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Dialogue context: MATT: Welcome guys, glad you could join us tonight. Before we get started on the game tonight, I've got some quick announcements to get through, so bear with us here. First and foremost, we have returning tonight our fantastic sponsor and friend, D&D Beyond! Sam. SAM: As we've previously announced, D&D Beyond is contributing $100 to 826LA for every natural one we roll, and that's a lot! Also, as part of the 826LA charity initiative, now that we're way past our $10,000 tier, D&D Beyond has offered up the discount code "826LA" for 25% off the legendary bundle. The legendary bundle includes all the digital materials available on the D&D Beyond site, so check it out now. A quick history lesson: I did some research. D&D Beyond actually, even though it's a popular modern website, it started in the 80s when D&D started to get popular. It didn't catch on because there was no internet, but they still had the website. They did an ad push for it and I found a script from their earliest ad that they put out. It's a little dated. It's a 1980s ad for D&D Beyond, and me and my friends here are going to act it out for you. TALIESIN: Help.
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SAM: We fade in on a teenager's room. Knock, knock, knock.
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Dialogue context: SAM: As we've previously announced, D&D Beyond is contributing $100 to 826LA for every natural one we roll, and that's a lot! Also, as part of the 826LA charity initiative, now that we're way past our $10,000 tier, D&D Beyond has offered up the discount code "826LA" for 25% off the legendary bundle. The legendary bundle includes all the digital materials available on the D&D Beyond site, so check it out now. A quick history lesson: I did some research. D&D Beyond actually, even though it's a popular modern website, it started in the 80s when D&D started to get popular. It didn't catch on because there was no internet, but they still had the website. They did an ad push for it and I found a script from their earliest ad that they put out. It's a little dated. It's a 1980s ad for D&D Beyond, and me and my friends here are going to act it out for you. TALIESIN: Help. SAM: We fade in on a teenager's room. Knock, knock, knock.
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TALIESIN: Son! Turn down that Whitney Houston tape for a second!
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Dialogue context: TALIESIN: Help. SAM: We fade in on a teenager's room. Knock, knock, knock. TALIESIN: Son! Turn down that Whitney Houston tape for a second!
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SAM: Grody to the max, Dad! It's Pet Shop Boys.
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Dialogue context: SAM: We fade in on a teenager's room. Knock, knock, knock. TALIESIN: Son! Turn down that Whitney Houston tape for a second! SAM: Grody to the max, Dad! It's Pet Shop Boys.
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TALIESIN: Whatever. Did you do your homework?
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Dialogue context: TALIESIN: Son! Turn down that Whitney Houston tape for a second! SAM: Grody to the max, Dad! It's Pet Shop Boys. TALIESIN: Whatever. Did you do your homework?
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SAM: No duh, and now I'm going to watch 21 Jump Street on that brand new TV network, Fox! Richard Grieco is bodacious!
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Dialogue context: SAM: Grody to the max, Dad! It's Pet Shop Boys. TALIESIN: Whatever. Did you do your homework? SAM: No duh, and now I'm going to watch 21 Jump Street on that brand new TV network, Fox! Richard Grieco is bodacious!
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LAURA: Well, your friend, Gail, is here to play that game you love.
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Dialogue context: TALIESIN: Whatever. Did you do your homework? SAM: No duh, and now I'm going to watch 21 Jump Street on that brand new TV network, Fox! Richard Grieco is bodacious! LAURA: Well, your friend, Gail, is here to play that game you love.
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SAM: Punchout? Contra? Operation Wolf?
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Dialogue context: SAM: No duh, and now I'm going to watch 21 Jump Street on that brand new TV network, Fox! Richard Grieco is bodacious! LAURA: Well, your friend, Gail, is here to play that game you love. SAM: Punchout? Contra? Operation Wolf?
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LAURA: No, the one your Aunt Pam says was invented by Satanists.
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Dialogue context: LAURA: Well, your friend, Gail, is here to play that game you love. SAM: Punchout? Contra? Operation Wolf? LAURA: No, the one your Aunt Pam says was invented by Satanists.
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ASHLEY: Dungeons & Dragons!
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Dialogue context: SAM: Punchout? Contra? Operation Wolf? LAURA: No, the one your Aunt Pam says was invented by Satanists. ASHLEY: Dungeons & Dragons!
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SAM: Hey, Gail! Where's the beef?
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Dialogue context: LAURA: No, the one your Aunt Pam says was invented by Satanists. ASHLEY: Dungeons & Dragons! SAM: Hey, Gail! Where's the beef?
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ASHLEY: Eat my shorts, dude!
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Dialogue context: ASHLEY: Dungeons & Dragons! SAM: Hey, Gail! Where's the beef? ASHLEY: Eat my shorts, dude!
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TALIESIN: Gail, are you sure D&D is safe? It scares me like rap music by Public Enemy and LL Cool J.
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Dialogue context: SAM: Hey, Gail! Where's the beef? ASHLEY: Eat my shorts, dude! TALIESIN: Gail, are you sure D&D is safe? It scares me like rap music by Public Enemy and LL Cool J.
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SAM: Take a chill pill, Dad! D&D is radical. It's as trustworthy as current Democratic presidential nominee Gary Hart.
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Dialogue context: ASHLEY: Eat my shorts, dude! TALIESIN: Gail, are you sure D&D is safe? It scares me like rap music by Public Enemy and LL Cool J. SAM: Take a chill pill, Dad! D&D is radical. It's as trustworthy as current Democratic presidential nominee Gary Hart.
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TALIESIN: He is trustworthy. (laughter)
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Dialogue context: TALIESIN: Gail, are you sure D&D is safe? It scares me like rap music by Public Enemy and LL Cool J. SAM: Take a chill pill, Dad! D&D is radical. It's as trustworthy as current Democratic presidential nominee Gary Hart. TALIESIN: He is trustworthy. (laughter)
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ASHLEY: Now it's even better with D&D Beyond, with high speed internet, WiFi or a smartphone you can access your stats and more on your iPad or laptop.
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Dialogue context: SAM: Take a chill pill, Dad! D&D is radical. It's as trustworthy as current Democratic presidential nominee Gary Hart. TALIESIN: He is trustworthy. (laughter) ASHLEY: Now it's even better with D&D Beyond, with high speed internet, WiFi or a smartphone you can access your stats and more on your iPad or laptop.
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LAURA: Have any of those things been invented yet?
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Dialogue context: TALIESIN: He is trustworthy. (laughter) ASHLEY: Now it's even better with D&D Beyond, with high speed internet, WiFi or a smartphone you can access your stats and more on your iPad or laptop. LAURA: Have any of those things been invented yet?
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ASHLEY: Gag me with a spoon, Mrs. Henderson.
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Dialogue context: ASHLEY: Now it's even better with D&D Beyond, with high speed internet, WiFi or a smartphone you can access your stats and more on your iPad or laptop. LAURA: Have any of those things been invented yet? ASHLEY: Gag me with a spoon, Mrs. Henderson.
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SAM: Righteous! Now I don't even want to go see that brand new movie, The Lost Boys, I just want to play D&D! Cut to Travis.
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Dialogue context: LAURA: Have any of those things been invented yet? ASHLEY: Gag me with a spoon, Mrs. Henderson. SAM: Righteous! Now I don't even want to go see that brand new movie, The Lost Boys, I just want to play D&D! Cut to Travis.
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TRAVIS: D&D Beyond, available now exclusively at Sharper Image, Sam Goody, Circuit City, Tower Records, Comp USA and Crazy Eddie. (laughter)
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Dialogue context: ASHLEY: Gag me with a spoon, Mrs. Henderson. SAM: Righteous! Now I don't even want to go see that brand new movie, The Lost Boys, I just want to play D&D! Cut to Travis. TRAVIS: D&D Beyond, available now exclusively at Sharper Image, Sam Goody, Circuit City, Tower Records, Comp USA and Crazy Eddie. (laughter)
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MATT: Thank you, Sam.
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Dialogue context: SAM: Righteous! Now I don't even want to go see that brand new movie, The Lost Boys, I just want to play D&D! Cut to Travis. TRAVIS: D&D Beyond, available now exclusively at Sharper Image, Sam Goody, Circuit City, Tower Records, Comp USA and Crazy Eddie. (laughter) MATT: Thank you, Sam.
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TALIESIN: That was amazing.
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Dialogue context: TRAVIS: D&D Beyond, available now exclusively at Sharper Image, Sam Goody, Circuit City, Tower Records, Comp USA and Crazy Eddie. (laughter) MATT: Thank you, Sam. TALIESIN: That was amazing.
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LIAM: How on earth did you not put a Growing Pains reference in that?
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Dialogue context: MATT: Thank you, Sam. TALIESIN: That was amazing. LIAM: How on earth did you not put a Growing Pains reference in that?
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SAM: This is all heavily researched 1987 facts.
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Dialogue context: TALIESIN: That was amazing. LIAM: How on earth did you not put a Growing Pains reference in that? SAM: This is all heavily researched 1987 facts.
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MATT: Thank you, Sam, and thank you, D&D Beyond. We have another sponsor tonight. We've talked about them a little bit in the past and we're super excited to bring Pillars of Eternity II: Deadfire as an awesome sponsor of the show tonight. Once again, from the great Pillars of Eternity series, I was in the first one and all of us are in this one. It comes out very soon, May 8th. It's in the same world, Eora. It's a really fantastic isometric RPG in the classic style of Baldur's Gate. The graphics are beautiful, and the music's incredible. You'd have heard the first game's music all through most of the Critical Role's run so far. It's a great story. For those that have finished the first game, it deals with the god Eothas who is now terrorizing this area called Deadfire. It's very pirate ships and oceanic island travel and it's pretty badass. You get to hear all of us in it and you also get to customize Vox Machina in it.
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Dialogue context: LIAM: How on earth did you not put a Growing Pains reference in that? SAM: This is all heavily researched 1987 facts. MATT: Thank you, Sam, and thank you, D&D Beyond. We have another sponsor tonight. We've talked about them a little bit in the past and we're super excited to bring Pillars of Eternity II: Deadfire as an awesome sponsor of the show tonight. Once again, from the great Pillars of Eternity series, I was in the first one and all of us are in this one. It comes out very soon, May 8th. It's in the same world, Eora. It's a really fantastic isometric RPG in the classic style of Baldur's Gate. The graphics are beautiful, and the music's incredible. You'd have heard the first game's music all through most of the Critical Role's run so far. It's a great story. For those that have finished the first game, it deals with the god Eothas who is now terrorizing this area called Deadfire. It's very pirate ships and oceanic island travel and it's pretty badass. You get to hear all of us in it and you also get to customize Vox Machina in it.
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SAM: What?!
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Dialogue context: SAM: This is all heavily researched 1987 facts. MATT: Thank you, Sam, and thank you, D&D Beyond. We have another sponsor tonight. We've talked about them a little bit in the past and we're super excited to bring Pillars of Eternity II: Deadfire as an awesome sponsor of the show tonight. Once again, from the great Pillars of Eternity series, I was in the first one and all of us are in this one. It comes out very soon, May 8th. It's in the same world, Eora. It's a really fantastic isometric RPG in the classic style of Baldur's Gate. The graphics are beautiful, and the music's incredible. You'd have heard the first game's music all through most of the Critical Role's run so far. It's a great story. For those that have finished the first game, it deals with the god Eothas who is now terrorizing this area called Deadfire. It's very pirate ships and oceanic island travel and it's pretty badass. You get to hear all of us in it and you also get to customize Vox Machina in it. SAM: What?!
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LAURA: You didn't know!
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Dialogue context: MATT: Thank you, Sam, and thank you, D&D Beyond. We have another sponsor tonight. We've talked about them a little bit in the past and we're super excited to bring Pillars of Eternity II: Deadfire as an awesome sponsor of the show tonight. Once again, from the great Pillars of Eternity series, I was in the first one and all of us are in this one. It comes out very soon, May 8th. It's in the same world, Eora. It's a really fantastic isometric RPG in the classic style of Baldur's Gate. The graphics are beautiful, and the music's incredible. You'd have heard the first game's music all through most of the Critical Role's run so far. It's a great story. For those that have finished the first game, it deals with the god Eothas who is now terrorizing this area called Deadfire. It's very pirate ships and oceanic island travel and it's pretty badass. You get to hear all of us in it and you also get to customize Vox Machina in it. SAM: What?! LAURA: You didn't know!
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SAM: No!
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Dialogue context: SAM: What?! LAURA: You didn't know! SAM: No!
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MATT: If you played the first game, you also get to carry over your save over into the second one and actually have your character and your choices in the first game connect to the new story, which is pretty rad. Check out the new companion voices, play the incredible story, and customize some characters who look like Vox Machina and also sound like them if you so feel like it. You can check it out and buy it at versusevil.com/criticalrole.
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Dialogue context: LAURA: You didn't know! SAM: No! MATT: If you played the first game, you also get to carry over your save over into the second one and actually have your character and your choices in the first game connect to the new story, which is pretty rad. Check out the new companion voices, play the incredible story, and customize some characters who look like Vox Machina and also sound like them if you so feel like it. You can check it out and buy it at versusevil.com/criticalrole.
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LIAM: They've just revealed the very dashing portrait of Scanlan Shorthalt today.
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Dialogue context: SAM: No! MATT: If you played the first game, you also get to carry over your save over into the second one and actually have your character and your choices in the first game connect to the new story, which is pretty rad. Check out the new companion voices, play the incredible story, and customize some characters who look like Vox Machina and also sound like them if you so feel like it. You can check it out and buy it at versusevil.com/criticalrole. LIAM: They've just revealed the very dashing portrait of Scanlan Shorthalt today.
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TRAVIS: Sex personified.
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Dialogue context: MATT: If you played the first game, you also get to carry over your save over into the second one and actually have your character and your choices in the first game connect to the new story, which is pretty rad. Check out the new companion voices, play the incredible story, and customize some characters who look like Vox Machina and also sound like them if you so feel like it. You can check it out and buy it at versusevil.com/criticalrole. LIAM: They've just revealed the very dashing portrait of Scanlan Shorthalt today. TRAVIS: Sex personified.
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MATT: Indeed. It's awesome. The combat's super tactical. It's going to be for consoles later this year, the PC release is right around the corner. Get super excited, guys, it's going to be awesome. Thank you, Pillars II and our friends at Obsidian. It's one of those days. My brain is melting. Yeah, check it out. Vox Machina: Origins number six comic has been out for a week. If you haven't had the chance, check it out.
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Dialogue context: LIAM: They've just revealed the very dashing portrait of Scanlan Shorthalt today. TRAVIS: Sex personified. MATT: Indeed. It's awesome. The combat's super tactical. It's going to be for consoles later this year, the PC release is right around the corner. Get super excited, guys, it's going to be awesome. Thank you, Pillars II and our friends at Obsidian. It's one of those days. My brain is melting. Yeah, check it out. Vox Machina: Origins number six comic has been out for a week. If you haven't had the chance, check it out.
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SAM: I've read it. It's good!
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Dialogue context: TRAVIS: Sex personified. MATT: Indeed. It's awesome. The combat's super tactical. It's going to be for consoles later this year, the PC release is right around the corner. Get super excited, guys, it's going to be awesome. Thank you, Pillars II and our friends at Obsidian. It's one of those days. My brain is melting. Yeah, check it out. Vox Machina: Origins number six comic has been out for a week. If you haven't had the chance, check it out. SAM: I've read it. It's good!
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MARISHA: I love it when you're surprised by your own content. It's my favorite.
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Dialogue context: MATT: Indeed. It's awesome. The combat's super tactical. It's going to be for consoles later this year, the PC release is right around the corner. Get super excited, guys, it's going to be awesome. Thank you, Pillars II and our friends at Obsidian. It's one of those days. My brain is melting. Yeah, check it out. Vox Machina: Origins number six comic has been out for a week. If you haven't had the chance, check it out. SAM: I've read it. It's good! MARISHA: I love it when you're surprised by your own content. It's my favorite.
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MATT: That's out. If you haven't seen it yet, I recommend it. It finishes that first story arc. We'll have some more announcements soon, hopefully. We hit our goal with 826, the charity we've been doing. We've hit 40K, which means I have to do another fireside chat.
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Dialogue context: SAM: I've read it. It's good! MARISHA: I love it when you're surprised by your own content. It's my favorite. MATT: That's out. If you haven't seen it yet, I recommend it. It finishes that first story arc. We'll have some more announcements soon, hopefully. We hit our goal with 826, the charity we've been doing. We've hit 40K, which means I have to do another fireside chat.
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SAM: You get to do a fireside chat.
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Dialogue context: MARISHA: I love it when you're surprised by your own content. It's my favorite. MATT: That's out. If you haven't seen it yet, I recommend it. It finishes that first story arc. We'll have some more announcements soon, hopefully. We hit our goal with 826, the charity we've been doing. We've hit 40K, which means I have to do another fireside chat. SAM: You get to do a fireside chat.
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LAURA: It's a joy, Matt.
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Dialogue context: MATT: That's out. If you haven't seen it yet, I recommend it. It finishes that first story arc. We'll have some more announcements soon, hopefully. We hit our goal with 826, the charity we've been doing. We've hit 40K, which means I have to do another fireside chat. SAM: You get to do a fireside chat. LAURA: It's a joy, Matt.
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MATT: It's true. It is a joy, actually.
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Dialogue context: SAM: You get to do a fireside chat. LAURA: It's a joy, Matt. MATT: It's true. It is a joy, actually.
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TRAVIS: Sans robe this time?
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Dialogue context: LAURA: It's a joy, Matt. MATT: It's true. It is a joy, actually. TRAVIS: Sans robe this time?
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MATT: No. Don't give them ideas.
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Dialogue context: MATT: It's true. It is a joy, actually. TRAVIS: Sans robe this time? MATT: No. Don't give them ideas.
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LIAM: You want sherry or schnapps? Or what do you want?
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Dialogue context: TRAVIS: Sans robe this time? MATT: No. Don't give them ideas. LIAM: You want sherry or schnapps? Or what do you want?
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MATT: Oh, we're going port again. That was a good night. We've got that coming up. We're getting a new stretch goal. If we hit 50K in the two next weeks, Marisha will be GMing another Honey Heist game. Super excited for that because that was a lot of fun.
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Dialogue context: MATT: No. Don't give them ideas. LIAM: You want sherry or schnapps? Or what do you want? MATT: Oh, we're going port again. That was a good night. We've got that coming up. We're getting a new stretch goal. If we hit 50K in the two next weeks, Marisha will be GMing another Honey Heist game. Super excited for that because that was a lot of fun.
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MARISHA: (singing) The bears are back in town!
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Dialogue context: LIAM: You want sherry or schnapps? Or what do you want? MATT: Oh, we're going port again. That was a good night. We've got that coming up. We're getting a new stretch goal. If we hit 50K in the two next weeks, Marisha will be GMing another Honey Heist game. Super excited for that because that was a lot of fun. MARISHA: (singing) The bears are back in town!
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LAURA: Maybe we can play this time.
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Dialogue context: MATT: Oh, we're going port again. That was a good night. We've got that coming up. We're getting a new stretch goal. If we hit 50K in the two next weeks, Marisha will be GMing another Honey Heist game. Super excited for that because that was a lot of fun. MARISHA: (singing) The bears are back in town! LAURA: Maybe we can play this time.
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MATT: Yes, because you guys were out of town last time. That'd be perfect. Remember, if you guys help donate to 826, who are a fantastic organization, our gracious critter, Mark, has matched the donations and has offered to match up to 50K now.
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Dialogue context: MARISHA: (singing) The bears are back in town! LAURA: Maybe we can play this time. MATT: Yes, because you guys were out of town last time. That'd be perfect. Remember, if you guys help donate to 826, who are a fantastic organization, our gracious critter, Mark, has matched the donations and has offered to match up to 50K now.
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SAM: What?! No! That's too much!
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Dialogue context: LAURA: Maybe we can play this time. MATT: Yes, because you guys were out of town last time. That'd be perfect. Remember, if you guys help donate to 826, who are a fantastic organization, our gracious critter, Mark, has matched the donations and has offered to match up to 50K now. SAM: What?! No! That's too much!
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MATT: If we can get 50K, that's 100K that we as a community have raised for this fantastic organization. You guys are amazing! Keep being amazing. Be sure to check with your employer to see if they offer a charity matching program as well, because that's another cool way you can get double bang for your buck to help out with charity organizations, too. Thank you so much, guys, for being awesome. Critical Recap just came out for last week's episode. If you haven't checked that out yet, you should've before this episode started! If you missed that and didn't watch last week's episode, you'll be very confused. If you have a friend who's behind and wants to catch up with the live stream, Critical Recap is a great way to get them caught up really quickly so they're not spoiled. Then they can go back and trudge through the previous episodes in a lengthy format. Talks Machina is every Tuesday at 7:00pm Pacific time, where our fantastic host, Brian W. Foster, talks about the previous episode. Next week will be this episode of Critical Role with a few guests from the show to come there and talk about what randomness happened in our brain tonight. Check that out. Podcast of last week's episode is available where all fine podcasts are available for download. To remind you, because it's been a few weeks, I'll be at Otafest at Calgary May 18th to 20th. Not that far from now, just a few weeks. Be seeing some of you Canadian folks. I'll be at A-Kon in Texas June 7th to 10th, so look forward to seeing you guys there. I think, unless there's anything else I missed, that's all the announcements we have in log.
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Dialogue context: MATT: Yes, because you guys were out of town last time. That'd be perfect. Remember, if you guys help donate to 826, who are a fantastic organization, our gracious critter, Mark, has matched the donations and has offered to match up to 50K now. SAM: What?! No! That's too much! MATT: If we can get 50K, that's 100K that we as a community have raised for this fantastic organization. You guys are amazing! Keep being amazing. Be sure to check with your employer to see if they offer a charity matching program as well, because that's another cool way you can get double bang for your buck to help out with charity organizations, too. Thank you so much, guys, for being awesome. Critical Recap just came out for last week's episode. If you haven't checked that out yet, you should've before this episode started! If you missed that and didn't watch last week's episode, you'll be very confused. If you have a friend who's behind and wants to catch up with the live stream, Critical Recap is a great way to get them caught up really quickly so they're not spoiled. Then they can go back and trudge through the previous episodes in a lengthy format. Talks Machina is every Tuesday at 7:00pm Pacific time, where our fantastic host, Brian W. Foster, talks about the previous episode. Next week will be this episode of Critical Role with a few guests from the show to come there and talk about what randomness happened in our brain tonight. Check that out. Podcast of last week's episode is available where all fine podcasts are available for download. To remind you, because it's been a few weeks, I'll be at Otafest at Calgary May 18th to 20th. Not that far from now, just a few weeks. Be seeing some of you Canadian folks. I'll be at A-Kon in Texas June 7th to 10th, so look forward to seeing you guys there. I think, unless there's anything else I missed, that's all the announcements we have in log.
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LIAM: My gosh, you've got a lot going on these days.
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Dialogue context: SAM: What?! No! That's too much! MATT: If we can get 50K, that's 100K that we as a community have raised for this fantastic organization. You guys are amazing! Keep being amazing. Be sure to check with your employer to see if they offer a charity matching program as well, because that's another cool way you can get double bang for your buck to help out with charity organizations, too. Thank you so much, guys, for being awesome. Critical Recap just came out for last week's episode. If you haven't checked that out yet, you should've before this episode started! If you missed that and didn't watch last week's episode, you'll be very confused. If you have a friend who's behind and wants to catch up with the live stream, Critical Recap is a great way to get them caught up really quickly so they're not spoiled. Then they can go back and trudge through the previous episodes in a lengthy format. Talks Machina is every Tuesday at 7:00pm Pacific time, where our fantastic host, Brian W. Foster, talks about the previous episode. Next week will be this episode of Critical Role with a few guests from the show to come there and talk about what randomness happened in our brain tonight. Check that out. Podcast of last week's episode is available where all fine podcasts are available for download. To remind you, because it's been a few weeks, I'll be at Otafest at Calgary May 18th to 20th. Not that far from now, just a few weeks. Be seeing some of you Canadian folks. I'll be at A-Kon in Texas June 7th to 10th, so look forward to seeing you guys there. I think, unless there's anything else I missed, that's all the announcements we have in log. LIAM: My gosh, you've got a lot going on these days.
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MATT: I know. It's all sorts of crazy, let me tell you. It's a lot. On that note, folks, let's go ahead and dive into tonight's episode of Critical Role. [click, TV static] [groovy Critical Role theme]
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Dialogue context: MATT: If we can get 50K, that's 100K that we as a community have raised for this fantastic organization. You guys are amazing! Keep being amazing. Be sure to check with your employer to see if they offer a charity matching program as well, because that's another cool way you can get double bang for your buck to help out with charity organizations, too. Thank you so much, guys, for being awesome. Critical Recap just came out for last week's episode. If you haven't checked that out yet, you should've before this episode started! If you missed that and didn't watch last week's episode, you'll be very confused. If you have a friend who's behind and wants to catch up with the live stream, Critical Recap is a great way to get them caught up really quickly so they're not spoiled. Then they can go back and trudge through the previous episodes in a lengthy format. Talks Machina is every Tuesday at 7:00pm Pacific time, where our fantastic host, Brian W. Foster, talks about the previous episode. Next week will be this episode of Critical Role with a few guests from the show to come there and talk about what randomness happened in our brain tonight. Check that out. Podcast of last week's episode is available where all fine podcasts are available for download. To remind you, because it's been a few weeks, I'll be at Otafest at Calgary May 18th to 20th. Not that far from now, just a few weeks. Be seeing some of you Canadian folks. I'll be at A-Kon in Texas June 7th to 10th, so look forward to seeing you guys there. I think, unless there's anything else I missed, that's all the announcements we have in log. LIAM: My gosh, you've got a lot going on these days. MATT: I know. It's all sorts of crazy, let me tell you. It's a lot. On that note, folks, let's go ahead and dive into tonight's episode of Critical Role. [click, TV static] [groovy Critical Role theme]
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MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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Dialogue context: LIAM: My gosh, you've got a lot going on these days. MATT: I know. It's all sorts of crazy, let me tell you. It's a lot. On that note, folks, let's go ahead and dive into tonight's episode of Critical Role. [click, TV static] [groovy Critical Role theme] MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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Dialogue context: MATT: I know. It's all sorts of crazy, let me tell you. It's a lot. On that note, folks, let's go ahead and dive into tonight's episode of Critical Role. [click, TV static] [groovy Critical Role theme] MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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Dialogue context: MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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Dialogue context: MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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Dialogue context: MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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Dialogue context: MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly.
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LAURA: He keeps saying seemingly! He keeps saying that!
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Dialogue context: MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. LAURA: He keeps saying seemingly! He keeps saying that!
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MATT: I keep saying that because you weren't there to confirm! I don't want to say that it happened because the mystery's fun. You were brought down through the tunnels to the Underworks, towards an underground dock, where the river that exited to the northeast towards Berleben was. You loaded up on boats to make your way towards a recently uncovered but barely explored underground research facility, long buried. The Gentleman asked you to enter it, see what you found, clear it out if possible, and return. As you made your way down there, assailed by a few of the creatures that existed in that tunnel, you found the exterior of this research facility, broke your way in, began to meander around and discover strange mysteries afoot in its construction. The urns throughout the vicinity, the strange wisps of spiritual energy came to assault you in the process. Bypassing traps, mostly, kind of.
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Dialogue context: MATT: Welcome back, everyone. Last we left off The Mighty Nein, after being in proximity to some sort of an assault from Xhorhasian operatives in the city of Zadash here in the center of the Empire, they found themselves also caught up in a murder of the High-Richter in the city. They pulled away and realized there was a manhunt for individuals that were seemingly seen in connection to this murder. As this was transpiring, they had to smuggle out some allies they had found and had been working with, Dolan and Horris. Dolan, part of this whole deal was to get him involved in the local politics. Horris needed to be smuggled out for safety in case they got caught. You made your way to the Evening Nip, met up with Yasha. Down there, you had a conversation with this individual called The Gentleman. You made a deal. You've decided to trust each other on this endeavor and basically do a quid pro quo. A little favor to one, favor for the other and see if this is a business relationship you would want to develop. In doing so, Horris was smuggled out of the city. Safely, seemingly. LAURA: He keeps saying seemingly! He keeps saying that! MATT: I keep saying that because you weren't there to confirm! I don't want to say that it happened because the mystery's fun. You were brought down through the tunnels to the Underworks, towards an underground dock, where the river that exited to the northeast towards Berleben was. You loaded up on boats to make your way towards a recently uncovered but barely explored underground research facility, long buried. The Gentleman asked you to enter it, see what you found, clear it out if possible, and return. As you made your way down there, assailed by a few of the creatures that existed in that tunnel, you found the exterior of this research facility, broke your way in, began to meander around and discover strange mysteries afoot in its construction. The urns throughout the vicinity, the strange wisps of spiritual energy came to assault you in the process. Bypassing traps, mostly, kind of.
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MATT: I keep saying that because you weren't there to confirm! I don't want to say that it happened because the mystery's fun. You were brought down through the tunnels to the Underworks, towards an underground dock, where the river that exited to the northeast towards Berleben was. You loaded up on boats to make your way towards a recently uncovered but barely explored underground research facility, long buried. The Gentleman asked you to enter it, see what you found, clear it out if possible, and return. As you made your way down there, assailed by a few of the creatures that existed in that tunnel, you found the exterior of this research facility, broke your way in, began to meander around and discover strange mysteries afoot in its construction. The urns throughout the vicinity, the strange wisps of spiritual energy came to assault you in the process. Bypassing traps, mostly, kind of.
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Dialogue context: LAURA: He keeps saying seemingly! He keeps saying that! MATT: I keep saying that because you weren't there to confirm! I don't want to say that it happened because the mystery's fun. You were brought down through the tunnels to the Underworks, towards an underground dock, where the river that exited to the northeast towards Berleben was. You loaded up on boats to make your way towards a recently uncovered but barely explored underground research facility, long buried. The Gentleman asked you to enter it, see what you found, clear it out if possible, and return. As you made your way down there, assailed by a few of the creatures that existed in that tunnel, you found the exterior of this research facility, broke your way in, began to meander around and discover strange mysteries afoot in its construction. The urns throughout the vicinity, the strange wisps of spiritual energy came to assault you in the process. Bypassing traps, mostly, kind of. MATT: I keep saying that because you weren't there to confirm! I don't want to say that it happened because the mystery's fun. You were brought down through the tunnels to the Underworks, towards an underground dock, where the river that exited to the northeast towards Berleben was. You loaded up on boats to make your way towards a recently uncovered but barely explored underground research facility, long buried. The Gentleman asked you to enter it, see what you found, clear it out if possible, and return. As you made your way down there, assailed by a few of the creatures that existed in that tunnel, you found the exterior of this research facility, broke your way in, began to meander around and discover strange mysteries afoot in its construction. The urns throughout the vicinity, the strange wisps of spiritual energy came to assault you in the process. Bypassing traps, mostly, kind of.
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TRAVIS: Or not at all.
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Dialogue context: MATT: I keep saying that because you weren't there to confirm! I don't want to say that it happened because the mystery's fun. You were brought down through the tunnels to the Underworks, towards an underground dock, where the river that exited to the northeast towards Berleben was. You loaded up on boats to make your way towards a recently uncovered but barely explored underground research facility, long buried. The Gentleman asked you to enter it, see what you found, clear it out if possible, and return. As you made your way down there, assailed by a few of the creatures that existed in that tunnel, you found the exterior of this research facility, broke your way in, began to meander around and discover strange mysteries afoot in its construction. The urns throughout the vicinity, the strange wisps of spiritual energy came to assault you in the process. Bypassing traps, mostly, kind of. MATT: I keep saying that because you weren't there to confirm! I don't want to say that it happened because the mystery's fun. You were brought down through the tunnels to the Underworks, towards an underground dock, where the river that exited to the northeast towards Berleben was. You loaded up on boats to make your way towards a recently uncovered but barely explored underground research facility, long buried. The Gentleman asked you to enter it, see what you found, clear it out if possible, and return. As you made your way down there, assailed by a few of the creatures that existed in that tunnel, you found the exterior of this research facility, broke your way in, began to meander around and discover strange mysteries afoot in its construction. The urns throughout the vicinity, the strange wisps of spiritual energy came to assault you in the process. Bypassing traps, mostly, kind of. TRAVIS: Or not at all.
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MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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Dialogue context: MATT: I keep saying that because you weren't there to confirm! I don't want to say that it happened because the mystery's fun. You were brought down through the tunnels to the Underworks, towards an underground dock, where the river that exited to the northeast towards Berleben was. You loaded up on boats to make your way towards a recently uncovered but barely explored underground research facility, long buried. The Gentleman asked you to enter it, see what you found, clear it out if possible, and return. As you made your way down there, assailed by a few of the creatures that existed in that tunnel, you found the exterior of this research facility, broke your way in, began to meander around and discover strange mysteries afoot in its construction. The urns throughout the vicinity, the strange wisps of spiritual energy came to assault you in the process. Bypassing traps, mostly, kind of. TRAVIS: Or not at all. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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Dialogue context: TRAVIS: Or not at all. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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Dialogue context: MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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Dialogue context: MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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Dialogue context: MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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Dialogue context: MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off.
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LAURA: That's right. We marked our places on the map, where we left last time.
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Dialogue context: MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. LAURA: That's right. We marked our places on the map, where we left last time.
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SAM: We did? I was very intoxicated.
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Dialogue context: MATT: Completing the mystery of the strange arcane runes in the ceiling and the schools of magic that they seemed connected to, found your way into some sort of a secret study or den, where there were research tables set up, and a mostly empty bookshelf, braziers filled with ash to the side between pillars, two small chambers where these cages with tight knit bars remained, containing urns and empty nooses hanging above. These urns filled with ash. You began to look throughout the room. You found a sword across the upper ceiling, an ornamental blade of some kind. You recovered a book of notes and began to read through to get a feel for the person, the entity that seemed to have written what remained of these pages. Around this time, the wind began to pick up in the center of the chamber, as this darkened figure began to rise out of the stonework. This large, tattered cloak of a figure, spreading, whipping around like this sudden wind is tossing aside sails of a dark ship. This semi-skeletal ghostly face of material began to emerge from it. Its voice slowly hissing out, "My secrets are yours." You saw small glows begin to emerge from the ash and to the urns nearest the two of you. That, my friends, is where we last left off. LAURA: That's right. We marked our places on the map, where we left last time. SAM: We did? I was very intoxicated.
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MATT: As this thing emerges here, it doesn't seem to, at the moment, make any sort of aggressive maneuver. What do you do?
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Dialogue context: LAURA: That's right. We marked our places on the map, where we left last time. SAM: We did? I was very intoxicated. MATT: As this thing emerges here, it doesn't seem to, at the moment, make any sort of aggressive maneuver. What do you do?
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LIAM: Does it have any legs?
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Dialogue context: SAM: We did? I was very intoxicated. MATT: As this thing emerges here, it doesn't seem to, at the moment, make any sort of aggressive maneuver. What do you do? LIAM: Does it have any legs?
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MATT: Imagine a figure that is wrapped in four or five layers of robes, and the robes have been shredded out, all these moving tendrils of cloth and black shadow energy that are spinning around in places. Its center chin and body are stationary. The bottom half of its body seems to taper into nothingness, disappearing into cloth and ever-shifting and whipping material at the base.
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Dialogue context: MATT: As this thing emerges here, it doesn't seem to, at the moment, make any sort of aggressive maneuver. What do you do? LIAM: Does it have any legs? MATT: Imagine a figure that is wrapped in four or five layers of robes, and the robes have been shredded out, all these moving tendrils of cloth and black shadow energy that are spinning around in places. Its center chin and body are stationary. The bottom half of its body seems to taper into nothingness, disappearing into cloth and ever-shifting and whipping material at the base.
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LAURA: Are you Siff?
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Dialogue context: LIAM: Does it have any legs? MATT: Imagine a figure that is wrapped in four or five layers of robes, and the robes have been shredded out, all these moving tendrils of cloth and black shadow energy that are spinning around in places. Its center chin and body are stationary. The bottom half of its body seems to taper into nothingness, disappearing into cloth and ever-shifting and whipping material at the base. LAURA: Are you Siff?
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MATT: The head turns over and locks onto Jester. Doesn't answer.
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Dialogue context: MATT: Imagine a figure that is wrapped in four or five layers of robes, and the robes have been shredded out, all these moving tendrils of cloth and black shadow energy that are spinning around in places. Its center chin and body are stationary. The bottom half of its body seems to taper into nothingness, disappearing into cloth and ever-shifting and whipping material at the base. LAURA: Are you Siff? MATT: The head turns over and locks onto Jester. Doesn't answer.
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MARISHA: He said he wants to tell us secrets or something. I like secrets.
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Dialogue context: LAURA: Are you Siff? MATT: The head turns over and locks onto Jester. Doesn't answer. MARISHA: He said he wants to tell us secrets or something. I like secrets.
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LAURA: Secrets are fun.
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Dialogue context: MATT: The head turns over and locks onto Jester. Doesn't answer. MARISHA: He said he wants to tell us secrets or something. I like secrets. LAURA: Secrets are fun.
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MARISHA: Yeah. Secrets make friends.
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Dialogue context: MARISHA: He said he wants to tell us secrets or something. I like secrets. LAURA: Secrets are fun. MARISHA: Yeah. Secrets make friends.
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MATT: (moaning) Glides slowly in your direction.
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Dialogue context: LAURA: Secrets are fun. MARISHA: Yeah. Secrets make friends. MATT: (moaning) Glides slowly in your direction.
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SAM: Give him something. Information, news, something.
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Dialogue context: MARISHA: Yeah. Secrets make friends. MATT: (moaning) Glides slowly in your direction. SAM: Give him something. Information, news, something.
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LAURA: I have a secret for you! Did you know that in Nicodranas the pastries are made with cinnamon and here they're not? (laughter)
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Dialogue context: MATT: (moaning) Glides slowly in your direction. SAM: Give him something. Information, news, something. LAURA: I have a secret for you! Did you know that in Nicodranas the pastries are made with cinnamon and here they're not? (laughter)
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MATT: There's a brief moment where the entity's head, much like a young puppy confused by a rattling sound in the distance, (snapping) in Jester's direction, "A secret for trade."
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Dialogue context: SAM: Give him something. Information, news, something. LAURA: I have a secret for you! Did you know that in Nicodranas the pastries are made with cinnamon and here they're not? (laughter) MATT: There's a brief moment where the entity's head, much like a young puppy confused by a rattling sound in the distance, (snapping) in Jester's direction, "A secret for trade."
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MARISHA: For trade, what does that mean?
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Dialogue context: LAURA: I have a secret for you! Did you know that in Nicodranas the pastries are made with cinnamon and here they're not? (laughter) MATT: There's a brief moment where the entity's head, much like a young puppy confused by a rattling sound in the distance, (snapping) in Jester's direction, "A secret for trade." MARISHA: For trade, what does that mean?
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MATT: You know what? I'm going to pull the battle map.
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Dialogue context: MATT: There's a brief moment where the entity's head, much like a young puppy confused by a rattling sound in the distance, (snapping) in Jester's direction, "A secret for trade." MARISHA: For trade, what does that mean? MATT: You know what? I'm going to pull the battle map.
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LAURA: Oh no!
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Dialogue context: MARISHA: For trade, what does that mean? MATT: You know what? I'm going to pull the battle map. LAURA: Oh no!
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SAM: Cinnamon was his most hated spice!
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Dialogue context: MATT: You know what? I'm going to pull the battle map. LAURA: Oh no! SAM: Cinnamon was his most hated spice!
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LAURA: I gave him a secret!
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Dialogue context: LAURA: Oh no! SAM: Cinnamon was his most hated spice! LAURA: I gave him a secret!
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SAM: He fucking hates cinnamon!
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Dialogue context: SAM: Cinnamon was his most hated spice! LAURA: I gave him a secret! SAM: He fucking hates cinnamon!
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LAURA: Oh no! I thought I was helping.
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Dialogue context: LAURA: I gave him a secret! SAM: He fucking hates cinnamon! LAURA: Oh no! I thought I was helping.
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ASHLEY: You were. You did great.
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Dialogue context: SAM: He fucking hates cinnamon! LAURA: Oh no! I thought I was helping. ASHLEY: You were. You did great.
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MATT: He's drifted up to that point there.
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Dialogue context: LAURA: Oh no! I thought I was helping. ASHLEY: You were. You did great. MATT: He's drifted up to that point there.
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LAURA: He's in the teleportation circle.
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Dialogue context: ASHLEY: You were. You did great. MATT: He's drifted up to that point there. LAURA: He's in the teleportation circle.
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SAM: Ashley, even you don't believe that.
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Dialogue context: MATT: He's drifted up to that point there. LAURA: He's in the teleportation circle. SAM: Ashley, even you don't believe that.
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MATT: As you guys are preparing here, the whispers begin to slowly spill out of its face, voices spreading out. I need Jester, Yasha, and Beau to all make a wisdom saving throw, please.
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Dialogue context: LAURA: He's in the teleportation circle. SAM: Ashley, even you don't believe that. MATT: As you guys are preparing here, the whispers begin to slowly spill out of its face, voices spreading out. I need Jester, Yasha, and Beau to all make a wisdom saving throw, please.
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TALIESIN: My clay pot is glowing?
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Dialogue context: SAM: Ashley, even you don't believe that. MATT: As you guys are preparing here, the whispers begin to slowly spill out of its face, voices spreading out. I need Jester, Yasha, and Beau to all make a wisdom saving throw, please. TALIESIN: My clay pot is glowing?
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MATT: Yes.
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Dialogue context: MATT: As you guys are preparing here, the whispers begin to slowly spill out of its face, voices spreading out. I need Jester, Yasha, and Beau to all make a wisdom saving throw, please. TALIESIN: My clay pot is glowing? MATT: Yes.
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MARISHA: Nine.
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Dialogue context: TALIESIN: My clay pot is glowing? MATT: Yes. MARISHA: Nine.
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LAURA: 15.
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Dialogue context: MATT: Yes. MARISHA: Nine. LAURA: 15.
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ASHLEY: 14.
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Dialogue context: MARISHA: Nine. LAURA: 15. ASHLEY: 14.
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MATT: Both of you succeed actually.
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Dialogue context: LAURA: 15. ASHLEY: 14. MATT: Both of you succeed actually.
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MARISHA: Tell me something cool!
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Dialogue context: ASHLEY: 14. MATT: Both of you succeed actually. MARISHA: Tell me something cool!
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MATT: The secrets begin to penetrate your ears. You close off your consciousness and put your hands up to close the space. They don't seem to penetrate your mind. Beau, however, these words start shooting into your brain. You feel for a moment your grasp on reality begin to slip. Suddenly, the world begins to spin. You feel yourself assaulted from all angles. You see flashes of ancient warfare, of giant columns of fire crashing from the cosmos. You spin your staff around retroactively. I need you to make an attack against Yasha, please.
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Dialogue context: MATT: Both of you succeed actually. MARISHA: Tell me something cool! MATT: The secrets begin to penetrate your ears. You close off your consciousness and put your hands up to close the space. They don't seem to penetrate your mind. Beau, however, these words start shooting into your brain. You feel for a moment your grasp on reality begin to slip. Suddenly, the world begins to spin. You feel yourself assaulted from all angles. You see flashes of ancient warfare, of giant columns of fire crashing from the cosmos. You spin your staff around retroactively. I need you to make an attack against Yasha, please.
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MARISHA: I'm sorry, boo! It's not good, an 11.
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Dialogue context: MARISHA: Tell me something cool! MATT: The secrets begin to penetrate your ears. You close off your consciousness and put your hands up to close the space. They don't seem to penetrate your mind. Beau, however, these words start shooting into your brain. You feel for a moment your grasp on reality begin to slip. Suddenly, the world begins to spin. You feel yourself assaulted from all angles. You see flashes of ancient warfare, of giant columns of fire crashing from the cosmos. You spin your staff around retroactively. I need you to make an attack against Yasha, please. MARISHA: I'm sorry, boo! It's not good, an 11.
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MATT: What's your armor class?
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