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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_02 | 0 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_02.wav | null | 14.027 | 17.107 | 3.08 | true | false | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_06 | 0 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 14.027 | 17.107 | 3.08 | true | true | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_midi | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_07 | 0 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 14.027 | 17.107 | 3.08 | true | true | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_midi | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_13 | 0 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_13.wav | null | 14.027 | 17.107 | 3.08 | true | false | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0001_track_14 | 0 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0001_track_14.wav | null | 14.027 | 17.107 | 3.08 | true | false | Hoisted high now | Verse 1 | combined | 15 | 17.107 | true | Start aligned to Verse Intro boundary at 14.027s | false | null | 5 | 16 | 3 | -0.973 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0002_track_13 | 1 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_13.wav | null | 17.107 | 20.217 | 3.11 | true | false | They’re waiting for you to come down | Verse 1 | combined | 17.107 | 20.217 | false | false | null | 7 | 36 | 7 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0002_track_14 | 1 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_14.wav | null | 17.107 | 20.217 | 3.11 | true | false | They’re waiting for you to come down | Verse 1 | combined | 17.107 | 20.217 | false | false | null | 7 | 36 | 7 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0002_track_15 | 1 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 17.107 | 20.217 | 3.11 | false | true | They’re waiting for you to come down | Verse 1 | combined | 17.107 | 20.217 | false | false | null | 7 | 36 | 7 | 0 | 0 | midi_only | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0002_track_16 | 1 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0002_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 17.107 | 20.217 | 3.11 | false | true | They’re waiting for you to come down | Verse 1 | combined | 17.107 | 20.217 | false | false | null | 7 | 36 | 7 | 0 | 0 | midi_only | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_06 | 2 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 20.217 | 23.196 | 2.979 | true | true | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_midi | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_07 | 2 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 20.217 | 23.196 | 2.979 | true | true | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_midi | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0003_track_12 | 2 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_12.wav | null | 20.217 | 23.196 | 2.979 | true | false | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_13 | 2 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_13.wav | null | 20.217 | 23.196 | 2.979 | true | false | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_14 | 2 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_14.wav | null | 20.217 | 23.196 | 2.979 | true | false | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0003_track_22 | 2 | 01_01 | 22 | big, over-modulated floor tom | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0003_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 20.217 | 23.196 | 2.979 | false | true | What’s good is gone | Verse 1 | combined | 20.217 | 23.196 | false | false | null | 9 | 19 | 4 | 0 | 0 | midi_only | 01_01_22 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0004_track_01 | 3 | 01_01 | 1 | lead vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_01.wav | null | 23.196 | 28.144 | 4.948 | true | false | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | audio_only | 01_01_1 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0004_track_02 | 3 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_02.wav | null | 23.196 | 28.144 | 4.948 | true | false | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0004_track_12 | 3 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_12.wav | null | 23.196 | 28.144 | 4.948 | true | false | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0004_track_13 | 3 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_13.wav | null | 23.196 | 28.144 | 4.948 | true | false | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0004_track_14 | 3 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_14.wav | null | 23.196 | 28.144 | 4.948 | true | false | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0004_track_15 | 3 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 23.196 | 28.144 | 4.948 | false | true | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | midi_only | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0004_track_16 | 3 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 23.196 | 28.144 | 4.948 | false | true | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | midi_only | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0004_track_17 | 3 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 23.196 | 28.144 | 4.948 | false | true | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | midi_only | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0004_track_18 | 3 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0004_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 23.196 | 28.144 | 4.948 | false | true | And gone is what they long to be. | Verse 1 | combined | 23.196 | 28.144 | false | false | null | 11 | 33 | 8 | 0 | 0 | midi_only | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_06 | 4 | 01_01 | 6 | Alchemy synth bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_bass.mid | 28.144 | 32.045 | 3.901 | true | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_midi | 01_01_6 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0005_track_07 | 4 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 28.144 | 32.045 | 3.901 | true | false | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_only | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0005_track_10 | 4 | 01_01 | 10 | Galloping sequence synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid | 28.144 | 32.045 | 3.901 | true | false | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_only | 01_01_10 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0005_track_11 | 4 | 01_01 | 11 | Pitched and sampled guitar sound | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid | 28.144 | 32.045 | 3.901 | true | false | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_only | 01_01_11 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_12 | 4 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_12.wav | null | 28.144 | 32.045 | 3.901 | true | false | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_13 | 4 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_13.wav | null | 28.144 | 32.045 | 3.901 | true | false | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_14 | 4 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_14.wav | null | 28.144 | 32.045 | 3.901 | true | false | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_15 | 4 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 28.144 | 32.045 | 3.901 | true | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_16 | 4 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 28.144 | 32.045 | 3.901 | true | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_midi | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_17 | 4 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 28.144 | 32.045 | 3.901 | false | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | midi_only | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_18 | 4 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 28.144 | 32.045 | 3.901 | false | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | midi_only | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_19 | 4 | 01_01 | 19 | ungated mic over hi-hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 28.144 | 32.045 | 3.901 | true | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_midi | 01_01_19 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_20 | 4 | 01_01 | 20 | gated with loose snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 28.144 | 32.045 | 3.901 | false | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | midi_only | 01_01_20 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_21 | 4 | 01_01 | 21 | gated, but roomy mic picking up multiple hits | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 28.144 | 32.045 | 3.901 | true | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | audio_midi | 01_01_21 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0005_track_22 | 4 | 01_01 | 22 | big, over-modulated floor tom | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0005_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 28.144 | 32.045 | 3.901 | false | true | No compliments | Verse 1 | combined | 28.144 | 32.045 | false | false | null | 13 | 14 | 2 | 0 | 0 | midi_only | 01_01_22 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_07 | 5 | 01_01 | 7 | Wurlitzer style home organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_organ.mid | 32.045 | 35.171 | 3.126 | true | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | audio_midi | 01_01_7 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0006_track_10 | 5 | 01_01 | 10 | Galloping sequence synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid | 32.045 | 35.171 | 3.126 | true | false | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | audio_only | 01_01_10 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0006_track_11 | 5 | 01_01 | 11 | Pitched and sampled guitar sound | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid | 32.045 | 35.171 | 3.126 | true | false | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | audio_only | 01_01_11 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null | |
01_01_seg_0006_track_12 | 5 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_12.wav | null | 32.045 | 35.171 | 3.126 | true | false | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_13 | 5 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_13.wav | null | 32.045 | 35.171 | 3.126 | true | false | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_14 | 5 | 01_01 | 14 | heavily spring-reverb electric baritone guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_14.wav | null | 32.045 | 35.171 | 3.126 | true | false | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | audio_only | 01_01_14 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_15 | 5 | 01_01 | 15 | big, open room mic | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 32.045 | 35.171 | 3.126 | true | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | audio_midi | 01_01_15 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_16 | 5 | 01_01 | 16 | sizzling ride and crash cymbals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 32.045 | 35.171 | 3.126 | false | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | midi_only | 01_01_16 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid | |
01_01_seg_0006_track_17 | 5 | 01_01 | 17 | leaky noise gate may get other drum sounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 32.045 | 35.171 | 3.126 | false | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | midi_only | 01_01_17 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid | |
01_01_seg_0006_track_18 | 5 | 01_01 | 18 | not a great mic placement but adds character to kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 32.045 | 35.171 | 3.126 | false | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | midi_only | 01_01_18 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_19 | 5 | 01_01 | 19 | ungated mic over hi-hat | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 32.045 | 35.171 | 3.126 | true | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | audio_midi | 01_01_19 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_20 | 5 | 01_01 | 20 | gated with loose snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_24.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 32.045 | 35.171 | 3.126 | false | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | midi_only | 01_01_20 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_21 | 5 | 01_01 | 21 | gated, but roomy mic picking up multiple hits | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 32.045 | 35.171 | 3.126 | false | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | midi_only | 01_01_21 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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01_01_seg_0006_track_22 | 5 | 01_01 | 22 | big, over-modulated floor tom | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_26.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0006_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_drums.mid | 32.045 | 35.171 | 3.126 | false | true | for the broken instruments | Verse 1 | combined | 32.045 | 35.171 | false | false | null | 15 | 26 | 4 | 0 | 0 | midi_only | 01_01_22 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | 01_01_drums.mid | |
01_01_seg_0007_track_01 | 6 | 01_01 | 1 | lead vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_01.wav | null | 35.171 | 38.001 | 2.83 | true | false | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_only | 01_01_1 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0007_track_02 | 6 | 01_01 | 2 | backing vocal, mostly on chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_02.wav | null | 35.171 | 38.001 | 2.83 | true | false | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_only | 01_01_2 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0007_track_10 | 6 | 01_01 | 10 | Galloping sequence synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_synth_lead_2.mid | 35.171 | 38.001 | 2.83 | true | false | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_only | 01_01_10 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0007_track_11 | 6 | 01_01 | 11 | Pitched and sampled guitar sound | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_guitar_sample.mid | 35.171 | 38.001 | 2.83 | true | false | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_only | 01_01_11 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0007_track_12 | 6 | 01_01 | 12 | heavily spring-reverb electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_12.wav | null | 35.171 | 38.001 | 2.83 | true | false | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_only | 01_01_12 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
01_01_seg_0007_track_13 | 6 | 01_01 | 13 | electric bass with spring reverb and tape slap | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_01/01_01_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_01/01_01_seg_0007_track_13.wav | null | 35.171 | 38.001 | 2.83 | true | false | A scream is heard | Verse 1 | combined | 35.171 | 38.107 | true | End aligned to Verse 2 boundary at 38.001s | false | null | 17 | 17 | 4 | 0 | -0.106 | audio_only | 01_01_13 | 136 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Conjurer's Thread | 2017-07-18T00:00:00 | [04:25.999] | true | true | Hoisted high now They’re waiting for you to come down What’s good is gone And gone is what they long to be. No compliments for the broken instruments A scream is heard And herded toward the back is she In the top stall a butcher start a brawl And thrown is he toppling from the balcony At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled Let them stare through no impromptu What did they paid for? What did they stay for? Let them burn through there’s no trick to undo What did they paid for? What did they stay for? At the house’s mercy the conjurer’s thread grows bare Call for the understudy Have you seen him anywhere? At the house’s mercy not one step ahead Call for the confederates at least they know they’re misled | David Bowie, discogs_id: 10263, Broadcast, discogs_id: 955, Nick Cave & The Bad Seeds, discogs_id: 36665 | dark, mysterious, haunting, ethereal, ghostly, ominous, spooky, eerie, otherworldly, unsettling, creepy, chilling, foreboding, sinister, supernatural, phantasmal, spectral, haunted, occult, arcane | Experimental, Psychedelic, Post-Punk, Art Rock, Avant-Garde, Electronic, Indie Rock, Dark Wave, Gothic Rock | 01_01.lrc | The song takes place in a vaudeville theater where a spiritualist has tried to levitate but the trick has gone wrong. He now hangs high in the air and his thin thread is fraying. He watches as the audience revolts when the illusion is shattered. This is the first song on the 'black' album which our protagonist are struggling to find a way to survive in world where the magic has suddenly shut off. They yearns for their connection to a higher plane and purpose. | {
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} | Verse Intro : Verse part without vocals, sets the mood, [00:00.000]-[00:14.027] | Verse 1 : First verse with lead vocals, [00:14.027]-[00:38.000] | Verse 2 : Second verse, more background synths introduced, [00:38.001]-[00:42.086] | Verse 3 : Third verse, [00:42.086]-[00:55.145] | Interlude 1 : Bizarre synths and primitive drumming, [00:55.145]-[01:24.175] | Chorus 1 : Galloping chorus with backing vocals, [01:24.175]-[01:52.234] | Verse 4 : Returning to verses with back beat, [01:52.234]-[02:07.013] | Verse 5 : Slight breaks, call response with snare, [02:07.013]-[02:21.043] | Chorus 2 : Return chorus with small variations, [02:21.043]-[02:49.102] | Interlude 2 : Bizarre synths and primitive drumming, more galloping bass, [02:49.102]-[03:17.161] | Outro : Synth-heavy ending. Around 03:51.043 an unknown overtone appears. It is not on any particular track, rather it emerges. It's mysterious and ghostly, like a phantom sound., [03:17.161]-[04:25.999] | null |
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