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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_01_seg_0007_track_14 | 6 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_14.wav | null | 35.171 | 38.001 | 2.83 | true | false | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0007_track_15 | 6 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 35.171 | 38.001 | 2.83 | true | true | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0007_track_16 | 6 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 35.171 | 38.001 | 2.83 | true | true | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_midi | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0007_track_17 | 6 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 35.171 | 38.001 | 2.83 | true | true | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_midi | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0007_track_18 | 6 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 35.171 | 38.001 | 2.83 | false | true | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | midi_only | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0007_track_19 | 6 | 01_01 | 19 | ungated mic over hi-hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 35.171 | 38.001 | 2.83 | true | true | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_midi | 01_01_19 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0008_track_11 | 7 | 01_01 | 11 | Pitched and sampled guitar sound | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0008_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid | 38.001 | 42.086 | 4.085 | true | false | And herded toward the back is she | Verse 2 | combined | 38.107 | 42.186 | true | Start aligned to Verse 2 boundary at 38.001s | End aligned to Verse 2 boundary at 42.086s | false | null | 19 | 33 | 7 | -0.106 | -0.1 | audio_only | 01_01_11 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0008_track_12 | 7 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0008_track_12.wav | null | 38.001 | 42.086 | 4.085 | true | false | And herded toward the back is she | Verse 2 | combined | 38.107 | 42.186 | true | Start aligned to Verse 2 boundary at 38.001s | End aligned to Verse 2 boundary at 42.086s | false | null | 19 | 33 | 7 | -0.106 | -0.1 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0008_track_13 | 7 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0008_track_13.wav | null | 38.001 | 42.086 | 4.085 | true | false | And herded toward the back is she | Verse 2 | combined | 38.107 | 42.186 | true | Start aligned to Verse 2 boundary at 38.001s | End aligned to Verse 2 boundary at 42.086s | false | null | 19 | 33 | 7 | -0.106 | -0.1 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0008_track_15 | 7 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0008_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 38.001 | 42.086 | 4.085 | true | true | And herded toward the back is she | Verse 2 | combined | 38.107 | 42.186 | true | Start aligned to Verse 2 boundary at 38.001s | End aligned to Verse 2 boundary at 42.086s | false | null | 19 | 33 | 7 | -0.106 | -0.1 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0008_track_16 | 7 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0008_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 38.001 | 42.086 | 4.085 | true | true | And herded toward the back is she | Verse 2 | combined | 38.107 | 42.186 | true | Start aligned to Verse 2 boundary at 38.001s | End aligned to Verse 2 boundary at 42.086s | false | null | 19 | 33 | 7 | -0.106 | -0.1 | audio_midi | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0008_track_17 | 7 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0008_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 38.001 | 42.086 | 4.085 | true | true | And herded toward the back is she | Verse 2 | combined | 38.107 | 42.186 | true | Start aligned to Verse 2 boundary at 38.001s | End aligned to Verse 2 boundary at 42.086s | false | null | 19 | 33 | 7 | -0.106 | -0.1 | audio_midi | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0008_track_18 | 7 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0008_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 38.001 | 42.086 | 4.085 | false | true | And herded toward the back is she | Verse 2 | combined | 38.107 | 42.186 | true | Start aligned to Verse 2 boundary at 38.001s | End aligned to Verse 2 boundary at 42.086s | false | null | 19 | 33 | 7 | -0.106 | -0.1 | midi_only | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
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01_01_seg_0009_track_02 | 8 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_02.wav | null | 42.086 | 45.165 | 3.079 | true | false | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0009_track_10 | 8 | 01_01 | 10 | Galloping sequence synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid | 42.086 | 45.165 | 3.079 | true | false | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | audio_only | 01_01_10 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0009_track_11 | 8 | 01_01 | 11 | Pitched and sampled guitar sound | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid | 42.086 | 45.165 | 3.079 | true | false | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | audio_only | 01_01_11 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0009_track_12 | 8 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_12.wav | null | 42.086 | 45.165 | 3.079 | true | false | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0009_track_13 | 8 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_13.wav | null | 42.086 | 45.165 | 3.079 | true | false | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0009_track_14 | 8 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_14.wav | null | 42.086 | 45.165 | 3.079 | true | false | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0009_track_15 | 8 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 42.086 | 45.165 | 3.079 | true | true | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
01_01_seg_0009_track_18 | 8 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 42.086 | 45.165 | 3.079 | true | true | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | audio_midi | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0009_track_22 | 8 | 01_01 | 22 | big, over-modulated floor tom | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0009_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 42.086 | 45.165 | 3.079 | false | true | In the top stall | Verse 3 | combined | 42.186 | 45.165 | true | Start aligned to Verse 2 boundary at 42.086s | false | null | 21 | 16 | 4 | -0.1 | 0 | midi_only | 01_01_22 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0010_track_02 | 9 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0010_track_02.wav | null | 45.165 | 49.014 | 3.849 | true | false | a butcher start a brawl | Verse 3 | combined | 45.165 | 49.014 | false | false | null | 23 | 23 | 5 | 0 | 0 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
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01_01_seg_0010_track_11 | 9 | 01_01 | 11 | Pitched and sampled guitar sound | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0010_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid | 45.165 | 49.014 | 3.849 | true | false | a butcher start a brawl | Verse 3 | combined | 45.165 | 49.014 | false | false | null | 23 | 23 | 5 | 0 | 0 | audio_only | 01_01_11 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0010_track_12 | 9 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0010_track_12.wav | null | 45.165 | 49.014 | 3.849 | true | false | a butcher start a brawl | Verse 3 | combined | 45.165 | 49.014 | false | false | null | 23 | 23 | 5 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0010_track_13 | 9 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0010_track_13.wav | null | 45.165 | 49.014 | 3.849 | true | false | a butcher start a brawl | Verse 3 | combined | 45.165 | 49.014 | false | false | null | 23 | 23 | 5 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0010_track_14 | 9 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0010_track_14.wav | null | 45.165 | 49.014 | 3.849 | true | false | a butcher start a brawl | Verse 3 | combined | 45.165 | 49.014 | false | false | null | 23 | 23 | 5 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0010_track_15 | 9 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0010_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 45.165 | 49.014 | 3.849 | true | true | a butcher start a brawl | Verse 3 | combined | 45.165 | 49.014 | false | false | null | 23 | 23 | 5 | 0 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0011_track_01 | 10 | 01_01 | 1 | lead vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0011_track_01.wav | null | 49.014 | 51.241 | 2.227 | true | false | And thrown is he | Verse 3 | combined | 49.014 | 51.241 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_only | 01_01_1 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0011_track_12 | 10 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0011_track_12.wav | null | 49.014 | 51.241 | 2.227 | true | false | And thrown is he | Verse 3 | combined | 49.014 | 51.241 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0011_track_13 | 10 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0011_track_13.wav | null | 49.014 | 51.241 | 2.227 | true | false | And thrown is he | Verse 3 | combined | 49.014 | 51.241 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0011_track_14 | 10 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0011_track_14.wav | null | 49.014 | 51.241 | 2.227 | true | false | And thrown is he | Verse 3 | combined | 49.014 | 51.241 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0011_track_15 | 10 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0011_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 49.014 | 51.241 | 2.227 | true | true | And thrown is he | Verse 3 | combined | 49.014 | 51.241 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0011_track_16 | 10 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0011_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 49.014 | 51.241 | 2.227 | true | true | And thrown is he | Verse 3 | combined | 49.014 | 51.241 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_midi | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0011_track_18 | 10 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0011_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 49.014 | 51.241 | 2.227 | false | true | And thrown is he | Verse 3 | combined | 49.014 | 51.241 | false | false | null | 25 | 16 | 4 | 0 | 0 | midi_only | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_06 | 11 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 51.241 | 52.016 | 0.775 | true | true | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_midi | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_07 | 11 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0012_track_10 | 11 | 01_01 | 10 | Galloping sequence synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_10 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_11 | 11 | 01_01 | 11 | Pitched and sampled guitar sound | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_11 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_12 | 11 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_12.wav | null | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_13 | 11 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_13.wav | null | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_14 | 11 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_14.wav | null | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_15 | 11 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_16 | 11 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0012_track_19 | 11 | 01_01 | 19 | ungated mic over hi-hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0012_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 51.241 | 52.016 | 0.775 | true | false | toppling from the balcony | Verse 3 | combined | 51.241 | 52.016 | false | false | null | 27 | 25 | 4 | 0 | 0 | audio_only | 01_01_19 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0013_track_02 | 12 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_02.wav | null | 52.016 | 82.016 | 30 | true | false | At the house’s mercy | Interlude 1 | combined | 52.016 | 88.031 | false | true | 1/2 | 29 | 20 | 4 | 0 | -6.015 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0013_track_06 | 12 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 52.016 | 82.016 | 30 | true | true | At the house’s mercy | Interlude 1 | combined | 52.016 | 88.031 | false | true | 1/2 | 29 | 20 | 4 | 0 | -6.015 | audio_midi | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0013_track_07 | 12 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 52.016 | 82.016 | 30 | true | true | At the house’s mercy | Interlude 1 | combined | 52.016 | 88.031 | false | true | 1/2 | 29 | 20 | 4 | 0 | -6.015 | audio_midi | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0013_track_12 | 12 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_12.wav | null | 52.016 | 82.016 | 30 | true | false | At the house’s mercy | Interlude 1 | combined | 52.016 | 88.031 | false | true | 1/2 | 29 | 20 | 4 | 0 | -6.015 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0013_track_13 | 12 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_13.wav | null | 52.016 | 82.016 | 30 | true | false | At the house’s mercy | Interlude 1 | combined | 52.016 | 88.031 | false | true | 1/2 | 29 | 20 | 4 | 0 | -6.015 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0013_track_14 | 12 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_14.wav | null | 52.016 | 82.016 | 30 | true | false | At the house’s mercy | Interlude 1 | combined | 52.016 | 88.031 | false | true | 1/2 | 29 | 20 | 4 | 0 | -6.015 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0013_track_15 | 12 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0013_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 52.016 | 82.016 | 30 | true | true | At the house’s mercy | Interlude 1 | combined | 52.016 | 88.031 | false | true | 1/2 | 29 | 20 | 4 | 0 | -6.015 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid |
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