Yoshitoshi had made earlier prints based on Suikoden, and was evidently attracted by the anti-establishment theme. Hyôshitô Rinchû (Lin Chong) had been as imprisoned by the minister of war, Gao, but his sentence was commuted to service as a guard at a remote army camp. Still desiring his death, Gao sent one of his officers, Riku (Lu) to arrange Rinchû's murder, but with the stipulation that he make it look like an accident. Riku set fire to Rinchû's guardhouse (seen in the distance), but Rinchû was at that time sheltering from the cold in a nearby temple. He was therefore able to surprise his intended assassin and kill him. The atmosphere of the landscape is heightened by the use of white pigment (gofun) spattered onto the surface of the print, evoking falling flakes of snow.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-986564607
https://api.fitz.ms/data-distributor/iiif/media-986564607/manifest
media-9866
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null
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null
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https://data.fitzmuseum.…w_PD_48_1978.jpg
168
250
https://data.fitzmuseum.…3/PD_48_1978.jpg
511
760
null
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null
null
null
media-986655514
1,511,488,448,000
1,617,810,249,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-986655514
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-986655514
object-177533
https://data.fitzmuseum.cam.ac.uk/id/object/177533
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-177533
https://data.fitzmuseum.…10_amt49_mas.jpg
132
249
https://data.fitzmuseum.…10_amt49_mas.jpg
542
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/313/336/C_112_2010_1_201010_amt49_mas.ptif&cvt=jpeg
2,784
5,260
Stoneware / Plaque. A Sacrifice. Wedgwood Factory, Staffordshire. Hackwood, William, modeller, modeller (c. 1757-1839). Pale blue jasper rectangular plaque with applied white reliefs, combining and adapting figures from Sacrifice to Bacchus and Offering to Flora. Height, whole, 25.5 cm, height, whole, 25 cm, length, whole, 66.5 cm, depth, whole, 5 cm, circa 1860-1900. This plaque was probably made in the late 19th century. The reliefs were first used on two jasper plaques made during the Wedgwood & Bentley period, about 1778. Neoclassical.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-986655514
https://api.fitz.ms/data-distributor/iiif/media-986655514/manifest
media-9867
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9867
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https://data.fitzmuseum.…_PD_141_1985.jpg
177
250
https://data.fitzmuseum.…/PD_141_1985.jpg
537
760
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media-986731317
null
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https://data.fitzmuseum.cam.ac.uk/id/image/media-986731317
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-986731317
object-26440
https://data.fitzmuseum.cam.ac.uk/id/object/26440
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-26440
https://data.fitzmuseum.…02_adn21_dc1.jpg
376
250
https://data.fitzmuseum.…02_adn21_dc1.jpg
1,540
1,024
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William Morris, working on a tapestry, viewed from behind. Burne-Jones, Edward (British, 1833-1898). Graphite on laid paper, height 136 mm, width 92 mm. Notes: extrcated from the PD.58-1998 bound volume.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
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media-9868
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https://data.fitzmuseum.cam.ac.uk/id/image/media-9868
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9868
null
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https://data.fitzmuseum.…w_PD_74_1961.jpg
329
250
https://data.fitzmuseum.…3/PD_74_1961.jpg
760
578
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media-9869
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9869
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9869
null
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https://data.fitzmuseum.…preview_2689.jpg
200
250
https://data.fitzmuseum.…2/large_2689.jpg
818
1,024
null
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null
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media-9870
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9870
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9870
null
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https://data.fitzmuseum.…w_PD_43_1959.jpg
475
250
https://data.fitzmuseum.…3/PD_43_1959.jpg
760
400
null
null
null
null
null
null
null
media-987060115
1,537,156,142,000
1,637,022,185,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-987060115
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987060115
object-23192
https://data.fitzmuseum.cam.ac.uk/id/object/23192
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-23192
https://data.fitzmuseum.…10_adn21_mas.jpg
317
250
https://data.fitzmuseum.…10_adn21_mas.jpg
1,300
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/592/694/PD_329_1973_201010_adn21_mas.ptif&cvt=jpeg
5,015
3,949
Primula auricula (hybrid) with caterpillar and pale clouded yellow butterfly. Dietzsch, Barbara Regina (German, 1706-1783). Bodycolour on prepared black ground on vellum, surrounded by gold border, height 286 mm, width 202 mm.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-987060115
https://api.fitz.ms/data-distributor/iiif/media-987060115/manifest
media-9871
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9871
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9871
null
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https://data.fitzmuseum.…w_PD_52_1947.jpg
345
250
https://data.fitzmuseum.…2/PD_52_1947.jpg
760
551
null
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media-987135595
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https://data.fitzmuseum.cam.ac.uk/id/image/media-987135595
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987135595
object-71343
https://data.fitzmuseum.cam.ac.uk/id/object/71343
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-71343
https://data.fitzmuseum.…07_mfj22_mas.jpg
167
250
https://data.fitzmuseum.…07_mfj22_mas.jpg
683
1,024
null
null
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Bowl in original saggar. Chun ware. Stoneware, height 13 cm, diameter 25 cm, 960-1368. Song Dynasty or Yuan dynasty. Chinese. Acquisition Credit: Given by the National Art Collections Fund.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-9872
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9872
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9872
null
null
null
https://data.fitzmuseum.…w_PD_42_1959.jpg
475
250
https://data.fitzmuseum.…3/PD_42_1959.jpg
760
400
null
null
null
null
null
null
null
media-987287117
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-987287117
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987287117
object-606
https://data.fitzmuseum.cam.ac.uk/id/object/606
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-606
https://data.fitzmuseum.…985__18__mas.jpg
314
250
https://data.fitzmuseum.…985__18__mas.jpg
1,287
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/603/196/P_669_1985__18__mas.ptif&cvt=jpeg
6,486
5,161
Root of an oak. The Marriage of Heaven and Hell. Blake, William (British, 1757-1827). Relief etching, colour printing, hand colouring, coloured ink, watercolour, on paper, plate height 163 mm, plate width 103 mm, sheet height 266 mm, sheet width 166 mm, 1790-1793.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-987287117
https://api.fitz.ms/data-distributor/iiif/media-987287117/manifest
media-987399912
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-987399912
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987399912
object-225947
https://data.fitzmuseum.cam.ac.uk/id/object/225947
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-225947
https://data.fitzmuseum.…05_amt49_dc1.jpg
191
250
https://data.fitzmuseum.…05_amt49_dc1.jpg
781
1,024
null
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A naturalist in his study. Buffet, Paul (French, 1864-1941). Black and red chalk, and wash heightened with white on brown paper, height 149 mm, width 201 mm, c. 1900. Acquisition Credit: Bought with The Gow Fund.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
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media-9874
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null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9874
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9874
null
null
null
https://data.fitzmuseum.…_PD_143_1985.jpg
306
250
https://data.fitzmuseum.…/PD_143_1985.jpg
760
620
null
null
null
null
null
null
null
media-987474744
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-987474744
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987474744
object-66501
https://data.fitzmuseum.cam.ac.uk/id/object/66501
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-66501
https://data.fitzmuseum.…06_kly25_dc1.jpg
307
250
https://data.fitzmuseum.…06_kly25_dc1.jpg
1,258
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/626/301/GR_13_1890_4_201606_kly25_dc1.ptif&cvt=jpeg
4,787
3,896
Figurine. Dog. Production Place: Cyprus. Find Spot: Salamis, Cyprus. Clay, handmade, height 0.08 m, width 0.048 m, 600- 501 B.C. Archaic Period.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-987474744
https://api.fitz.ms/data-distributor/iiif/media-987474744/manifest
media-9875
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9875
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9875
null
null
null
https://data.fitzmuseum.…preview_2094.jpg
289
250
https://data.fitzmuseum.…p/pdp13/2094.jpg
760
657
null
null
null
null
null
null
null
media-987512514
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-987512514
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987512514
object-22301
https://data.fitzmuseum.cam.ac.uk/id/object/22301
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-22301
https://data.fitzmuseum.…3_1991_4_mas.jpg
184
249
https://data.fitzmuseum.…3_1991_4_mas.jpg
756
1,024
null
null
null
Netsuke: katabori: Group of three tortoises. Doraku, Osaka School, early 19th century, Japan. Group of three tortoises, one large with two smaller ones mounted on its back. Finely carved details, inlaid black eyes and himotoshi on the underside. Ivory, carved and stained, with inlaid decoration, height, whole, 2.7 cm, width, whole, 4.1 cm, circa 1800-1830. Edo Period (1615-1868).
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-9877
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9877
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9877
null
null
null
https://data.fitzmuseum.…/preview_858.jpg
336
250
https://data.fitzmuseum.…pdp/pdp2/858.jpg
760
566
null
null
null
null
null
null
null
media-987775645
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-987775645
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987775645
object-18123
https://data.fitzmuseum.cam.ac.uk/id/object/18123
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-18123
https://data.fitzmuseum.…_cm_high_mas.jpg
301
250
https://data.fitzmuseum.…_cm_high_mas.jpg
1,234
1,024
null
null
null
Miniature. Unknown Lady. Oliver, Isaac I (British, 1556(?)-1617). Watercolour on vellum on card, height 60 mm, width 50 mm, circa 1590.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-9878
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9878
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9878
null
null
null
https://data.fitzmuseum.…preview_2095.jpg
317
250
https://data.fitzmuseum.…p/pdp13/2095.jpg
760
600
null
null
null
null
null
null
null
media-9879
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9879
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9879
null
null
null
https://data.fitzmuseum.…preview_2096.jpg
347
250
https://data.fitzmuseum.…p/pdp13/2096.jpg
760
548
null
null
null
null
null
null
null
media-987944527
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-987944527
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987944527
object-28830
https://data.fitzmuseum.cam.ac.uk/id/object/28830
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-28830
https://data.fitzmuseum.…5_jas244_dc1.jpg
333
250
https://data.fitzmuseum.…5_jas244_dc1.jpg
1,365
1,024
null
null
null
Contemporary Craft. Vessel. Martin, Malcolm (British, b. 1959). Dowling, Gaynor (British, b. 1965). The vessel has a four-sided, roughly diamond-shaped base. The plan widens and elongates into a pointed shuttle shape as the sides rise upwards to the widest point. They continue to rise and contract into a narrow shuttle-shaped mouth, which is hollowed out to a depth of 5 cm. The sides are carved with twenty-six wavy horizontal ripples, and there are five notches at intervals on both side edges opposite to each other. The exterior is limed white overall, and the interior of the mouth is blackened. Limewood, carved, notched and limed white on the exterior and blackened on the interior, height, whole, 55.0 cm, width, base, 5.6 cm, width, widest point, 18.5 cm, 1999. Gift of Sir Nicholas and Lady Goodison through the National Art Collections Fund.
© Malcolm Martin and Gaynor Dowling. Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-98796852
1,520,416,541,000
1,617,815,713,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-98796852
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-98796852
object-65592
https://data.fitzmuseum.cam.ac.uk/id/object/65592
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-65592
https://data.fitzmuseum.…_12_1864_mas.jpg
323
250
https://data.fitzmuseum.…_12_1864_mas.jpg
1,322
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/414/675/GR_12_1864_mas.ptif&cvt=jpeg
5,645
4,371
Cosmetic equipment. Mirror, engraved with scene of Tydeus, Adrestos, Ampianeos. Cast & engraved, copper alloy, height 0.257 m, width 0.18 m. Production Place: Etruria (Italy). 400 to 301 B.C. Classical Period.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-98796852
https://api.fitz.ms/data-distributor/iiif/media-98796852/manifest
media-987980380
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-987980380
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987980380
object-140726
https://data.fitzmuseum.cam.ac.uk/id/object/140726
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-140726
https://data.fitzmuseum.…01_kly25_mas.jpg
327
250
https://data.fitzmuseum.…01_kly25_mas.jpg
1,340
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/588/387/P_107_1953_4__201701_kly25_mas.ptif&cvt=jpeg
6,029
4,607
Twelve wood engravings for a calendar printed by the Monotype Corporation. Ravilious, Eric William (British, 1903-1942). Published by The Lanston Monotype Corporation Limited. Wood engraving, colour printing, 1933. Production Note: The wood engravings form the upper half of each sheet, the lower half given to the calendar and the company's address.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-987980380
https://api.fitz.ms/data-distributor/iiif/media-987980380/manifest
media-987996591
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-987996591
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-987996591
object-77770
https://data.fitzmuseum.cam.ac.uk/id/object/77770
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-77770
https://data.fitzmuseum.…10_adn21_mas.jpg
333
250
https://data.fitzmuseum.…10_adn21_mas.jpg
1,365
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/652/914/OC_61_1938_3_201210_adn21_mas.ptif&cvt=jpeg
6,496
4,872
Lu Hsing. Unknown maker, China. Figure of Lu Hsing on a pedestal, wearing a richly brocaded robe. He is seated with one knee up, his head slightly on one side. His robe is green, with white white and aubergine flowers. A hexagonal yellow and green diapered pedestal. Looks like salt glaze. Porcelain, height 15.2 cm, width 6.4 cm. K’ang Hsi (1662-1722).
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-987996591
https://api.fitz.ms/data-distributor/iiif/media-987996591/manifest
media-9880
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9880
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9880
null
null
null
https://data.fitzmuseum.…w_PD_45_1959.jpg
355
250
https://data.fitzmuseum.…3/PD_45_1959.jpg
760
535
null
null
null
null
null
null
null
media-988079813
1,537,142,846,000
1,617,835,821,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-988079813
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-988079813
object-201240
https://data.fitzmuseum.cam.ac.uk/id/object/201240
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-201240
https://data.fitzmuseum.…02_mfj22_mas.jpg
202
250
https://data.fitzmuseum.…02_mfj22_mas.jpg
826
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/565/820/CM_TR_1904_R_3_201202_mfj22_mas.ptif&cvt=jpeg
4,590
5,692
Medal Cabinet. Coin cabinet of William Draper. Unknown maker. Gilded wood, and coloured and gilded 'on-laid' leather, with silver carrying handles, pull-down fronts and fold out leather tray list, lined with yellow moire, for twelve interior trays with leather fronts and gilt-copper drawer pulls; Draper arms applied to the pediments. One of a non matching pair. Height 46.5 cm, width 32.5 cm, diameter 28.5 cm, circa 1745. Trinity College Loan.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-988079813
https://api.fitz.ms/data-distributor/iiif/media-988079813/manifest
media-9881
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9881
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9881
null
null
null
https://data.fitzmuseum.…w_PD_50_1978.jpg
373
250
https://data.fitzmuseum.…3/PD_50_1978.jpg
760
509
null
null
null
null
null
null
null
media-988102418
1,529,287,576,000
1,617,819,803,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-988102418
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-988102418
object-13741
https://data.fitzmuseum.cam.ac.uk/id/object/13741
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-13741
https://data.fitzmuseum.…2_jas244_mas.jpg
188
250
https://data.fitzmuseum.…2_jas244_mas.jpg
768
1,024
null
null
null
Sculpture/Figure. Arabesque over the right leg, left arm in front. Arabesque ouverte sur la jambe droite, le bras gauche en avant. Degas, Edgar (French, 1834-1917). Hébrard, Adrien-A., bronze founder, French, 1865-1937). Palazzolo, Albino, caster. Production Place: Paris, Colmar. The nude dancer stands in arabesque ouverte sur la jambe droite, le bras gauche en avant. Her supporting foot is within a raised circle in the middle of a square base bearing the artist's signature and caster's mark and number. Bronze, cast, height, whole, 20.6 cm, length, whole, 25.5 cm, diameter, whole, 10.3 cm, weight, whole, 930.0 g, circa 1919-1937. Bronze no. 14. Rewald XXXVII.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-988276783
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-988276783
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-988276783
object-48027
https://data.fitzmuseum.cam.ac.uk/id/object/48027
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-48027
https://data.fitzmuseum.…04_amt49_dc1.jpg
330
250
https://data.fitzmuseum.…04_amt49_dc1.jpg
1,351
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/623/332/C_109_1927_4_2011704_amt49_dc1.ptif&cvt=jpeg
5,844
4,429
Maiolica. Jug. Unknown maker, probably Italy, Tuscany, Siena. Shape 18. Pear-shaped body standing on a low, slightly spreading foot; the cylindrical neck expands towards the rim which is pinched at the front to form a lip; loop handle of oval section. On each side of the handle, there is a vertical row of Ss between two sets of three black vertical lines. The rest of the body is diagonally striped with green lines edged with black. Above and below are pairs of horizontal black bands, and, on the neck, a broad wavy green band with a black band above. The handle has two groups of horizontal black stripes with three dabs of green between them and a larger dab at its base. Buff earthenware. The interior and foot are lead-glazed yellowish-brown; the rest is tin-glazed pale buff. Painted in black and copper-green. Height, whole, 14.0 cm, diameter, base, 7.0 cm, width, at widest point, 9.4 cm, width, handle to spout, 10.3 cm, circa 1300-1400. Late Medieval.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-988276783
https://api.fitz.ms/data-distributor/iiif/media-988276783/manifest
media-9884
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9884
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9884
null
null
null
https://data.fitzmuseum.…preview_2124.jpg
310
250
https://data.fitzmuseum.…p/pdp13/2124.jpg
760
612
null
null
null
null
null
null
null
media-9885
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9885
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9885
null
null
null
https://data.fitzmuseum.…preview_2125.jpg
183
250
https://data.fitzmuseum.…p/pdp13/2125.jpg
557
760
null
null
null
null
null
null
null
media-988572378
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-988572378
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-988572378
object-54188
https://data.fitzmuseum.cam.ac.uk/id/object/54188
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-54188
https://data.fitzmuseum.…01_mfj22_mas.jpg
167
250
https://data.fitzmuseum.…01_mfj22_mas.jpg
683
1,024
null
null
null
null
Photograph copyright © The Fitzwilliam Museum, Cambridge.
null
null
media-9886
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9886
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9886
null
null
null
https://data.fitzmuseum.…w_PD_85_1961.jpg
385
250
https://data.fitzmuseum.…3/PD_85_1961.jpg
760
494
null
null
null
null
null
null
null
media-9887
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9887
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9887
null
null
null
https://data.fitzmuseum.…w_PD_87_1961.jpg
325
250
https://data.fitzmuseum.…3/PD_87_1961.jpg
760
584
null
null
null
null
null
null
null
media-9888
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-9888
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-9888
null
null
null
https://data.fitzmuseum.…w_PD_88_1961.jpg
339
250
https://data.fitzmuseum.…3/PD_88_1961.jpg
760
560
null
null
null
null
null
null
null
media-988952546
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-988952546
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-988952546
object-169770
https://data.fitzmuseum.cam.ac.uk/id/object/169770
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-169770
https://data.fitzmuseum.…_MS_294a_mas.jpg
333
250
https://data.fitzmuseum.…_MS_294a_mas.jpg
1,365
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/727/707/MS_294a_mas.ptif&cvt=jpeg
5,344
4,008
Illuminated Manuscript. Miniature from the Hours of Albrecht of Brandenburg. Hours of the Cross, Crucifixion with the Virgin, St John, Holy Women, and two thieves, strewn-flower border on bronze ground. Simon Bening (Flemish, 1483-1561). Parchment, gold, six leaves with closely trimmed margins, framed illuminated area 175 x 125 mm, no text or ruling on reverse, 1522-1523. Production Place: Bruges, Flanders.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-988952546
https://api.fitz.ms/data-distributor/iiif/media-988952546/manifest
media-989094128
1,537,063,691,000
1,617,832,869,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-989094128
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object-69342
https://data.fitzmuseum.cam.ac.uk/id/object/69342
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-69342
https://data.fitzmuseum.…10_amt49_mas.jpg
188
250
https://data.fitzmuseum.…10_amt49_mas.jpg
768
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/562/621/GR_53_1937_200810_amt49_mas.ptif&cvt=jpeg
4,872
6,496
Skyphos/Cup. Attic Type A. Clay, black-glazed, depth 0.11 m, height 0.085 m, width 0.179 m, 500- 401 B.C. Production Place: Athens. Classical Period.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-989094128
https://api.fitz.ms/data-distributor/iiif/media-989094128/manifest
media-989170587
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-989170587
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-989170587
object-53330
https://data.fitzmuseum.cam.ac.uk/id/object/53330
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-53330
https://data.fitzmuseum.…006_mfj2_mas.jpg
167
250
https://data.fitzmuseum.…006_mfj2_mas.jpg
683
1,024
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/680/651/E_49_1934_1_201006_mfj2_mas.ptif&cvt=jpeg
2,912
4,368
Scarab. Inscribed. Production Place/Find Spot: Egypt. Depth mm, length mm, width mm.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-989170587
https://api.fitz.ms/data-distributor/iiif/media-989170587/manifest
media-989201356
1,537,143,100,000
1,617,836,249,000
https://data.fitzmuseum.cam.ac.uk/id/image/media-989201356
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-989201356
object-114136
https://data.fitzmuseum.cam.ac.uk/id/object/114136
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-114136
https://data.fitzmuseum.…03_mfj22_mas.jpg
167
250
https://data.fitzmuseum.…03_mfj22_mas.jpg
683
1,023
http://api.fitz.ms/iipsrv/iipsrv.fcgi?FIF=/portfolio/F25982D9_7CB9_CFFF_028E_8BBFC531887C/566/238/CM_YG_968_R_2_201503_mfj22_mas.ptif&cvt=jpeg
4,912
7,360
Coin/ Denarius. Marcus Junius Brutus, moneyer. Roman Republic, Series. Rome mint. Design, obverse; Head of L. Iunius Brutus, Cos. 509, r.; behind, BRVTVS. Design, reverse; Head of C. Servilius Ahala, Mag. Eq. 439 r.; behind, AHALA. Silver, struck, image (height) 19 mm, image (width) 19 mm, weight 3.57 g, die axis 90 degrees, 54 B.C. Alternative Number: RRC; 433/2. Ordering; RR-2511.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
https://data.fitzmuseum.cam.ac.uk/api/v1/iiif/media-989201356
https://api.fitz.ms/data-distributor/iiif/media-989201356/manifest
media-989484248
null
null
https://data.fitzmuseum.cam.ac.uk/id/image/media-989484248
https://data.fitzmuseum.cam.ac.uk/api/v1/images/media-989484248
object-31302
https://data.fitzmuseum.cam.ac.uk/id/object/31302
https://data.fitzmuseum.cam.ac.uk/api/v1/objects/object-31302
https://data.fitzmuseum.…_1973_26_mas.jpg
333
250
https://data.fitzmuseum.…_1973_26_mas.jpg
1,365
1,024
null
null
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Stylised drawings of two Tulips, two Convolvulus, one Lily, (Lilium bulbiferum), and one French Marigold. Robert, Nicolas attributed to (French, 1614-1685). Graphite, watercolour and bodycolour on vellum, height 320 mm, width 214 mm. Album containing 62 botanical drawings on vellum tipped in on the gilt-edged pages of the album which bear the watermark of an 18th century French paper-maker, Malmenayde of Thiers (active from 1731). Bound in red morocco with clasps, the spine tooled in gilt. The Pages are interleaved with thin protective paper. Ruled lines of red and gold border the drawings on all sides. 17th Century. French.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
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media-9895
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Photograph copyright � The Fitzwilliam Museum, Cambridge
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Cosmetic vessel/Lekanis. With a siren and an animal frieze. Clay, diameter 0.21 m, height 0.158 m, 580-570 B.C. Archaic Period. Middle Corinthian, end. Greece, Corinthia.
Photograph copyright © The Fitzwilliam Museum, Cambridge.
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