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segment_id
string
segment_index
int64
song_id
string
track_number
int64
track_description
string
track_group
string
track_player
string
source_audio_file
string
segment_audio_file
string
midi_file
string
start_seconds
float64
end_seconds
float64
duration_seconds
float64
has_audio
bool
has_midi
bool
lyric_text
string
structure_section
string
segment_type
string
original_start_seconds
float64
original_end_seconds
float64
has_structure_adjustments
bool
structure_adjustments
string
is_sub_segment
bool
sub_segment_info
string
lrc_line_number
float64
lyric_char_count
uint32
lyric_word_count
uint32
start_adjustment_seconds
float64
end_adjustment_seconds
float64
content_type
string
manifest_track_key
string
bpm
int64
tempo_numerator
float64
tempo_denominator
float64
key_signature_note
string
key_signature_mode
string
rainbow_color
string
rainbow_color_temporal_mode
string
rainbow_color_objectional_mode
string
rainbow_color_ontological_mode
string
transmigrational_mode
string
title
string
release_date
string
total_running_time
string
vocals
bool
lyrics
bool
lrc_lyrics
string
sounds_like
string
mood
string
genres
string
lrc_file
string
concept
string
training_data
dict
song_structure
string
midi_group_file
string
01_01_seg_0001_track_01
0
01_01
1
lead vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_01.wav
null
14.027
17.107
3.08
true
false
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
audio_only
01_01_1
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0001_track_02
0
01_01
2
backing vocal, mostly on chorus
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_02.wav
null
14.027
17.107
3.08
true
false
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
audio_only
01_01_2
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0001_track_06
0
01_01
6
Alchemy synth bass
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_06.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid
14.027
17.107
3.08
true
true
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
audio_midi
01_01_6
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0001_track_07
0
01_01
7
Wurlitzer style home organ
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_07.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid
14.027
17.107
3.08
true
true
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
audio_midi
01_01_7
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0001_track_13
0
01_01
13
electric bass with spring reverb and tape slap
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_13.wav
null
14.027
17.107
3.08
true
false
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
audio_only
01_01_13
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0001_track_14
0
01_01
14
heavily spring-reverb electric baritone guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_14.wav
null
14.027
17.107
3.08
true
false
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
audio_only
01_01_14
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0001_track_15
0
01_01
15
big, open room mic
drums
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_15.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
14.027
17.107
3.08
true
true
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
audio_midi
01_01_15
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0001_track_16
0
01_01
16
sizzling ride and crash cymbals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_16.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
14.027
17.107
3.08
false
true
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
midi_only
01_01_16
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0001_track_17
0
01_01
17
leaky noise gate may get other drum sounds
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_17.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
14.027
17.107
3.08
false
true
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
midi_only
01_01_17
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0001_track_18
0
01_01
18
not a great mic placement but adds character to kick
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_18.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
14.027
17.107
3.08
false
true
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
midi_only
01_01_18
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0001_track_19
0
01_01
19
ungated mic over hi-hat
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_19.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
14.027
17.107
3.08
true
true
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
audio_midi
01_01_19
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0001_track_20
0
01_01
20
gated with loose snare
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_20.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
14.027
17.107
3.08
false
true
Hoisted high now
Verse 1
combined
15
17.107
true
Start aligned to Verse Intro boundary at 14.027s
false
null
5
16
3
-0.973
0
midi_only
01_01_20
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0001_track_21
0
01_01
21
gated, but roomy mic picking up multiple hits
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_21.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
14.027
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Hoisted high now
Verse 1
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0001_track_22
0
01_01
22
big, over-modulated floor tom
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_22.wav
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Hoisted high now
Verse 1
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0002_track_01
1
01_01
1
lead vocals
null
RainbowPlayer.GABE
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They’re waiting for you to come down
Verse 1
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0002_track_02
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backing vocal, mostly on chorus
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_02.wav
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They’re waiting for you to come down
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0002_track_06
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Alchemy synth bass
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RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_06.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid
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They’re waiting for you to come down
Verse 1
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0002_track_07
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Wurlitzer style home organ
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RainbowPlayer.GABE
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/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_07.wav
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They’re waiting for you to come down
Verse 1
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0002_track_13
1
01_01
13
electric bass with spring reverb and tape slap
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_13.wav
null
17.107
20.217
3.11
true
false
They’re waiting for you to come down
Verse 1
combined
17.107
20.217
false
false
null
7
36
7
0
0
audio_only
01_01_13
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0002_track_14
1
01_01
14
heavily spring-reverb electric baritone guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_14.wav
null
17.107
20.217
3.11
true
false
They’re waiting for you to come down
Verse 1
combined
17.107
20.217
false
false
null
7
36
7
0
0
audio_only
01_01_14
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0002_track_15
1
01_01
15
big, open room mic
drums
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_15.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
17.107
20.217
3.11
false
true
They’re waiting for you to come down
Verse 1
combined
17.107
20.217
false
false
null
7
36
7
0
0
midi_only
01_01_15
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0002_track_16
1
01_01
16
sizzling ride and crash cymbals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_16.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
17.107
20.217
3.11
false
true
They’re waiting for you to come down
Verse 1
combined
17.107
20.217
false
false
null
7
36
7
0
0
midi_only
01_01_16
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0002_track_17
1
01_01
17
leaky noise gate may get other drum sounds
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_17.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
17.107
20.217
3.11
false
true
They’re waiting for you to come down
Verse 1
combined
17.107
20.217
false
false
null
7
36
7
0
0
midi_only
01_01_17
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0002_track_18
1
01_01
18
not a great mic placement but adds character to kick
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_18.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
17.107
20.217
3.11
false
true
They’re waiting for you to come down
Verse 1
combined
17.107
20.217
false
false
null
7
36
7
0
0
midi_only
01_01_18
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0002_track_19
1
01_01
19
ungated mic over hi-hat
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_19.wav
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They’re waiting for you to come down
Verse 1
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null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0002_track_20
1
01_01
20
gated with loose snare
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_20.wav
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They’re waiting for you to come down
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0002_track_21
1
01_01
21
gated, but roomy mic picking up multiple hits
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_21.wav
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They’re waiting for you to come down
Verse 1
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0002_track_22
1
01_01
22
big, over-modulated floor tom
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_22.wav
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They’re waiting for you to come down
Verse 1
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0003_track_01
2
01_01
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lead vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0003_track_02
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backing vocal, mostly on chorus
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RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
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Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0003_track_06
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Alchemy synth bass
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RainbowPlayer.GABE
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
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Wurlitzer style home organ
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What’s good is gone
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
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01_01
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heavily spring-reverb electric guitar
null
RainbowPlayer.GABE
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
01_01_seg_0003_track_13
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01_01
13
electric bass with spring reverb and tape slap
null
RainbowPlayer.GABE
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What’s good is gone
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
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heavily spring-reverb electric baritone guitar
null
RainbowPlayer.GABE
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
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Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
null
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big, open room mic
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RainbowPlayer.GABE
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Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
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true
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Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0003_track_16
2
01_01
16
sizzling ride and crash cymbals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_16.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
20.217
23.196
2.979
false
true
What’s good is gone
Verse 1
combined
20.217
23.196
false
false
null
9
19
4
0
0
midi_only
01_01_16
136
4
4
A
minor
Black
null
null
null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
01_01_seg_0003_track_17
2
01_01
17
leaky noise gate may get other drum sounds
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_17.wav
/Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid
20.217
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What’s good is gone
Verse 1
combined
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136
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minor
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null
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null
Objectional ➡️ Temporal ➡️ Ontological
The Conjurer's Thread
2017-07-18T00:00:00
[04:25.999]
true
true
Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled
David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665
dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane
Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock
01_01.lrc
The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose.
{ "album_sequence": 1, "avg_word_length": 4.458823529411765, "boundary_fluidity_score": 0, "concept_length": 463, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.3529411764705882, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.02631578947368421, "rebracketing_intensity": 3.5294117647058822, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.3529411764705882, "track_duration": 265.999, "track_id": "01_01", "track_position": 1, "uncertainty_level": 0, "word_count": 85 }
Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999]
01_01_drums.mid
End of preview. Expand in Data Studio

White Training Data

Training data and models for the Rainbow Table chromatic fitness function — a multimodal ML model that scores how well audio, MIDI, and text align with a target chromatic mode (Black, Red, Orange, Yellow, Green, Blue, Indigo, Violet).

Part of The Earthly Frames project, a conscious collaboration between human creativity and AI.

Purpose

These models are fitness functions for evolutionary music composition, not classifiers in isolation. The production pipeline works like this:

  1. A concept agent generates a textual concept
  2. A music production agent generates 50 chord progression variations
  3. The chromatic fitness model scores each for consistency with the target color
  4. Top candidates advance through drums, bass, melody stages
  5. Final candidates go to human evaluation

Version

Current: v0.3.0 — 2026-02-13

Dataset Structure

Split Rows Description
base_manifest 1,327 Track-level metadata: song info, concepts, musical keys, chromatic labels, training targets
training_segments 11,605 Time-aligned segments with lyric text, structure sections, audio/MIDI coverage flags
training_full 11,605 Segments joined with manifest metadata — the primary training table

Playable Audio Preview

Split Rows Description
preview ~160 Playable audio preview — 20 segments per chromatic color with inline audio playback

Try it: Load the preview config to hear what each chromatic color sounds like:

from datasets import load_dataset

# Load playable preview
preview = load_dataset("earthlyframes/white-training-data", "preview")

# Listen to a GREEN segment
green_segment = preview.filter(lambda x: x['rainbow_color'] == 'Green')[0]
print(green_segment['concept'])
# Audio plays inline in Jupyter/Colab, or access via green_segment['audio']

Coverage by Chromatic Color

Color Segments Audio MIDI Text
Black 1,748 83.0% 58.5% 100.0%
Red 1,474 93.7% 48.6% 90.7%
Orange 1,731 83.8% 51.1% 100.0%
Yellow 656 88.0% 52.9% 52.6%
Green 393 90.1% 69.5% 0.0%
Violet 2,100 75.9% 55.6% 100.0%
Indigo 1,406 77.2% 34.1% 100.0%
Blue 2,097 96.0% 12.1% 100.0%

Note: Audio waveforms and MIDI binaries are stored separately (not included in metadata configs due to size). The preview config includes playable audio for exploration. The media parquet (~15 GB) is used locally during training.

Trained Models

File Size Description
data/models/fusion_model.pt ~16 MB PyTorch checkpoint — MultimodalFusionModel (4.3M params)
data/models/fusion_model.onnx ~16 MB ONNX export for fast CPU inference

The models are consumed via the ChromaticScorer class, which wraps encoding and inference:

from chromatic_scorer import ChromaticScorer

scorer = ChromaticScorer("path/to/fusion_model.onnx")
result = scorer.score(midi_bytes=midi, audio_waveform=audio, concept_text="a haunted lullaby")
# result: {"temporal": 0.87, "spatial": 0.91, "ontological": 0.83, "confidence": 0.89}

# Batch scoring for evolutionary candidate selection
ranked = scorer.score_batch(candidates, target_color="Violet")

Architecture: PianoRollEncoder CNN (1.1M params, unfrozen) + fusion MLP (3.2M params) with 4 regression heads. Input: audio (512-dim CLAP) + MIDI (512-dim piano roll) + concept (768-dim DeBERTa) + lyric (768-dim DeBERTa) = 2560-dim fused representation. Trained with learned null embeddings and modality dropout (p=0.15) for robustness to missing modalities.

Key Features

training_full (primary training table)

  • rainbow_color — Target chromatic label (Black/Red/Orange/Yellow/Green/Blue/Indigo/Violet)
  • rainbow_color_temporal_mode / rainbow_color_ontological_mode — Regression targets for mode dimensions
  • concept — Textual concept describing the song's narrative
  • lyric_text — Segment-level lyrics (when available)
  • bpm, key_signature_note, key_signature_mode — Musical metadata
  • training_data — Struct with computed features: rebracketing type/intensity, narrative complexity, boundary fluidity, etc.
  • has_audio / has_midi — Modality availability flags
  • start_seconds / end_seconds — Segment time boundaries

preview (playable audio)

Same metadata fields as training_full, plus:

  • audio — Audio feature with inline playback support (FLAC encoded, 44.1kHz)
  • duration_seconds — Segment duration

Usage

from datasets import load_dataset

# Load the primary training table (segments + manifest metadata)
training = load_dataset("earthlyframes/white-training-data", "training_full")

# Load playable audio preview
preview = load_dataset("earthlyframes/white-training-data", "preview")

# Load just the base manifest (track-level)
manifest = load_dataset("earthlyframes/white-training-data", "base_manifest")

# Load raw segments (no manifest join)
segments = load_dataset("earthlyframes/white-training-data", "training_segments")

# Load a specific version
training = load_dataset("earthlyframes/white-training-data", "training_full", revision="v0.3.0")

Training Results

Text-Only (Phases 1-4)

Task Metric Result
Binary classification (has rebracketing) Accuracy 100%
Multi-class classification (rebracketing type) Accuracy 100%
Temporal mode regression Mode accuracy 94.9%
Ontological mode regression Mode accuracy 92.9%
Spatial mode regression Mode accuracy 61.6%

Multimodal Fusion (Phase 3)

Dimension Text-Only Multimodal Improvement
Temporal 94.9% 90.0%
Ontological 92.9% 91.0%
Spatial 61.6% 93.0% +31.4%

Spatial mode was bottlenecked by instrumental albums (Yellow, Green) which lack text. The multimodal fusion model resolves this by incorporating CLAP audio embeddings and piano roll MIDI features, enabling accurate scoring even without lyrics. Temporal and ontological show slight regression in multi-task mode but remain strong; single-task variants can be used where maximum per-dimension accuracy is needed.

Source

83 songs across 8 chromatic albums. The 7 color albums (Black through Violet) are human-composed source material spanning 10+ years of original work — all audio, lyrics, and arrangements are the product of human creativity. The White album is being co-produced with AI using the evolutionary composition pipeline described above. No sampled or licensed material is used in any album.

License

Collaborative Intelligence License v1.0 — This work represents conscious partnership between human creativity and AI. Both parties have agency; both must consent to sharing.


Generated 2026-02-13 | GitHub

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