Datasets:
segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_01_seg_0001_track_01 | 0 | 01_01 | 1 | lead vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_01.wav | null | 14.027 | 17.107 | 3.08 | true | false | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_only | 01_01_1 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_02 | 0 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_02.wav | null | 14.027 | 17.107 | 3.08 | true | false | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_06 | 0 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 14.027 | 17.107 | 3.08 | true | true | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_midi | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_07 | 0 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 14.027 | 17.107 | 3.08 | true | true | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_midi | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_13 | 0 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_13.wav | null | 14.027 | 17.107 | 3.08 | true | false | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_14 | 0 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_14.wav | null | 14.027 | 17.107 | 3.08 | true | false | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0002_track_13 | 1 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_13.wav | null | 17.107 | 20.217 | 3.11 | true | false | They’re waiting for you to come down | Verse 1 | combined | 17.107 | 20.217 | false | false | null | 7 | 36 | 7 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0002_track_14 | 1 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_14.wav | null | 17.107 | 20.217 | 3.11 | true | false | They’re waiting for you to come down | Verse 1 | combined | 17.107 | 20.217 | false | false | null | 7 | 36 | 7 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0002_track_15 | 1 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 17.107 | 20.217 | 3.11 | false | true | They’re waiting for you to come down | Verse 1 | combined | 17.107 | 20.217 | false | false | null | 7 | 36 | 7 | 0 | 0 | midi_only | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0002_track_16 | 1 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 17.107 | 20.217 | 3.11 | false | true | They’re waiting for you to come down | Verse 1 | combined | 17.107 | 20.217 | false | false | null | 7 | 36 | 7 | 0 | 0 | midi_only | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_06 | 2 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 20.217 | 23.196 | 2.979 | true | true | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_midi | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_07 | 2 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 20.217 | 23.196 | 2.979 | true | true | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_midi | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0003_track_12 | 2 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_12.wav | null | 20.217 | 23.196 | 2.979 | true | false | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_13 | 2 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_13.wav | null | 20.217 | 23.196 | 2.979 | true | false | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_14 | 2 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_14.wav | null | 20.217 | 23.196 | 2.979 | true | false | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid | |
01_01_seg_0003_track_16 | 2 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 20.217 | 23.196 | 2.979 | false | true | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | midi_only | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
"album_sequence": 1,
"avg_word_length": 4.458823529411765,
"boundary_fluidity_score": 0,
"concept_length": 463,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3529411764705882,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 3.5294117647058822,
"rebracketing_type": "spatial",
"sentence_count": 5,
"temporal_complexity_score": 0.3529411764705882,
"track_duration": 265.999,
"track_id": "01_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 85
} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid | |
01_01_seg_0003_track_17 | 2 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 20.217 | 23.196 | 2.979 | false | true | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | midi_only | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
"album_sequence": 1,
"avg_word_length": 4.458823529411765,
"boundary_fluidity_score": 0,
"concept_length": 463,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3529411764705882,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 3.5294117647058822,
"rebracketing_type": "spatial",
"sentence_count": 5,
"temporal_complexity_score": 0.3529411764705882,
"track_duration": 265.999,
"track_id": "01_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 85
} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
White Training Data
Training data and models for the Rainbow Table chromatic fitness function — a multimodal ML model that scores how well audio, MIDI, and text align with a target chromatic mode (Black, Red, Orange, Yellow, Green, Blue, Indigo, Violet).
Part of The Earthly Frames project, a conscious collaboration between human creativity and AI.
Purpose
These models are fitness functions for evolutionary music composition, not classifiers in isolation. The production pipeline works like this:
- A concept agent generates a textual concept
- A music production agent generates 50 chord progression variations
- The chromatic fitness model scores each for consistency with the target color
- Top candidates advance through drums, bass, melody stages
- Final candidates go to human evaluation
Version
Current: v0.3.0 — 2026-02-13
Dataset Structure
| Split | Rows | Description |
|---|---|---|
base_manifest |
1,327 | Track-level metadata: song info, concepts, musical keys, chromatic labels, training targets |
training_segments |
11,605 | Time-aligned segments with lyric text, structure sections, audio/MIDI coverage flags |
training_full |
11,605 | Segments joined with manifest metadata — the primary training table |
Playable Audio Preview
| Split | Rows | Description |
|---|---|---|
preview |
~160 | Playable audio preview — 20 segments per chromatic color with inline audio playback |
Try it: Load the preview config to hear what each chromatic color sounds like:
from datasets import load_dataset
# Load playable preview
preview = load_dataset("earthlyframes/white-training-data", "preview")
# Listen to a GREEN segment
green_segment = preview.filter(lambda x: x['rainbow_color'] == 'Green')[0]
print(green_segment['concept'])
# Audio plays inline in Jupyter/Colab, or access via green_segment['audio']
Coverage by Chromatic Color
| Color | Segments | Audio | MIDI | Text |
|---|---|---|---|---|
| Black | 1,748 | 83.0% | 58.5% | 100.0% |
| Red | 1,474 | 93.7% | 48.6% | 90.7% |
| Orange | 1,731 | 83.8% | 51.1% | 100.0% |
| Yellow | 656 | 88.0% | 52.9% | 52.6% |
| Green | 393 | 90.1% | 69.5% | 0.0% |
| Violet | 2,100 | 75.9% | 55.6% | 100.0% |
| Indigo | 1,406 | 77.2% | 34.1% | 100.0% |
| Blue | 2,097 | 96.0% | 12.1% | 100.0% |
Note: Audio waveforms and MIDI binaries are stored separately (not included in metadata configs due to size). The preview config includes playable audio for exploration. The media parquet (~15 GB) is used locally during training.
Trained Models
| File | Size | Description |
|---|---|---|
data/models/fusion_model.pt |
~16 MB | PyTorch checkpoint — MultimodalFusionModel (4.3M params) |
data/models/fusion_model.onnx |
~16 MB | ONNX export for fast CPU inference |
The models are consumed via the ChromaticScorer class, which wraps encoding and inference:
from chromatic_scorer import ChromaticScorer
scorer = ChromaticScorer("path/to/fusion_model.onnx")
result = scorer.score(midi_bytes=midi, audio_waveform=audio, concept_text="a haunted lullaby")
# result: {"temporal": 0.87, "spatial": 0.91, "ontological": 0.83, "confidence": 0.89}
# Batch scoring for evolutionary candidate selection
ranked = scorer.score_batch(candidates, target_color="Violet")
Architecture: PianoRollEncoder CNN (1.1M params, unfrozen) + fusion MLP (3.2M params) with 4 regression heads. Input: audio (512-dim CLAP) + MIDI (512-dim piano roll) + concept (768-dim DeBERTa) + lyric (768-dim DeBERTa) = 2560-dim fused representation. Trained with learned null embeddings and modality dropout (p=0.15) for robustness to missing modalities.
Key Features
training_full (primary training table)
rainbow_color— Target chromatic label (Black/Red/Orange/Yellow/Green/Blue/Indigo/Violet)rainbow_color_temporal_mode/rainbow_color_ontological_mode— Regression targets for mode dimensionsconcept— Textual concept describing the song's narrativelyric_text— Segment-level lyrics (when available)bpm,key_signature_note,key_signature_mode— Musical metadatatraining_data— Struct with computed features: rebracketing type/intensity, narrative complexity, boundary fluidity, etc.has_audio/has_midi— Modality availability flagsstart_seconds/end_seconds— Segment time boundaries
preview (playable audio)
Same metadata fields as training_full, plus:
audio— Audio feature with inline playback support (FLAC encoded, 44.1kHz)duration_seconds— Segment duration
Usage
from datasets import load_dataset
# Load the primary training table (segments + manifest metadata)
training = load_dataset("earthlyframes/white-training-data", "training_full")
# Load playable audio preview
preview = load_dataset("earthlyframes/white-training-data", "preview")
# Load just the base manifest (track-level)
manifest = load_dataset("earthlyframes/white-training-data", "base_manifest")
# Load raw segments (no manifest join)
segments = load_dataset("earthlyframes/white-training-data", "training_segments")
# Load a specific version
training = load_dataset("earthlyframes/white-training-data", "training_full", revision="v0.3.0")
Training Results
Text-Only (Phases 1-4)
| Task | Metric | Result |
|---|---|---|
| Binary classification (has rebracketing) | Accuracy | 100% |
| Multi-class classification (rebracketing type) | Accuracy | 100% |
| Temporal mode regression | Mode accuracy | 94.9% |
| Ontological mode regression | Mode accuracy | 92.9% |
| Spatial mode regression | Mode accuracy | 61.6% |
Multimodal Fusion (Phase 3)
| Dimension | Text-Only | Multimodal | Improvement |
|---|---|---|---|
| Temporal | 94.9% | 90.0% | — |
| Ontological | 92.9% | 91.0% | — |
| Spatial | 61.6% | 93.0% | +31.4% |
Spatial mode was bottlenecked by instrumental albums (Yellow, Green) which lack text. The multimodal fusion model resolves this by incorporating CLAP audio embeddings and piano roll MIDI features, enabling accurate scoring even without lyrics. Temporal and ontological show slight regression in multi-task mode but remain strong; single-task variants can be used where maximum per-dimension accuracy is needed.
Source
83 songs across 8 chromatic albums. The 7 color albums (Black through Violet) are human-composed source material spanning 10+ years of original work — all audio, lyrics, and arrangements are the product of human creativity. The White album is being co-produced with AI using the evolutionary composition pipeline described above. No sampled or licensed material is used in any album.
License
Collaborative Intelligence License v1.0 — This work represents conscious partnership between human creativity and AI. Both parties have agency; both must consent to sharing.
Generated 2026-02-13 | GitHub
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